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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8971C3 it is the complementary color #768E3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8971C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8971C3 shade: #8E71BE, #9F83D1, #B095E4, #C1A7F7 and #D2B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8971C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8971C3 shade: #8971C3, #785FB0, #674D9D, #563B8A and #452977

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8971C3 shade: #876FC2, #9E6FC2, #B46FC2, #C26FBA and #C26FA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8971C3 shade: #876FC2, #716FC2 and #6F6FC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8971C3 shade matches the following richer shades: #876FC2, #805ED3, #794EE3 and #733DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8971C3 shade: #876FC2, #8E7FB2, #9590A1, #9CA091 and #A3B180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8971C3 shade: #6F84C2, #706FC2, #866FC2, #9D6FC2 and #B36FC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8971C3 shade: #5C419D, #6F52B6, #876FC2, #9F8CCE and #B7A9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8971C3 shade: #8971C3, #C26F9A and #78C26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8971C3 shade: #8971C3, #C2866F and #6FC286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8971C3 shade: #8971C3, #C26F9A, #ABC26F and #6FC297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8971C3 shade: #8971C3, #C26F81, #ABC26F and #6FC2B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 42 / 0 / 24

HEX #8971C3

RGB 137 113 195

HSL 257.56, 0.41%, 0.6%

LAB 53.02, 27.35, -39.62

 

Complementary color

CMYK 17 / 0 / 58 / 44

HEX #768E3C

RGB 118 142 60

HSL 77.56, 0.41%, 0.4%

LAB 55.61, -21.74, 40.15

 

CMYK 25 / 41 / 0 / 25

HEX #8E71BE

RGB 142 113 190

HSL 262.6, 0.37%, 0.59%

LAB 53.25, 27.54, -36.36

 

CMYK 24 / 37 / 0 / 18

HEX #9F83D1

RGB 159 131 209

HSL 261.54, 0.46%, 0.67%

LAB 60.08, 26.76, -36.35

 

CMYK 23 / 35 / 0 / 11

HEX #B095E4

RGB 176 149 228

HSL 260.51, 0.59%, 0.74%

LAB 66.77, 26.05, -36.37

 

CMYK 22 / 32 / 0 / 3

HEX #C1A7F7

RGB 193 167 247

HSL 259.5, 0.83%, 0.81%

LAB 73.34, 25.4, -36.42

 

CMYK 18 / 27 / 0 / 0

HEX #D2B9FF

RGB 210 185 255

HSL 261.43, 1%, 0.86%

LAB 79.4, 22.39, -31.27

 

CMYK 30 / 42 / 0 / 24

HEX #8971C3

RGB 137 113 195

HSL 257.56, 0.41%, 0.6%

LAB 53.02, 27.35, -39.62

 

CMYK 32 / 46 / 0 / 31

HEX #785FB0

RGB 120 95 176

HSL 258.52, 0.34%, 0.53%

LAB 46.06, 28.28, -39.73

 

CMYK 34 / 51 / 0 / 38

HEX #674D9D

RGB 103 77 157

HSL 259.5, 0.34%, 0.46%

LAB 38.94, 29.31, -39.88

 

CMYK 38 / 57 / 0 / 46

HEX #563B8A

RGB 86 59 138

HSL 260.51, 0.4%, 0.39%

LAB 31.67, 30.47, -40.04

 

CMYK 42 / 66 / 0 / 53

HEX #452977

RGB 69 41 119

HSL 261.54, 0.49%, 0.31%

LAB 24.27, 31.71, -40.16

 

CMYK 30 / 43 / 0 / 24

HEX #876FC2

RGB 135 111 194

HSL 257.35, 0.4%, 0.6%

LAB 52.3, 27.71, -40.19

 

CMYK 19 / 43 / 0 / 24

HEX #9E6FC2

RGB 158 111 194

HSL 273.98, 0.4%, 0.6%

LAB 54.59, 34.36, -36.44

 

