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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88EA90 it is the complementary color #77156F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88EA90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88EA90 shade: #8DEA8B, #9EFC9E, #AFFFB1, #C0FFC4 and #D1FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88EA90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88EA90 shade: #88EA90, #77D87D, #66C66A, #55B457 and #44A244

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88EA90 shade: #89EA91, #9CEA89, #B6EA89, #D0EA89 and #EAEA89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88EA90 shade: #89EA91, #89EAAB, #89EAC5, #89EADF and #89DAEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88EA90 shade matches the following richer shades: #89EA91 and #7EF588

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88EA90 shade: #89EA91, #95DF9B, #A0D4A4, #ABC8AD and #B6BDB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88EA90 shade: #B6EA89, #9DEA89, #89EA90, #89EAAA and #89EAC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88EA90 shade: #43DD50, #66E471, #89EA91, #ADF0B2 and #D0F6D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88EA90 shade: #88EA90, #89D0EA and #EA89AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88EA90 shade: #88EA90, #9089EA and #EA9089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88EA90 shade: #88EA90, #89D0EA, #EA89E3 and #EAA389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88EA90 shade: #88EA90, #89B3EA, #EA89E3 and #EAC089

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 38 / 8

HEX #88EA90

RGB 136 234 144

HSL 124.9, 0.7%, 0.73%

LAB 85.04, -46.97, 34.91

 

Complementary color

CMYK 0 / 82 / 7 / 53

HEX #77156F

RGB 119 21 111

HSL 304.9, 0.7%, 0.27%

LAB 28.4, 50.4, -28.01

 

CMYK 40 / 0 / 41 / 8

HEX #8DEA8B

RGB 141 234 139

HSL 118.74, 0.69%, 0.73%

LAB 85.19, -46.25, 37.64

 

CMYK 37 / 0 / 37 / 1

HEX #9EFC9E

RGB 158 252 158

HSL 120, 0.94%, 0.8%

LAB 91.4, -46.05, 36.45

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFB1

RGB 175 255 177

HSL 121.5, 1%, 0.84%

LAB 93.37, -39.24, 29.73

 

CMYK 25 / 0 / 23 / 0

HEX #C0FFC4

RGB 192 255 196

HSL 123.81, 1%, 0.88%

LAB 94.62, -30.78, 21.97

 

CMYK 18 / 0 / 16 / 0

HEX #D1FFD7

RGB 209 255 215

HSL 127.83, 1%, 0.91%

LAB 95.99, -22.07, 14.33

 

CMYK 42 / 0 / 38 / 8

HEX #88EA90

RGB 136 234 144

HSL 124.9, 0.7%, 0.73%

LAB 85.04, -46.97, 34.91

 

CMYK 45 / 0 / 42 / 15

HEX #77D87D

RGB 119 216 125

HSL 123.71, 0.55%, 0.66%

LAB 78.76, -47.14, 36.15

 

CMYK 48 / 0 / 46 / 22

HEX #66C66A

RGB 102 198 106

HSL 122.5, 0.46%, 0.59%

LAB 72.4, -47.25, 37.43

 

CMYK 53 / 0 / 52 / 29

HEX #55B457

RGB 85 180 87

HSL 121.26, 0.39%, 0.52%

LAB 65.95, -47.24, 38.76

 

CMYK 58 / 0 / 58 / 36

HEX #44A244

RGB 68 162 68

HSL 120, 0.41%, 0.45%

LAB 59.42, -47.03, 40.07

 

CMYK 41 / 0 / 38 / 8

HEX #89EA91

RGB 137 234 145

HSL 124.95, 0.7%, 0.73%

LAB 85.1, -46.52, 34.49

 

CMYK 33 / 0 / 41 / 8

HEX #9CEA89

RGB 156 234 137

HSL 108.25, 0.7%, 0.73%

LAB 85.87, -41.88, 39.64

 

CMYK 22 / 0 / 41 / 8

HEX #B6EA89

RGB 182 234 137

HSL 92.16, 0.7%, 0.73%

LAB 87.29, -33.07, 41.75

 

CMYK 11 / 0 / 41 / 8

HEX #D0EA89

RGB 208 234 137

HSL 76.08, 0.7%, 0.73%

LAB 88.95, -23.58, 44.21

 

CMYK 0 / 0 / 41 / 8

HEX #EAEA89

RGB 234 234 137

HSL 60, 0.7%, 0.73%

LAB 90.85, -13.64, 46.99

 

CMYK 41 / 0 / 38 / 8

HEX #89EA91

RGB 137 234 145

HSL 124.95, 0.7%, 0.73%

LAB 85.1, -46.52, 34.49

 

CMYK 41 / 0 / 27 / 8

HEX #89EAAB

RGB 137 234 171

HSL 141.03, 0.7%, 0.73%

LAB 85.56, -42.1, 21.83

 

CMYK 41 / 0 / 16 / 8

HEX #89EAC5

RGB 137 234 197

HSL 157.11, 0.7%, 0.73%

LAB 86.1, -36.97, 9.07

 

CMYK 41 / 0 / 5 / 8

HEX #89EADF

RGB 137 234 223

HSL 173.2, 0.7%, 0.73%

LAB 86.75, -31.18, -3.64

 

CMYK 41 / 7 / 0 / 8

HEX #89DAEA

RGB 137 218 234

HSL 189.9, 0.7%, 0.73%

LAB 82.59, -20.71, -15.63

 

CMYK 41 / 0 / 38 / 8

HEX #89EA91

RGB 137 234 145

HSL 124.95, 0.7%, 0.73%

LAB 85.1, -46.52, 34.49

 

CMYK 49 / 0 / 44 / 4

HEX #7EF588

RGB 126 245 136

HSL 125.04, 0.86%, 0.73%

LAB 87.74, -55.43, 42.26

 

