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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8951B8 it is the complementary color #76AE47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8951B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8951B8 shade: #8E51B3, #9F63C6, #B075D9, #C187EC and #D299FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8951B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8951B8 shade: #8951B8, #783FA5, #672D92, #561B7F and #45096C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8951B8 shade: #8951B8, #A451B8, #B851AF, #B85193 and #B85178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8951B8 shade: #8951B8, #6D51B8, #5151B8 and #5151B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8951B8 shade matches the following richer shades: #8951B8, #8A3DCB, #8C29DF and #8E15F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8951B8 shade: #8951B8, #8764A4, #857890, #838C7C and #82A068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8951B8 shade: #5151B8, #6C51B8, #8851B8, #A351B8 and #B851B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8951B8 shade: #5E3481, #74409E, #8951B8, #9C6EC3 and #B08BCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8951B8 shade: #8951B8, #B8516C and #51B85E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8951B8 shade: #8951B8, #B88851 and #51B888

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8951B8 shade: #8951B8, #B8516C, #81B851 and #51B89C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8951B8 shade: #8951B8, #B85451, #81B851 and #51B4B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

Complementary color

CMYK 32 / 0 / 59 / 32

HEX #76AE47

RGB 118 174 71

HSL 92.62, 0.42%, 0.48%

LAB 65.42, -36.04, 46.16

 

CMYK 21 / 55 / 0 / 30

HEX #8E51B3

RGB 142 81 179

HSL 277.35, 0.39%, 0.51%

LAB 45.48, 43.07, -42.25

 

CMYK 20 / 50 / 0 / 22

HEX #9F63C6

RGB 159 99 198

HSL 276.36, 0.46%, 0.58%

LAB 52.26, 42.22, -42.4

 

CMYK 19 / 46 / 0 / 15

HEX #B075D9

RGB 176 117 217

HSL 275.4, 0.57%, 0.65%

LAB 58.94, 41.38, -42.51

 

CMYK 18 / 43 / 0 / 7

HEX #C187EC

RGB 193 135 236

HSL 274.46, 0.73%, 0.73%

LAB 65.53, 40.56, -42.6

 

CMYK 18 / 40 / 0 / 0

HEX #D299FF

RGB 210 153 255

HSL 273.53, 1%, 0.8%

LAB 72.03, 39.77, -42.69

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 27 / 62 / 0 / 35

HEX #783FA5

RGB 120 63 165

HSL 273.53, 0.45%, 0.45%

LAB 38.31, 43.77, -45.57

 

CMYK 29 / 69 / 0 / 43

HEX #672D92

RGB 103 45 146

HSL 274.46, 0.53%, 0.37%

LAB 31.43, 44.43, -45.25

 

CMYK 32 / 79 / 0 / 50

HEX #561B7F

RGB 86 27 127

HSL 275.4, 0.65%, 0.3%

LAB 24.62, 44.58, -44.56

 

CMYK 36 / 92 / 0 / 58

HEX #45096C

RGB 69 9 108

HSL 276.36, 0.85%, 0.23%

LAB 18.11, 43.48, -43.08

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 11 / 56 / 0 / 28

HEX #A451B8

RGB 164 81 184

HSL 288.35, 0.42%, 0.52%

LAB 48.56, 50.02, -40.12

 

CMYK 0 / 56 / 5 / 28

HEX #B851AF

RGB 184 81 175

HSL 305.24, 0.42%, 0.52%

LAB 50.89, 53.82, -31.02

 

CMYK 0 / 56 / 20 / 28

HEX #B85193

RGB 184 81 147

HSL 321.55, 0.42%, 0.52%

LAB 49.72, 49.34, -16.31

 

CMYK 0 / 56 / 35 / 28

HEX #B85178

RGB 184 81 120

HSL 337.28, 0.42%, 0.52%

LAB 48.8, 45.68, -1.51

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 41 / 56 / 0 / 28

HEX #6D51B8

RGB 109 81 184

HSL 256.31, 0.42%, 0.52%

LAB 42.15, 35.96, -50.72

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 32 / 70 / 0 / 20

HEX #8A3DCB

RGB 138 61 203

HSL 272.54, 0.58%, 0.52%

LAB 42.84, 57.63, -60.5

 

CMYK 37 / 82 / 0 / 13

HEX #8C29DF

RGB 140 41 223

HSL 272.64, 0.74%, 0.52%

LAB 41.98, 70.12, -73.39

 

