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Color name
HEX #88FA96

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88FA96 it is the complementary color #770569. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88FA96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88FA96 shade: #8DFA91, #9EFFA4, #AFFFB7, #C0FFCA and #D1FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88FA96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88FA96 shade: #88FA96, #77E883, #66D670, #55C45D and #44B24A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88FA96 shade: #89FA97, #9AFA89, #B8FA89, #D6FA89 and #F5FA89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88FA96 shade: #89FA97, #89FAB5, #89FAD4, #89FAF2 and #89E3FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88FA96 shade matches the following richer shades: #89FA97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88FA96 shade: #89FA97, #93F09E, #9DE6A6, #A7DCAD and #B1D2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88FA96 shade: #B8FA89, #9AFA89, #89FA96, #89FAB4 and #89FAD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88FA96 shade: #3AF651, #61F874, #89FA97, #B1FBBA and #D8FDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88FA96 shade: #88FA96, #89D6FA and #FA89A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88FA96 shade: #88FA96, #9689FA and #FA9689

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88FA96 shade: #88FA96, #89D6FA, #FA89EC and #FAAD89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88FA96 shade: #88FA96, #89B4FA, #FA89EC and #FACE89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 40 / 2

HEX #88FA96

RGB 136 250 150

HSL 127.37, 0.92%, 0.76%

LAB 89.77, -52.7, 38.1

 

Complementary color

CMYK 0 / 96 / 12 / 53

HEX #770569

RGB 119 5 105

HSL 307.37, 0.92%, 0.24%

LAB 26.88, 52.88, -26.54

 

CMYK 44 / 0 / 42 / 2

HEX #8DFA91

RGB 141 250 145

HSL 122.2, 0.92%, 0.77%

LAB 89.9, -52.06, 40.76

 

CMYK 38 / 0 / 36 / 0

HEX #9EFFA4

RGB 158 255 164

HSL 123.71, 1%, 0.81%

LAB 92.34, -46.42, 34.72

 

CMYK 31 / 0 / 28 / 0

HEX #AFFFB7

RGB 175 255 183

HSL 126, 1%, 0.84%

LAB 93.47, -38.27, 26.85

 

CMYK 25 / 0 / 21 / 0

HEX #C0FFCA

RGB 192 255 202

HSL 129.52, 1%, 0.88%

LAB 94.73, -29.76, 19.07

 

CMYK 18 / 0 / 13 / 0

HEX #D1FFDD

RGB 209 255 221

HSL 135.65, 1%, 0.91%

LAB 96.12, -21.02, 11.44

 

CMYK 46 / 0 / 40 / 2

HEX #88FA96

RGB 136 250 150

HSL 127.37, 0.92%, 0.76%

LAB 89.77, -52.7, 38.1

 

CMYK 49 / 0 / 44 / 9

HEX #77E883

RGB 119 232 131

HSL 126.37, 0.71%, 0.69%

LAB 83.59, -52.81, 39.36

 

CMYK 52 / 0 / 48 / 16

HEX #66D670

RGB 102 214 112

HSL 125.36, 0.58%, 0.62%

LAB 77.33, -52.84, 40.66

 

CMYK 57 / 0 / 53 / 23

HEX #55C45D

RGB 85 196 93

HSL 124.32, 0.48%, 0.55%

LAB 71.01, -52.72, 41.99

 

CMYK 62 / 0 / 58 / 30

HEX #44B24A

RGB 68 178 74

HSL 123.27, 0.45%, 0.48%

LAB 64.62, -52.38, 43.3

 

CMYK 45 / 0 / 40 / 2

HEX #89FA97

RGB 137 250 151

HSL 127.43, 0.92%, 0.76%

LAB 89.82, -52.27, 37.69

 

CMYK 38 / 0 / 45 / 2

HEX #9AFA89

RGB 154 250 137

HSL 110.97, 0.92%, 0.76%

LAB 90.34, -49.37, 45.32

 

CMYK 26 / 0 / 45 / 2

HEX #B8FA89

RGB 184 250 137

HSL 95.04, 0.92%, 0.76%

LAB 91.85, -39.63, 47.53

 

CMYK 14 / 0 / 45 / 2

HEX #D6FA89

RGB 214 250 137

HSL 79.12, 0.92%, 0.76%

LAB 93.66, -28.93, 50.17

 

CMYK 2 / 0 / 45 / 2

HEX #F5FA89

RGB 245 250 137

HSL 62.65, 0.92%, 0.76%

LAB 95.83, -17.2, 53.32

 

CMYK 45 / 0 / 40 / 2

HEX #89FA97

RGB 137 250 151

HSL 127.43, 0.92%, 0.76%

LAB 89.82, -52.27, 37.69

 

CMYK 45 / 0 / 28 / 2

HEX #89FAB5

RGB 137 250 181

HSL 143.36, 0.92%, 0.76%

LAB 90.33, -47.2, 23.29

 

CMYK 45 / 0 / 15 / 2

HEX #89FAD4

RGB 137 250 212

HSL 159.82, 0.92%, 0.76%

LAB 90.98, -41, 8.25

 

CMYK 45 / 0 / 3 / 2

HEX #89FAF2

RGB 137 250 242

HSL 175.75, 0.92%, 0.76%

LAB 91.73, -34.18, -6.22

 

CMYK 45 / 9 / 0 / 2

HEX #89E3FA

RGB 137 227 250

HSL 192.21, 0.92%, 0.76%

LAB 85.58, -21.1, -19.59

 

CMYK 45 / 0 / 40 / 2

HEX #89FA97

RGB 137 250 151

HSL 127.43, 0.92%, 0.76%

LAB 89.82, -52.27, 37.69

 

