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Color name
HEX #896CDA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #896CDA it is the complementary color #769325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #896CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #896CDA shade: #8E6CD5, #9F7EE8, #B090FB, #C1A2FF and #D2B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #896CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #896CDA shade: #896CDA, #785AC7, #6748B4, #5636A1 and #45248E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #896CDA shade: #896CDA, #A66CDA, #C46CDA, #DA6CD2 and #DA6CB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #896CDA shade: #896CDA and #6C6CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #896CDA shade matches the following richer shades: #896CDA, #825DE9 and #7B4EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #896CDA shade: #896CDA, #907ACB, #9789BC, #9E98AD and #A5A79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #896CDA shade: #6C8BDA, #6C6DDA, #876CDA, #A56CDA and #C26CDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #896CDA shade: #5730C3, #6E4BD2, #896CDA, #A38DE2 and #BEAEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #896CDA shade: #896CDA, #DA6CA8 and #7CDA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #896CDA shade: #896CDA, #DA876C and #6CDA87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #896CDA shade: #896CDA, #DA6CA8, #BEDA6C and #6CDA9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #896CDA shade: #896CDA, #DA6C87, #BEDA6C and #6CDABE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

Complementary color

CMYK 20 / 0 / 75 / 42

HEX #769325

RGB 118 147 37

HSL 75.82, 0.6%, 0.36%

LAB 56.93, -25.96, 51.43

 

CMYK 33 / 49 / 0 / 16

HEX #8E6CD5

RGB 142 108 213

HSL 259.43, 0.56%, 0.63%

LAB 53.25, 36.26, -49.48

 

CMYK 31 / 46 / 0 / 9

HEX #9F7EE8

RGB 159 126 232

HSL 258.68, 0.7%, 0.7%

LAB 60, 35.28, -49.34

 

CMYK 30 / 43 / 0 / 2

HEX #B090FB

RGB 176 144 251

HSL 257.94, 0.93%, 0.77%

LAB 66.63, 34.38, -49.22

 

CMYK 24 / 36 / 0 / 0

HEX #C1A2FF

RGB 193 162 255

HSL 260, 1%, 0.82%

LAB 72.49, 30.01, -42.08

 

CMYK 18 / 29 / 0 / 0

HEX #D2B4FF

RGB 210 180 255

HSL 264, 1%, 0.85%

LAB 78.21, 25.1, -33.1

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 40 / 55 / 0 / 22

HEX #785AC7

RGB 120 90 199

HSL 256.51, 0.49%, 0.57%

LAB 46.22, 37.47, -52.84

 

CMYK 43 / 60 / 0 / 29

HEX #6748B4

RGB 103 72 180

HSL 257.22, 0.43%, 0.49%

LAB 39.26, 38.72, -53.04

 

CMYK 47 / 66 / 0 / 37

HEX #5636A1

RGB 86 54 161

HSL 257.94, 0.5%, 0.42%

LAB 32.24, 40.03, -53.18

 

CMYK 51 / 75 / 0 / 44

HEX #45248E

RGB 69 36 142

HSL 258.68, 0.6%, 0.35%

LAB 25.2, 41.25, -53.1

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 24 / 50 / 0 / 15

HEX #A66CDA

RGB 166 108 218

HSL 271.64, 0.6%, 0.64%

LAB 55.98, 43.78, -47.82

 

CMYK 10 / 50 / 0 / 15

HEX #C46CDA

RGB 196 108 218

HSL 288, 0.6%, 0.64%

LAB 59.46, 51.88, -42.1

 

CMYK 0 / 50 / 4 / 15

HEX #DA6CD2

RGB 218 108 210

HSL 304.36, 0.6%, 0.64%

LAB 61.9, 56.54, -33.57

 

CMYK 0 / 50 / 17 / 15

HEX #DA6CB4

RGB 218 108 180

HSL 320.73, 0.6%, 0.64%

LAB 60.72, 51.71, -18.37

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 50 / 50 / 0 / 15

HEX #6C6CDA

RGB 108 108 218

HSL 240, 0.6%, 0.64%

LAB 50.66, 29.59, -56.62

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 44 / 60 / 0 / 9

HEX #825DE9

RGB 130 93 233

HSL 255.86, 0.76%, 0.64%

LAB 50.05, 47.33, -65.98

 

CMYK 50 / 68 / 0 / 3

HEX #7B4EF7

RGB 123 78 247

HSL 255.98, 0.91%, 0.64%

LAB 47.46, 57.88, -78.07

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 29 / 40 / 0 / 20

HEX #907ACB

RGB 144 122 203

HSL 256.3, 0.44%, 0.64%

LAB 56.25, 26.12, -39.06

 

