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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8926BF it is the complementary color #76D940. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8926BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8926BF shade: #8E26BA, #9F38CD, #B04AE0, #C15CF3 and #D26EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8926BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8926BF shade: #8926BF, #7814AC, #670299, #560086 and #450073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8926BF shade: #8925BF, #B225BF, #BF25A2, #BF2579 and #BF2550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8926BF shade: #8925BF, #5F25BF, #3625BF and #2525BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8926BF shade matches the following richer shades: #8925BF, #8E13D2 and #9400E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8926BF shade: #8925BF, #8338AD, #7E4B9A, #785D87 and #737075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8926BF shade: #3525BF, #5E25BF, #8725BF, #B025BF and #BF25A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8926BF shade: #57187A, #701F9D, #8925BF, #9E37D7 and #AF59DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8926BF shade: #8926BF, #BF253F and #25BF49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8926BF shade: #8926BF, #BF8725 and #25BF87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8926BF shade: #8926BF, #BF253F, #5EBF25 and #25BFA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8926BF shade: #8926BF, #BF3A25, #5EBF25 and #25ABBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 80 / 0 / 25

HEX #8926BF

RGB 137 38 191

HSL 278.82, 0.67%, 0.45%

LAB 38.67, 63.8, -60.29

 

Complementary color

CMYK 46 / 0 / 71 / 15

HEX #76D940

RGB 118 217 64

HSL 98.82, 0.67%, 0.55%

LAB 78.37, -54.62, 63

 

CMYK 24 / 80 / 0 / 27

HEX #8E26BA

RGB 142 38 186

HSL 282.16, 0.66%, 0.44%

LAB 39.04, 63.64, -56.71

 

CMYK 22 / 73 / 0 / 20

HEX #9F38CD

RGB 159 56 205

HSL 281.48, 0.6%, 0.51%

LAB 45.09, 64.27, -57.88

 

CMYK 21 / 67 / 0 / 12

HEX #B04AE0

RGB 176 74 224

HSL 280.8, 0.71%, 0.58%

LAB 51.28, 64.27, -58.65

 

CMYK 21 / 62 / 0 / 5

HEX #C15CF3

RGB 193 92 243

HSL 280.13, 0.86%, 0.66%

LAB 57.52, 63.92, -59.17

 

CMYK 18 / 57 / 0 / 0

HEX #D26EFF

RGB 210 110 255

HSL 281.38, 1%, 0.72%

LAB 63.4, 61.92, -56.3

 

CMYK 28 / 80 / 0 / 25

HEX #8926BF

RGB 137 38 191

HSL 278.82, 0.67%, 0.45%

LAB 38.67, 63.8, -60.29

 

CMYK 30 / 88 / 0 / 33

HEX #7814AC

RGB 120 20 172

HSL 279.47, 0.79%, 0.38%

LAB 32.86, 62.24, -58.59

 

CMYK 33 / 99 / 0 / 40

HEX #670299

RGB 103 2 153

HSL 280.13, 0.97%, 0.3%

LAB 27.37, 59.38, -56.15

 

CMYK 36 / 100 / 0 / 47

HEX #560086

RGB 86 0 134

HSL 278.51, 1%, 0.26%

LAB 22.65, 53.79, -52.19

 

CMYK 40 / 100 / 0 / 55

HEX #450073

RGB 69 0 115

HSL 276, 1%, 0.23%

LAB 17.93, 47.7, -47.93

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 7 / 81 / 0 / 25

HEX #B225BF

RGB 178 37 191

HSL 294.94, 0.68%, 0.45%

LAB 45.01, 71.39, -49.72

 

CMYK 0 / 81 / 15 / 25

HEX #BF25A2

RGB 191 37 162

HSL 311.3, 0.68%, 0.45%

LAB 45.65, 69.61, -31.46

 

CMYK 0 / 81 / 37 / 25

HEX #BF2579

RGB 191 37 121

HSL 327.27, 0.68%, 0.45%

LAB 43.92, 64.64, -9.24

 

CMYK 0 / 81 / 58 / 25

HEX #BF2550

RGB 191 37 80

HSL 343.25, 0.68%, 0.45%

LAB 42.73, 61.09, 14.62

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 50 / 81 / 0 / 25

HEX #5F25BF

RGB 95 37 191

HSL 262.6, 0.68%, 0.45%

LAB 32.96, 57.88, -69.85

 

CMYK 72 / 81 / 0 / 25

HEX #3625BF

RGB 54 37 191

HSL 246.62, 0.68%, 0.45%

LAB 29.08, 53.61, -76.38

 

CMYK 81 / 81 / 0 / 25

HEX #2525BF

RGB 37 37 191

HSL 240, 0.68%, 0.45%

LAB 28.06, 52.49, -78.11

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 32 / 91 / 0 / 18

HEX #8E13D2

RGB 142 19 210

HSL 278.64, 0.83%, 0.45%

LAB 39.36, 73.05, -70.19

 

CMYK 35 / 100 / 0 / 11

HEX #9400E4

RGB 148 0 228

HSL 278.95, 1%, 0.45%

LAB 41.05, 79.56, -77.72

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 24 / 68 / 0 / 32

HEX #8338AD

RGB 131 56 173

HSL 278.46, 0.51%, 0.45%

LAB 39.02, 51.65, -49.12

 

