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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #895EBA it is the complementary color #76A145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #895EBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #895EBA shade: #8E5EB5, #9F70C8, #B082DB, #C194EE and #D2A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #895EBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #895EBA shade: #895EBA, #784CA7, #673A94, #562881 and #45166E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #895EBA shade: #895EBA, #A25EBA, #BA5EB9, #BA5EA0 and #BA5E88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #895EBA shade: #895EBA, #705EBA and #5E5EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #895EBA shade matches the following richer shades: #895EBA, #884BCC, #8639DF and #8526F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #895EBA shade: #895EBA, #8A70A7, #8B8395, #8C9682 and #8EA86F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #895EBA shade: #5E64BA, #705EBA, #895EBA, #A15EBA and #BA5EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #895EBA shade: #603B8A, #7447A7, #895EBA, #9E7BC6 and #B398D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #895EBA shade: #895EBA, #BA5E7C and #5EBA64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #895EBA shade: #895EBA, #BA895E and #5EBA89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #895EBA shade: #895EBA, #BA5E7C, #8FBA5E and #5EBA9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #895EBA shade: #895EBA, #BA5E61, #8FBA5E and #5EBAB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

Complementary color

CMYK 27 / 0 / 57 / 37

HEX #76A145

RGB 118 161 69

HSL 88.04, 0.4%, 0.45%

LAB 61.46, -30.2, 42.55

 

CMYK 22 / 48 / 0 / 29

HEX #8E5EB5

RGB 142 94 181

HSL 273.1, 0.37%, 0.54%

LAB 48.38, 36.33, -38.83

 

CMYK 21 / 44 / 0 / 22

HEX #9F70C8

RGB 159 112 200

HSL 272.05, 0.44%, 0.61%

LAB 55.21, 35.46, -38.89

 

CMYK 20 / 41 / 0 / 14

HEX #B082DB

RGB 176 130 219

HSL 271.01, 0.55%, 0.68%

LAB 61.92, 34.64, -38.95

 

CMYK 19 / 38 / 0 / 7

HEX #C194EE

RGB 193 148 238

HSL 270, 0.73%, 0.76%

LAB 68.53, 33.88, -39.01

 

CMYK 18 / 35 / 0 / 0

HEX #D2A6FF

RGB 210 166 255

HSL 269.66, 1%, 0.83%

LAB 74.95, 32.73, -38.14

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 28 / 54 / 0 / 35

HEX #784CA7

RGB 120 76 167

HSL 269.01, 0.37%, 0.48%

LAB 41.14, 37.1, -42.24

 

CMYK 30 / 61 / 0 / 42

HEX #673A94

RGB 103 58 148

HSL 270, 0.44%, 0.4%

LAB 34.08, 38.07, -42.2

 

CMYK 33 / 69 / 0 / 49

HEX #562881

RGB 86 40 129

HSL 271.01, 0.53%, 0.33%

LAB 26.96, 38.92, -42.02

 

CMYK 37 / 80 / 0 / 57

HEX #45166E

RGB 69 22 110

HSL 272.05, 0.67%, 0.26%

LAB 19.9, 39.29, -41.46

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 13 / 49 / 0 / 27

HEX #A25EBA

RGB 162 94 186

HSL 284.35, 0.4%, 0.55%

LAB 50.96, 43.15, -37.51

 

CMYK 0 / 49 / 1 / 27

HEX #BA5EB9

RGB 186 94 185

HSL 300.65, 0.4%, 0.55%

LAB 53.97, 49.86, -31.99

 

CMYK 0 / 49 / 14 / 27

HEX #BA5EA0

RGB 186 94 160

HSL 316.96, 0.4%, 0.55%

LAB 52.93, 45.56, -19.06

 

CMYK 0 / 49 / 27 / 27

HEX #BA5E88

RGB 186 94 136

HSL 332.61, 0.4%, 0.55%

LAB 52.09, 41.95, -6.18

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 40 / 49 / 0 / 27

HEX #705EBA

RGB 112 94 186

HSL 251.74, 0.4%, 0.55%

LAB 45.63, 29.5, -46.3

 

CMYK 49 / 49 / 0 / 27

HEX #5E5EBA

RGB 94 94 186

HSL 240, 0.4%, 0.55%

LAB 44.13, 25.16, -48.77

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 33 / 63 / 0 / 20

HEX #884BCC

RGB 136 75 204

HSL 268.37, 0.56%, 0.55%

LAB 45.12, 50.69, -57.41

 

CMYK 40 / 74 / 0 / 13

HEX #8639DF

RGB 134 57 223

HSL 267.83, 0.72%, 0.55%

LAB 43.24, 63.34, -71.36

 