CMYK 7 / 43 / 0 / 24

HEX #B46FC2

RGB 180 111 194

HSL 289.88, 0.4%, 0.6%

LAB 57.04, 40.94, -32.42

 

CMYK 0 / 43 / 4 / 24

HEX #C26FBA

RGB 194 111 186

HSL 305.78, 0.4%, 0.6%

LAB 58.4, 43.72, -25.62

 

CMYK 0 / 43 / 16 / 24

HEX #C26FA3

RGB 194 111 163

HSL 322.41, 0.4%, 0.6%

LAB 57.54, 39.82, -13.7

 

CMYK 30 / 43 / 0 / 24

HEX #876FC2

RGB 135 111 194

HSL 257.35, 0.4%, 0.6%

LAB 52.3, 27.71, -40.19

 

CMYK 42 / 43 / 0 / 24

HEX #716FC2

RGB 113 111 194

HSL 241.45, 0.4%, 0.6%

LAB 50.42, 21.77, -43.29

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC2

RGB 111 111 194

HSL 240, 0.4%, 0.6%

LAB 50.27, 21.26, -43.55

 

CMYK 30 / 43 / 0 / 24

HEX #876FC2

RGB 135 111 194

HSL 257.35, 0.4%, 0.6%

LAB 52.3, 27.71, -40.19

 

CMYK 39 / 55 / 0 / 17

HEX #805ED3

RGB 128 94 211

HSL 257.44, 0.57%, 0.6%

LAB 48.63, 40.32, -55.81

 

CMYK 47 / 66 / 0 / 11

HEX #794EE3

RGB 121 78 227

HSL 257.32, 0.73%, 0.6%

LAB 45.72, 52.08, -69.66

 

CMYK 53 / 75 / 0 / 4

HEX #733DF4

RGB 115 61 244

HSL 257.7, 0.89%, 0.6%

LAB 43.53, 64.06, -82.87

 

CMYK 30 / 43 / 0 / 24

HEX #876FC2

RGB 135 111 194

HSL 257.35, 0.4%, 0.6%

LAB 52.3, 27.71, -40.19

 

CMYK 20 / 29 / 0 / 30

HEX #8E7FB2

RGB 142 127 178

HSL 257.65, 0.25%, 0.6%

LAB 56.23, 16.45, -24.84

 

CMYK 7 / 11 / 0 / 37

HEX #9590A1

RGB 149 144 161

HSL 257.65, 0.08%, 0.6%

LAB 60.7, 5.22, -8.3

 

CMYK 2 / 0 / 9 / 37

HEX #9CA091

RGB 156 160 145

HSL 76, 0.07%, 0.6%

LAB 65.16, -4.22, 7.32

 

CMYK 8 / 0 / 28 / 31

HEX #A3B180

RGB 163 177 128

HSL 77.14, 0.24%, 0.6%

LAB 70.03, -13.38, 23.51

 

CMYK 43 / 32 / 0 / 24

HEX #6F84C2

RGB 111 132 194

HSL 224.82, 0.4%, 0.6%

LAB 55.86, 8.64, -34.73

 

CMYK 42 / 43 / 0 / 24

HEX #706FC2

RGB 112 111 194

HSL 240.72, 0.4%, 0.6%

LAB 50.34, 21.51, -43.42

 

CMYK 31 / 43 / 0 / 24

HEX #866FC2

RGB 134 111 194

HSL 256.63, 0.4%, 0.6%

LAB 52.21, 27.43, -40.35

 

CMYK 19 / 43 / 0 / 24

HEX #9D6FC2

RGB 157 111 194

HSL 273.25, 0.4%, 0.6%

LAB 54.48, 34.06, -36.62

 

CMYK 8 / 43 / 0 / 24

HEX #B36FC2

RGB 179 111 194

HSL 289.16, 0.4%, 0.6%

LAB 56.93, 40.64, -32.62

 

