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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88ED0A it is the complementary color #7712F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88ED0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88ED0A shade: #8DED05, #9EFF18, #AFFF2B, #C0FF3E and #D1FF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88ED0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88ED0A shade: #88ED0A, #77DB00, #66C900, #55B700 and #44A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88ED0A shade: #86EB09, #C3EB09, #EBD509, #EB9909 and #EB5C09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88ED0A shade: #86EB09, #4AEB09, #0DEB09, #09EB42 and #09EB7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88ED0A shade matches the following richer shades: #86EB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88ED0A shade: #86EB09, #84D71D, #82C331, #80AF45 and #7E9B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88ED0A shade: #EBD409, #C5EB09, #89EB09, #4DEB09 and #11EB09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88ED0A shade: #599B06, #70C308, #86EB09, #9AF628 and #ACF74F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88ED0A shade: #88ED0A, #09EB98 and #EB09E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88ED0A shade: #88ED0A, #0989EB and #EB0989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88ED0A shade: #88ED0A, #09EB98, #6B09EB and #EB095C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88ED0A shade: #88ED0A, #09EBDB, #6B09EB and #EB0918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 96 / 7

HEX #88ED0A

RGB 136 237 10

HSL 86.7, 0.92%, 0.48%

LAB 84.91, -58.72, 81.23

 

Complementary color

CMYK 51 / 93 / 0 / 4

HEX #7712F5

RGB 119 18 245

HSL 266.7, 0.92%, 0.52%

LAB 39.49, 78.18, -90.07

 

CMYK 41 / 0 / 98 / 7

HEX #8DED05

RGB 141 237 5

HSL 84.83, 0.96%, 0.47%

LAB 85.12, -57.16, 81.9

 

CMYK 38 / 0 / 91 / 0

HEX #9EFF18

RGB 158 255 24

HSL 85.19, 1%, 0.55%

LAB 91.17, -58.24, 85.17

 

CMYK 31 / 0 / 83 / 0

HEX #AFFF2B

RGB 175 255 43

HSL 82.64, 1%, 0.58%

LAB 92.05, -51.92, 82.89

 

CMYK 25 / 0 / 76 / 0

HEX #C0FF3E

RGB 192 255 62

HSL 79.59, 1%, 0.62%

LAB 93.05, -45.04, 79.24

 

CMYK 18 / 0 / 68 / 0

HEX #D1FF51

RGB 209 255 81

HSL 75.86, 1%, 0.66%

LAB 94.17, -37.68, 74.45

 

CMYK 43 / 0 / 96 / 7

HEX #88ED0A

RGB 136 237 10

HSL 86.7, 0.92%, 0.48%

LAB 84.91, -58.72, 81.23

 

CMYK 46 / 0 / 100 / 14

HEX #77DB00

RGB 119 219 0

HSL 87.4, 1%, 0.43%

LAB 78.8, -57.42, 76.98

 

CMYK 49 / 0 / 100 / 21

HEX #66C900

RGB 102 201 0

HSL 89.55, 1%, 0.39%

LAB 72.63, -55.92, 71.86

 

CMYK 54 / 0 / 100 / 28

HEX #55B700

RGB 85 183 0

HSL 92.13, 1%, 0.36%

LAB 66.37, -54.3, 66.67

 

CMYK 59 / 0 / 100 / 35

HEX #44A500

RGB 68 165 0

HSL 95.27, 1%, 0.32%

LAB 60.01, -52.5, 61.42

 

CMYK 43 / 0 / 96 / 8

HEX #86EB09

RGB 134 235 9

HSL 86.81, 0.93%, 0.48%

LAB 84.23, -58.61, 80.74

 

CMYK 17 / 0 / 96 / 8

HEX #C3EB09

RGB 195 235 9

HSL 70.62, 0.93%, 0.48%

LAB 87.5, -36.51, 84.7

 

CMYK 0 / 9 / 96 / 8

HEX #EBD509

RGB 235 213 9

HSL 54.16, 0.93%, 0.48%

LAB 84.62, -9.37, 83.87

 

CMYK 0 / 35 / 96 / 8

HEX #EB9909

RGB 235 153 9

HSL 38.23, 0.93%, 0.48%

LAB 69.8, 21.89, 73.29

 

CMYK 0 / 61 / 96 / 8

HEX #EB5C09

RGB 235 92 9

HSL 22.04, 0.93%, 0.48%

LAB 57.4, 52.4, 65.23

 

CMYK 43 / 0 / 96 / 8

HEX #86EB09

RGB 134 235 9

HSL 86.81, 0.93%, 0.48%

LAB 84.23, -58.61, 80.74

 

CMYK 69 / 0 / 96 / 8

HEX #4AEB09

RGB 74 235 9

HSL 102.74, 0.93%, 0.48%

LAB 82.32, -73.87, 78.41

 

CMYK 94 / 0 / 96 / 8

HEX #0DEB09

RGB 13 235 9

HSL 118.94, 0.93%, 0.48%

LAB 81.58, -80.45, 77.49

 

CMYK 96 / 0 / 72 / 8

HEX #09EB42

RGB 9 235 66

HSL 135.13, 0.93%, 0.48%

LAB 81.77, -77.96, 65.07

 

CMYK 96 / 0 / 46 / 8

HEX #09EB7F

RGB 9 235 127

HSL 151.33, 0.93%, 0.48%

LAB 82.38, -70.34, 39.37

 

CMYK 43 / 0 / 96 / 8

HEX #86EB09

RGB 134 235 9

HSL 86.81, 0.93%, 0.48%

LAB 84.23, -58.61, 80.74

 

CMYK 43 / 0 / 96 / 8

HEX #86EB09

RGB 134 235 9

HSL 86.81, 0.93%, 0.48%

LAB 84.23, -58.61, 80.74

 