CMYK 41 / 0 / 38 / 8

HEX #89EA91

RGB 137 234 145

HSL 124.95, 0.7%, 0.73%

LAB 85.1, -46.52, 34.49

 

CMYK 33 / 0 / 30 / 13

HEX #95DF9B

RGB 149 223 155

HSL 124.86, 0.54%, 0.73%

LAB 82.66, -36.45, 26.24

 

CMYK 25 / 0 / 23 / 17

HEX #A0D4A4

RGB 160 212 164

HSL 124.62, 0.38%, 0.73%

LAB 80.31, -26.2, 18.41

 

CMYK 15 / 0 / 14 / 22

HEX #ABC8AD

RGB 171 200 173

HSL 124.14, 0.21%, 0.73%

LAB 77.87, -14.92, 10.27

 

CMYK 4 / 0 / 3 / 26

HEX #B6BDB7

RGB 182 189 183

HSL 128.57, 0.05%, 0.73%

LAB 75.92, -3.55, 2.18

 

CMYK 22 / 0 / 41 / 8

HEX #B6EA89

RGB 182 234 137

HSL 92.16, 0.7%, 0.73%

LAB 87.29, -33.07, 41.75

 

CMYK 33 / 0 / 41 / 8

HEX #9DEA89

RGB 157 234 137

HSL 107.63, 0.7%, 0.73%

LAB 85.92, -41.56, 39.72

 

CMYK 41 / 0 / 38 / 8

HEX #89EA90

RGB 137 234 144

HSL 124.33, 0.7%, 0.73%

LAB 85.09, -46.68, 34.98

 

CMYK 41 / 0 / 27 / 8

HEX #89EAAA

RGB 137 234 170

HSL 140.41, 0.7%, 0.73%

LAB 85.54, -42.29, 22.32

 

CMYK 41 / 0 / 17 / 8

HEX #89EAC3

RGB 137 234 195

HSL 155.88, 0.7%, 0.73%

LAB 86.06, -37.39, 10.05

 

CMYK 70 / 0 / 64 / 13

HEX #43DD50

RGB 67 221 80

HSL 125.06, 0.69%, 0.56%

LAB 78.16, -66.88, 56.04

 

CMYK 55 / 0 / 50 / 11

HEX #66E471

RGB 102 228 113

HSL 125.24, 0.7%, 0.65%

LAB 81.57, -58.11, 45.43

 

CMYK 41 / 0 / 38 / 8

HEX #89EA91

RGB 137 234 145

HSL 124.95, 0.7%, 0.73%

LAB 85.1, -46.52, 34.49

 

CMYK 28 / 0 / 26 / 6

HEX #ADF0B2

RGB 173 240 178

HSL 124.48, 0.69%, 0.81%

LAB 89.12, -32.87, 23.41

 

CMYK 15 / 0 / 14 / 4

HEX #D0F6D3

RGB 208 246 211

HSL 124.74, 0.68%, 0.89%

LAB 93.46, -18.73, 12.79

 

CMYK 42 / 0 / 38 / 8

HEX #88EA90

RGB 136 234 144

HSL 124.9, 0.7%, 0.73%

LAB 85.04, -46.97, 34.91

 

CMYK 41 / 11 / 0 / 8

HEX #89D0EA

RGB 137 208 234

HSL 196.08, 0.7%, 0.73%

LAB 79.82, -15.63, -19.81

 

CMYK 0 / 41 / 27 / 8

HEX #EA89AA

RGB 234 137 170

HSL 339.59, 0.7%, 0.73%

LAB 68.23, 40.92, -1.26

 

CMYK 42 / 0 / 38 / 8

HEX #88EA90

RGB 136 234 144

HSL 124.9, 0.7%, 0.73%

LAB 85.04, -46.97, 34.91

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 0 / 38 / 41 / 8

HEX #EA9089

RGB 234 144 137

HSL 4.33, 0.7%, 0.73%

LAB 68.93, 33.26, 18.21

 

CMYK 42 / 0 / 38 / 8

HEX #88EA90

RGB 136 234 144

HSL 124.9, 0.7%, 0.73%

LAB 85.04, -46.97, 34.91

 

CMYK 41 / 11 / 0 / 8

HEX #89D0EA

RGB 137 208 234

HSL 196.08, 0.7%, 0.73%

LAB 79.82, -15.63, -19.81

 

CMYK 0 / 41 / 3 / 8

HEX #EA89E3

RGB 234 137 227

HSL 304.33, 0.7%, 0.73%

LAB 70.13, 49.78, -30.14

 

CMYK 0 / 30 / 41 / 8

HEX #EAA389

RGB 234 163 137

HSL 16.08, 0.7%, 0.73%

LAB 73.22, 23.19, 24.07

 

CMYK 42 / 0 / 38 / 8

HEX #88EA90

RGB 136 234 144

HSL 124.9, 0.7%, 0.73%

LAB 85.04, -46.97, 34.91

 

CMYK 41 / 24 / 0 / 8

HEX #89B3EA

RGB 137 179 234

HSL 214.02, 0.7%, 0.73%

LAB 71.89, -0.17, -31.94

 

CMYK 0 / 41 / 3 / 8

HEX #EA89E3

RGB 234 137 227

HSL 304.33, 0.7%, 0.73%

LAB 70.13, 49.78, -30.14

 

CMYK 0 / 18 / 41 / 8

HEX #EAC089

RGB 234 192 137

HSL 34.02, 0.7%, 0.73%

LAB 80.18, 7.82, 33.34

 

Description

Color code: HEX #88EA90 | qconv.com Color code: HEX #88EA90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 234 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 234 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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