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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8993B3 it is the complementary color #766C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8993B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8993B3 shade: #8E93AE, #9FA5C1, #B0B7D4, #C1C9E7 and #D2DBFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8993B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8993B3 shade: #8993B3, #7881A0, #676F8D, #565D7A and #454B67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8993B3 shade: #8892B3, #8A88B3, #9588B3, #A188B3 and #AC88B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8993B3 shade: #8892B3 and #8888B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8993B3 shade matches the following richer shades: #8892B3, #798AC3, #6982D2, #597AE2 and #4A72F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8993B3 shade: #8892B3, #989BA3, #A8A394, #B7AB84 and #C7B374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8993B3 shade: #88AAB3, #889EB3, #8893B3, #8988B3 and #9488B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8993B3 shade: #5B678E, #6F7BA3, #8892B3, #A1A9C3 and #BBC0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8993B3 shade: #8993B3, #B188B3 and #A4B388

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8993B3 shade: #8993B3, #B38893 and #93B388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8993B3 shade: #8993B3, #B188B3, #B3A888 and #8AB388

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8993B3 shade: #8993B3, #B388A8, #B3A888 and #88B393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 18 / 0 / 30

HEX #8993B3

RGB 137 147 179

HSL 225.71, 0.22%, 0.62%

LAB 61.17, 3.55, -17.9

 

Complementary color

CMYK 0 / 8 / 36 / 54

HEX #766C4C

RGB 118 108 76

HSL 45.71, 0.22%, 0.38%

LAB 45.77, -1.32, 19.36

 

CMYK 18 / 16 / 0 / 32

HEX #8E93AE

RGB 142 147 174

HSL 230.63, 0.16%, 0.62%

LAB 61.37, 3.99, -14.72

 

CMYK 18 / 15 / 0 / 24

HEX #9FA5C1

RGB 159 165 193

HSL 229.41, 0.22%, 0.69%

LAB 68.12, 3.75, -15.06

 

CMYK 17 / 14 / 0 / 17

HEX #B0B7D4

RGB 176 183 212

HSL 228.33, 0.3%, 0.76%

LAB 74.73, 3.53, -15.41

 

CMYK 16 / 13 / 0 / 9

HEX #C1C9E7

RGB 193 201 231

HSL 227.37, 0.44%, 0.83%

LAB 81.23, 3.32, -15.76

 

CMYK 16 / 12 / 0 / 2

HEX #D2DBFA

RGB 210 219 250

HSL 226.5, 0.8%, 0.9%

LAB 87.61, 3.12, -16.12

 

CMYK 23 / 18 / 0 / 30

HEX #8993B3

RGB 137 147 179

HSL 225.71, 0.22%, 0.62%

LAB 61.17, 3.55, -17.9

 

CMYK 25 / 19 / 0 / 37

HEX #7881A0

RGB 120 129 160

HSL 226.5, 0.17%, 0.55%

LAB 54.27, 3.82, -17.64

 

CMYK 27 / 21 / 0 / 45

HEX #676F8D

RGB 103 111 141

HSL 227.37, 0.16%, 0.48%

LAB 47.2, 4.14, -17.41

 

CMYK 30 / 24 / 0 / 52

HEX #565D7A

RGB 86 93 122

HSL 228.33, 0.17%, 0.41%

LAB 39.94, 4.5, -17.22

 

CMYK 33 / 27 / 0 / 60

HEX #454B67

RGB 69 75 103

HSL 229.41, 0.2%, 0.34%

LAB 32.43, 4.94, -17.08

 

CMYK 24 / 18 / 0 / 30

HEX #8892B3

RGB 136 146 179

HSL 226.05, 0.22%, 0.62%

LAB 60.82, 3.8, -18.43

 

CMYK 23 / 24 / 0 / 30

HEX #8A88B3

RGB 138 136 179

HSL 242.79, 0.22%, 0.62%

LAB 58.29, 10.18, -22.28

 

