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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8994B2 it is the complementary color #766B4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8994B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8994B2 shade: #8E94AD, #9FA6C0, #B0B8D3, #C1CAE6 and #D2DCF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8994B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8994B2 shade: #8994B2, #78829F, #67708C, #565E79 and #454C66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8994B2 shade: #8994B2, #8989B2, #9489B2, #9F89B2 and #AA89B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8994B2 shade: #8994B2 and #8989B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8994B2 shade matches the following richer shades: #8994B2, #7A8DC2, #6A86D1, #5A7EE1 and #4B77F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8994B2 shade: #8994B2, #999BA2, #A9A393, #B8AA83 and #C8B173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8994B2 shade: #89AAB2, #89A0B2, #8995B2, #898AB2 and #9389B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8994B2 shade: #5C698D, #707EA2, #8994B2, #A2ABC2 and #BBC1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8994B2 shade: #8994B2, #AF89B2 and #A5B289

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8994B2 shade: #8994B2, #B28995 and #95B289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8994B2 shade: #8994B2, #AF89B2, #B2A689 and #8DB289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8994B2 shade: #8994B2, #B289A9, #B2A689 and #89B292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

Complementary color

CMYK 0 / 9 / 35 / 54

HEX #766B4D

RGB 118 107 77

HSL 43.9, 0.21%, 0.38%

LAB 45.5, -0.6, 18.41

 

CMYK 18 / 14 / 0 / 32

HEX #8E94AD

RGB 142 148 173

HSL 228.39, 0.16%, 0.62%

LAB 61.61, 3.2, -13.8

 

CMYK 17 / 14 / 0 / 25

HEX #9FA6C0

RGB 159 166 192

HSL 227.27, 0.21%, 0.69%

LAB 68.35, 2.97, -14.15

 

CMYK 17 / 13 / 0 / 17

HEX #B0B8D3

RGB 176 184 211

HSL 226.29, 0.28%, 0.76%

LAB 74.96, 2.77, -14.52

 

CMYK 16 / 12 / 0 / 10

HEX #C1CAE6

RGB 193 202 230

HSL 225.41, 0.43%, 0.83%

LAB 81.45, 2.57, -14.89

 

CMYK 16 / 12 / 0 / 2

HEX #D2DCF9

RGB 210 220 249

HSL 224.62, 0.76%, 0.9%

LAB 87.84, 2.38, -15.26

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 25 / 18 / 0 / 38

HEX #78829F

RGB 120 130 159

HSL 224.62, 0.17%, 0.55%

LAB 54.51, 2.99, -16.69

 

CMYK 26 / 20 / 0 / 45

HEX #67708C

RGB 103 112 140

HSL 225.41, 0.15%, 0.48%

LAB 47.45, 3.28, -16.44

 

CMYK 29 / 22 / 0 / 53

HEX #565E79

RGB 86 94 121

HSL 226.29, 0.17%, 0.41%

LAB 40.19, 3.61, -16.22

 

CMYK 32 / 25 / 0 / 60

HEX #454C66

RGB 69 76 102

HSL 227.27, 0.19%, 0.34%

LAB 32.69, 4, -16.05

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 23 / 23 / 0 / 30

HEX #8989B2

RGB 137 137 178

HSL 240, 0.21%, 0.62%

LAB 58.44, 9.04, -21.49

 

CMYK 17 / 23 / 0 / 30

HEX #9489B2

RGB 148 137 178

HSL 256.1, 0.21%, 0.62%

LAB 59.34, 12.6, -20.03

 

CMYK 11 / 23 / 0 / 30

HEX #9F89B2

RGB 159 137 178

HSL 272.2, 0.21%, 0.62%

LAB 60.32, 16.25, -18.45

 

CMYK 4 / 23 / 0 / 30

HEX #AA89B2

RGB 170 137 178

HSL 288.29, 0.21%, 0.62%

LAB 61.35, 19.98, -16.78

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 23 / 23 / 0 / 30

HEX #8989B2

RGB 137 137 178

HSL 240, 0.21%, 0.62%

LAB 58.44, 9.04, -21.49

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 37 / 27 / 0 / 24

HEX #7A8DC2

RGB 122 141 194

HSL 224.17, 0.37%, 0.62%

LAB 59.05, 6.36, -29.72

 

CMYK 49 / 36 / 0 / 18

HEX #6A86D1

RGB 106 134 209

HSL 223.69, 0.53%, 0.62%

LAB 56.8, 10.69, -41.78

 

CMYK 60 / 44 / 0 / 12

HEX #5A7EE1

RGB 90 126 225

HSL 224, 0.69%, 0.62%

LAB 54.59, 17.25, -54.34

 

