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Color name
HEX #89490F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89490F it is the complementary color #76B6F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89490F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89490F shade: #8E490A, #9F5B1D, #B06D30, #C17F43 and #D29156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89490F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89490F shade: #89490F, #783700, #672500, #561300 and #450100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89490F shade: #89490F, #89280F and #890F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89490F shade: #89490F, #896A0F, #87890F, #66890F and #45890F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89490F shade matches the following richer shades: #89490F and #964802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89490F shade: #89490F, #7D4A1B, #704A28, #644B34 and #584B40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89490F shade: #890F17, #89270F, #89480F, #89690F and #89890F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89490F shade: #3F2107, #64350B, #89490F, #AE5D13 and #D37117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89490F shade: #89490F, #38890F and #170F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89490F shade: #89490F, #0F8948 and #480F89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89490F shade: #89490F, #38890F, #0F5089 and #600F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89490F shade: #89490F, #13890F, #0F5089 and #850F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

Complementary color

CMYK 51 / 24 / 0 / 6

HEX #76B6F0

RGB 118 182 240

HSL 208.52, 0.8%, 0.7%

LAB 71.96, -4.67, -35.17

 

CMYK 0 / 49 / 93 / 44

HEX #8E490A

RGB 142 73 10

HSL 28.64, 0.87%, 0.3%

LAB 38.79, 25.3, 45.43

 

CMYK 0 / 43 / 82 / 38

HEX #9F5B1D

RGB 159 91 29

HSL 28.62, 0.69%, 0.37%

LAB 45.55, 23.19, 45.16

 

CMYK 0 / 38 / 73 / 31

HEX #B06D30

RGB 176 109 48

HSL 28.59, 0.57%, 0.44%

LAB 52.27, 21.37, 43.9

 

CMYK 0 / 34 / 65 / 24

HEX #C17F43

RGB 193 127 67

HSL 28.57, 0.5%, 0.51%

LAB 58.9, 19.82, 42.36

 

CMYK 0 / 31 / 59 / 18

HEX #D29156

RGB 210 145 86

HSL 28.55, 0.58%, 0.58%

LAB 65.46, 18.48, 40.8

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 0 / 54 / 100 / 53

HEX #783700

RGB 120 55 0

HSL 27.5, 1%, 0.24%

LAB 31.17, 25.5, 42.05

 

CMYK 0 / 64 / 100 / 60

HEX #672500

RGB 103 37 0

HSL 21.55, 1%, 0.2%

LAB 24.34, 27.97, 35.07

 

CMYK 0 / 78 / 100 / 66

HEX #561300

RGB 86 19 0

HSL 13.26, 1%, 0.17%

LAB 17.66, 29.83, 26.78

 

CMYK 0 / 99 / 100 / 73

HEX #450100

RGB 69 1 0

HSL 0.87, 1%, 0.14%

LAB 11.18, 30.83, 17.59

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 0 / 71 / 89 / 46

HEX #89280F

RGB 137 40 15

HSL 12.3, 0.8%, 0.3%

LAB 31.51, 40.06, 37.53

 

CMYK 0 / 89 / 89 / 46

HEX #890F0F

RGB 137 15 15

HSL 0, 0.8%, 0.3%

LAB 28.63, 48.11, 35.15

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 0 / 23 / 89 / 46

HEX #896A0F

RGB 137 106 15

HSL 44.75, 0.8%, 0.3%

LAB 46.53, 3.99, 49.81

 

CMYK 1 / 0 / 89 / 46

HEX #87890F

RGB 135 137 15

HSL 60.98, 0.8%, 0.3%

LAB 55.15, -14.21, 56.73

 

CMYK 26 / 0 / 89 / 46

HEX #66890F

RGB 102 137 15

HSL 77.21, 0.8%, 0.3%

LAB 52.68, -28.78, 53.67

 

CMYK 50 / 0 / 89 / 46

HEX #45890F

RGB 69 137 15

HSL 93.44, 0.8%, 0.3%

LAB 50.91, -41.2, 51.46

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 0 / 52 / 99 / 41

HEX #964802

RGB 150 72 2

HSL 28.38, 0.97%, 0.3%

LAB 39.79, 29.17, 49.12

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 0 / 41 / 78 / 51

HEX #7D4A1B

RGB 125 74 27

HSL 28.78, 0.64%, 0.3%

LAB 36.62, 17.6, 35.82

 