CMYK 17 / 24 / 0 / 30

HEX #9588B3

RGB 149 136 179

HSL 258.14, 0.22%, 0.62%

LAB 59.21, 13.73, -20.8

 

CMYK 10 / 24 / 0 / 30

HEX #A188B3

RGB 161 136 179

HSL 274.88, 0.22%, 0.62%

LAB 60.28, 17.71, -19.06

 

CMYK 4 / 24 / 0 / 30

HEX #AC88B3

RGB 172 136 179

HSL 290.23, 0.22%, 0.62%

LAB 61.34, 21.43, -17.36

 

CMYK 24 / 18 / 0 / 30

HEX #8892B3

RGB 136 146 179

HSL 226.05, 0.22%, 0.62%

LAB 60.82, 3.8, -18.43

 

CMYK 24 / 24 / 0 / 30

HEX #8888B3

RGB 136 136 179

HSL 240, 0.22%, 0.62%

LAB 58.13, 9.54, -22.54

 

CMYK 24 / 18 / 0 / 30

HEX #8892B3

RGB 136 146 179

HSL 226.05, 0.22%, 0.62%

LAB 60.82, 3.8, -18.43

 

CMYK 38 / 29 / 0 / 24

HEX #798AC3

RGB 121 138 195

HSL 226.22, 0.38%, 0.62%

LAB 58.21, 8.1, -31.59

 

CMYK 50 / 38 / 0 / 18

HEX #6982D2

RGB 105 130 210

HSL 225.71, 0.54%, 0.62%

LAB 55.71, 13.15, -44.07

 

CMYK 61 / 46 / 0 / 11

HEX #597AE2

RGB 89 122 226

HSL 225.55, 0.7%, 0.62%

LAB 53.53, 19.84, -56.6

 

CMYK 69 / 53 / 0 / 5

HEX #4A72F2

RGB 74 114 242

HSL 225.71, 0.87%, 0.62%

LAB 51.73, 27.88, -68.49

 

CMYK 24 / 18 / 0 / 30

HEX #8892B3

RGB 136 146 179

HSL 226.05, 0.22%, 0.62%

LAB 60.82, 3.8, -18.43

 

CMYK 7 / 5 / 0 / 36

HEX #989BA3

RGB 152 155 163

HSL 223.64, 0.06%, 0.62%

LAB 63.97, 0.52, -4.55

 

CMYK 0 / 3 / 12 / 34

HEX #A8A394

RGB 168 163 148

HSL 45, 0.1%, 0.62%

LAB 67.02, -0.86, 8.43

 

CMYK 0 / 7 / 28 / 28

HEX #B7AB84

RGB 183 171 132

HSL 45.88, 0.26%, 0.62%

LAB 70.08, -1.85, 21.68

 

CMYK 0 / 10 / 42 / 22

HEX #C7B374

RGB 199 179 116

HSL 45.54, 0.43%, 0.62%

LAB 73.31, -1.65, 34.75

 

CMYK 24 / 5 / 0 / 30

HEX #88AAB3

RGB 136 170 179

HSL 192.56, 0.22%, 0.62%

LAB 67.46, -9.49, -8.45

 

CMYK 24 / 12 / 0 / 30

HEX #889EB3

RGB 136 158 179

HSL 209.3, 0.22%, 0.62%

LAB 64.11, -2.94, -13.45

 

CMYK 24 / 18 / 0 / 30

HEX #8893B3

RGB 136 147 179

HSL 224.65, 0.22%, 0.62%

LAB 61.09, 3.23, -18.01

 

CMYK 23 / 24 / 0 / 30

HEX #8988B3

RGB 137 136 179

HSL 241.4, 0.22%, 0.62%

LAB 58.21, 9.86, -22.41

 

CMYK 17 / 24 / 0 / 30

HEX #9488B3

RGB 148 136 179

HSL 256.74, 0.22%, 0.62%

LAB 59.12, 13.4, -20.93

 

