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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #889FDB it is the complementary color #776024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #889FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #889FDB shade: #8D9FD6, #9EB1E9, #AFC3FC, #C0D5FF and #D1E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #889FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #889FDB shade: #889FDB, #778DC8, #667BB5, #5569A2 and #44578F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #889FDB shade: #89A0DB, #8989DB, #9E89DB, #B589DB and #CB89DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #889FDB shade: #89A0DB, #8989DB and #8989DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #889FDB shade matches the following richer shades: #89A0DB, #7C9AE8 and #7095F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #889FDB shade: #89A0DB, #95A5CF, #A1ABC3, #AEB0B6 and #BAB6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #889FDB shade: #89CCDB, #89B6DB, #89A0DB, #898ADB and #9D89DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #889FDB shade: #496CC8, #6986D2, #89A0DB, #A8B9E5 and #C8D3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #889FDB shade: #889FDB, #D489DB and #C1DB89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #889FDB shade: #889FDB, #DB89A0 and #A0DB89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #889FDB shade: #889FDB, #D489DB, #DBC489 and #90DB89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #889FDB shade: #889FDB, #DB89C9, #DBC489 and #89DB9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 27 / 0 / 14

HEX #889FDB

RGB 136 159 219

HSL 223.37, 0.54%, 0.7%

LAB 65.86, 6.68, -33.05

 

Complementary color

CMYK 0 / 19 / 70 / 53

HEX #776024

RGB 119 96 36

HSL 43.37, 0.54%, 0.3%

LAB 41.87, 2.16, 36.63

 

CMYK 34 / 26 / 0 / 16

HEX #8D9FD6

RGB 141 159 214

HSL 225.21, 0.47%, 0.7%

LAB 65.99, 6.73, -30.06

 

CMYK 32 / 24 / 0 / 9

HEX #9EB1E9

RGB 158 177 233

HSL 224.8, 0.63%, 0.77%

LAB 72.63, 6.33, -30.15

 

CMYK 31 / 23 / 0 / 1

HEX #AFC3FC

RGB 175 195 252

HSL 224.42, 0.93%, 0.84%

LAB 79.14, 5.97, -30.28

 

CMYK 25 / 16 / 0 / 0

HEX #C0D5FF

RGB 192 213 255

HSL 220, 1%, 0.88%

LAB 85, 1.93, -22.82

 

CMYK 18 / 9 / 0 / 0

HEX #D1E7FF

RGB 209 231 255

HSL 211.3, 1%, 0.91%

LAB 90.75, -2.39, -14.05

 

CMYK 38 / 27 / 0 / 14

HEX #889FDB

RGB 136 159 219

HSL 223.37, 0.54%, 0.7%

LAB 65.86, 6.68, -33.05

 

CMYK 41 / 30 / 0 / 22

HEX #778DC8

RGB 119 141 200

HSL 223.7, 0.42%, 0.63%

LAB 59.11, 7.2, -33.03

 

CMYK 44 / 32 / 0 / 29

HEX #667BB5

RGB 102 123 181

HSL 224.05, 0.35%, 0.55%

LAB 52.2, 7.82, -33.06

 

CMYK 48 / 35 / 0 / 36

HEX #5569A2

RGB 85 105 162

HSL 224.42, 0.31%, 0.48%

LAB 45.14, 8.57, -33.14

 

CMYK 52 / 39 / 0 / 44

HEX #44578F

RGB 68 87 143

HSL 224.8, 0.36%, 0.41%

LAB 37.89, 9.5, -33.28

 

CMYK 37 / 27 / 0 / 14

HEX #89A0DB

RGB 137 160 219

HSL 223.17, 0.53%, 0.7%

LAB 66.19, 6.38, -32.53

 

CMYK 37 / 37 / 0 / 14

HEX #8989DB

RGB 137 137 219

HSL 240, 0.53%, 0.7%

LAB 60.18, 19.65, -41.92

 

CMYK 28 / 37 / 0 / 14

HEX #9E89DB

RGB 158 137 219

HSL 255.37, 0.53%, 0.7%

LAB 61.89, 25.47, -39.12

 

CMYK 17 / 37 / 0 / 14

HEX #B589DB

RGB 181 137 219

HSL 272.2, 0.53%, 0.7%

LAB 64.02, 32.21, -35.63

 

CMYK 7 / 37 / 0 / 14

HEX #CB89DB

RGB 203 137 219

HSL 288.29, 0.53%, 0.7%

LAB 66.29, 38.88, -31.93

 

CMYK 37 / 27 / 0 / 14

HEX #89A0DB

RGB 137 160 219

HSL 223.17, 0.53%, 0.7%

LAB 66.19, 6.38, -32.53

 

CMYK 37 / 37 / 0 / 14

HEX #8989DB

RGB 137 137 219

HSL 240, 0.53%, 0.7%

LAB 60.18, 19.65, -41.92

 

CMYK 37 / 37 / 0 / 14

HEX #8989DB

RGB 137 137 219

HSL 240, 0.53%, 0.7%

LAB 60.18, 19.65, -41.92

 

CMYK 37 / 27 / 0 / 14

HEX #89A0DB

RGB 137 160 219

HSL 223.17, 0.53%, 0.7%

LAB 66.19, 6.38, -32.53

 

CMYK 47 / 34 / 0 / 9

HEX #7C9AE8

RGB 124 154 232

HSL 223.33, 0.7%, 0.7%

LAB 64.34, 10.14, -42.66

 

CMYK 54 / 39 / 0 / 4

HEX #7095F4

RGB 112 149 244

HSL 223.18, 0.86%, 0.7%

LAB 62.9, 13.99, -51.58

 

