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Color name
HEX #889C13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #889C13 it is the complementary color #7763EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #889C13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #889C13 shade: #8D9C0E, #9EAE21, #AFC034, #C0D247 and #D1E45A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #889C13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #889C13 shade: #889C13, #778A00, #667800, #556600 and #445400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #889C13 shade: #869A13, #9A8913, #9A6513, #9A4013 and #9A1C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #889C13 shade: #869A13, #629A13, #3D9A13, #199A13 and #139A31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #889C13 shade matches the following richer shades: #869A13 and #90A805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #889C13 shade: #869A13, #7C8C21, #727E2F, #68703D and #5E624B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #889C13 shade: #9A6413, #9A8813, #889A13, #649A13 and #409A13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #889C13 shade: #465009, #66750E, #869A13, #A6BF17 and #C6E31C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #889C13 shade: #889C13, #139A40 and #76139A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #889C13 shade: #889C13, #13889A and #9A1388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #889C13 shade: #889C13, #139A40, #25139A and #9A136D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #889C13 shade: #889C13, #139A68, #25139A and #9A1344

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 88 / 39

HEX #889C13

RGB 136 156 19

HSL 68.76, 0.78%, 0.34%

LAB 60.83, -23.44, 60.58

 

Complementary color

CMYK 50 / 58 / 0 / 7

HEX #7763EC

RGB 119 99 236

HSL 248.76, 0.78%, 0.66%

LAB 50.57, 42.58, -66.87

 

CMYK 10 / 0 / 91 / 39

HEX #8D9C0E

RGB 141 156 14

HSL 66.34, 0.84%, 0.33%

LAB 61.2, -21.38, 61.98

 

CMYK 9 / 0 / 81 / 32

HEX #9EAE21

RGB 158 174 33

HSL 66.81, 0.68%, 0.41%

LAB 67.76, -22.47, 63.73

 

CMYK 9 / 0 / 73 / 25

HEX #AFC034

RGB 175 192 52

HSL 67.29, 0.57%, 0.48%

LAB 74.23, -23.35, 64.22

 

CMYK 9 / 0 / 66 / 18

HEX #C0D247

RGB 192 210 71

HSL 67.77, 0.61%, 0.55%

LAB 80.6, -24.05, 63.98

 

CMYK 8 / 0 / 61 / 11

HEX #D1E45A

RGB 209 228 90

HSL 68.26, 0.72%, 0.62%

LAB 86.89, -24.61, 63.33

 

CMYK 13 / 0 / 88 / 39

HEX #889C13

RGB 136 156 19

HSL 68.76, 0.78%, 0.34%

LAB 60.83, -23.44, 60.58

 

CMYK 14 / 0 / 100 / 46

HEX #778A00

RGB 119 138 0

HSL 68.26, 1%, 0.27%

LAB 54.13, -22.27, 58.03

 

CMYK 15 / 0 / 100 / 53

HEX #667800

RGB 102 120 0

HSL 69, 1%, 0.24%

LAB 47.31, -20.7, 52.35

 

CMYK 17 / 0 / 100 / 60

HEX #556600

RGB 85 102 0

HSL 70, 1%, 0.2%

LAB 40.3, -19.11, 46.51

 

CMYK 19 / 0 / 100 / 67

HEX #445400

RGB 68 84 0

HSL 71.43, 1%, 0.16%

LAB 33.07, -17.48, 40.49

 

CMYK 13 / 0 / 88 / 40

HEX #869A13

RGB 134 154 19

HSL 68.89, 0.78%, 0.34%

LAB 60.09, -23.31, 59.91

 

CMYK 0 / 11 / 88 / 40

HEX #9A8913

RGB 154 137 19

HSL 52.44, 0.78%, 0.34%

LAB 56.89, -5.38, 57.96

 

CMYK 0 / 34 / 88 / 40

HEX #9A6513

RGB 154 101 19

HSL 36.44, 0.78%, 0.34%

LAB 47.27, 14.95, 50.09

 

CMYK 0 / 58 / 88 / 40

HEX #9A4013

RGB 154 64 19

HSL 20, 0.78%, 0.34%

LAB 38.87, 35.35, 43.15

 

CMYK 0 / 82 / 88 / 40

HEX #9A1C13

RGB 154 28 19

HSL 4, 0.78%, 0.34%

LAB 33.45, 50.02, 38.62

 

CMYK 13 / 0 / 88 / 40

HEX #869A13

RGB 134 154 19

HSL 68.89, 0.78%, 0.34%

LAB 60.09, -23.31, 59.91

 

CMYK 36 / 0 / 88 / 40

HEX #629A13

RGB 98 154 19

HSL 84.89, 0.78%, 0.34%

LAB 57.8, -38.02, 57.06

 

CMYK 60 / 0 / 88 / 40

HEX #3D9A13

RGB 61 154 19

HSL 101.33, 0.78%, 0.34%

LAB 56.24, -49.87, 55.09

 

CMYK 84 / 0 / 88 / 40

HEX #199A13

RGB 25 154 19

HSL 117.33, 0.78%, 0.34%

LAB 55.45, -56.61, 54.09

 

CMYK 88 / 0 / 68 / 40

HEX #139A31

RGB 19 154 49

HSL 133.33, 0.78%, 0.34%

LAB 55.55, -54.98, 44.08

 

CMYK 13 / 0 / 88 / 40

HEX #869A13

RGB 134 154 19

HSL 68.89, 0.78%, 0.34%

LAB 60.09, -23.31, 59.91

 

