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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #899AD2 it is the complementary color #76652D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #899AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #899AD2 shade: #8E9ACD, #9FACE0, #B0BEF3, #C1D0FF and #D2E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #899AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #899AD2 shade: #899AD2, #7888BF, #6776AC, #566499 and #455286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #899AD2 shade: #8899D2, #8B88D2, #9F88D2, #B288D2 and #C688D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #899AD2 shade: #8899D2 and #8888D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #899AD2 shade matches the following richer shades: #8899D2, #7B92DF, #6E8BEC and #6184F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #899AD2 shade: #8899D2, #95A0C4, #A3A7B7, #B0AEAA and #BDB59D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #899AD2 shade: #88C0D2, #88ADD2, #8899D2, #8B88D2 and #9E88D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #899AD2 shade: #4C66BB, #6A80C6, #8899D2, #A6B3DD and #C4CCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #899AD2 shade: #899AD2, #CF88D2 and #B7D288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #899AD2 shade: #899AD2, #D28899 and #99D288

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #899AD2 shade: #899AD2, #CF88D2, #D2C088 and #8BD288

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #899AD2 shade: #899AD2, #D288BE, #D2C088 and #88D29C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 27 / 0 / 18

HEX #899AD2

RGB 137 154 210

HSL 226.03, 0.45%, 0.68%

LAB 64.23, 7.4, -30.59

 

Complementary color

CMYK 0 / 14 / 62 / 54

HEX #76652D

RGB 118 101 45

HSL 46.03, 0.45%, 0.32%

LAB 43.28, -0.6, 33.61

 

CMYK 31 / 25 / 0 / 20

HEX #8E9ACD

RGB 142 154 205

HSL 228.57, 0.39%, 0.68%

LAB 64.38, 7.54, -27.54

 

CMYK 29 / 23 / 0 / 12

HEX #9FACE0

RGB 159 172 224

HSL 228, 0.51%, 0.75%

LAB 71.05, 7.15, -27.67

 

CMYK 28 / 22 / 0 / 5

HEX #B0BEF3

RGB 176 190 243

HSL 227.46, 0.74%, 0.82%

LAB 77.6, 6.8, -27.82

 

CMYK 24 / 18 / 0 / 0

HEX #C1D0FF

RGB 193 208 255

HSL 225.48, 1%, 0.88%

LAB 83.79, 4.88, -24.65

 

CMYK 18 / 11 / 0 / 0

HEX #D2E2FF

RGB 210 226 255

HSL 218.67, 1%, 0.91%

LAB 89.54, 0.51, -15.85

 

CMYK 35 / 27 / 0 / 18

HEX #899AD2

RGB 137 154 210

HSL 226.03, 0.45%, 0.68%

LAB 64.23, 7.4, -30.59

 

CMYK 37 / 29 / 0 / 25

HEX #7888BF

RGB 120 136 191

HSL 226.48, 0.36%, 0.61%

LAB 57.43, 7.89, -30.55

 

CMYK 40 / 31 / 0 / 33

HEX #6776AC

RGB 103 118 172

HSL 226.96, 0.29%, 0.54%

LAB 50.47, 8.46, -30.55

 

CMYK 44 / 35 / 0 / 40

HEX #566499

RGB 86 100 153

HSL 227.46, 0.28%, 0.47%

LAB 43.35, 9.15, -30.61

 

CMYK 49 / 39 / 0 / 47

HEX #455286

RGB 69 82 134

HSL 228, 0.32%, 0.4%

LAB 36.02, 10.01, -30.75

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 34 / 35 / 0 / 18

HEX #8B88D2

RGB 139 136 210

HSL 242.43, 0.45%, 0.68%

LAB 59.66, 18.35, -37.68

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 15 / 35 / 0 / 18

HEX #B288D2

RGB 178 136 210

HSL 274.05, 0.45%, 0.68%

LAB 63.12, 29.88, -32.04

 

CMYK 6 / 35 / 0 / 18

HEX #C688D2

RGB 198 136 210

HSL 290.27, 0.45%, 0.68%

LAB 65.17, 36.1, -28.69

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 35 / 35 / 0 / 18

HEX #8888D2

RGB 136 136 210

HSL 240, 0.45%, 0.68%

LAB 59.43, 17.52, -38.06

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 45 / 35 / 0 / 13

HEX #7B92DF

RGB 123 146 223

HSL 226.2, 0.61%, 0.68%

LAB 61.74, 11.91, -41.77

 

CMYK 53 / 41 / 0 / 7

HEX #6E8BEC

RGB 110 139 236

HSL 226.19, 0.77%, 0.68%

LAB 59.74, 16.98, -52.19

 

CMYK 61 / 47 / 0 / 2

HEX #6184F9

RGB 97 132 249

HSL 226.18, 0.93%, 0.68%

LAB 57.93, 22.84, -62.32

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 24 / 18 / 0 / 23

HEX #95A0C4

RGB 149 160 196

HSL 225.96, 0.28%, 0.68%

LAB 66.15, 4.05, -19.78

 