CMYK 41 / 59 / 0 / 38

HEX #5C419D

RGB 92 65 157

HSL 257.61, 0.41%, 0.44%

LAB 34.98, 33.76, -46.28

 

CMYK 39 / 55 / 0 / 29

HEX #6F52B6

RGB 111 82 182

HSL 257.4, 0.41%, 0.52%

LAB 42.45, 35.29, -49.05

 

CMYK 30 / 43 / 0 / 24

HEX #876FC2

RGB 135 111 194

HSL 257.35, 0.4%, 0.6%

LAB 52.3, 27.71, -40.19

 

CMYK 23 / 32 / 0 / 19

HEX #9F8CCE

RGB 159 140 206

HSL 257.27, 0.4%, 0.68%

LAB 62.15, 20.88, -31.43

 

CMYK 16 / 23 / 0 / 14

HEX #B7A9DB

RGB 183 169 219

HSL 256.8, 0.41%, 0.76%

LAB 71.93, 14.97, -23.42

 

CMYK 30 / 42 / 0 / 24

HEX #8971C3

RGB 137 113 195

HSL 257.56, 0.41%, 0.6%

LAB 53.02, 27.35, -39.62

 

CMYK 0 / 43 / 21 / 24

HEX #C26F9A

RGB 194 111 154

HSL 328.92, 0.4%, 0.6%

LAB 57.24, 38.42, -8.94

 

CMYK 38 / 0 / 43 / 24

HEX #78C26F

RGB 120 194 111

HSL 113.49, 0.4%, 0.6%

LAB 72.04, -39.42, 34.61

 

CMYK 30 / 42 / 0 / 24

HEX #8971C3

RGB 137 113 195

HSL 257.56, 0.41%, 0.6%

LAB 53.02, 27.35, -39.62

 

CMYK 0 / 31 / 43 / 24

HEX #C2866F

RGB 194 134 111

HSL 16.63, 0.4%, 0.6%

LAB 61.37, 20.21, 21.64

 

CMYK 43 / 0 / 31 / 24

HEX #6FC286

RGB 111 194 134

HSL 136.63, 0.4%, 0.6%

LAB 72.02, -38.38, 22.49

 

CMYK 30 / 42 / 0 / 24

HEX #8971C3

RGB 137 113 195

HSL 257.56, 0.41%, 0.6%

LAB 53.02, 27.35, -39.62

 

CMYK 0 / 43 / 21 / 24

HEX #C26F9A

RGB 194 111 154

HSL 328.92, 0.4%, 0.6%

LAB 57.24, 38.42, -8.94

 

CMYK 12 / 0 / 43 / 24

HEX #ABC26F

RGB 171 194 111

HSL 76.63, 0.4%, 0.6%

LAB 75.07, -21.14, 39.08

 

CMYK 43 / 0 / 22 / 24

HEX #6FC297

RGB 111 194 151

HSL 148.92, 0.4%, 0.6%

LAB 72.36, -35.09, 13.85

 

CMYK 30 / 42 / 0 / 24

HEX #8971C3

RGB 137 113 195

HSL 257.56, 0.41%, 0.6%

LAB 53.02, 27.35, -39.62

 

CMYK 0 / 43 / 34 / 24

HEX #C26F81

RGB 194 111 129

HSL 346.99, 0.4%, 0.6%

LAB 56.51, 34.92, 4.54

 

CMYK 12 / 0 / 43 / 24

HEX #ABC26F

RGB 171 194 111

HSL 76.63, 0.4%, 0.6%

LAB 75.07, -21.14, 39.08

 

CMYK 43 / 0 / 9 / 24

HEX #6FC2B0

RGB 111 194 176

HSL 166.99, 0.4%, 0.6%

LAB 72.96, -29.6, 1.15

 

Description

Color code: HEX #8971C3 | qconv.com Color code: HEX #8971C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 113 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 113 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 42 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 42% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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