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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8991B3 it is the complementary color #766E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8991B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8991B3 shade: #8E91AE, #9FA3C1, #B0B5D4, #C1C7E7 and #D2D9FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8991B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8991B3 shade: #8991B3, #787FA0, #676D8D, #565B7A and #454967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8991B3 shade: #8890B3, #8C88B3, #9788B3, #A388B3 and #AE88B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8991B3 shade: #8890B3 and #8888B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8991B3 shade matches the following richer shades: #8890B3, #7987C3, #697DD2, #5973E2 and #4A6AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8991B3 shade: #8890B3, #989AA3, #A8A494, #B7AE84 and #C7B774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8991B3 shade: #88A8B3, #889CB3, #8891B3, #8B88B3 and #9688B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8991B3 shade: #5B648E, #6F79A3, #8890B3, #A1A8C3 and #BBBFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8991B3 shade: #8991B3, #B388B3 and #A2B388

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8991B3 shade: #8991B3, #B38891 and #91B388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8991B3 shade: #8991B3, #B388B3, #B3AA88 and #88B388

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8991B3 shade: #8991B3, #B388A6, #B3AA88 and #88B395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 19 / 0 / 30

HEX #8991B3

RGB 137 145 179

HSL 228.57, 0.22%, 0.62%

LAB 60.63, 4.68, -18.72

 

Complementary color

CMYK 0 / 7 / 36 / 54

HEX #766E4C

RGB 118 110 76

HSL 48.57, 0.22%, 0.38%

LAB 46.35, -2.48, 20.12

 

CMYK 18 / 17 / 0 / 32

HEX #8E91AE

RGB 142 145 174

HSL 234.38, 0.16%, 0.62%

LAB 60.83, 5.13, -15.54

 

CMYK 18 / 16 / 0 / 24

HEX #9FA3C1

RGB 159 163 193

HSL 232.94, 0.22%, 0.69%

LAB 67.59, 4.86, -15.86

 

CMYK 17 / 15 / 0 / 17

HEX #B0B5D4

RGB 176 181 212

HSL 231.67, 0.3%, 0.76%

LAB 74.21, 4.61, -16.19

 

CMYK 16 / 14 / 0 / 9

HEX #C1C7E7

RGB 193 199 231

HSL 230.53, 0.44%, 0.83%

LAB 80.71, 4.38, -16.53

 

CMYK 16 / 13 / 0 / 2

HEX #D2D9FA

RGB 210 217 250

HSL 229.5, 0.8%, 0.9%

LAB 87.11, 4.17, -16.88

 

CMYK 23 / 19 / 0 / 30

HEX #8991B3

RGB 137 145 179

HSL 228.57, 0.22%, 0.62%

LAB 60.63, 4.68, -18.72

 

CMYK 25 / 21 / 0 / 37

HEX #787FA0

RGB 120 127 160

HSL 229.5, 0.17%, 0.55%

LAB 53.72, 4.99, -18.48

 

CMYK 27 / 23 / 0 / 45

HEX #676D8D

RGB 103 109 141

HSL 230.53, 0.16%, 0.48%

LAB 46.64, 5.34, -18.28

 

CMYK 30 / 25 / 0 / 52

HEX #565B7A

RGB 86 91 122

HSL 231.67, 0.17%, 0.41%

LAB 39.35, 5.74, -18.11

 

CMYK 33 / 29 / 0 / 60

HEX #454967

RGB 69 73 103

HSL 232.94, 0.2%, 0.34%

LAB 31.83, 6.23, -18

 

CMYK 24 / 20 / 0 / 30

HEX #8890B3

RGB 136 144 179

HSL 228.84, 0.22%, 0.62%

LAB 60.28, 4.94, -19.25

 

CMYK 22 / 24 / 0 / 30

HEX #8C88B3

RGB 140 136 179

HSL 245.58, 0.22%, 0.62%

LAB 58.45, 10.81, -22.02

 

