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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88F0DD it is the complementary color #770F22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88F0DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88F0DD shade: #8DF0D8, #9EFFEB, #AFFFFE, #C0FFFF and #D1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88F0DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88F0DD shade: #88F0DD, #77DECA, #66CCB7, #55BAA4 and #44A891

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88F0DD shade: #88F0DD, #88F0C1, #88F0A5, #88F089 and #A4F088

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88F0DD shade: #88F0DD, #88E7F0, #88CBF0, #88AFF0 and #8893F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88F0DD shade matches the following richer shades: #88F0DD and #7EFBE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88F0DD shade: #88F0DD, #93E5D6, #9EDACF, #A9D0C9 and #B3C5C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88F0DD shade: #88F0A6, #88F0C1, #88F0DD, #88E7F0 and #88CCF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88F0DD shade: #3FE7C8, #64EBD3, #88F0DD, #ADF4E7 and #D2F9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88F0DD shade: #88F0DD, #8A88F0 and #F0B488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88F0DD shade: #88F0DD, #DD88F0 and #F0DD88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88F0DD shade: #88F0DD, #8A88F0, #F0889B and #EEF088

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88F0DD shade: #88F0DD, #A988F0, #F0889B and #CFF088

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

Complementary color

CMYK 0 / 87 / 71 / 53

HEX #770F22

RGB 119 15 34

HSL 349.04, 0.78%, 0.26%

LAB 24.89, 43.5, 18.32

 

CMYK 41 / 0 / 10 / 6

HEX #8DF0D8

RGB 141 240 216

HSL 165.45, 0.77%, 0.75%

LAB 88.42, -34.59, 2.49

 

CMYK 38 / 0 / 8 / 0

HEX #9EFFEB

RGB 158 255 235

HSL 167.63, 1%, 0.81%

LAB 93.79, -33.05, 0.53

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFE

RGB 175 255 254

HSL 179.25, 1%, 0.84%

LAB 95.07, -24.39, -7.31

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 46 / 0 / 9 / 13

HEX #77DECA

RGB 119 222 202

HSL 168.35, 0.61%, 0.67%

LAB 82.07, -34.79, 0.51

 

CMYK 50 / 0 / 10 / 20

HEX #66CCB7

RGB 102 204 183

HSL 167.65, 0.5%, 0.6%

LAB 75.72, -34.85, 1.34

 

CMYK 54 / 0 / 12 / 27

HEX #55BAA4

RGB 85 186 164

HSL 166.93, 0.42%, 0.53%

LAB 69.28, -34.85, 2.24

 

CMYK 60 / 0 / 14 / 34

HEX #44A891

RGB 68 168 145

HSL 166.2, 0.42%, 0.46%

LAB 62.74, -34.77, 3.22

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 43 / 0 / 20 / 6

HEX #88F0C1

RGB 136 240 193

HSL 152.88, 0.78%, 0.74%

LAB 87.68, -40.76, 13.39

 

CMYK 43 / 0 / 31 / 6

HEX #88F0A5

RGB 136 240 165

HSL 136.73, 0.78%, 0.74%

LAB 87.13, -46.06, 27.06

 

CMYK 43 / 0 / 43 / 6

HEX #88F089

RGB 136 240 137

HSL 120.58, 0.78%, 0.74%

LAB 86.68, -50.52, 40.51

 

CMYK 32 / 0 / 43 / 6

HEX #A4F088

RGB 164 240 136

HSL 103.85, 0.78%, 0.74%

LAB 87.96, -42.05, 42.89

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 43 / 4 / 0 / 6

HEX #88E7F0

RGB 136 231 240

HSL 185.19, 0.78%, 0.74%

LAB 86.34, -25.86, -13.18

 

CMYK 43 / 15 / 0 / 6

HEX #88CBF0

RGB 136 203 240

HSL 201.35, 0.78%, 0.74%

LAB 78.6, -11.71, -24.88

 

CMYK 43 / 27 / 0 / 6

HEX #88AFF0

RGB 136 175 240

HSL 217.5, 0.78%, 0.74%

LAB 71, 3.45, -36.59

 

CMYK 43 / 39 / 0 / 6

HEX #8893F0

RGB 136 147 240

HSL 233.65, 0.78%, 0.74%

LAB 63.67, 19.43, -48.07

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 50 / 0 / 9 / 2

HEX #7EFBE4

RGB 126 251 228

HSL 168.96, 0.94%, 0.74%

LAB 91.25, -40.37, 0.29

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 36 / 0 / 7 / 10

HEX #93E5D6

RGB 147 229 214

HSL 169.02, 0.61%, 0.74%

LAB 85.55, -28.29, -0.61

 