CMYK 20 / 27 / 0 / 26

HEX #9789BC

RGB 151 137 188

HSL 256.47, 0.28%, 0.64%

LAB 59.98, 15.88, -24.7

 

CMYK 9 / 12 / 0 / 32

HEX #9E98AD

RGB 158 152 173

HSL 257.14, 0.11%, 0.64%

LAB 63.95, 6.34, -10.15

 

CMYK 1 / 0 / 5 / 35

HEX #A5A79E

RGB 165 167 158

HSL 73.33, 0.05%, 0.64%

LAB 68.1, -2.39, 4.39

 

CMYK 50 / 36 / 0 / 15

HEX #6C8BDA

RGB 108 139 218

HSL 223.09, 0.6%, 0.64%

LAB 58.71, 10.95, -43.81

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 38 / 50 / 0 / 15

HEX #876CDA

RGB 135 108 218

HSL 254.73, 0.6%, 0.64%

LAB 52.88, 35.83, -52.94

 

CMYK 24 / 50 / 0 / 15

HEX #A56CDA

RGB 165 108 218

HSL 271.09, 0.6%, 0.64%

LAB 55.87, 43.51, -48

 

CMYK 11 / 50 / 0 / 15

HEX #C26CDA

RGB 194 108 218

HSL 286.91, 0.6%, 0.64%

LAB 59.21, 51.34, -42.5

 

CMYK 55 / 75 / 0 / 24

HEX #5730C3

RGB 87 48 195

HSL 255.92, 0.6%, 0.48%

LAB 34.15, 53.06, -70.27

 

CMYK 48 / 64 / 0 / 18

HEX #6E4BD2

RGB 110 75 210

HSL 255.56, 0.6%, 0.56%

LAB 42.76, 46.95, -64.81

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 28 / 38 / 0 / 11

HEX #A38DE2

RGB 163 141 226

HSL 255.53, 0.59%, 0.72%

LAB 63.61, 26.33, -40.28

 

CMYK 19 / 26 / 0 / 8

HEX #BEAEEA

RGB 190 174 234

HSL 256, 0.59%, 0.8%

LAB 74.29, 17.7, -27.93

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 0 / 50 / 23 / 15

HEX #DA6CA8

RGB 218 108 168

HSL 327.27, 0.6%, 0.64%

LAB 60.3, 49.97, -12.12

 

CMYK 43 / 0 / 50 / 15

HEX #7CDA6C

RGB 124 218 108

HSL 111.27, 0.6%, 0.64%

LAB 79.33, -48.86, 45.26

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 0 / 38 / 50 / 15

HEX #DA876C

RGB 218 135 108

HSL 14.73, 0.6%, 0.64%

LAB 64.42, 28.96, 27.89

 

CMYK 50 / 0 / 38 / 15

HEX #6CDA87

RGB 108 218 135

HSL 134.73, 0.6%, 0.64%

LAB 79.09, -49.34, 31.42

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 0 / 50 / 23 / 15

HEX #DA6CA8

RGB 218 108 168

HSL 327.27, 0.6%, 0.64%

LAB 60.3, 49.97, -12.12

 

CMYK 13 / 0 / 50 / 15

HEX #BEDA6C

RGB 190 218 108

HSL 75.27, 0.6%, 0.64%

LAB 83.01, -25.79, 50.55

 

CMYK 50 / 0 / 28 / 15

HEX #6CDA9D

RGB 108 218 157

HSL 146.73, 0.6%, 0.64%

LAB 79.48, -45.35, 20.56

 

CMYK 37 / 50 / 0 / 15

HEX #896CDA

RGB 137 108 218

HSL 255.82, 0.6%, 0.64%

LAB 53.06, 36.32, -52.64

 

CMYK 0 / 50 / 38 / 15

HEX #DA6C87

RGB 218 108 135

HSL 345.27, 0.6%, 0.64%

LAB 59.32, 45.75, 5.52

 

CMYK 13 / 0 / 50 / 15

HEX #BEDA6C

RGB 190 218 108

HSL 75.27, 0.6%, 0.64%

LAB 83.01, -25.79, 50.55

 

CMYK 50 / 0 / 13 / 15

HEX #6CDABE

RGB 108 218 190

HSL 164.73, 0.6%, 0.64%

LAB 80.21, -38.28, 4.13

 

Description

Color code: HEX #896CDA | qconv.com Color code: HEX #896CDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 108 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 108 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 50 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 50% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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