CMYK 0 / 34 / 64 / 56

HEX #704A28

RGB 112 74 40

HSL 28.33, 0.47%, 0.3%

LAB 34.99, 12.35, 26.55

 

CMYK 0 / 25 / 48 / 61

HEX #644B34

RGB 100 75 52

HSL 28.75, 0.32%, 0.3%

LAB 33.96, 7.29, 17.78

 

CMYK 0 / 15 / 27 / 65

HEX #584B40

RGB 88 75 64

HSL 27.5, 0.16%, 0.3%

LAB 32.87, 3.49, 8.57

 

CMYK 0 / 89 / 83 / 46

HEX #890F17

RGB 137 15 23

HSL 356.07, 0.8%, 0.3%

LAB 28.7, 48.32, 30.73

 

CMYK 0 / 72 / 89 / 46

HEX #89270F

RGB 137 39 15

HSL 11.8, 0.8%, 0.3%

LAB 31.36, 40.48, 37.41

 

CMYK 0 / 47 / 89 / 46

HEX #89480F

RGB 137 72 15

HSL 28.03, 0.8%, 0.3%

LAB 37.82, 23.77, 42.71

 

CMYK 0 / 23 / 89 / 46

HEX #89690F

RGB 137 105 15

HSL 44.26, 0.8%, 0.3%

LAB 46.25, 4.57, 49.59

 

CMYK 0 / 0 / 89 / 46

HEX #89890F

RGB 137 137 15

HSL 60, 0.8%, 0.3%

LAB 55.32, -13.3, 56.94

 

CMYK 0 / 48 / 89 / 75

HEX #3F2107

RGB 63 33 7

HSL 27.86, 0.8%, 0.14%

LAB 16.3, 12.03, 21.26

 

CMYK 0 / 47 / 89 / 61

HEX #64350B

RGB 100 53 11

HSL 28.31, 0.8%, 0.22%

LAB 27.52, 17.82, 33.31

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 0 / 47 / 89 / 32

HEX #AE5D13

RGB 174 93 19

HSL 28.65, 0.8%, 0.38%

LAB 48.1, 28.29, 51.91

 

CMYK 0 / 46 / 89 / 17

HEX #D37117

RGB 211 113 23

HSL 28.72, 0.8%, 0.46%

LAB 57.77, 33.17, 60.49

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 59 / 0 / 89 / 46

HEX #38890F

RGB 56 137 15

HSL 99.84, 0.8%, 0.3%

LAB 50.41, -45.12, 50.84

 

CMYK 83 / 89 / 0 / 46

HEX #170F89

RGB 23 15 137

HSL 243.93, 0.8%, 0.3%

LAB 17.13, 45.03, -63.44

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 89 / 0 / 47 / 46

HEX #0F8948

RGB 15 137 72

HSL 148.03, 0.8%, 0.3%

LAB 50.05, -46.22, 26.28

 

CMYK 47 / 89 / 0 / 46

HEX #480F89

RGB 72 15 137

HSL 268.03, 0.8%, 0.3%

LAB 22.04, 49.15, -55.17

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 59 / 0 / 89 / 46

HEX #38890F

RGB 56 137 15

HSL 99.84, 0.8%, 0.3%

LAB 50.41, -45.12, 50.84

 

CMYK 89 / 42 / 0 / 46

HEX #0F5089

RGB 15 80 137

HSL 208.03, 0.8%, 0.3%

LAB 33.23, 3.02, -37.16

 

CMYK 30 / 89 / 0 / 46

HEX #600F89

RGB 96 15 137

HSL 279.84, 0.8%, 0.3%

LAB 25.67, 52.52, -49.07

 

CMYK 0 / 47 / 89 / 46

HEX #89490F

RGB 137 73 15

HSL 28.52, 0.8%, 0.3%

LAB 38.05, 23.2, 42.91

 

CMYK 86 / 0 / 89 / 46

HEX #13890F

RGB 19 137 15

HSL 118.03, 0.8%, 0.3%

LAB 49.57, -52.24, 49.78

 

CMYK 89 / 42 / 0 / 46

HEX #0F5089

RGB 15 80 137

HSL 208.03, 0.8%, 0.3%

LAB 33.23, 3.02, -37.16

 

CMYK 3 / 89 / 0 / 46

HEX #850F89

RGB 133 15 137

HSL 298.03, 0.8%, 0.3%

LAB 32.11, 58.92, -38.34

 

Description

Color code: HEX #89490F | qconv.com Color code: HEX #89490F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 73 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 73 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 89 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 89% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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