CMYK 16 / 24 / 0 / 30

HEX #9788B3

RGB 151 136 179

HSL 260.93, 0.22%, 0.62%

LAB 59.38, 14.39, -20.51

 

CMYK 9 / 24 / 0 / 30

HEX #A388B3

RGB 163 136 179

HSL 277.67, 0.22%, 0.62%

LAB 60.47, 18.38, -18.75

 

CMYK 3 / 24 / 0 / 30

HEX #AE88B3

RGB 174 136 179

HSL 293.02, 0.22%, 0.62%

LAB 61.53, 22.11, -17.04

 

CMYK 24 / 20 / 0 / 30

HEX #8890B3

RGB 136 144 179

HSL 228.84, 0.22%, 0.62%

LAB 60.28, 4.94, -19.25

 

CMYK 24 / 24 / 0 / 30

HEX #8888B3

RGB 136 136 179

HSL 240, 0.22%, 0.62%

LAB 58.13, 9.54, -22.54

 

CMYK 24 / 20 / 0 / 30

HEX #8890B3

RGB 136 144 179

HSL 228.84, 0.22%, 0.62%

LAB 60.28, 4.94, -19.25

 

CMYK 38 / 31 / 0 / 24

HEX #7987C3

RGB 121 135 195

HSL 228.65, 0.38%, 0.62%

LAB 57.4, 9.86, -32.86

 

CMYK 50 / 40 / 0 / 18

HEX #697DD2

RGB 105 125 210

HSL 228.57, 0.54%, 0.62%

LAB 54.37, 16.16, -46.19

 

CMYK 61 / 49 / 0 / 11

HEX #5973E2

RGB 89 115 226

HSL 228.61, 0.7%, 0.62%

LAB 51.7, 24.14, -59.54

 

CMYK 69 / 56 / 0 / 5

HEX #4A6AF2

RGB 74 106 242

HSL 228.57, 0.87%, 0.62%

LAB 49.71, 32.83, -71.76

 

CMYK 24 / 20 / 0 / 30

HEX #8890B3

RGB 136 144 179

HSL 228.84, 0.22%, 0.62%

LAB 60.28, 4.94, -19.25

 

CMYK 7 / 6 / 0 / 36

HEX #989AA3

RGB 152 154 163

HSL 229.09, 0.06%, 0.62%

LAB 63.7, 1.08, -4.95

 

CMYK 0 / 2 / 12 / 34

HEX #A8A494

RGB 168 164 148

HSL 48, 0.1%, 0.62%

LAB 67.29, -1.4, 8.81

 

CMYK 0 / 5 / 28 / 28

HEX #B7AE84

RGB 183 174 132

HSL 49.41, 0.26%, 0.62%

LAB 70.87, -3.46, 22.77

 

CMYK 0 / 8 / 42 / 22

HEX #C7B774

RGB 199 183 116

HSL 48.43, 0.43%, 0.62%

LAB 74.36, -3.76, 36.09

 

CMYK 24 / 6 / 0 / 30

HEX #88A8B3

RGB 136 168 179

HSL 195.35, 0.22%, 0.62%

LAB 66.9, -8.42, -9.28

 

CMYK 24 / 13 / 0 / 30

HEX #889CB3

RGB 136 156 179

HSL 212.09, 0.22%, 0.62%

LAB 63.56, -1.83, -14.28

 

CMYK 24 / 19 / 0 / 30

HEX #8891B3

RGB 136 145 179

HSL 227.44, 0.22%, 0.62%

LAB 60.55, 4.37, -18.84

 

CMYK 22 / 24 / 0 / 30

HEX #8B88B3

RGB 139 136 179

HSL 244.19, 0.22%, 0.62%

LAB 58.37, 10.5, -22.15

 

CMYK 16 / 24 / 0 / 30

HEX #9688B3

RGB 150 136 179

HSL 259.53, 0.22%, 0.62%

LAB 59.29, 14.06, -20.66

 

