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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #899FE6 it is the complementary color #766019. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #899FE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #899FE6 shade: #8E9FE1, #9FB1F4, #B0C3FF, #C1D5FF and #D2E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #899FE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #899FE6 shade: #899FE6, #788DD3, #677BC0, #5669AD and #45579A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #899FE6 shade: #899FE6, #8C89E6, #A589E6, #BE89E6 and #D789E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #899FE6 shade: #899FE6 and #8989E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #899FE6 shade matches the following richer shades: #899FE6, #7D99F1 and #7292FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #899FE6 shade: #899FE6, #94A5DA, #A0ABCE, #ABB1C3 and #B7B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #899FE6 shade: #89D1E6, #89B9E6, #89A0E6, #8A89E6 and #A389E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #899FE6 shade: #4567D7, #6783DE, #899FE6, #ABBAED and #CDD6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #899FE6 shade: #899FE6, #E189E6 and #C5E689

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #899FE6 shade: #899FE6, #E689A0 and #A0E689

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #899FE6 shade: #899FE6, #E189E6, #E6CE89 and #8DE689

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #899FE6 shade: #899FE6, #E689CE, #E6CE89 and #89E6A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

Complementary color

CMYK 0 / 19 / 79 / 54

HEX #766019

RGB 118 96 25

HSL 45.81, 0.65%, 0.28%

LAB 41.67, 1.06, 41.34

 

CMYK 37 / 29 / 0 / 12

HEX #8E9FE1

RGB 142 159 225

HSL 227.71, 0.58%, 0.72%

LAB 66.51, 9.92, -35.33

 

CMYK 35 / 27 / 0 / 4

HEX #9FB1F4

RGB 159 177 244

HSL 227.29, 0.79%, 0.79%

LAB 73.12, 9.42, -35.35

 

CMYK 31 / 24 / 0 / 0

HEX #B0C3FF

RGB 176 195 255

HSL 225.57, 1%, 0.85%

LAB 79.32, 6.99, -31.6

 

CMYK 24 / 16 / 0 / 0

HEX #C1D5FF

RGB 193 213 255

HSL 220.65, 1%, 0.88%

LAB 85.07, 2.22, -22.71

 

CMYK 18 / 9 / 0 / 0

HEX #D2E7FF

RGB 210 231 255

HSL 212, 1%, 0.91%

LAB 90.81, -2.08, -13.95

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 43 / 33 / 0 / 17

HEX #788DD3

RGB 120 141 211

HSL 226.15, 0.51%, 0.65%

LAB 59.66, 10.6, -38.35

 

CMYK 46 / 36 / 0 / 25

HEX #677BC0

RGB 103 123 192

HSL 226.52, 0.41%, 0.58%

LAB 52.79, 11.37, -38.45

 

CMYK 50 / 39 / 0 / 32

HEX #5669AD

RGB 86 105 173

HSL 226.9, 0.35%, 0.51%

LAB 45.77, 12.29, -38.61

 

CMYK 55 / 44 / 0 / 40

HEX #45579A

RGB 69 87 154

HSL 227.29, 0.38%, 0.44%

LAB 38.58, 13.45, -38.83

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 39 / 40 / 0 / 10

HEX #8C89E6

RGB 140 137 230

HSL 241.94, 0.65%, 0.72%

LAB 60.94, 23.45, -46.83

 

CMYK 28 / 40 / 0 / 10

HEX #A589E6

RGB 165 137 230

HSL 258.06, 0.65%, 0.72%

LAB 63.01, 30.16, -43.42

 

CMYK 17 / 40 / 0 / 10

HEX #BE89E6

RGB 190 137 230

HSL 274.19, 0.65%, 0.72%

LAB 65.4, 37.29, -39.52

 

CMYK 7 / 40 / 0 / 10

HEX #D789E6

RGB 215 137 230

HSL 290.32, 0.65%, 0.72%

LAB 68.06, 44.65, -35.17

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 40 / 40 / 0 / 10

HEX #8989E6

RGB 137 137 230

HSL 240, 0.65%, 0.72%

LAB 60.71, 22.68, -47.21

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 48 / 37 / 0 / 5

HEX #7D99F1

RGB 125 153 241

HSL 225.52, 0.81%, 0.72%

LAB 64.56, 13.61, -47.26

 

CMYK 55 / 42 / 0 / 1

HEX #7292FD

RGB 114 146 253

HSL 226.19, 0.97%, 0.72%

LAB 62.7, 18.99, -56.83

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 32 / 24 / 0 / 15

HEX #94A5DA

RGB 148 165 218

HSL 225.43, 0.49%, 0.72%

LAB 68.22, 6.37, -28.79

 