CMYK 18 / 51 / 0 / 40

HEX #7E4B9A

RGB 126 75 154

HSL 278.73, 0.34%, 0.45%

LAB 40.9, 36.2, -34.81

 

CMYK 11 / 31 / 0 / 47

HEX #785D87

RGB 120 93 135

HSL 278.57, 0.18%, 0.45%

LAB 43.61, 19.32, -19.19

 

CMYK 2 / 4 / 0 / 54

HEX #737075

RGB 115 112 117

HSL 276, 0.02%, 0.45%

LAB 47.65, 2.17, -2.36

 

CMYK 72 / 81 / 0 / 25

HEX #3525BF

RGB 53 37 191

HSL 246.23, 0.68%, 0.45%

LAB 29.01, 53.54, -76.5

 

CMYK 51 / 81 / 0 / 25

HEX #5E25BF

RGB 94 37 191

HSL 262.21, 0.68%, 0.45%

LAB 32.84, 57.75, -70.05

 

CMYK 29 / 81 / 0 / 25

HEX #8725BF

RGB 135 37 191

HSL 278.18, 0.68%, 0.45%

LAB 38.26, 63.79, -60.96

 

CMYK 8 / 81 / 0 / 25

HEX #B025BF

RGB 176 37 191

HSL 294.16, 0.68%, 0.45%

LAB 44.68, 71.02, -50.27

 

CMYK 0 / 81 / 13 / 25

HEX #BF25A6

RGB 191 37 166

HSL 309.74, 0.68%, 0.45%

LAB 45.84, 70.16, -33.53

 

CMYK 29 / 80 / 0 / 52

HEX #57187A

RGB 87 24 122

HSL 278.57, 0.67%, 0.29%

LAB 23.95, 44.81, -42.47

 

CMYK 29 / 80 / 0 / 38

HEX #701F9D

RGB 112 31 157

HSL 278.57, 0.67%, 0.37%

LAB 31.48, 54.64, -51.82

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 27 / 74 / 0 / 16

HEX #9E37D7

RGB 158 55 215

HSL 278.63, 0.67%, 0.53%

LAB 45.51, 66.51, -62.96

 

CMYK 21 / 60 / 0 / 13

HEX #AF59DE

RGB 175 89 222

HSL 278.8, 0.67%, 0.61%

LAB 53.53, 56.76, -53.92

 

CMYK 28 / 80 / 0 / 25

HEX #8926BF

RGB 137 38 191

HSL 278.82, 0.67%, 0.45%

LAB 38.67, 63.8, -60.29

 

CMYK 0 / 81 / 67 / 25

HEX #BF253F

RGB 191 37 63

HSL 349.87, 0.68%, 0.45%

LAB 42.4, 60.07, 24.79

 

CMYK 81 / 0 / 62 / 25

HEX #25BF49

RGB 37 191 73

HSL 134.03, 0.68%, 0.45%

LAB 68.12, -62.27, 47.63

 

CMYK 28 / 80 / 0 / 25

HEX #8926BF

RGB 137 38 191

HSL 278.82, 0.67%, 0.45%

LAB 38.67, 63.8, -60.29

 

CMYK 0 / 29 / 81 / 25

HEX #BF8725

RGB 191 135 37

HSL 38.18, 0.68%, 0.45%

LAB 60.37, 13.06, 57.07

 

CMYK 81 / 0 / 29 / 25

HEX #25BF87

RGB 37 191 135

HSL 158.18, 0.68%, 0.45%

LAB 69.04, -51.56, 17.54

 

CMYK 28 / 80 / 0 / 25

HEX #8926BF

RGB 137 38 191

HSL 278.82, 0.67%, 0.45%

LAB 38.67, 63.8, -60.29

 

CMYK 0 / 81 / 67 / 25

HEX #BF253F

RGB 191 37 63

HSL 349.87, 0.68%, 0.45%

LAB 42.4, 60.07, 24.79

 

CMYK 51 / 0 / 81 / 25

HEX #5EBF25

RGB 94 191 37

HSL 97.79, 0.68%, 0.45%

LAB 69.31, -53.53, 62.68

 

CMYK 81 / 0 / 13 / 25

HEX #25BFA6

RGB 37 191 166

HSL 170.26, 0.68%, 0.45%

LAB 69.76, -43.93, 1.71

 

CMYK 28 / 80 / 0 / 25

HEX #8926BF

RGB 137 38 191

HSL 278.82, 0.67%, 0.45%

LAB 38.67, 63.8, -60.29

 

CMYK 0 / 70 / 81 / 25

HEX #BF3A25

RGB 191 58 37

HSL 8.18, 0.68%, 0.45%

LAB 44.57, 52, 42.27

 

CMYK 51 / 0 / 81 / 25

HEX #5EBF25

RGB 94 191 37

HSL 97.79, 0.68%, 0.45%

LAB 69.31, -53.53, 62.68

 

CMYK 81 / 10 / 0 / 25

HEX #25ABBF

RGB 37 171 191

HSL 187.79, 0.68%, 0.45%

LAB 64.39, -27.3, -20.11

 

Description

Color code: HEX #8926BF | qconv.com Color code: HEX #8926BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 38 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 38 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 80 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 80% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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