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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8962D0 it is the complementary color #769D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8962D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8962D0 shade: #8E62CB, #9F74DE, #B086F1, #C198FF and #D2AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8962D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8962D0 shade: #8962D0, #7850BD, #673EAA, #562C97 and #451A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8962D0 shade: #8861D0, #A661D0, #C461D0, #D061BE and #D061A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8962D0 shade: #8861D0, #6B61D0 and #6161D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8962D0 shade matches the following richer shades: #8861D0, #8451E0 and #7F40F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8962D0 shade: #8861D0, #8D72BF, #9282AF, #97939E and #9CA38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8962D0 shade: #6176D0, #6B61D0, #8861D0, #A561D0 and #C361D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8962D0 shade: #5E33AC, #7142C6, #8861D0, #A081D9 and #B8A1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8962D0 shade: #8962D0, #D06193 and #67D061

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8962D0 shade: #8962D0, #D08861 and #61D088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8962D0 shade: #8962D0, #D06193, #A9D061 and #61D09E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8962D0 shade: #8962D0, #D06172, #A9D061 and #61D0BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 53 / 0 / 18

HEX #8962D0

RGB 137 98 208

HSL 261.27, 0.54%, 0.6%

LAB 50.23, 39.41, -51.49

 

Complementary color

CMYK 25 / 0 / 70 / 38

HEX #769D2F

RGB 118 157 47

HSL 81.27, 0.54%, 0.4%

LAB 60.04, -30.17, 50.72

 

CMYK 30 / 52 / 0 / 20

HEX #8E62CB

RGB 142 98 203

HSL 265.14, 0.5%, 0.59%

LAB 50.45, 39.41, -48.25

 

CMYK 28 / 48 / 0 / 13

HEX #9F74DE

RGB 159 116 222

HSL 264.34, 0.62%, 0.66%

LAB 57.21, 38.44, -48.17

 

CMYK 27 / 44 / 0 / 5

HEX #B086F1

RGB 176 134 241

HSL 263.55, 0.79%, 0.74%

LAB 63.86, 37.53, -48.1

 

CMYK 24 / 40 / 0 / 0

HEX #C198FF

RGB 193 152 255

HSL 263.88, 1%, 0.8%

LAB 70.19, 35.53, -45.69

 

CMYK 18 / 33 / 0 / 0

HEX #D2AAFF

RGB 210 170 255

HSL 268.24, 1%, 0.83%

LAB 75.87, 30.55, -36.72

 

CMYK 34 / 53 / 0 / 18

HEX #8962D0

RGB 137 98 208

HSL 261.27, 0.54%, 0.6%

LAB 50.23, 39.41, -51.49

 

CMYK 37 / 58 / 0 / 26

HEX #7850BD

RGB 120 80 189

HSL 262.02, 0.45%, 0.53%

LAB 43.37, 40.51, -51.62

 

CMYK 39 / 64 / 0 / 33

HEX #673EAA

RGB 103 62 170

HSL 262.78, 0.47%, 0.45%

LAB 36.43, 41.63, -51.7

 

CMYK 43 / 71 / 0 / 41

HEX #562C97

RGB 86 44 151

HSL 263.55, 0.55%, 0.38%

LAB 29.45, 42.67, -51.63

 

CMYK 48 / 80 / 0 / 48

HEX #451A84

RGB 69 26 132

HSL 264.34, 0.67%, 0.31%

LAB 22.55, 43.31, -51.2

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 20 / 53 / 0 / 18

HEX #A661D0

RGB 166 97 208

HSL 277.3, 0.54%, 0.6%

LAB 53.18, 47.41, -46.6

 

CMYK 6 / 53 / 0 / 18

HEX #C461D0

RGB 196 97 208

HSL 293.51, 0.54%, 0.6%

LAB 56.92, 55.41, -40.44

 

CMYK 0 / 53 / 9 / 18

HEX #D061BE

RGB 208 97 190

HSL 309.73, 0.54%, 0.6%

LAB 57.73, 55.58, -28.79

 

CMYK 0 / 53 / 23 / 18

HEX #D061A0

RGB 208 97 160

HSL 325.95, 0.54%, 0.6%

LAB 56.58, 51.01, -13.23

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 49 / 53 / 0 / 18

HEX #6B61D0

RGB 107 97 208

HSL 245.41, 0.54%, 0.6%

LAB 47.27, 32.97, -56.38

 

CMYK 53 / 53 / 0 / 18

HEX #6161D0

RGB 97 97 208

HSL 240, 0.54%, 0.6%

LAB 46.51, 30.87, -57.65

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 41 / 64 / 0 / 12

HEX #8451E0

RGB 132 81 224

HSL 261.4, 0.7%, 0.6%

LAB 47.2, 51.8, -65.5

 

CMYK 47 / 73 / 0 / 5

HEX #7F40F1

RGB 127 64 241

HSL 261.36, 0.86%, 0.6%

LAB 44.98, 63.63, -78.74

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 26 / 40 / 0 / 25

HEX #8D72BF

RGB 141 114 191

HSL 261.04, 0.38%, 0.6%

LAB 53.45, 26.91, -36.63

 