CMYK 39 / 0 / 87 / 16

HEX #84D71D

RGB 132 215 29

HSL 86.77, 0.76%, 0.48%

LAB 78.23, -51.07, 73.09

 

CMYK 33 / 0 / 75 / 24

HEX #82C331

RGB 130 195 49

HSL 86.71, 0.6%, 0.48%

LAB 72.23, -42.62, 62.32

 

CMYK 27 / 0 / 61 / 31

HEX #80AF45

RGB 128 175 69

HSL 86.6, 0.43%, 0.48%

LAB 66.27, -32.97, 48.19

 

CMYK 19 / 0 / 43 / 39

HEX #7E9B59

RGB 126 155 89

HSL 86.36, 0.27%, 0.48%

LAB 60.43, -21.83, 31.3

 

CMYK 0 / 10 / 96 / 8

HEX #EBD409

RGB 235 212 9

HSL 53.89, 0.93%, 0.48%

LAB 84.36, -8.86, 83.69

 

CMYK 16 / 0 / 96 / 8

HEX #C5EB09

RGB 197 235 9

HSL 70.09, 0.93%, 0.48%

LAB 87.63, -35.71, 84.86

 

CMYK 42 / 0 / 96 / 8

HEX #89EB09

RGB 137 235 9

HSL 86.02, 0.93%, 0.48%

LAB 84.36, -57.65, 80.89

 

CMYK 67 / 0 / 96 / 8

HEX #4DEB09

RGB 77 235 9

HSL 101.95, 0.93%, 0.48%

LAB 82.39, -73.3, 78.49

 

CMYK 93 / 0 / 96 / 8

HEX #11EB09

RGB 17 235 9

HSL 117.88, 0.93%, 0.48%

LAB 81.6, -80.28, 77.52

 

CMYK 43 / 0 / 96 / 39

HEX #599B06

RGB 89 155 6

HSL 86.58, 0.93%, 0.32%

LAB 57.64, -42.05, 58.99

 

CMYK 43 / 0 / 96 / 24

HEX #70C308

RGB 112 195 8

HSL 86.63, 0.92%, 0.4%

LAB 71.21, -50.33, 70.06

 

CMYK 43 / 0 / 96 / 8

HEX #86EB09

RGB 134 235 9

HSL 86.81, 0.93%, 0.48%

LAB 84.23, -58.61, 80.74

 

CMYK 37 / 0 / 84 / 4

HEX #9AF628

RGB 154 246 40

HSL 86.8, 0.92%, 0.56%

LAB 88.42, -55.62, 79.99

 

CMYK 30 / 0 / 68 / 3

HEX #ACF74F

RGB 172 247 79

HSL 86.79, 0.91%, 0.64%

LAB 89.79, -47.89, 70.03

 

CMYK 43 / 0 / 96 / 7

HEX #88ED0A

RGB 136 237 10

HSL 86.7, 0.92%, 0.48%

LAB 84.91, -58.72, 81.23

 

CMYK 96 / 0 / 35 / 8

HEX #09EB98

RGB 9 235 152

HSL 157.96, 0.93%, 0.48%

LAB 82.78, -65.72, 27.36

 

CMYK 0 / 96 / 3 / 8

HEX #EB09E3

RGB 235 9 227

HSL 302.12, 0.93%, 0.48%

LAB 55.49, 90.66, -53.1

 

CMYK 43 / 0 / 96 / 7

HEX #88ED0A

RGB 136 237 10

HSL 86.7, 0.92%, 0.48%

LAB 84.91, -58.72, 81.23

 

CMYK 96 / 42 / 0 / 8

HEX #0989EB

RGB 9 137 235

HSL 206.02, 0.93%, 0.48%

LAB 56.04, 5.77, -57.73

 

CMYK 0 / 96 / 42 / 8

HEX #EB0989

RGB 235 9 137

HSL 326.02, 0.93%, 0.48%

LAB 51.45, 80.39, -6.84

 

CMYK 43 / 0 / 96 / 7

HEX #88ED0A

RGB 136 237 10

HSL 86.7, 0.92%, 0.48%

LAB 84.91, -58.72, 81.23

 

CMYK 96 / 0 / 35 / 8

HEX #09EB98

RGB 9 235 152

HSL 157.96, 0.93%, 0.48%

LAB 82.78, -65.72, 27.36

 

CMYK 54 / 96 / 0 / 8

HEX #6B09EB

RGB 107 9 235

HSL 266.02, 0.93%, 0.48%

LAB 36.59, 76.33, -89.25

 

CMYK 0 / 96 / 61 / 8

HEX #EB095C

RGB 235 9 92

HSL 337.96, 0.93%, 0.48%

LAB 50.25, 77.17, 18.85

 

CMYK 43 / 0 / 96 / 7

HEX #88ED0A

RGB 136 237 10

HSL 86.7, 0.92%, 0.48%

LAB 84.91, -58.72, 81.23

 

CMYK 96 / 0 / 7 / 8

HEX #09EBDB

RGB 9 235 219

HSL 175.75, 0.93%, 0.48%

LAB 84.27, -49.54, -5.49

 

CMYK 54 / 96 / 0 / 8

HEX #6B09EB

RGB 107 9 235

HSL 266.02, 0.93%, 0.48%

LAB 36.59, 76.33, -89.25

 

CMYK 0 / 96 / 90 / 8

HEX #EB0918

RGB 235 9 24

HSL 356.02, 0.93%, 0.48%

LAB 49.4, 74.84, 55.89

 

Description

Color code: HEX #88ED0A | qconv.com Color code: HEX #88ED0A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 237 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 237 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 96 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 96% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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