CMYK 45 / 0 / 40 / 2

HEX #89FA97

RGB 137 250 151

HSL 127.43, 0.92%, 0.76%

LAB 89.82, -52.27, 37.69

 

CMYK 39 / 0 / 34 / 6

HEX #93F09E

RGB 147 240 158

HSL 127.1, 0.76%, 0.76%

LAB 87.48, -44.13, 31.17

 

CMYK 32 / 0 / 28 / 10

HEX #9DE6A6

RGB 157 230 166

HSL 127.4, 0.59%, 0.76%

LAB 85.26, -35.31, 24.16

 

CMYK 24 / 0 / 21 / 14

HEX #A7DCAD

RGB 167 220 173

HSL 126.79, 0.43%, 0.76%

LAB 83.14, -26.19, 17.66

 

CMYK 16 / 0 / 14 / 18

HEX #B1D2B5

RGB 177 210 181

HSL 127.27, 0.27%, 0.76%

LAB 81.17, -16.5, 10.75

 

CMYK 26 / 0 / 45 / 2

HEX #B8FA89

RGB 184 250 137

HSL 95.04, 0.92%, 0.76%

LAB 91.85, -39.63, 47.53

 

CMYK 38 / 0 / 45 / 2

HEX #9AFA89

RGB 154 250 137

HSL 110.97, 0.92%, 0.76%

LAB 90.34, -49.37, 45.32

 

CMYK 45 / 0 / 40 / 2

HEX #89FA96

RGB 137 250 150

HSL 126.9, 0.92%, 0.76%

LAB 89.81, -52.43, 38.16

 

CMYK 45 / 0 / 28 / 2

HEX #89FAB4

RGB 137 250 180

HSL 142.83, 0.92%, 0.76%

LAB 90.31, -47.38, 23.77

 

CMYK 45 / 0 / 16 / 2

HEX #89FAD2

RGB 137 250 210

HSL 158.76, 0.92%, 0.76%

LAB 90.94, -41.43, 9.22

 

CMYK 76 / 0 / 67 / 4

HEX #3AF651

RGB 58 246 81

HSL 127.34, 0.91%, 0.6%

LAB 85.71, -76.01, 63.82

 

CMYK 61 / 0 / 53 / 3

HEX #61F874

RGB 97 248 116

HSL 127.55, 0.92%, 0.68%

LAB 87.45, -66.15, 51.16

 

CMYK 45 / 0 / 40 / 2

HEX #89FA97

RGB 137 250 151

HSL 127.43, 0.92%, 0.76%

LAB 89.82, -52.27, 37.69

 

CMYK 29 / 0 / 26 / 2

HEX #B1FBBA

RGB 177 251 186

HSL 127.3, 0.9%, 0.84%

LAB 92.52, -35.34, 24.04

 

CMYK 15 / 0 / 13 / 1

HEX #D8FDDD

RGB 216 253 221

HSL 128.11, 0.9%, 0.92%

LAB 96.03, -17.78, 11.36

 

CMYK 46 / 0 / 40 / 2

HEX #88FA96

RGB 136 250 150

HSL 127.37, 0.92%, 0.76%

LAB 89.77, -52.7, 38.1

 

CMYK 45 / 14 / 0 / 2

HEX #89D6FA

RGB 137 214 250

HSL 199.12, 0.92%, 0.76%

LAB 82.01, -14.51, -25.01

 

CMYK 0 / 45 / 32 / 2

HEX #FA89A9

RGB 250 137 169

HSL 343.01, 0.92%, 0.76%

LAB 70.23, 46.31, 2.47

 

CMYK 46 / 0 / 40 / 2

HEX #88FA96

RGB 136 250 150

HSL 127.37, 0.92%, 0.76%

LAB 89.77, -52.7, 38.1

 

CMYK 40 / 45 / 0 / 2

HEX #9689FA

RGB 150 137 250

HSL 246.9, 0.92%, 0.76%

LAB 62.74, 31.44, -54.97

 

CMYK 0 / 40 / 45 / 2

HEX #FA9689

RGB 250 150 137

HSL 6.9, 0.92%, 0.76%

LAB 72.19, 36.14, 22.99

 

CMYK 46 / 0 / 40 / 2

HEX #88FA96

RGB 136 250 150

HSL 127.37, 0.92%, 0.76%

LAB 89.77, -52.7, 38.1

 

CMYK 45 / 14 / 0 / 2

HEX #89D6FA

RGB 137 214 250

HSL 199.12, 0.92%, 0.76%

LAB 82.01, -14.51, -25.01

 

CMYK 0 / 45 / 6 / 2

HEX #FA89EC

RGB 250 137 236

HSL 307.43, 0.92%, 0.76%

LAB 72.41, 56.05, -31.4

 

CMYK 0 / 31 / 45 / 2

HEX #FAAD89

RGB 250 173 137

HSL 19.12, 0.92%, 0.76%

LAB 77.29, 24.12, 29.84

 

CMYK 46 / 0 / 40 / 2

HEX #88FA96

RGB 136 250 150

HSL 127.37, 0.92%, 0.76%

LAB 89.77, -52.7, 38.1

 

CMYK 45 / 28 / 0 / 2

HEX #89B4FA

RGB 137 180 250

HSL 217.17, 0.92%, 0.76%

LAB 72.8, 3.71, -39.2

 

CMYK 0 / 45 / 6 / 2

HEX #FA89EC

RGB 250 137 236

HSL 307.43, 0.92%, 0.76%

LAB 72.41, 56.05, -31.4

 

CMYK 0 / 18 / 45 / 2

HEX #FACE89

RGB 250 206 137

HSL 36.64, 0.92%, 0.76%

LAB 85.14, 6.86, 40.06

 

Description

Color code: HEX #88FA96 | qconv.com Color code: HEX #88FA96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 250 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 250 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 40 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 40% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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