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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88DD6E it is the complementary color #772291. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88DD6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88DD6E shade: #8DDD69, #9EEF7C, #AFFF8F, #C0FFA2 and #D1FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88DD6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88DD6E shade: #88DD6E, #77CB5B, #66B948, #55A735 and #449522

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88DD6E shade: #88DD6E, #A6DD6E, #C4DD6E, #DDD86E and #DDBA6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88DD6E shade: #88DD6E, #6EDD72, #6EDD90, #6EDDAE and #6EDDCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88DD6E shade matches the following richer shades: #88DD6E, #80EB5F and #78F951

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88DD6E shade: #88DD6E, #90CE7C, #97C08B, #9FB199 and #A7A3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88DD6E shade: #C5DD6E, #A7DD6E, #8ADD6E, #6EDD70 and #6EDD8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88DD6E shade: #53C92F, #6CD54C, #88DD6E, #A3E48F and #BFECB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88DD6E shade: #88DD6E, #6EDDD7 and #DD6EB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88DD6E shade: #88DD6E, #6E8ADD and #DD6E8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88DD6E shade: #88DD6E, #6EDDD7, #C16EDD and #DD6E73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88DD6E shade: #88DD6E, #6EC1DD, #C16EDD and #DD8A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

Complementary color

CMYK 18 / 77 / 0 / 43

HEX #772291

RGB 119 34 145

HSL 285.95, 0.62%, 0.35%

LAB 32.06, 52.38, -43.5

 

CMYK 36 / 0 / 52 / 13

HEX #8DDD69

RGB 141 221 105

HSL 101.38, 0.63%, 0.64%

LAB 80.96, -45.14, 48.82

 

CMYK 34 / 0 / 48 / 6

HEX #9EEF7C

RGB 158 239 124

HSL 102.26, 0.78%, 0.71%

LAB 87.22, -45.08, 47.67

 

CMYK 31 / 0 / 44 / 0

HEX #AFFF8F

RGB 175 255 143

HSL 102.86, 1%, 0.78%

LAB 92.85, -44.1, 45.81

 

CMYK 25 / 0 / 36 / 0

HEX #C0FFA2

RGB 192 255 162

HSL 100.65, 1%, 0.82%

LAB 94.03, -35.97, 38.25

 

CMYK 18 / 0 / 29 / 0

HEX #D1FFB5

RGB 209 255 181

HSL 97.3, 1%, 0.85%

LAB 95.33, -27.51, 30.7

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 41 / 0 / 55 / 20

HEX #77CB5B

RGB 119 203 91

HSL 105, 0.52%, 0.58%

LAB 74.44, -46.19, 47.36

 

CMYK 45 / 0 / 61 / 27

HEX #66B948

RGB 102 185 72

HSL 104.07, 0.45%, 0.5%

LAB 68.01, -46.11, 48.43

 

CMYK 49 / 0 / 68 / 35

HEX #55A735

RGB 85 167 53

HSL 103.16, 0.52%, 0.43%

LAB 61.5, -45.84, 49.29

 

CMYK 54 / 0 / 77 / 42

HEX #449522

RGB 68 149 34

HSL 102.26, 0.63%, 0.36%

LAB 54.91, -45.27, 49.62

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 25 / 0 / 50 / 13

HEX #A6DD6E

RGB 166 221 110

HSL 89.73, 0.62%, 0.65%

LAB 82.35, -35.97, 48.46

 

CMYK 11 / 0 / 50 / 13

HEX #C4DD6E

RGB 196 221 110

HSL 73.51, 0.62%, 0.65%

LAB 84.26, -24.72, 51.21

 

CMYK 0 / 2 / 50 / 13

HEX #DDD86E

RGB 221 216 110

HSL 57.3, 0.62%, 0.65%

LAB 84.8, -12.36, 52.3

 

CMYK 0 / 16 / 50 / 13

HEX #DDBA6E

RGB 221 186 110

HSL 41.08, 0.62%, 0.65%

LAB 77.05, 3.06, 42.95

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 50 / 0 / 48 / 13

HEX #6EDD72

RGB 110 221 114

HSL 122.16, 0.62%, 0.65%

LAB 79.75, -53.24, 42.76

 

CMYK 50 / 0 / 35 / 13

HEX #6EDD90

RGB 110 221 144

HSL 138.38, 0.62%, 0.65%

LAB 80.2, -48.53, 28.31

 

CMYK 50 / 0 / 21 / 13

HEX #6EDDAE

RGB 110 221 174

HSL 154.59, 0.62%, 0.65%

LAB 80.79, -42.71, 13.45

 

CMYK 50 / 0 / 8 / 13

HEX #6EDDCB

RGB 110 221 203

HSL 170.27, 0.62%, 0.65%

LAB 81.48, -36.13, -0.93

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 46 / 0 / 60 / 8

HEX #80EB5F

RGB 128 235 95

HSL 105.86, 0.78%, 0.65%

LAB 84.4, -55.95, 57.19

 

