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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #898D0F it is the complementary color #7672F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #898D0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #898D0F shade: #8E8D0A, #9F9F1D, #B0B130, #C1C343 and #D2D556

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #898D0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #898D0F shade: #898D0F, #787B00, #676900, #565700 and #454500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #898D0F shade: #8B8F0F, #8F700F, #8F4E0F, #8F2B0F and #8F0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #898D0F shade: #8B8F0F, #688F0F, #458F0F, #238F0F and #0F8F1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #898D0F shade matches the following richer shades: #8B8F0F and #979B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #898D0F shade: #8B8F0F, #7F821B, #737528, #676835 and #5B5B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #898D0F shade: #8F4C0F, #8F6F0F, #8C8F0F, #6A8F0F and #488F0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #898D0F shade: #424407, #66690B, #8B8F0F, #AFB412 and #D3D916

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #898D0F shade: #898D0F, #0F8F2A and #5D0F8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #898D0F shade: #898D0F, #0F8C8F and #8F0F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #898D0F shade: #898D0F, #0F8F2A, #110F8F and #8F0F73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #898D0F shade: #898D0F, #0F8F51, #110F8F and #8F0F4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 89 / 45

HEX #898D0F

RGB 137 141 15

HSL 61.9, 0.81%, 0.31%

LAB 56.49, -15.42, 57.88

 

Complementary color

CMYK 51 / 53 / 0 / 6

HEX #7672F0

RGB 118 114 240

HSL 241.9, 0.81%, 0.69%

LAB 54.21, 34.79, -63.22

 

CMYK 0 / 1 / 93 / 44

HEX #8E8D0A

RGB 142 141 10

HSL 59.55, 0.87%, 0.3%

LAB 56.9, -13.24, 59.29

 

CMYK 0 / 0 / 82 / 38

HEX #9F9F1D

RGB 159 159 29

HSL 60, 0.69%, 0.37%

LAB 63.55, -14.55, 61.18

 

CMYK 1 / 0 / 73 / 31

HEX #B0B130

RGB 176 177 48

HSL 60.47, 0.57%, 0.44%

LAB 70.1, -15.62, 61.69

 

CMYK 1 / 0 / 66 / 24

HEX #C1C343

RGB 193 195 67

HSL 60.94, 0.52%, 0.51%

LAB 76.54, -16.48, 61.4

 

CMYK 1 / 0 / 60 / 16

HEX #D2D556

RGB 210 213 86

HSL 61.42, 0.6%, 0.59%

LAB 82.89, -17.19, 60.7

 

CMYK 3 / 0 / 89 / 45

HEX #898D0F

RGB 137 141 15

HSL 61.9, 0.81%, 0.31%

LAB 56.49, -15.42, 57.88

 

CMYK 2 / 0 / 100 / 52

HEX #787B00

RGB 120 123 0

HSL 61.46, 1%, 0.24%

LAB 49.69, -13.97, 54.77

 

CMYK 2 / 0 / 100 / 59

HEX #676900

RGB 103 105 0

HSL 61.14, 1%, 0.21%

LAB 42.74, -12.19, 48.99

 

CMYK 1 / 0 / 100 / 66

HEX #565700

RGB 86 87 0

HSL 60.69, 1%, 0.17%

LAB 35.59, -10.34, 43.05

 

CMYK 0 / 0 / 100 / 73

HEX #454500

RGB 69 69 0

HSL 60, 1%, 0.14%

LAB 28.17, -8.42, 36.78

 

CMYK 3 / 0 / 90 / 44

HEX #8B8F0F

RGB 139 143 15

HSL 61.88, 0.81%, 0.31%

LAB 57.24, -15.56, 58.56

 

CMYK 0 / 22 / 90 / 44

HEX #8F700F

RGB 143 112 15

HSL 45.47, 0.81%, 0.31%

LAB 48.84, 3.39, 51.95

 