CMYK 42 / 91 / 0 / 5

HEX #8E15F3

RGB 142 21 243

HSL 272.7, 0.9%, 0.52%

LAB 42.4, 79.4, -84.05

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 18 / 39 / 0 / 36

HEX #8764A4

RGB 135 100 164

HSL 272.81, 0.26%, 0.52%

LAB 48.19, 26.78, -29.23

 

CMYK 8 / 17 / 0 / 44

HEX #857890

RGB 133 120 144

HSL 272.5, 0.1%, 0.52%

LAB 52.32, 9.79, -11.18

 

CMYK 6 / 0 / 11 / 45

HEX #838C7C

RGB 131 140 124

HSL 93.75, 0.07%, 0.52%

LAB 57.11, -6.4, 7.42

 

CMYK 19 / 0 / 35 / 37

HEX #82A068

RGB 130 160 104

HSL 92.14, 0.23%, 0.52%

LAB 62.41, -20.75, 25.88

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 41 / 56 / 0 / 28

HEX #6C51B8

RGB 108 81 184

HSL 255.73, 0.42%, 0.52%

LAB 42.05, 35.72, -50.88

 

CMYK 26 / 56 / 0 / 28

HEX #8851B8

RGB 136 81 184

HSL 272.04, 0.42%, 0.52%

LAB 45.05, 42.66, -45.9

 

CMYK 11 / 56 / 0 / 28

HEX #A351B8

RGB 163 81 184

HSL 287.77, 0.42%, 0.52%

LAB 48.43, 49.76, -40.34

 

CMYK 0 / 56 / 4 / 28

HEX #B851B1

RGB 184 81 177

HSL 304.08, 0.42%, 0.52%

LAB 50.98, 54.16, -32.04

 

CMYK 27 / 60 / 0 / 49

HEX #5E3481

RGB 94 52 129

HSL 272.73, 0.43%, 0.35%

LAB 30.45, 34.3, -36.36

 

CMYK 27 / 59 / 0 / 38

HEX #74409E

RGB 116 64 158

HSL 273.19, 0.42%, 0.44%

LAB 37.57, 40.54, -42.59

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 20 / 44 / 0 / 24

HEX #9C6EC3

RGB 156 110 195

HSL 272.47, 0.41%, 0.6%

LAB 54.2, 34.56, -37.64

 

CMYK 15 / 33 / 0 / 19

HEX #B08BCF

RGB 176 139 207

HSL 272.65, 0.41%, 0.68%

LAB 63.51, 26.92, -29.77

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 0 / 56 / 41 / 28

HEX #B8516C

RGB 184 81 108

HSL 344.27, 0.42%, 0.52%

LAB 48.46, 44.29, 5.25

 

CMYK 56 / 0 / 49 / 28

HEX #51B85E

RGB 81 184 94

HSL 127.57, 0.42%, 0.52%

LAB 67.16, -48.88, 36.72

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 0 / 26 / 56 / 28

HEX #B88851

RGB 184 136 81

HSL 32.04, 0.42%, 0.52%

LAB 60.24, 12.02, 36.42

 

CMYK 56 / 0 / 26 / 28

HEX #51B888

RGB 81 184 136

HSL 152.04, 0.42%, 0.52%

LAB 67.88, -41.28, 15.54

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 0 / 56 / 41 / 28

HEX #B8516C

RGB 184 81 108

HSL 344.27, 0.42%, 0.52%

LAB 48.46, 44.29, 5.25

 

CMYK 30 / 0 / 56 / 28

HEX #81B851

RGB 129 184 81

HSL 92.04, 0.42%, 0.52%

LAB 69.14, -35.58, 45.95

 

CMYK 56 / 0 / 15 / 28

HEX #51B89C

RGB 81 184 156

HSL 163.69, 0.42%, 0.52%

LAB 68.34, -36.74, 5.25

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 0 / 54 / 56 / 28

HEX #B85451

RGB 184 84 81

HSL 1.75, 0.42%, 0.52%

LAB 48.42, 40.21, 21.43

 

CMYK 30 / 0 / 56 / 28

HEX #81B851

RGB 129 184 81

HSL 92.04, 0.42%, 0.52%

LAB 69.14, -35.58, 45.95

 

CMYK 56 / 2 / 0 / 28

HEX #51B4B8

RGB 81 180 184

HSL 182.33, 0.42%, 0.52%

LAB 67.91, -27.55, -10.81

 

Description

Color code: HEX #8951B8 | qconv.com Color code: HEX #8951B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 81 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 81 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 56 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 56% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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