CMYK 36 / 27 / 0 / 44

HEX #5B678E

RGB 91 103 142

HSL 225.88, 0.22%, 0.46%

LAB 44.06, 5.49, -22.92

 

CMYK 32 / 25 / 0 / 36

HEX #6F7BA3

RGB 111 123 163

HSL 226.15, 0.22%, 0.54%

LAB 52.05, 5.3, -22.84

 

CMYK 24 / 18 / 0 / 30

HEX #8892B3

RGB 136 146 179

HSL 226.05, 0.22%, 0.62%

LAB 60.82, 3.8, -18.43

 

CMYK 17 / 13 / 0 / 24

HEX #A1A9C3

RGB 161 169 195

HSL 225.88, 0.22%, 0.7%

LAB 69.39, 2.63, -14.23

 

CMYK 11 / 9 / 0 / 17

HEX #BBC0D3

RGB 187 192 211

HSL 227.5, 0.21%, 0.78%

LAB 77.86, 2.02, -10.1

 

CMYK 23 / 18 / 0 / 30

HEX #8993B3

RGB 137 147 179

HSL 225.71, 0.22%, 0.62%

LAB 61.17, 3.55, -17.9

 

CMYK 1 / 24 / 0 / 30

HEX #B188B3

RGB 177 136 179

HSL 297.21, 0.22%, 0.62%

LAB 61.84, 23.13, -16.55

 

CMYK 8 / 0 / 24 / 30

HEX #A4B388

RGB 164 179 136

HSL 80.93, 0.22%, 0.62%

LAB 70.81, -12.84, 20.27

 

CMYK 23 / 18 / 0 / 30

HEX #8993B3

RGB 137 147 179

HSL 225.71, 0.22%, 0.62%

LAB 61.17, 3.55, -17.9

 

CMYK 0 / 24 / 18 / 30

HEX #B38893

RGB 179 136 147

HSL 344.65, 0.22%, 0.62%

LAB 61.04, 18.13, 0.51

 

CMYK 18 / 0 / 24 / 30

HEX #93B388

RGB 147 179 136

HSL 104.65, 0.22%, 0.62%

LAB 69.63, -19.1, 18.45

 

CMYK 23 / 18 / 0 / 30

HEX #8993B3

RGB 137 147 179

HSL 225.71, 0.22%, 0.62%

LAB 61.17, 3.55, -17.9

 

CMYK 1 / 24 / 0 / 30

HEX #B188B3

RGB 177 136 179

HSL 297.21, 0.22%, 0.62%

LAB 61.84, 23.13, -16.55

 

CMYK 0 / 6 / 24 / 30

HEX #B3A888

RGB 179 168 136

HSL 44.65, 0.22%, 0.62%

LAB 69.02, -1.24, 17.99

 

CMYK 23 / 0 / 24 / 30

HEX #8AB388

RGB 138 179 136

HSL 117.21, 0.22%, 0.62%

LAB 69.06, -22.28, 17.58

 

CMYK 23 / 18 / 0 / 30

HEX #8993B3

RGB 137 147 179

HSL 225.71, 0.22%, 0.62%

LAB 61.17, 3.55, -17.9

 

CMYK 0 / 24 / 6 / 30

HEX #B388A8

RGB 179 136 168

HSL 315.35, 0.22%, 0.62%

LAB 61.67, 21.75, -10.54

 

CMYK 0 / 6 / 24 / 30

HEX #B3A888

RGB 179 168 136

HSL 44.65, 0.22%, 0.62%

LAB 69.02, -1.24, 17.99

 

CMYK 24 / 0 / 18 / 30

HEX #88B393

RGB 136 179 147

HSL 135.35, 0.22%, 0.62%

LAB 69.17, -20.95, 11.72

 

Description

Color code: HEX #8993B3 | qconv.com Color code: HEX #8993B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 147 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 147 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 18 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 18% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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