CMYK 0 / 45 / 90 / 44

HEX #8F4E0F

RGB 143 78 15

HSL 29.53, 0.81%, 0.31%

LAB 40.12, 23.03, 44.95

 

CMYK 0 / 70 / 90 / 44

HEX #8F2B0F

RGB 143 43 15

HSL 13.13, 0.81%, 0.31%

LAB 33.14, 40.94, 39.34

 

CMYK 0 / 90 / 90 / 44

HEX #8F0F0F

RGB 143 15 15

HSL 0, 0.81%, 0.31%

LAB 29.95, 49.84, 36.78

 

CMYK 3 / 0 / 90 / 44

HEX #8B8F0F

RGB 139 143 15

HSL 61.88, 0.81%, 0.31%

LAB 57.24, -15.56, 58.56

 

CMYK 27 / 0 / 90 / 44

HEX #688F0F

RGB 104 143 15

HSL 78.28, 0.81%, 0.31%

LAB 54.68, -30.8, 55.4

 

CMYK 52 / 0 / 90 / 44

HEX #458F0F

RGB 69 143 15

HSL 94.69, 0.81%, 0.31%

LAB 52.89, -43.6, 53.17

 

CMYK 76 / 0 / 90 / 44

HEX #238F0F

RGB 35 143 15

HSL 110.63, 0.81%, 0.31%

LAB 51.88, -51.89, 51.9

 

CMYK 90 / 0 / 80 / 44

HEX #0F8F1D

RGB 15 143 29

HSL 126.56, 0.81%, 0.31%

LAB 51.65, -53.67, 47.74

 

CMYK 3 / 0 / 90 / 44

HEX #8B8F0F

RGB 139 143 15

HSL 61.88, 0.81%, 0.31%

LAB 57.24, -15.56, 58.56

 

CMYK 3 / 0 / 99 / 39

HEX #979B02

RGB 151 155 2

HSL 61.57, 0.97%, 0.31%

LAB 61.68, -16.63, 64.46

 

CMYK 3 / 0 / 90 / 44

HEX #8B8F0F

RGB 139 143 15

HSL 61.88, 0.81%, 0.31%

LAB 57.24, -15.56, 58.56

 

CMYK 2 / 0 / 79 / 49

HEX #7F821B

RGB 127 130 27

HSL 61.75, 0.66%, 0.31%

LAB 52.46, -13.75, 50.93

 

CMYK 2 / 0 / 66 / 54

HEX #737528

RGB 115 117 40

HSL 61.56, 0.49%, 0.31%

LAB 47.65, -11.47, 40.76

 

CMYK 1 / 0 / 49 / 59

HEX #676835

RGB 103 104 53

HSL 61.18, 0.32%, 0.31%

LAB 42.83, -8.53, 28.42

 

CMYK 0 / 0 / 27 / 64

HEX #5B5B42

RGB 91 91 66

HSL 60, 0.16%, 0.31%

LAB 38.02, -4.62, 14.47

 

CMYK 0 / 47 / 90 / 44

HEX #8F4C0F

RGB 143 76 15

HSL 28.59, 0.81%, 0.31%

LAB 39.65, 24.17, 44.58

 

CMYK 0 / 22 / 90 / 44

HEX #8F6F0F

RGB 143 111 15

HSL 45, 0.81%, 0.31%

LAB 48.56, 3.96, 51.74

 

CMYK 2 / 0 / 90 / 44

HEX #8C8F0F

RGB 140 143 15

HSL 61.41, 0.81%, 0.31%

LAB 57.32, -15.11, 58.66

 

CMYK 26 / 0 / 90 / 44

HEX #6A8F0F

RGB 106 143 15

HSL 77.34, 0.81%, 0.31%

LAB 54.81, -29.98, 55.56

 

CMYK 50 / 0 / 90 / 44

HEX #488F0F

RGB 72 143 15

HSL 93.28, 0.81%, 0.31%

LAB 53.01, -42.65, 53.32

 

