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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8942A2 it is the complementary color #76BD5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8942A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8942A2 shade: #8E429D, #9F54B0, #B066C3, #C178D6 and #D28AE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8942A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8942A2 shade: #8942A2, #78308F, #671E7C, #560C69 and #450056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8942A2 shade: #8942A2, #A242A2, #A24288, #A2426E and #A24254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8942A2 shade: #8942A2, #6F42A2, #5542A2 and #4242A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8942A2 shade matches the following richer shades: #8942A2, #922FB5, #9B1DC8 and #A40ADA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8942A2 shade: #8942A2, #805590, #78677D, #6F7A6B and #668C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8942A2 shade: #5542A2, #6F42A2, #8942A2, #A242A2 and #A24289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8942A2 shade: #582A68, #713685, #8942A2, #9F55B9 and #AF72C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8942A2 shade: #8942A2, #A24248 and #42A262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8942A2 shade: #8942A2, #A28942 and #42A289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8942A2 shade: #8942A2, #A24248, #5CA242 and #42A29C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8942A2 shade: #8942A2, #A25942, #5CA242 and #428CA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

Complementary color

CMYK 38 / 0 / 51 / 26

HEX #76BD5D

RGB 118 189 93

HSL 104.38, 0.42%, 0.55%

LAB 70.2, -40.28, 41.31

 

CMYK 10 / 58 / 0 / 38

HEX #8E429D

RGB 142 66 157

HSL 290.11, 0.41%, 0.44%

LAB 41.35, 46.14, -35.77

 

CMYK 10 / 52 / 0 / 31

HEX #9F54B0

RGB 159 84 176

HSL 288.91, 0.37%, 0.51%

LAB 48.07, 45.51, -36.27

 

CMYK 10 / 48 / 0 / 24

HEX #B066C3

RGB 176 102 195

HSL 287.74, 0.44%, 0.58%

LAB 54.73, 44.77, -36.64

 

CMYK 10 / 44 / 0 / 16

HEX #C178D6

RGB 193 120 214

HSL 286.6, 0.53%, 0.65%

LAB 61.33, 44, -36.94

 

CMYK 10 / 41 / 0 / 9

HEX #D28AE9

RGB 210 138 233

HSL 285.47, 0.68%, 0.73%

LAB 67.84, 43.23, -37.2

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 16 / 66 / 0 / 44

HEX #78308F

RGB 120 48 143

HSL 285.47, 0.5%, 0.37%

LAB 34.17, 46.29, -38.88

 

CMYK 17 / 76 / 0 / 51

HEX #671E7C

RGB 103 30 124

HSL 286.6, 0.61%, 0.3%

LAB 27.48, 46.2, -37.91

 

CMYK 18 / 89 / 0 / 59

HEX #560C69

RGB 86 12 105

HSL 287.74, 0.79%, 0.23%

LAB 21.06, 44.92, -36.2

 

CMYK 20 / 100 / 0 / 66

HEX #450056

RGB 69 0 86

HSL 288.14, 1%, 0.17%

LAB 15.15, 41.56, -33.28

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 0 / 59 / 0 / 36

HEX #A242A2

RGB 162 66 162

HSL 300, 0.42%, 0.45%

LAB 44.5, 52.47, -33.59

 

CMYK 0 / 59 / 16 / 36

HEX #A24288

RGB 162 66 136

HSL 316.25, 0.42%, 0.45%

LAB 43.29, 48.09, -19.82

 

CMYK 0 / 59 / 32 / 36

HEX #A2426E

RGB 162 66 110

HSL 332.5, 0.42%, 0.45%

LAB 42.31, 44.37, -5.37

 

CMYK 0 / 59 / 48 / 36

HEX #A24254

RGB 162 66 84

HSL 348.75, 0.42%, 0.45%

LAB 41.56, 41.39, 9.69

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 31 / 59 / 0 / 36

HEX #6F42A2

RGB 111 66 162

HSL 268.13, 0.42%, 0.45%

LAB 37.63, 39.17, -44.92

 

CMYK 48 / 59 / 0 / 36

HEX #5542A2

RGB 85 66 162

HSL 251.88, 0.42%, 0.45%

LAB 34.88, 33.04, -49.5

 

CMYK 59 / 59 / 0 / 36

HEX #4242A2

RGB 66 66 162

HSL 240, 0.42%, 0.45%

LAB 33.27, 29.17, -52.18

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 19 / 74 / 0 / 29

HEX #922FB5

RGB 146 47 181

HSL 284.33, 0.59%, 0.45%

LAB 40.38, 60.27, -51.57

 

CMYK 23 / 86 / 0 / 22

HEX #9B1DC8

RGB 155 29 200

HSL 284.21, 0.75%, 0.45%

LAB 41.24, 70.96, -61.24

 