CMYK 22 / 17 / 0 / 19

HEX #A0ABCE

RGB 160 171 206

HSL 225.65, 0.32%, 0.72%

LAB 70.21, 3.7, -19.06

 

CMYK 12 / 9 / 0 / 24

HEX #ABB1C3

RGB 171 177 195

HSL 225, 0.17%, 0.72%

LAB 72.26, 1.53, -9.86

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 40 / 9 / 0 / 10

HEX #89D1E6

RGB 137 209 230

HSL 193.55, 0.65%, 0.72%

LAB 79.97, -17.17, -17.45

 

CMYK 40 / 20 / 0 / 10

HEX #89B9E6

RGB 137 185 230

HSL 209.03, 0.65%, 0.72%

LAB 73.37, -4.53, -27.49

 

CMYK 40 / 30 / 0 / 10

HEX #89A0E6

RGB 137 160 230

HSL 225.16, 0.65%, 0.72%

LAB 66.65, 9.38, -37.88

 

CMYK 40 / 40 / 0 / 10

HEX #8A89E6

RGB 138 137 230

HSL 240.65, 0.65%, 0.72%

LAB 60.79, 22.94, -47.08

 

CMYK 29 / 40 / 0 / 10

HEX #A389E6

RGB 163 137 230

HSL 256.77, 0.65%, 0.72%

LAB 62.84, 29.6, -43.72

 

CMYK 68 / 52 / 0 / 16

HEX #4567D7

RGB 69 103 215

HSL 226.03, 0.65%, 0.56%

LAB 46.81, 24.53, -61.25

 

CMYK 54 / 41 / 0 / 13

HEX #6783DE

RGB 103 131 222

HSL 225.88, 0.64%, 0.64%

LAB 56.48, 15.86, -49.6

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 28 / 22 / 0 / 7

HEX #ABBAED

RGB 171 186 237

HSL 226.36, 0.65%, 0.8%

LAB 76, 6.1, -27.06

 

CMYK 16 / 12 / 0 / 4

HEX #CDD6F4

RGB 205 214 244

HSL 226.15, 0.64%, 0.88%

LAB 85.81, 2.93, -15.7

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 2 / 40 / 0 / 10

HEX #E189E6

RGB 225 137 230

HSL 296.77, 0.65%, 0.72%

LAB 69.19, 47.62, -33.32

 

CMYK 14 / 0 / 40 / 10

HEX #C5E689

RGB 197 230 137

HSL 81.29, 0.65%, 0.72%

LAB 87.13, -25.76, 41.74

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 0 / 40 / 30 / 10

HEX #E689A0

RGB 230 137 160

HSL 345.16, 0.65%, 0.72%

LAB 67.47, 38.19, 3.19

 

CMYK 30 / 0 / 40 / 10

HEX #A0E689

RGB 160 230 137

HSL 105.16, 0.65%, 0.72%

LAB 84.93, -38.8, 38.48

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 2 / 40 / 0 / 10

HEX #E189E6

RGB 225 137 230

HSL 296.77, 0.65%, 0.72%

LAB 69.19, 47.62, -33.32

 

CMYK 0 / 10 / 40 / 10

HEX #E6CE89

RGB 230 206 137

HSL 44.52, 0.65%, 0.72%

LAB 83.32, -1.06, 37.36

 

CMYK 39 / 0 / 40 / 10

HEX #8DE689

RGB 141 230 137

HSL 117.42, 0.65%, 0.72%

LAB 84, -44.83, 37.09

 

CMYK 40 / 31 / 0 / 10

HEX #899FE6

RGB 137 159 230

HSL 225.81, 0.65%, 0.72%

LAB 66.39, 9.95, -38.29

 

CMYK 0 / 40 / 10 / 10

HEX #E689CE

RGB 230 137 206

HSL 315.48, 0.65%, 0.72%

LAB 68.87, 44.98, -20.48

 

CMYK 0 / 10 / 40 / 10

HEX #E6CE89

RGB 230 206 137

HSL 44.52, 0.65%, 0.72%

LAB 83.32, -1.06, 37.36

 

CMYK 40 / 0 / 30 / 10

HEX #89E6A0

RGB 137 230 160

HSL 134.84, 0.65%, 0.72%

LAB 84.2, -42.32, 25.65

 

Description

Color code: HEX #899FE6 | qconv.com Color code: HEX #899FE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 159 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 159 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 31 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 31% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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