CMYK 52 / 0 / 67 / 2

HEX #78F951

RGB 120 249 81

HSL 106.07, 0.93%, 0.65%

LAB 88.13, -64.69, 66.85

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 30 / 0 / 40 / 19

HEX #90CE7C

RGB 144 206 124

HSL 105.37, 0.46%, 0.65%

LAB 77, -35.07, 34.61

 

CMYK 21 / 0 / 28 / 25

HEX #97C08B

RGB 151 192 139

HSL 106.42, 0.3%, 0.65%

LAB 73.64, -23.7, 22.38

 

CMYK 10 / 0 / 14 / 31

HEX #9FB199

RGB 159 177 153

HSL 105, 0.13%, 0.65%

LAB 70.26, -10.8, 10.18

 

CMYK 1 / 3 / 0 / 34

HEX #A7A3A8

RGB 167 163 168

HSL 288, 0.03%, 0.65%

LAB 67.45, 2.39, -2.08

 

CMYK 11 / 0 / 50 / 13

HEX #C5DD6E

RGB 197 221 110

HSL 72.97, 0.62%, 0.65%

LAB 84.33, -24.33, 51.31

 

CMYK 24 / 0 / 50 / 13

HEX #A7DD6E

RGB 167 221 110

HSL 89.19, 0.62%, 0.65%

LAB 82.41, -35.61, 48.55

 

CMYK 38 / 0 / 50 / 13

HEX #8ADD6E

RGB 138 221 110

HSL 104.86, 0.62%, 0.65%

LAB 80.87, -45.53, 46.33

 

CMYK 50 / 0 / 49 / 13

HEX #6EDD70

RGB 110 221 112

HSL 121.08, 0.62%, 0.65%

LAB 79.73, -53.51, 43.7

 

CMYK 50 / 0 / 36 / 13

HEX #6EDD8D

RGB 110 221 141

HSL 136.76, 0.62%, 0.65%

LAB 80.15, -49.05, 29.78

 

CMYK 59 / 0 / 77 / 21

HEX #53C92F

RGB 83 201 47

HSL 105.97, 0.62%, 0.49%

LAB 72.11, -59.55, 62.18

 

CMYK 49 / 0 / 64 / 16

HEX #6CD54C

RGB 108 213 76

HSL 105.99, 0.62%, 0.57%

LAB 76.86, -55.04, 56.6

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 29 / 0 / 37 / 11

HEX #A3E48F

RGB 163 228 143

HSL 105.88, 0.61%, 0.73%

LAB 84.62, -36.05, 35.1

 

CMYK 19 / 0 / 25 / 7

HEX #BFECB1

RGB 191 236 177

HSL 105.76, 0.61%, 0.81%

LAB 89.04, -25.22, 23.98

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 50 / 0 / 3 / 13

HEX #6EDDD7

RGB 110 221 215

HSL 176.76, 0.62%, 0.65%

LAB 81.8, -33.16, -6.83

 

CMYK 0 / 50 / 18 / 13

HEX #DD6EB6

RGB 221 110 182

HSL 321.08, 0.62%, 0.65%

LAB 61.57, 51.97, -18.18

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 50 / 38 / 0 / 13

HEX #6E8ADD

RGB 110 138 221

HSL 224.86, 0.62%, 0.65%

LAB 58.71, 12.92, -45.48

 

CMYK 0 / 50 / 38 / 13

HEX #DD6E8A

RGB 221 110 138

HSL 344.86, 0.62%, 0.65%

LAB 60.21, 46.14, 5.11

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 50 / 0 / 3 / 13

HEX #6EDDD7

RGB 110 221 215

HSL 176.76, 0.62%, 0.65%

LAB 81.8, -33.16, -6.83

 

CMYK 13 / 50 / 0 / 13

HEX #C16EDD

RGB 193 110 221

HSL 284.86, 0.62%, 0.65%

LAB 59.63, 50.65, -43.54

 

CMYK 0 / 50 / 48 / 13

HEX #DD6E73

RGB 221 110 115

HSL 357.3, 0.62%, 0.65%

LAB 59.67, 43.74, 17.64

 

CMYK 38 / 0 / 50 / 13

HEX #88DD6E

RGB 136 221 110

HSL 105.95, 0.62%, 0.65%

LAB 80.78, -46.17, 46.19

 

CMYK 50 / 13 / 0 / 13

HEX #6EC1DD

RGB 110 193 221

HSL 195.14, 0.62%, 0.65%

LAB 73.98, -17.74, -21.79

 

CMYK 13 / 50 / 0 / 13

HEX #C16EDD

RGB 193 110 221

HSL 284.86, 0.62%, 0.65%

LAB 59.63, 50.65, -43.54

 

CMYK 0 / 38 / 50 / 13

HEX #DD8A6E

RGB 221 138 110

HSL 15.14, 0.62%, 0.65%

LAB 65.49, 28.72, 28.27

 

Description

Color code: HEX #88DD6E | qconv.com Color code: HEX #88DD6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 221 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 221 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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