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 17 / 33 / 0 / 35

HEX #8A70A7

RGB 138 112 167

HSL 268.36, 0.24%, 0.55%

LAB 51.59, 21.37, -25.69

 

CMYK 7 / 12 / 0 / 42

HEX #8B8395

RGB 139 131 149

HSL 266.67, 0.08%, 0.55%

LAB 55.98, 6.6, -8.55

 

CMYK 7 / 0 / 13 / 41

HEX #8C9682

RGB 140 150 130

HSL 90, 0.09%, 0.55%

LAB 60.78, -7.42, 9.33

 

CMYK 15 / 0 / 34 / 34

HEX #8EA86F

RGB 142 168 111

HSL 87.37, 0.25%, 0.55%

LAB 65.67, -19.24, 26.56

 

CMYK 49 / 46 / 0 / 27

HEX #5E64BA

RGB 94 100 186

HSL 236.09, 0.4%, 0.55%

LAB 45.69, 21.43, -46.29

 

CMYK 40 / 49 / 0 / 27

HEX #705EBA

RGB 112 94 186

HSL 251.74, 0.4%, 0.55%

LAB 45.63, 29.5, -46.3

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 13 / 49 / 0 / 27

HEX #A15EBA

RGB 161 94 186

HSL 283.7, 0.4%, 0.55%

LAB 50.84, 42.87, -37.71

 

CMYK 0 / 49 / 0 / 27

HEX #BA5EBA

RGB 186 94 186

HSL 300, 0.4%, 0.55%

LAB 54.02, 50.04, -32.5

 

CMYK 30 / 57 / 0 / 46

HEX #603B8A

RGB 96 59 138

HSL 268.1, 0.4%, 0.39%

LAB 32.81, 33.09, -38.16

 

CMYK 31 / 57 / 0 / 35

HEX #7447A7

RGB 116 71 167

HSL 268.13, 0.4%, 0.47%

LAB 39.6, 38.89, -44.73

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 20 / 38 / 0 / 22

HEX #9E7BC6

RGB 158 123 198

HSL 268, 0.4%, 0.63%

LAB 57.57, 28.44, -34.06

 

CMYK 15 / 28 / 0 / 18

HEX #B398D2

RGB 179 152 210

HSL 267.93, 0.39%, 0.71%

LAB 67.05, 21.21, -25.97

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 0 / 49 / 33 / 27

HEX #BA5E7C

RGB 186 94 124

HSL 340.43, 0.4%, 0.55%

LAB 51.72, 40.35, 0.41

 

CMYK 49 / 0 / 46 / 27

HEX #5EBA64

RGB 94 186 100

HSL 123.91, 0.4%, 0.55%

LAB 68.33, -45.38, 35.26

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 0 / 26 / 49 / 27

HEX #BA895E

RGB 186 137 94

HSL 28.04, 0.4%, 0.55%

LAB 60.9, 13.49, 30.3

 

CMYK 49 / 0 / 26 / 27

HEX #5EBA89

RGB 94 186 137

HSL 148.04, 0.4%, 0.55%

LAB 68.97, -38.83, 16.58

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 0 / 49 / 33 / 27

HEX #BA5E7C

RGB 186 94 124

HSL 340.43, 0.4%, 0.55%

LAB 51.72, 40.35, 0.41

 

CMYK 23 / 0 / 49 / 27

HEX #8FBA5E

RGB 143 186 94

HSL 88.04, 0.4%, 0.55%

LAB 70.71, -29.92, 41.76

 

CMYK 49 / 0 / 17 / 27

HEX #5EBA9B

RGB 94 186 155

HSL 159.78, 0.4%, 0.55%

LAB 69.37, -34.93, 7.35

 

CMYK 26 / 49 / 0 / 27

HEX #895EBA

RGB 137 94 186

HSL 268.04, 0.4%, 0.55%

LAB 48.09, 36.13, -42.22

 

CMYK 0 / 49 / 48 / 27

HEX #BA5E61

RGB 186 94 97

HSL 358.04, 0.4%, 0.55%

LAB 51.05, 37.28, 15.51

 

CMYK 23 / 0 / 49 / 27

HEX #8FBA5E

RGB 143 186 94

HSL 88.04, 0.4%, 0.55%

LAB 70.71, -29.92, 41.76

 

CMYK 49 / 0 / 2 / 27

HEX #5EBAB7

RGB 94 186 183

HSL 178.04, 0.4%, 0.55%

LAB 70.12, -28.05, -6.92

 

Description

Color code: HEX #895EBA | qconv.com Color code: HEX #895EBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 94 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 94 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 49 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 49% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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