CMYK 69 / 51 / 0 / 5

HEX #4B77F1

RGB 75 119 241

HSL 224.1, 0.86%, 0.62%

LAB 52.99, 24.57, -65.88

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 6 / 4 / 0 / 36

HEX #999BA2

RGB 153 155 162

HSL 226.67, 0.05%, 0.62%

LAB 64.02, 0.67, -3.91

 

CMYK 0 / 4 / 13 / 34

HEX #A9A393

RGB 169 163 147

HSL 43.64, 0.11%, 0.62%

LAB 67.08, -0.65, 9.08

 

CMYK 0 / 8 / 29 / 28

HEX #B8AA83

RGB 184 170 131

HSL 44.15, 0.27%, 0.62%

LAB 69.88, -1.06, 21.97

 

CMYK 0 / 12 / 43 / 22

HEX #C8B173

RGB 200 177 115

HSL 43.76, 0.44%, 0.62%

LAB 72.87, -0.29, 34.71

 

CMYK 23 / 4 / 0 / 30

HEX #89AAB2

RGB 137 170 178

HSL 191.71, 0.21%, 0.62%

LAB 67.49, -9.41, -7.84

 

CMYK 23 / 10 / 0 / 30

HEX #89A0B2

RGB 137 160 178

HSL 206.34, 0.21%, 0.62%

LAB 64.7, -3.97, -12

 

CMYK 23 / 16 / 0 / 30

HEX #8995B2

RGB 137 149 178

HSL 222.44, 0.21%, 0.62%

LAB 61.68, 2.17, -16.56

 

CMYK 23 / 22 / 0 / 30

HEX #898AB2

RGB 137 138 178

HSL 238.54, 0.21%, 0.62%

LAB 58.7, 8.46, -21.08

 

CMYK 17 / 23 / 0 / 30

HEX #9389B2

RGB 147 137 178

HSL 254.63, 0.21%, 0.62%

LAB 59.26, 12.27, -20.16

 

CMYK 35 / 26 / 0 / 45

HEX #5C698D

RGB 92 105 141

HSL 224.08, 0.21%, 0.46%

LAB 44.66, 4.29, -21.38

 

CMYK 31 / 22 / 0 / 36

HEX #707EA2

RGB 112 126 162

HSL 223.2, 0.21%, 0.54%

LAB 52.92, 3.57, -20.91

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 16 / 12 / 0 / 24

HEX #A2ABC2

RGB 162 171 194

HSL 223.13, 0.21%, 0.7%

LAB 69.97, 1.64, -12.81

 

CMYK 11 / 9 / 0 / 17

HEX #BBC1D3

RGB 187 193 211

HSL 225, 0.21%, 0.78%

LAB 78.12, 1.48, -9.71

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 2 / 23 / 0 / 30

HEX #AF89B2

RGB 175 137 178

HSL 295.61, 0.21%, 0.62%

LAB 61.84, 21.69, -15.99

 

CMYK 7 / 0 / 23 / 30

HEX #A5B289

RGB 165 178 137

HSL 79.02, 0.21%, 0.62%

LAB 70.63, -11.78, 19.49

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 0 / 23 / 16 / 30

HEX #B28995

RGB 178 137 149

HSL 342.44, 0.21%, 0.62%

LAB 61.24, 17.52, -0.36

 

CMYK 16 / 0 / 23 / 30

HEX #95B289

RGB 149 178 137

HSL 102.44, 0.21%, 0.62%

LAB 69.5, -17.7, 17.75

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 2 / 23 / 0 / 30

HEX #AF89B2

RGB 175 137 178

HSL 295.61, 0.21%, 0.62%

LAB 61.84, 21.69, -15.99

 

CMYK 0 / 7 / 23 / 30

HEX #B2A689

RGB 178 166 137

HSL 42.44, 0.21%, 0.62%

LAB 68.42, -0.41, 16.6

 

CMYK 21 / 0 / 23 / 30

HEX #8DB289

RGB 141 178 137

HSL 114.15, 0.21%, 0.62%

LAB 68.97, -20.55, 16.95

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 0 / 23 / 5 / 30

HEX #B289A9

RGB 178 137 169

HSL 313.17, 0.21%, 0.62%

LAB 61.84, 21.02, -10.86

 

CMYK 0 / 7 / 23 / 30

HEX #B2A689

RGB 178 166 137

HSL 42.44, 0.21%, 0.62%

LAB 68.42, -0.41, 16.6

 

CMYK 23 / 0 / 18 / 30

HEX #89B292

RGB 137 178 146

HSL 133.17, 0.21%, 0.62%

LAB 68.92, -20.3, 11.92

 

Description

Color code: HEX #8994B2 | qconv.com Color code: HEX #8994B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 148 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 148 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 17 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 17% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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