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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890FAB it is the complementary color #76F054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890FAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #890FAB shade: #8E0FA6, #9F21B9, #B033CC, #C145DF and #D257F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890FAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #890FAB shade: #890FAB, #780098, #670085, #560072 and #45005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #890FAB shade: #870EA8, #A80EA0, #A80E77, #A80E4D and #A80E24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #890FAB shade: #870EA8, #5D0EA8, #340EA8 and #0E0EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #890FAB shade matches the following richer shades: #870EA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #890FAB shade: #870EA8, #7E1D9A, #762C8B, #6E3B7C and #654A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #890FAB shade: #320EA8, #5B0EA8, #840EA8, #A80EA3 and #A80E7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #890FAB shade: #4A085C, #680B82, #870EA8, #A511CE and #BE1EEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #890FAB shade: #890FAB, #A80E13 and #0EA847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #890FAB shade: #890FAB, #A8840E and #0EA884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #890FAB shade: #890FAB, #A80E13, #32A80E and #0EA8A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #890FAB shade: #890FAB, #A8370E, #32A80E and #0E7FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 91 / 0 / 33

HEX #890FAB

RGB 137 15 171

HSL 286.92, 0.84%, 0.36%

LAB 35.2, 65.57, -54.06

 

Complementary color

CMYK 51 / 0 / 65 / 6

HEX #76F054

RGB 118 240 84

HSL 106.92, 0.84%, 0.64%

LAB 85.41, -61.69, 62.76

 

CMYK 14 / 91 / 0 / 35

HEX #8E0FA6

RGB 142 15 166

HSL 290.46, 0.83%, 0.35%

LAB 35.69, 65.46, -50.23

 

CMYK 14 / 82 / 0 / 27

HEX #9F21B9

RGB 159 33 185

HSL 289.74, 0.7%, 0.43%

LAB 41.15, 67.9, -52.57

 

CMYK 14 / 75 / 0 / 20

HEX #B033CC

RGB 176 51 204

HSL 289.02, 0.6%, 0.5%

LAB 46.92, 69.18, -54.23

 

CMYK 13 / 69 / 0 / 13

HEX #C145DF

RGB 193 69 223

HSL 288.31, 0.71%, 0.57%

LAB 52.86, 69.7, -55.41

 

CMYK 13 / 64 / 0 / 5

HEX #D257F2

RGB 210 87 242

HSL 287.61, 0.86%, 0.65%

LAB 58.91, 69.72, -56.28

 

CMYK 20 / 91 / 0 / 33

HEX #890FAB

RGB 137 15 171

HSL 286.92, 0.84%, 0.36%

LAB 35.2, 65.57, -54.06

 

CMYK 21 / 100 / 0 / 40

HEX #780098

RGB 120 0 152

HSL 287.37, 1%, 0.3%

LAB 30.06, 61.78, -51.03

 

CMYK 23 / 100 / 0 / 48

HEX #670085

RGB 103 0 133

HSL 286.47, 1%, 0.26%

LAB 25.49, 55.82, -46.8

 

CMYK 25 / 100 / 0 / 55

HEX #560072

RGB 86 0 114

HSL 285.26, 1%, 0.22%

LAB 20.8, 49.7, -42.47

 

CMYK 27 / 100 / 0 / 63

HEX #45005F

RGB 69 0 95

HSL 283.58, 1%, 0.19%

LAB 15.96, 43.39, -38.02

 

CMYK 20 / 92 / 0 / 34

HEX #870EA8

RGB 135 14 168

HSL 287.14, 0.85%, 0.36%

LAB 34.58, 64.87, -53.27

 

CMYK 0 / 92 / 5 / 34

HEX #A80EA0

RGB 168 14 160

HSL 303.12, 0.85%, 0.36%

LAB 39.88, 69.14, -39.64

 

CMYK 0 / 92 / 29 / 34

HEX #A80E77

RGB 168 14 119

HSL 319.09, 0.85%, 0.36%

LAB 37.79, 63.72, -17.72

 

CMYK 0 / 92 / 54 / 34

HEX #A80E4D

RGB 168 14 77

HSL 335.45, 0.85%, 0.36%

LAB 36.32, 59.72, 6.92

 

CMYK 0 / 92 / 79 / 34

HEX #A80E24

RGB 168 14 36

HSL 351.43, 0.85%, 0.36%

LAB 35.53, 57.51, 32.12

 

CMYK 20 / 92 / 0 / 34

HEX #870EA8

RGB 135 14 168

HSL 287.14, 0.85%, 0.36%

LAB 34.58, 64.87, -53.27

 

CMYK 45 / 92 / 0 / 34

HEX #5D0EA8

RGB 93 14 168

HSL 270.78, 0.85%, 0.36%

LAB 28.03, 59.22, -64.26

 

CMYK 69 / 92 / 0 / 34

HEX #340EA8

RGB 52 14 168

HSL 254.81, 0.85%, 0.36%

LAB 23.24, 55.68, -72.33

 

CMYK 92 / 92 / 0 / 34

HEX #0E0EA8

RGB 14 14 168

HSL 240, 0.85%, 0.36%

LAB 20.96, 54.25, -76.19

 

CMYK 20 / 92 / 0 / 34

HEX #870EA8

RGB 135 14 168

HSL 287.14, 0.85%, 0.36%

LAB 34.58, 64.87, -53.27

 

CMYK 20 / 92 / 0 / 34

HEX #870EA8

RGB 135 14 168

HSL 287.14, 0.85%, 0.36%

LAB 34.58, 64.87, -53.27

 