CMYK 25 / 95 / 0 / 15

HEX #A40ADA

RGB 164 10 218

HSL 284.42, 0.91%, 0.45%

LAB 43.02, 78.58, -68.68

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 11 / 41 / 0 / 44

HEX #805590

RGB 128 85 144

HSL 283.73, 0.26%, 0.45%

LAB 42.91, 28.79, -25.62

 

CMYK 4 / 18 / 0 / 51

HEX #78677D

RGB 120 103 125

HSL 286.36, 0.1%, 0.45%

LAB 45.87, 11.09, -9.74

 

CMYK 9 / 0 / 12 / 52

HEX #6F7A6B

RGB 111 122 107

HSL 104, 0.07%, 0.45%

LAB 49.93, -7.14, 6.83

 

CMYK 27 / 0 / 37 / 45

HEX #668C58

RGB 102 140 88

HSL 103.85, 0.23%, 0.45%

LAB 54.33, -23.55, 23.65

 

CMYK 48 / 59 / 0 / 36

HEX #5542A2

RGB 85 66 162

HSL 251.88, 0.42%, 0.45%

LAB 34.88, 33.04, -49.5

 

CMYK 31 / 59 / 0 / 36

HEX #6F42A2

RGB 111 66 162

HSL 268.13, 0.42%, 0.45%

LAB 37.63, 39.17, -44.92

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 0 / 59 / 0 / 36

HEX #A242A2

RGB 162 66 162

HSL 300, 0.42%, 0.45%

LAB 44.5, 52.47, -33.59

 

CMYK 0 / 59 / 15 / 36

HEX #A24289

RGB 162 66 137

HSL 315.63, 0.42%, 0.45%

LAB 43.34, 48.25, -20.37

 

CMYK 15 / 60 / 0 / 59

HEX #582A68

RGB 88 42 104

HSL 284.52, 0.42%, 0.29%

LAB 25.95, 32.2, -27.7

 

CMYK 15 / 59 / 0 / 48

HEX #713685

RGB 113 54 133

HSL 284.81, 0.42%, 0.37%

LAB 33.65, 39.32, -33.59

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 14 / 54 / 0 / 27

HEX #9F55B9

RGB 159 85 185

HSL 284.4, 0.42%, 0.53%

LAB 48.72, 46.85, -40.48

 

CMYK 11 / 42 / 0 / 23

HEX #AF72C5

RGB 175 114 197

HSL 284.1, 0.42%, 0.61%

LAB 57.25, 38.42, -33.85

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 0 / 59 / 56 / 36

HEX #A24248

RGB 162 66 72

HSL 356.25, 0.42%, 0.45%

LAB 41.29, 40.29, 16.77

 

CMYK 59 / 0 / 40 / 36

HEX #42A262

RGB 66 162 98

HSL 140, 0.42%, 0.45%

LAB 59.78, -42.89, 25.07

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 0 / 15 / 59 / 36

HEX #A28942

RGB 162 137 66

HSL 44.38, 0.42%, 0.45%

LAB 58, 0.64, 40.94

 

CMYK 59 / 0 / 15 / 36

HEX #42A289

RGB 66 162 137

HSL 164.38, 0.42%, 0.45%

LAB 60.61, -34.4, 4.62

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 0 / 59 / 56 / 36

HEX #A24248

RGB 162 66 72

HSL 356.25, 0.42%, 0.45%

LAB 41.29, 40.29, 16.77

 

CMYK 43 / 0 / 59 / 36

HEX #5CA242

RGB 92 162 66

HSL 103.75, 0.42%, 0.45%

LAB 60.35, -40.27, 42.33

 

CMYK 59 / 0 / 4 / 36

HEX #42A29C

RGB 66 162 156

HSL 176.25, 0.42%, 0.45%

LAB 61.13, -29.39, -5.32

 

CMYK 15 / 59 / 0 / 36

HEX #8942A2

RGB 137 66 162

HSL 284.38, 0.42%, 0.45%

LAB 40.93, 45.85, -39.46

 

CMYK 0 / 45 / 59 / 36

HEX #A25942

RGB 162 89 66

HSL 14.38, 0.42%, 0.45%

LAB 45.93, 27.72, 26.41

 

CMYK 43 / 0 / 59 / 36

HEX #5CA242

RGB 92 162 66

HSL 103.75, 0.42%, 0.45%

LAB 60.35, -40.27, 42.33

 

CMYK 59 / 14 / 0 / 36

HEX #428CA2

RGB 66 140 162

HSL 193.75, 0.42%, 0.45%

LAB 54.58, -16.31, -18.6

 

Description

Color code: HEX #8942A2 | qconv.com Color code: HEX #8942A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 66 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 66 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 59 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 59% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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