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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #896018 it is the complementary color #769FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #896018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #896018 shade: #8E6013, #9F7226, #B08439, #C1964C and #D2A85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #896018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #896018 shade: #896018, #784E05, #673C00, #562A00 and #451800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #896018 shade: #8A6118, #8A4218, #8A2318 and #8A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #896018 shade: #8A6118, #8A8018, #768A18, #578A18 and #388A18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #896018 shade matches the following richer shades: #8A6118 and #97640B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #896018 shade: #8A6118, #7D5D25, #705A32, #635640 and #55524D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #896018 shade: #8A2318, #8A4218, #8A6018, #8A7F18 and #778A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #896018 shade: #44300C, #674812, #8A6118, #AD791E and #D09224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #896018 shade: #896018, #2B8A18 and #33188A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #896018 shade: #896018, #188A60 and #60188A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #896018 shade: #896018, #2B8A18, #18428A and #77188A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #896018 shade: #896018, #188A27, #18428A and #8A187B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 82 / 46

HEX #896018

RGB 137 96 24

HSL 38.23, 0.7%, 0.32%

LAB 43.87, 10.1, 44.58

 

Complementary color

CMYK 49 / 31 / 0 / 9

HEX #769FE7

RGB 118 159 231

HSL 218.23, 0.7%, 0.68%

LAB 65.29, 5.55, -40.64

 

CMYK 0 / 32 / 87 / 44

HEX #8E6013

RGB 142 96 19

HSL 37.56, 0.76%, 0.32%

LAB 44.47, 12.28, 47.14

 

CMYK 0 / 28 / 76 / 38

HEX #9F7226

RGB 159 114 38

HSL 37.69, 0.61%, 0.39%

LAB 51.32, 10.49, 46.83

 

CMYK 0 / 25 / 68 / 31

HEX #B08439

RGB 176 132 57

HSL 37.82, 0.51%, 0.46%

LAB 58.06, 9.01, 45.79

 

CMYK 0 / 22 / 61 / 24

HEX #C1964C

RGB 193 150 76

HSL 37.95, 0.49%, 0.53%

LAB 64.7, 7.79, 44.51

 

CMYK 0 / 20 / 55 / 18

HEX #D2A85F

RGB 210 168 95

HSL 38.09, 0.56%, 0.6%

LAB 71.24, 6.76, 43.16

 

CMYK 0 / 30 / 82 / 46

HEX #896018

RGB 137 96 24

HSL 38.23, 0.7%, 0.32%

LAB 43.87, 10.1, 44.58

 

CMYK 0 / 35 / 96 / 53

HEX #784E05

RGB 120 78 5

HSL 38.09, 0.92%, 0.25%

LAB 36.84, 12.13, 44.09

 

CMYK 0 / 42 / 100 / 60

HEX #673C00

RGB 103 60 0

HSL 34.95, 1%, 0.2%

LAB 29.7, 14.66, 39.76

 

CMYK 0 / 51 / 100 / 66

HEX #562A00

RGB 86 42 0

HSL 29.3, 1%, 0.17%

LAB 22.42, 17.46, 32.15

 

CMYK 0 / 65 / 100 / 73

HEX #451800

RGB 69 24 0

HSL 20.87, 1%, 0.14%

LAB 15.05, 20.22, 22.75

 

CMYK 0 / 30 / 83 / 46

HEX #8A6118

RGB 138 97 24

HSL 38.42, 0.7%, 0.32%

LAB 44.26, 9.99, 44.98

 

CMYK 0 / 52 / 83 / 46

HEX #8A4218

RGB 138 66 24

HSL 22.11, 0.7%, 0.32%

LAB 36.68, 27.84, 37.98

 

CMYK 0 / 75 / 83 / 46

HEX #8A2318

RGB 138 35 24

HSL 5.79, 0.7%, 0.32%

LAB 31.05, 42.69, 32.55

 

CMYK 0 / 83 / 83 / 46

HEX #8A1818

RGB 138 24 24

HSL 0, 0.7%, 0.32%

LAB 29.72, 46.39, 31.23

 

CMYK 0 / 30 / 83 / 46

HEX #8A6118

RGB 138 97 24

HSL 38.42, 0.7%, 0.32%

LAB 44.26, 9.99, 44.98

 

CMYK 0 / 7 / 83 / 46

HEX #8A8018

RGB 138 128 24

HSL 54.74, 0.7%, 0.32%

LAB 52.85, -7.7, 52.6

 

CMYK 14 / 0 / 83 / 46

HEX #768A18

RGB 118 138 24

HSL 70.53, 0.7%, 0.32%

LAB 54.13, -22.09, 53.08

 

CMYK 37 / 0 / 83 / 46

HEX #578A18

RGB 87 138 24

HSL 86.84, 0.7%, 0.32%

LAB 52.14, -34.88, 50.55

 

CMYK 59 / 0 / 83 / 46

HEX #388A18

RGB 56 138 24

HSL 103.16, 0.7%, 0.32%

LAB 50.78, -45.06, 48.8

 

CMYK 0 / 30 / 83 / 46

HEX #8A6118

RGB 138 97 24

HSL 38.42, 0.7%, 0.32%

LAB 44.26, 9.99, 44.98

 

CMYK 0 / 34 / 93 / 41

HEX #97640B

RGB 151 100 11

HSL 38.14, 0.86%, 0.32%

LAB 46.6, 13.96, 51.59

 

CMYK 0 / 30 / 83 / 46

HEX #8A6118

RGB 138 97 24

HSL 38.42, 0.7%, 0.32%

LAB 44.26, 9.99, 44.98

 