CMYK 36 / 30 / 0 / 44

HEX #5B648E

RGB 91 100 142

HSL 229.41, 0.22%, 0.46%

LAB 43.2, 7.33, -24.25

 

CMYK 32 / 26 / 0 / 36

HEX #6F79A3

RGB 111 121 163

HSL 228.46, 0.22%, 0.54%

LAB 51.49, 6.49, -23.69

 

CMYK 24 / 20 / 0 / 30

HEX #8890B3

RGB 136 144 179

HSL 228.84, 0.22%, 0.62%

LAB 60.28, 4.94, -19.25

 

CMYK 17 / 14 / 0 / 24

HEX #A1A8C3

RGB 161 168 195

HSL 227.65, 0.22%, 0.7%

LAB 69.13, 3.18, -14.63

 

CMYK 11 / 9 / 0 / 17

HEX #BBBFD3

RGB 187 191 211

HSL 230, 0.21%, 0.78%

LAB 77.6, 2.55, -10.49

 

CMYK 23 / 19 / 0 / 30

HEX #8991B3

RGB 137 145 179

HSL 228.57, 0.22%, 0.62%

LAB 60.63, 4.68, -18.72

 

CMYK 0 / 24 / 0 / 30

HEX #B388B3

RGB 179 136 179

HSL 300, 0.22%, 0.62%

LAB 62.04, 23.82, -16.23

 

CMYK 9 / 0 / 24 / 30

HEX #A2B388

RGB 162 179 136

HSL 83.72, 0.22%, 0.62%

LAB 70.66, -13.59, 20.04

 

CMYK 23 / 19 / 0 / 30

HEX #8991B3

RGB 137 145 179

HSL 228.57, 0.22%, 0.62%

LAB 60.63, 4.68, -18.72

 

CMYK 0 / 24 / 19 / 30

HEX #B38891

RGB 179 136 145

HSL 347.44, 0.22%, 0.62%

LAB 60.99, 17.81, 1.57

 

CMYK 19 / 0 / 24 / 30

HEX #91B388

RGB 145 179 136

HSL 107.44, 0.22%, 0.62%

LAB 69.5, -19.81, 18.25

 

CMYK 23 / 19 / 0 / 30

HEX #8991B3

RGB 137 145 179

HSL 228.57, 0.22%, 0.62%

LAB 60.63, 4.68, -18.72

 

CMYK 0 / 24 / 0 / 30

HEX #B388B3

RGB 179 136 179

HSL 300, 0.22%, 0.62%

LAB 62.04, 23.82, -16.23

 

CMYK 0 / 5 / 24 / 30

HEX #B3AA88

RGB 179 170 136

HSL 47.44, 0.22%, 0.62%

LAB 69.55, -2.32, 18.72

 

CMYK 24 / 0 / 24 / 30

HEX #88B388

RGB 136 179 136

HSL 120, 0.22%, 0.62%

LAB 68.93, -22.97, 17.39

 

CMYK 23 / 19 / 0 / 30

HEX #8991B3

RGB 137 145 179

HSL 228.57, 0.22%, 0.62%

LAB 60.63, 4.68, -18.72

 

CMYK 0 / 24 / 7 / 30

HEX #B388A6

RGB 179 136 166

HSL 318.14, 0.22%, 0.62%

LAB 61.61, 21.39, -9.49

 

CMYK 0 / 5 / 24 / 30

HEX #B3AA88

RGB 179 170 136

HSL 47.44, 0.22%, 0.62%

LAB 69.55, -2.32, 18.72

 

CMYK 24 / 0 / 17 / 30

HEX #88B395

RGB 136 179 149

HSL 138.14, 0.22%, 0.62%

LAB 69.22, -20.57, 10.69

 

Description

Color code: HEX #8991B3 | qconv.com Color code: HEX #8991B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 145 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 145 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 19 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 19% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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