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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88D534 it is the complementary color #772ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88D534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88D534 shade: #8DD52F, #9EE742, #AFF955, #C0FF68 and #D1FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88D534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88D534 shade: #88D534, #77C321, #66B10E, #559F00 and #448D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88D534 shade: #88D533, #B3D533, #D5CB33, #D59F33 and #D57433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88D534 shade: #88D533, #5CD533, #33D536, #33D562 and #33D58D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88D534 shade matches the following richer shades: #88D533, #88E920 and #89FC0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88D534 shade: #88D533, #87C147, #86AD5B, #85996F and #848683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88D534 shade: #D5CA33, #B5D533, #89D533, #5ED533 and #33D533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88D534 shade: #5D971F, #73B926, #88D533, #9CDC56 and #B0E378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88D534 shade: #88D534, #33D59F and #D533CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88D534 shade: #88D534, #3389D5 and #D53389

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88D534 shade: #88D534, #33D59F, #7F33D5 and #D53369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88D534 shade: #88D534, #33D5CF, #7F33D5 and #D53339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

Complementary color

CMYK 41 / 79 / 0 / 20

HEX #772ACB

RGB 119 42 203

HSL 268.7, 0.66%, 0.48%

LAB 37.64, 62.23, -69.07

 

CMYK 34 / 0 / 78 / 16

HEX #8DD52F

RGB 141 213 47

HSL 86.02, 0.66%, 0.51%

LAB 78.14, -46.42, 68.75

 

CMYK 32 / 0 / 71 / 9

HEX #9EE742

RGB 158 231 66

HSL 86.55, 0.77%, 0.58%

LAB 84.39, -46.92, 68.96

 

CMYK 30 / 0 / 66 / 2

HEX #AFF955

RGB 175 249 85

HSL 87.07, 0.93%, 0.65%

LAB 90.56, -47.27, 68.63

 

CMYK 25 / 0 / 59 / 0

HEX #C0FF68

RGB 192 255 104

HSL 85.03, 1%, 0.7%

LAB 93.33, -42.35, 64.27

 

CMYK 18 / 0 / 52 / 0

HEX #D1FF7B

RGB 209 255 123

HSL 80.91, 1%, 0.74%

LAB 94.53, -34.48, 57.63

 

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

CMYK 39 / 0 / 83 / 24

HEX #77C321

RGB 119 195 33

HSL 88.15, 0.71%, 0.45%

LAB 71.6, -47.28, 66.21

 

CMYK 42 / 0 / 92 / 31

HEX #66B10E

RGB 102 177 14

HSL 87.61, 0.85%, 0.37%

LAB 65.2, -46.39, 64.26

 

CMYK 47 / 0 / 100 / 38

HEX #559F00

RGB 85 159 0

HSL 87.92, 1%, 0.31%

LAB 58.72, -45.17, 60.68

 

CMYK 52 / 0 / 100 / 45

HEX #448D00

RGB 68 141 0

HSL 91.06, 1%, 0.28%

LAB 52.15, -43.56, 55.23

 

CMYK 36 / 0 / 76 / 16

HEX #88D533

RGB 136 213 51

HSL 88.52, 0.66%, 0.52%

LAB 77.91, -47.97, 67.23

 

CMYK 16 / 0 / 76 / 16

HEX #B3D533

RGB 179 213 51

HSL 72.59, 0.66%, 0.52%

LAB 80.41, -31.78, 70.47

 

CMYK 0 / 5 / 76 / 16

HEX #D5CB33

RGB 213 203 51

HSL 56.3, 0.66%, 0.52%

LAB 80.23, -12.81, 71.25

 

CMYK 0 / 25 / 76 / 16

HEX #D59F33

RGB 213 159 51

HSL 40, 0.66%, 0.52%

LAB 68.88, 10.18, 60.66

 

CMYK 0 / 46 / 76 / 16

HEX #D57433

RGB 213 116 51

HSL 24.07, 0.66%, 0.52%

LAB 58.86, 33.25, 50.85

 

CMYK 36 / 0 / 76 / 16

HEX #88D533

RGB 136 213 51

HSL 88.52, 0.66%, 0.52%

LAB 77.91, -47.97, 67.23

 

CMYK 57 / 0 / 76 / 16

HEX #5CD533

RGB 92 213 51

HSL 104.81, 0.66%, 0.52%

LAB 76.13, -61.27, 64.9

 

CMYK 76 / 0 / 75 / 16

HEX #33D536

RGB 51 213 54

HSL 121.11, 0.66%, 0.52%

LAB 75.18, -69.15, 62.66

 

CMYK 76 / 0 / 54 / 16

HEX #33D562

RGB 51 213 98

HSL 137.41, 0.66%, 0.52%

LAB 75.56, -64.5, 44.93

 

CMYK 76 / 0 / 34 / 16

HEX #33D58D

RGB 51 213 141

HSL 153.33, 0.66%, 0.52%

LAB 76.2, -57.11, 24.2

 

CMYK 36 / 0 / 76 / 16

HEX #88D533

RGB 136 213 51

HSL 88.52, 0.66%, 0.52%

LAB 77.91, -47.97, 67.23

 

CMYK 42 / 0 / 86 / 9

HEX #88E920

RGB 136 233 32

HSL 88.96, 0.82%, 0.52%

LAB 83.77, -56.73, 77.3

 