CMYK 3 / 0 / 90 / 73

HEX #424407

RGB 66 68 7

HSL 61.97, 0.81%, 0.15%

LAB 27.59, -9.03, 33.33

 

CMYK 3 / 0 / 90 / 59

HEX #66690B

RGB 102 105 11

HSL 61.91, 0.81%, 0.23%

LAB 42.69, -12.37, 46.24

 

CMYK 3 / 0 / 90 / 44

HEX #8B8F0F

RGB 139 143 15

HSL 61.88, 0.81%, 0.31%

LAB 57.24, -15.56, 58.56

 

CMYK 3 / 0 / 90 / 29

HEX #AFB412

RGB 175 180 18

HSL 61.85, 0.82%, 0.39%

LAB 70.73, -18.53, 70.02

 

CMYK 3 / 0 / 90 / 15

HEX #D3D916

RGB 211 217 22

HSL 61.85, 0.82%, 0.47%

LAB 83.72, -21.36, 80.83

 

CMYK 3 / 0 / 89 / 45

HEX #898D0F

RGB 137 141 15

HSL 61.9, 0.81%, 0.31%

LAB 56.49, -15.42, 57.88

 

CMYK 90 / 0 / 71 / 44

HEX #0F8F2A

RGB 15 143 42

HSL 132.66, 0.81%, 0.31%

LAB 51.74, -52.55, 42.93

 

CMYK 35 / 90 / 0 / 44

HEX #5D0F8F

RGB 93 15 143

HSL 276.56, 0.81%, 0.31%

LAB 25.72, 53.37, -52.75

 

CMYK 3 / 0 / 89 / 45

HEX #898D0F

RGB 137 141 15

HSL 61.9, 0.81%, 0.31%

LAB 56.49, -15.42, 57.88

 

CMYK 90 / 2 / 0 / 44

HEX #0F8C8F

RGB 15 140 143

HSL 181.41, 0.81%, 0.31%

LAB 52.77, -29.08, -10.46

 

CMYK 0 / 90 / 2 / 44

HEX #8F0F8C

RGB 143 15 140

HSL 301.41, 0.81%, 0.31%

LAB 34.14, 61.29, -36.86

 

CMYK 3 / 0 / 89 / 45

HEX #898D0F

RGB 137 141 15

HSL 61.9, 0.81%, 0.31%

LAB 56.49, -15.42, 57.88

 

CMYK 90 / 0 / 71 / 44

HEX #0F8F2A

RGB 15 143 42

HSL 132.66, 0.81%, 0.31%

LAB 51.74, -52.55, 42.93

 

CMYK 88 / 90 / 0 / 44

HEX #110F8F

RGB 17 15 143

HSL 240.94, 0.81%, 0.31%

LAB 17.66, 46.64, -66.32

 

CMYK 0 / 90 / 20 / 44

HEX #8F0F73

RGB 143 15 115

HSL 313.13, 0.81%, 0.31%

LAB 32.74, 57.64, -23.41

 

CMYK 3 / 0 / 89 / 45

HEX #898D0F

RGB 137 141 15

HSL 61.9, 0.81%, 0.31%

LAB 56.49, -15.42, 57.88

 

CMYK 90 / 0 / 43 / 44

HEX #0F8F51

RGB 15 143 81

HSL 150.94, 0.81%, 0.31%

LAB 52.22, -46.72, 24.18

 

CMYK 88 / 90 / 0 / 44

HEX #110F8F

RGB 17 15 143

HSL 240.94, 0.81%, 0.31%

LAB 17.66, 46.64, -66.32

 

CMYK 0 / 90 / 47 / 44

HEX #8F0F4C

RGB 143 15 76

HSL 331.41, 0.81%, 0.31%

LAB 31.12, 53.2, -0.58

 

Description

Color code: HEX #898D0F | qconv.com Color code: HEX #898D0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 141 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 141 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 89 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 89% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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