CMYK 11 / 9 / 0 / 28

HEX #A3A7B7

RGB 163 167 183

HSL 228, 0.12%, 0.68%

LAB 68.64, 1.81, -8.7

 

CMYK 0 / 1 / 3 / 31

HEX #B0AEAA

RGB 176 174 170

HSL 40, 0.04%, 0.68%

LAB 71.15, -0.02, 2.29

 

CMYK 0 / 4 / 17 / 26

HEX #BDB59D

RGB 189 181 157

HSL 45, 0.2%, 0.68%

LAB 73.74, -1.21, 13.25

 

CMYK 35 / 9 / 0 / 18

HEX #88C0D2

RGB 136 192 210

HSL 194.59, 0.45%, 0.68%

LAB 74.56, -13.69, -14.82

 

CMYK 35 / 18 / 0 / 18

HEX #88ADD2

RGB 136 173 210

HSL 210, 0.45%, 0.68%

LAB 69.31, -3.52, -22.79

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 34 / 35 / 0 / 18

HEX #8B88D2

RGB 139 136 210

HSL 242.43, 0.45%, 0.68%

LAB 59.66, 18.35, -37.68

 

CMYK 25 / 35 / 0 / 18

HEX #9E88D2

RGB 158 136 210

HSL 257.84, 0.45%, 0.68%

LAB 61.25, 23.84, -35.09

 

CMYK 59 / 45 / 0 / 27

HEX #4C66BB

RGB 76 102 187

HSL 225.95, 0.45%, 0.52%

LAB 45.12, 16.61, -47.84

 

CMYK 46 / 35 / 0 / 22

HEX #6A80C6

RGB 106 128 198

HSL 225.65, 0.45%, 0.6%

LAB 54.64, 10.93, -38.95

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 25 / 19 / 0 / 13

HEX #A6B3DD

RGB 166 179 221

HSL 225.82, 0.45%, 0.76%

LAB 73.26, 4.64, -22.6

 

CMYK 16 / 12 / 0 / 9

HEX #C4CCE8

RGB 196 204 232

HSL 226.67, 0.44%, 0.84%

LAB 82.24, 2.88, -14.74

 

CMYK 35 / 27 / 0 / 18

HEX #899AD2

RGB 137 154 210

HSL 226.03, 0.45%, 0.68%

LAB 64.23, 7.4, -30.59

 

CMYK 1 / 35 / 0 / 18

HEX #CF88D2

RGB 207 136 210

HSL 297.57, 0.45%, 0.68%

LAB 66.16, 38.92, -27.09

 

CMYK 13 / 0 / 35 / 18

HEX #B7D288

RGB 183 210 136

HSL 81.89, 0.45%, 0.68%

LAB 80.7, -21.39, 33.76

 

CMYK 35 / 27 / 0 / 18

HEX #899AD2

RGB 137 154 210

HSL 226.03, 0.45%, 0.68%

LAB 64.23, 7.4, -30.59

 

CMYK 0 / 35 / 27 / 18

HEX #D28899

RGB 210 136 153

HSL 346.22, 0.45%, 0.68%

LAB 64.65, 30.56, 2.76

 

CMYK 27 / 0 / 35 / 18

HEX #99D288

RGB 153 210 136

HSL 106.22, 0.45%, 0.68%

LAB 78.84, -32.13, 30.96

 

CMYK 35 / 27 / 0 / 18

HEX #899AD2

RGB 137 154 210

HSL 226.03, 0.45%, 0.68%

LAB 64.23, 7.4, -30.59

 

CMYK 1 / 35 / 0 / 18

HEX #CF88D2

RGB 207 136 210

HSL 297.57, 0.45%, 0.68%

LAB 66.16, 38.92, -27.09

 

CMYK 0 / 9 / 35 / 18

HEX #D2C088

RGB 210 192 136

HSL 45.41, 0.45%, 0.68%

LAB 77.98, -1.8, 30.56

 

CMYK 34 / 0 / 35 / 18

HEX #8BD288

RGB 139 210 136

HSL 117.57, 0.45%, 0.68%

LAB 78.09, -36.76, 29.83

 

CMYK 35 / 27 / 0 / 18

HEX #899AD2

RGB 137 154 210

HSL 226.03, 0.45%, 0.68%

LAB 64.23, 7.4, -30.59

 

CMYK 0 / 35 / 10 / 18

HEX #D288BE

RGB 210 136 190

HSL 316.22, 0.45%, 0.68%

LAB 65.77, 36.3, -16.46

 

CMYK 0 / 9 / 35 / 18

HEX #D2C088

RGB 210 192 136

HSL 45.41, 0.45%, 0.68%

LAB 77.98, -1.8, 30.56

 

CMYK 35 / 0 / 26 / 18

HEX #88D29C

RGB 136 210 156

HSL 136.22, 0.45%, 0.68%

LAB 78.3, -34.3, 19.64

 

Description

Color code: HEX #899AD2 | qconv.com Color code: HEX #899AD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 154 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 154 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 27 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 27% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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