CMYK 17 / 26 / 0 / 31

HEX #9282AF

RGB 146 130 175

HSL 261.33, 0.22%, 0.6%

LAB 57.24, 15.3, -21.54

 

CMYK 4 / 7 / 0 / 38

HEX #97939E

RGB 151 147 158

HSL 261.82, 0.05%, 0.6%

LAB 61.58, 3.62, -5.27

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 53 / 43 / 0 / 18

HEX #6176D0

RGB 97 118 208

HSL 228.65, 0.54%, 0.6%

LAB 51.9, 17.99, -49.01

 

CMYK 49 / 53 / 0 / 18

HEX #6B61D0

RGB 107 97 208

HSL 245.41, 0.54%, 0.6%

LAB 47.27, 32.97, -56.38

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 21 / 53 / 0 / 18

HEX #A561D0

RGB 165 97 208

HSL 276.76, 0.54%, 0.6%

LAB 53.06, 47.15, -46.79

 

CMYK 6 / 53 / 0 / 18

HEX #C361D0

RGB 195 97 208

HSL 292.97, 0.54%, 0.6%

LAB 56.79, 55.14, -40.66

 

CMYK 45 / 70 / 0 / 33

HEX #5E33AC

RGB 94 51 172

HSL 261.32, 0.54%, 0.44%

LAB 33.41, 46.28, -57.85

 

CMYK 43 / 67 / 0 / 22

HEX #7142C6

RGB 113 66 198

HSL 261.36, 0.54%, 0.52%

LAB 40.38, 49.07, -61.72

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 26 / 41 / 0 / 15

HEX #A081D9

RGB 160 129 217

HSL 261.14, 0.54%, 0.68%

LAB 60.05, 30.12, -40.87

 

CMYK 19 / 29 / 0 / 11

HEX #B8A1E3

RGB 184 161 227

HSL 260.91, 0.54%, 0.76%

LAB 70.33, 21.5, -30.24

 

CMYK 34 / 53 / 0 / 18

HEX #8962D0

RGB 137 98 208

HSL 261.27, 0.54%, 0.6%

LAB 50.23, 39.41, -51.49

 

CMYK 0 / 53 / 29 / 18

HEX #D06193

RGB 208 97 147

HSL 332.97, 0.54%, 0.6%

LAB 56.15, 49.25, -6.28

 

CMYK 50 / 0 / 53 / 18

HEX #67D061

RGB 103 208 97

HSL 116.76, 0.54%, 0.6%

LAB 75.36, -52.22, 45.48

 

CMYK 34 / 53 / 0 / 18

HEX #8962D0

RGB 137 98 208

HSL 261.27, 0.54%, 0.6%

LAB 50.23, 39.41, -51.49

 

CMYK 0 / 35 / 53 / 18

HEX #D08861

RGB 208 136 97

HSL 21.08, 0.54%, 0.6%

LAB 63.24, 23.43, 32.17

 

CMYK 53 / 0 / 35 / 18

HEX #61D088

RGB 97 208 136

HSL 141.08, 0.54%, 0.6%

LAB 75.72, -47.76, 26.35

 

CMYK 34 / 53 / 0 / 18

HEX #8962D0

RGB 137 98 208

HSL 261.27, 0.54%, 0.6%

LAB 50.23, 39.41, -51.49

 

CMYK 0 / 53 / 29 / 18

HEX #D06193

RGB 208 97 147

HSL 332.97, 0.54%, 0.6%

LAB 56.15, 49.25, -6.28

 

CMYK 19 / 0 / 53 / 18

HEX #A9D061

RGB 169 208 97

HSL 81.08, 0.54%, 0.6%

LAB 78.7, -30.17, 50.26

 

CMYK 53 / 0 / 24 / 18

HEX #61D09E

RGB 97 208 158

HSL 152.97, 0.54%, 0.6%

LAB 76.14, -43.43, 15.33

 

CMYK 34 / 53 / 0 / 18

HEX #8962D0

RGB 137 98 208

HSL 261.27, 0.54%, 0.6%

LAB 50.23, 39.41, -51.49

 

CMYK 0 / 53 / 45 / 18

HEX #D06172

RGB 208 97 114

HSL 350.81, 0.54%, 0.6%

LAB 55.25, 45.45, 11.8

 

CMYK 19 / 0 / 53 / 18

HEX #A9D061

RGB 169 208 97

HSL 81.08, 0.54%, 0.6%

LAB 78.7, -30.17, 50.26

 

CMYK 53 / 0 / 8 / 18

HEX #61D0BF

RGB 97 208 191

HSL 170.81, 0.54%, 0.6%

LAB 76.93, -35.84, -1.22

 

Description

Color code: HEX #8962D0 | qconv.com Color code: HEX #8962D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 98 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 98 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 53 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 53% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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