CMYK 46 / 0 / 95 / 1

HEX #89FC0C

RGB 137 252 12

HSL 88.75, 0.98%, 0.52%

LAB 89.38, -63.96, 84.65

 

CMYK 36 / 0 / 76 / 16

HEX #88D533

RGB 136 213 51

HSL 88.52, 0.66%, 0.52%

LAB 77.91, -47.97, 67.23

 

CMYK 30 / 0 / 63 / 24

HEX #87C147

RGB 135 193 71

HSL 88.52, 0.5%, 0.52%

LAB 72.06, -38.38, 53.82

 

CMYK 23 / 0 / 47 / 32

HEX #86AD5B

RGB 134 173 91

HSL 88.54, 0.33%, 0.52%

LAB 66.3, -27.42, 37.72

 

CMYK 13 / 0 / 27 / 40

HEX #85996F

RGB 133 153 111

HSL 88.57, 0.17%, 0.52%

LAB 60.71, -14.9, 19.79

 

CMYK 1 / 0 / 2 / 47

HEX #848683

RGB 132 134 131

HSL 100, 0.01%, 0.52%

LAB 55.68, -1.33, 1.35

 

CMYK 0 / 5 / 76 / 16

HEX #D5CA33

RGB 213 202 51

HSL 55.93, 0.66%, 0.52%

LAB 79.97, -12.31, 71

 

CMYK 15 / 0 / 76 / 16

HEX #B5D533

RGB 181 213 51

HSL 71.85, 0.66%, 0.52%

LAB 80.54, -30.98, 70.65

 

CMYK 36 / 0 / 76 / 16

HEX #89D533

RGB 137 213 51

HSL 88.15, 0.66%, 0.52%

LAB 77.96, -47.62, 67.3

 

CMYK 56 / 0 / 76 / 16

HEX #5ED533

RGB 94 213 51

HSL 104.07, 0.66%, 0.52%

LAB 76.2, -60.76, 64.99

 

CMYK 76 / 0 / 76 / 16

HEX #33D533

RGB 51 213 51

HSL 120, 0.66%, 0.52%

LAB 75.16, -69.37, 63.62

 

CMYK 38 / 0 / 79 / 41

HEX #5D971F

RGB 93 151 31

HSL 89, 0.66%, 0.36%

LAB 56.64, -38.03, 52.67

 

CMYK 38 / 0 / 79 / 27

HEX #73B926

RGB 115 185 38

HSL 88.57, 0.66%, 0.44%

LAB 68.37, -44.32, 61.86

 

CMYK 36 / 0 / 76 / 16

HEX #88D533

RGB 136 213 51

HSL 88.52, 0.66%, 0.52%

LAB 77.91, -47.97, 67.23

 

CMYK 29 / 0 / 61 / 14

HEX #9CDC56

RGB 156 220 86

HSL 88.66, 0.66%, 0.6%

LAB 81.25, -41.45, 57.87

 

CMYK 22 / 0 / 47 / 11

HEX #B0E378

RGB 176 227 120

HSL 88.6, 0.66%, 0.68%

LAB 84.75, -34.01, 46.76

 

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

CMYK 76 / 0 / 25 / 16

HEX #33D59F

RGB 51 213 159

HSL 160, 0.66%, 0.52%

LAB 76.55, -53.23, 15.21

 

CMYK 0 / 76 / 5 / 16

HEX #D533CA

RGB 213 51 202

HSL 304.07, 0.66%, 0.52%

LAB 52.71, 76.3, -43.5

 

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

CMYK 76 / 36 / 0 / 16

HEX #3389D5

RGB 51 137 213

HSL 208.15, 0.66%, 0.52%

LAB 55.48, 0.37, -46.27

 

CMYK 0 / 76 / 36 / 16

HEX #D53389

RGB 213 51 137

HSL 328.15, 0.66%, 0.52%

LAB 49.88, 67.94, -9.62

 

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

CMYK 76 / 0 / 25 / 16

HEX #33D59F

RGB 51 213 159

HSL 160, 0.66%, 0.52%

LAB 76.55, -53.23, 15.21

 

CMYK 40 / 76 / 0 / 16

HEX #7F33D5

RGB 127 51 213

HSL 268.15, 0.66%, 0.52%

LAB 40.71, 62.31, -69.8

 

CMYK 0 / 76 / 51 / 16

HEX #D53369

RGB 213 51 105

HSL 340, 0.66%, 0.52%

LAB 48.93, 64.97, 8.4

 

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

CMYK 76 / 0 / 3 / 16

HEX #33D5CF

RGB 51 213 207

HSL 177.78, 0.66%, 0.52%

LAB 77.76, -40.95, -8.72

 

CMYK 40 / 76 / 0 / 16

HEX #7F33D5

RGB 127 51 213

HSL 268.15, 0.66%, 0.52%

LAB 40.71, 62.31, -69.8

 

CMYK 0 / 76 / 73 / 16

HEX #D53339

RGB 213 51 57

HSL 357.78, 0.66%, 0.52%

LAB 48.02, 62.06, 36.14

 

Description

Color code: HEX #88D534 | qconv.com Color code: HEX #88D534 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 213 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 213 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 76 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 76% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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