CMYK 37 / 27 / 0 / 14

HEX #89A0DB

RGB 137 160 219

HSL 223.17, 0.53%, 0.7%

LAB 66.19, 6.38, -32.53

 

CMYK 28 / 20 / 0 / 19

HEX #95A5CF

RGB 149 165 207

HSL 223.45, 0.38%, 0.7%

LAB 67.88, 3.91, -23.24

 

CMYK 17 / 12 / 0 / 24

HEX #A1ABC3

RGB 161 171 195

HSL 222.35, 0.22%, 0.7%

LAB 69.93, 1.53, -13.43

 

CMYK 4 / 3 / 0 / 29

HEX #AEB0B6

RGB 174 176 182

HSL 225, 0.05%, 0.7%

LAB 71.84, 0.45, -3.31

 

CMYK 0 / 2 / 9 / 27

HEX #BAB6AA

RGB 186 182 170

HSL 45, 0.1%, 0.7%

LAB 74.06, -0.72, 6.6

 

CMYK 37 / 7 / 0 / 14

HEX #89CCDB

RGB 137 204 219

HSL 190.98, 0.53%, 0.7%

LAB 78.24, -17.38, -14.16

 

CMYK 37 / 17 / 0 / 14

HEX #89B6DB

RGB 137 182 219

HSL 207.07, 0.53%, 0.7%

LAB 72.15, -5.81, -23.37

 

CMYK 37 / 27 / 0 / 14

HEX #89A0DB

RGB 137 160 219

HSL 223.17, 0.53%, 0.7%

LAB 66.19, 6.38, -32.53

 

CMYK 37 / 37 / 0 / 14

HEX #898ADB

RGB 137 138 219

HSL 239.27, 0.53%, 0.7%

LAB 60.44, 19.06, -41.52

 

CMYK 28 / 37 / 0 / 14

HEX #9D89DB

RGB 157 137 219

HSL 254.63, 0.53%, 0.7%

LAB 61.8, 25.18, -39.26

 

CMYK 64 / 46 / 0 / 22

HEX #496CC8

RGB 73 108 200

HSL 223.46, 0.54%, 0.54%

LAB 47.38, 16.76, -51.74

 

CMYK 50 / 36 / 0 / 18

HEX #6986D2

RGB 105 134 210

HSL 223.43, 0.54%, 0.62%

LAB 56.79, 10.76, -42.36

 

CMYK 37 / 27 / 0 / 14

HEX #89A0DB

RGB 137 160 219

HSL 223.17, 0.53%, 0.7%

LAB 66.19, 6.38, -32.53

 

CMYK 27 / 19 / 0 / 10

HEX #A8B9E5

RGB 168 185 229

HSL 223.28, 0.54%, 0.78%

LAB 75.25, 3.85, -23.9

 

CMYK 16 / 11 / 0 / 7

HEX #C8D3EE

RGB 200 211 238

HSL 222.63, 0.53%, 0.86%

LAB 84.5, 1.69, -14.51

 

CMYK 38 / 27 / 0 / 14

HEX #889FDB

RGB 136 159 219

HSL 223.37, 0.54%, 0.7%

LAB 65.86, 6.68, -33.05

 

CMYK 3 / 37 / 0 / 14

HEX #D489DB

RGB 212 137 219

HSL 294.88, 0.53%, 0.7%

LAB 67.28, 41.64, -30.32

 

CMYK 12 / 0 / 37 / 14

HEX #C1DB89

RGB 193 219 137

HSL 79.02, 0.53%, 0.7%

LAB 83.86, -21.94, 37.5

 

CMYK 38 / 27 / 0 / 14

HEX #889FDB

RGB 136 159 219

HSL 223.37, 0.54%, 0.7%

LAB 65.86, 6.68, -33.05

 

CMYK 0 / 37 / 27 / 14

HEX #DB89A0

RGB 219 137 160

HSL 343.17, 0.53%, 0.7%

LAB 66.13, 34.26, 1.08

 

CMYK 27 / 0 / 37 / 14

HEX #A0DB89

RGB 160 219 137

HSL 103.17, 0.53%, 0.7%

LAB 81.81, -33.79, 34.43

 

CMYK 38 / 27 / 0 / 14

HEX #889FDB

RGB 136 159 219

HSL 223.37, 0.54%, 0.7%

LAB 65.86, 6.68, -33.05

 

CMYK 3 / 37 / 0 / 14

HEX #D489DB

RGB 212 137 219

HSL 294.88, 0.53%, 0.7%

LAB 67.28, 41.64, -30.32

 

CMYK 0 / 11 / 37 / 14

HEX #DBC489

RGB 219 196 137

HSL 43.17, 0.53%, 0.7%

LAB 79.81, -0.22, 32.6

 

CMYK 34 / 0 / 37 / 14

HEX #90DB89

RGB 144 219 137

HSL 114.88, 0.53%, 0.7%

LAB 80.96, -39.07, 33.16

 

CMYK 38 / 27 / 0 / 14

HEX #889FDB

RGB 136 159 219

HSL 223.37, 0.54%, 0.7%

LAB 65.86, 6.68, -33.05

 

CMYK 0 / 37 / 8 / 14

HEX #DB89C9

RGB 219 137 201

HSL 313.17, 0.53%, 0.7%

LAB 67.4, 40.61, -20.05

 

CMYK 0 / 11 / 37 / 14

HEX #DBC489

RGB 219 196 137

HSL 43.17, 0.53%, 0.7%

LAB 79.81, -0.22, 32.6

 

CMYK 37 / 0 / 29 / 14

HEX #89DB9B

RGB 137 219 155

HSL 133.17, 0.53%, 0.7%

LAB 80.93, -38.29, 23.79

 

Description

Color code: HEX #889FDB | qconv.com Color code: HEX #889FDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 159 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 159 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 27 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 27% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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