CMYK 0 / 26 / 70 / 51

HEX #7D5D25

RGB 125 93 37

HSL 38.18, 0.54%, 0.32%

LAB 41.72, 6.85, 36.18

 

CMYK 0 / 20 / 55 / 56

HEX #705A32

RGB 112 90 50

HSL 38.71, 0.38%, 0.32%

LAB 39.56, 3.55, 26.32

 

CMYK 0 / 13 / 35 / 61

HEX #635640

RGB 99 86 64

HSL 37.71, 0.21%, 0.32%

LAB 37.26, 1.65, 14.79

 

CMYK 0 / 4 / 9 / 67

HEX #55524D

RGB 85 82 77

HSL 37.5, 0.05%, 0.32%

LAB 35.01, 0.2, 3.36

 

CMYK 0 / 75 / 83 / 46

HEX #8A2318

RGB 138 35 24

HSL 5.79, 0.7%, 0.32%

LAB 31.05, 42.69, 32.55

 

CMYK 0 / 52 / 83 / 46

HEX #8A4218

RGB 138 66 24

HSL 22.11, 0.7%, 0.32%

LAB 36.68, 27.84, 37.98

 

CMYK 0 / 30 / 83 / 46

HEX #8A6018

RGB 138 96 24

HSL 37.89, 0.7%, 0.32%

LAB 44, 10.57, 44.74

 

CMYK 0 / 8 / 83 / 46

HEX #8A7F18

RGB 138 127 24

HSL 54.21, 0.7%, 0.32%

LAB 52.56, -7.15, 52.35

 

CMYK 14 / 0 / 83 / 46

HEX #778A18

RGB 119 138 24

HSL 70, 0.7%, 0.32%

LAB 54.2, -21.65, 53.17

 

CMYK 0 / 29 / 82 / 73

HEX #44300C

RGB 68 48 12

HSL 38.57, 0.7%, 0.16%

LAB 21.47, 4.97, 25.38

 

CMYK 0 / 30 / 83 / 60

HEX #674812

RGB 103 72 18

HSL 38.12, 0.7%, 0.24%

LAB 33.05, 7.87, 35.49

 

CMYK 0 / 30 / 83 / 46

HEX #8A6118

RGB 138 97 24

HSL 38.42, 0.7%, 0.32%

LAB 44.26, 9.99, 44.98

 

CMYK 0 / 30 / 83 / 32

HEX #AD791E

RGB 173 121 30

HSL 38.18, 0.7%, 0.4%

LAB 54.71, 12.57, 53.71

 

CMYK 0 / 30 / 83 / 18

HEX #D09224

RGB 208 146 36

HSL 38.37, 0.7%, 0.48%

LAB 65.04, 14.49, 62.28

 

CMYK 0 / 30 / 82 / 46

HEX #896018

RGB 137 96 24

HSL 38.23, 0.7%, 0.32%

LAB 43.87, 10.1, 44.58

 

CMYK 69 / 0 / 83 / 46

HEX #2B8A18

RGB 43 138 24

HSL 110, 0.7%, 0.32%

LAB 50.4, -48.22, 48.31

 

CMYK 63 / 83 / 0 / 46

HEX #33188A

RGB 51 24 138

HSL 254.21, 0.7%, 0.32%

LAB 20.8, 43.52, -57.92

 

CMYK 0 / 30 / 82 / 46

HEX #896018

RGB 137 96 24

HSL 38.23, 0.7%, 0.32%

LAB 43.87, 10.1, 44.58

 

CMYK 83 / 0 / 30 / 46

HEX #188A60

RGB 24 138 96

HSL 157.89, 0.7%, 0.32%

LAB 50.94, -40.68, 14.07

 

CMYK 30 / 83 / 0 / 46

HEX #60188A

RGB 96 24 138

HSL 277.89, 0.7%, 0.32%

LAB 26.66, 50.07, -48.07

 

CMYK 0 / 30 / 82 / 46

HEX #896018

RGB 137 96 24

HSL 38.23, 0.7%, 0.32%

LAB 43.87, 10.1, 44.58

 

CMYK 69 / 0 / 83 / 46

HEX #2B8A18

RGB 43 138 24

HSL 110, 0.7%, 0.32%

LAB 50.4, -48.22, 48.31

 

CMYK 83 / 52 / 0 / 46

HEX #18428A

RGB 24 66 138

HSL 217.89, 0.7%, 0.32%

LAB 29.22, 13.77, -44.21

 

CMYK 14 / 83 / 0 / 46

HEX #77188A

RGB 119 24 138

HSL 290, 0.7%, 0.32%

LAB 30.42, 54.31, -41.81

 

CMYK 0 / 30 / 82 / 46

HEX #896018

RGB 137 96 24

HSL 38.23, 0.7%, 0.32%

LAB 43.87, 10.1, 44.58

 

CMYK 83 / 0 / 72 / 46

HEX #188A27

RGB 24 138 39

HSL 127.89, 0.7%, 0.32%

LAB 50.12, -50.28, 42.49

 

CMYK 83 / 52 / 0 / 46

HEX #18428A

RGB 24 66 138

HSL 217.89, 0.7%, 0.32%

LAB 29.22, 13.77, -44.21

 

CMYK 0 / 83 / 11 / 46

HEX #8A187B

RGB 138 24 123

HSL 307.89, 0.7%, 0.32%

LAB 32.89, 55.71, -28.3

 

Description

Color code: HEX #896018 | qconv.com Color code: HEX #896018 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 96 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 96 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 82 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 82% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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