CMYK 28 / 0 / 5 / 15

HEX #9EDACF

RGB 158 218 207

HSL 169, 0.45%, 0.74%

LAB 82.87, -21.37, -0.76

 

CMYK 19 / 0 / 3 / 18

HEX #A9D0C9

RGB 169 208 201

HSL 169.23, 0.29%, 0.74%

LAB 80.61, -14.24, -0.8

 

CMYK 9 / 0 / 2 / 23

HEX #B3C5C2

RGB 179 197 194

HSL 170, 0.13%, 0.74%

LAB 78.12, -6.69, -0.6

 

CMYK 43 / 0 / 31 / 6

HEX #88F0A6

RGB 136 240 166

HSL 137.31, 0.78%, 0.74%

LAB 87.15, -45.89, 26.58

 

CMYK 43 / 0 / 20 / 6

HEX #88F0C1

RGB 136 240 193

HSL 152.88, 0.78%, 0.74%

LAB 87.68, -40.76, 13.39

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 43 / 4 / 0 / 6

HEX #88E7F0

RGB 136 231 240

HSL 185.19, 0.78%, 0.74%

LAB 86.34, -25.86, -13.18

 

CMYK 43 / 15 / 0 / 6

HEX #88CCF0

RGB 136 204 240

HSL 200.77, 0.78%, 0.74%

LAB 78.87, -12.23, -24.46

 

CMYK 73 / 0 / 13 / 9

HEX #3FE7C8

RGB 63 231 200

HSL 168.93, 0.78%, 0.58%

LAB 83.11, -49.27, 2.9

 

CMYK 57 / 0 / 10 / 8

HEX #64EBD3

RGB 100 235 211

HSL 169.33, 0.77%, 0.66%

LAB 85.42, -42.54, 0.56

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 29 / 0 / 5 / 4

HEX #ADF4E7

RGB 173 244 231

HSL 169.01, 0.76%, 0.82%

LAB 91.39, -24.64, -0.81

 

CMYK 16 / 0 / 3 / 2

HEX #D2F9F2

RGB 210 249 242

HSL 169.23, 0.76%, 0.9%

LAB 95.1, -13.84, -0.84

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 43 / 43 / 0 / 6

HEX #8A88F0

RGB 138 136 240

HSL 241.15, 0.78%, 0.74%

LAB 61.05, 26.33, -52.21

 

CMYK 0 / 25 / 43 / 6

HEX #F0B488

RGB 240 180 136

HSL 25.38, 0.78%, 0.74%

LAB 77.84, 16.41, 30.9

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 8 / 43 / 0 / 6

HEX #DD88F0

RGB 221 136 240

HSL 289.04, 0.78%, 0.74%

LAB 68.95, 48.86, -39.24

 

CMYK 0 / 8 / 43 / 6

HEX #F0DD88

RGB 240 221 136

HSL 49.04, 0.78%, 0.74%

LAB 87.98, -4.88, 43.98

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 43 / 43 / 0 / 6

HEX #8A88F0

RGB 138 136 240

HSL 241.15, 0.78%, 0.74%

LAB 61.05, 26.33, -52.21

 

CMYK 0 / 43 / 35 / 6

HEX #F0889B

RGB 240 136 155

HSL 349.04, 0.78%, 0.74%

LAB 68.39, 41.64, 7.49

 

CMYK 1 / 0 / 43 / 6

HEX #EEF088

RGB 238 240 136

HSL 61.15, 0.78%, 0.74%

LAB 92.7, -15.13, 49.83

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 30 / 43 / 0 / 6

HEX #A988F0

RGB 169 136 240

HSL 259.04, 0.78%, 0.74%

LAB 63.62, 34.28, -47.98

 

CMYK 0 / 43 / 35 / 6

HEX #F0889B

RGB 240 136 155

HSL 349.04, 0.78%, 0.74%

LAB 68.39, 41.64, 7.49

 

CMYK 14 / 0 / 43 / 6

HEX #CFF088

RGB 207 240 136

HSL 79.04, 0.78%, 0.74%

LAB 90.49, -26.92, 46.61

 

Description

Color code: HEX #88F0DD | qconv.com Color code: HEX #88F0DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 240 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 240 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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