CMYK 18 / 81 / 0 / 40

HEX #7E1D9A

RGB 126 29 154

HSL 286.56, 0.68%, 0.36%

LAB 33.24, 57.23, -47.05

 

CMYK 15 / 68 / 0 / 45

HEX #762C8B

RGB 118 44 139

HSL 286.74, 0.52%, 0.36%

LAB 32.96, 46.81, -38.37

 

CMYK 11 / 52 / 0 / 51

HEX #6E3B7C

RGB 110 59 124

HSL 287.08, 0.36%, 0.36%

LAB 33.77, 33.72, -27.84

 

CMYK 7 / 32 / 0 / 57

HEX #654A6D

RGB 101 74 109

HSL 286.29, 0.19%, 0.36%

LAB 35.53, 18.36, -15.81

 

CMYK 70 / 92 / 0 / 34

HEX #320EA8

RGB 50 14 168

HSL 254.03, 0.85%, 0.36%

LAB 23.06, 55.57, -72.63

 

CMYK 46 / 92 / 0 / 34

HEX #5B0EA8

RGB 91 14 168

HSL 270, 0.85%, 0.36%

LAB 27.75, 59, -64.72

 

CMYK 21 / 92 / 0 / 34

HEX #840EA8

RGB 132 14 168

HSL 285.97, 0.85%, 0.36%

LAB 34.08, 64.41, -54.12

 

CMYK 0 / 92 / 3 / 34

HEX #A80EA3

RGB 168 14 163

HSL 301.95, 0.85%, 0.36%

LAB 40.05, 69.59, -41.16

 

CMYK 0 / 92 / 27 / 34

HEX #A80E7A

RGB 168 14 122

HSL 317.92, 0.85%, 0.36%

LAB 37.92, 64.07, -19.39

 

CMYK 20 / 91 / 0 / 64

HEX #4A085C

RGB 74 8 92

HSL 287.14, 0.84%, 0.2%

LAB 17.47, 41.09, -33.52

 

CMYK 20 / 92 / 0 / 49

HEX #680B82

RGB 104 11 130

HSL 286.89, 0.84%, 0.28%

LAB 26.14, 53.28, -43.85

 

CMYK 20 / 92 / 0 / 34

HEX #870EA8

RGB 135 14 168

HSL 287.14, 0.85%, 0.36%

LAB 34.58, 64.87, -53.27

 

CMYK 20 / 92 / 0 / 19

HEX #A511CE

RGB 165 17 206

HSL 286.98, 0.85%, 0.44%

LAB 42.55, 75.75, -62.53

 

CMYK 19 / 87 / 0 / 8

HEX #BE1EEB

RGB 190 30 235

HSL 286.83, 0.84%, 0.52%

LAB 49.34, 82.43, -67.9

 

CMYK 20 / 91 / 0 / 33

HEX #890FAB

RGB 137 15 171

HSL 286.92, 0.84%, 0.36%

LAB 35.2, 65.57, -54.06

 

CMYK 0 / 92 / 89 / 34

HEX #A80E13

RGB 168 14 19

HSL 358.05, 0.85%, 0.36%

LAB 35.37, 57.06, 41.42

 

CMYK 92 / 0 / 58 / 34

HEX #0EA847

RGB 14 168 71

HSL 142.21, 0.85%, 0.36%

LAB 60.39, -57.13, 39.51

 

CMYK 20 / 91 / 0 / 33

HEX #890FAB

RGB 137 15 171

HSL 286.92, 0.84%, 0.36%

LAB 35.2, 65.57, -54.06

 

CMYK 0 / 21 / 92 / 34

HEX #A8840E

RGB 168 132 14

HSL 45.97, 0.85%, 0.36%

LAB 56.94, 3.73, 59.7

 

CMYK 92 / 0 / 21 / 34

HEX #0EA884

RGB 14 168 132

HSL 165.97, 0.85%, 0.36%

LAB 61.45, -44.87, 8.5

 

CMYK 20 / 91 / 0 / 33

HEX #890FAB

RGB 137 15 171

HSL 286.92, 0.84%, 0.36%

LAB 35.2, 65.57, -54.06

 

CMYK 0 / 92 / 89 / 34

HEX #A80E13

RGB 168 14 19

HSL 358.05, 0.85%, 0.36%

LAB 35.37, 57.06, 41.42

 

CMYK 70 / 0 / 92 / 34

HEX #32A80E

RGB 50 168 14

HSL 105.97, 0.85%, 0.36%

LAB 60.53, -57.3, 59.63

 

CMYK 92 / 0 / 3 / 34

HEX #0EA8A3

RGB 14 168 163

HSL 178.05, 0.85%, 0.36%

LAB 62.29, -36.17, -7.64

 

CMYK 20 / 91 / 0 / 33

HEX #890FAB

RGB 137 15 171

HSL 286.92, 0.84%, 0.36%

LAB 35.2, 65.57, -54.06

 

CMYK 0 / 67 / 92 / 34

HEX #A8370E

RGB 168 55 14

HSL 15.97, 0.85%, 0.36%

LAB 39.73, 44.74, 46.81

 

CMYK 70 / 0 / 92 / 34

HEX #32A80E

RGB 50 168 14

HSL 105.97, 0.85%, 0.36%

LAB 60.53, -57.3, 59.63

 

CMYK 92 / 24 / 0 / 34

HEX #0E7FA8

RGB 14 127 168

HSL 195.97, 0.85%, 0.36%

LAB 49.62, -13.6, -29.82

 

Description

Color code: HEX #890FAB | qconv.com Color code: HEX #890FAB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 15 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 15 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 91 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 91% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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