CMYK 14 / 0 / 97 / 34

HEX #90A805

RGB 144 168 5

HSL 68.83, 0.94%, 0.34%

LAB 64.92, -26.18, 66.26

 

CMYK 13 / 0 / 88 / 40

HEX #869A13

RGB 134 154 19

HSL 68.89, 0.78%, 0.34%

LAB 60.09, -23.31, 59.91

 

CMYK 11 / 0 / 76 / 45

HEX #7C8C21

RGB 124 140 33

HSL 68.97, 0.62%, 0.34%

LAB 55.23, -20.07, 51.37

 

CMYK 10 / 0 / 63 / 51

HEX #727E2F

RGB 114 126 47

HSL 69.11, 0.46%, 0.34%

LAB 50.34, -16.27, 40.39

 

CMYK 7 / 0 / 46 / 56

HEX #68703D

RGB 104 112 61

HSL 69.41, 0.29%, 0.34%

LAB 45.45, -11.67, 27.25

 

CMYK 4 / 0 / 23 / 62

HEX #5E624B

RGB 94 98 75

HSL 70.43, 0.13%, 0.34%

LAB 40.61, -5.99, 12.6

 

CMYK 0 / 35 / 88 / 40

HEX #9A6413

RGB 154 100 19

HSL 36, 0.78%, 0.34%

LAB 47.02, 15.52, 49.88

 

CMYK 0 / 12 / 88 / 40

HEX #9A8813

RGB 154 136 19

HSL 52, 0.78%, 0.34%

LAB 56.61, -4.83, 57.74

 

CMYK 12 / 0 / 88 / 40

HEX #889A13

RGB 136 154 19

HSL 68, 0.78%, 0.34%

LAB 60.24, -22.44, 60.09

 

CMYK 35 / 0 / 88 / 40

HEX #649A13

RGB 100 154 19

HSL 84, 0.78%, 0.34%

LAB 57.91, -37.26, 57.19

 

CMYK 58 / 0 / 88 / 40

HEX #409A13

RGB 64 154 19

HSL 100, 0.78%, 0.34%

LAB 56.34, -49.08, 55.21

 

CMYK 13 / 0 / 89 / 69

HEX #465009

RGB 70 80 9

HSL 68.45, 0.8%, 0.17%

LAB 31.94, -13.91, 36.55

 

CMYK 13 / 0 / 88 / 54

HEX #66750E

RGB 102 117 14

HSL 68.74, 0.79%, 0.26%

LAB 46.42, -18.77, 48.62

 

CMYK 13 / 0 / 88 / 40

HEX #869A13

RGB 134 154 19

HSL 68.89, 0.78%, 0.34%

LAB 60.09, -23.31, 59.91

 

CMYK 13 / 0 / 88 / 25

HEX #A6BF17

RGB 166 191 23

HSL 68.93, 0.79%, 0.42%

LAB 73.17, -27.67, 70.83

 

CMYK 13 / 0 / 88 / 11

HEX #C6E31C

RGB 198 227 28

HSL 68.74, 0.78%, 0.5%

LAB 85.52, -31.36, 80.91

 

CMYK 13 / 0 / 88 / 39

HEX #889C13

RGB 136 156 19

HSL 68.76, 0.78%, 0.34%

LAB 60.83, -23.44, 60.58

 

CMYK 88 / 0 / 58 / 40

HEX #139A40

RGB 19 154 64

HSL 140, 0.78%, 0.34%

LAB 55.71, -53.12, 37.36

 

CMYK 23 / 88 / 0 / 40

HEX #76139A

RGB 118 19 154

HSL 284, 0.78%, 0.34%

LAB 31, 58.54, -50.74

 

CMYK 13 / 0 / 88 / 39

HEX #889C13

RGB 136 156 19

HSL 68.76, 0.78%, 0.34%

LAB 60.83, -23.44, 60.58

 

CMYK 88 / 12 / 0 / 40

HEX #13889A

RGB 19 136 154

HSL 188, 0.78%, 0.34%

LAB 51.93, -23.16, -18.12

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 13 / 0 / 88 / 39

HEX #889C13

RGB 136 156 19

HSL 68.76, 0.78%, 0.34%

LAB 60.83, -23.44, 60.58

 

CMYK 88 / 0 / 58 / 40

HEX #139A40

RGB 19 154 64

HSL 140, 0.78%, 0.34%

LAB 55.71, -53.12, 37.36

 

CMYK 76 / 88 / 0 / 40

HEX #25139A

RGB 37 19 154

HSL 248, 0.78%, 0.34%

LAB 20.8, 49.25, -67.88

 

CMYK 0 / 88 / 29 / 40

HEX #9A136D

RGB 154 19 109

HSL 320, 0.78%, 0.34%

LAB 34.88, 58.58, -16.11

 

CMYK 13 / 0 / 88 / 39

HEX #889C13

RGB 136 156 19

HSL 68.76, 0.78%, 0.34%

LAB 60.83, -23.44, 60.58

 

CMYK 88 / 0 / 32 / 40

HEX #139A68

RGB 19 154 104

HSL 157.78, 0.78%, 0.34%

LAB 56.34, -45.72, 16.98

 

CMYK 76 / 88 / 0 / 40

HEX #25139A

RGB 37 19 154

HSL 248, 0.78%, 0.34%

LAB 20.8, 49.25, -67.88

 

CMYK 0 / 88 / 56 / 40

HEX #9A1344

RGB 154 19 68

HSL 338.22, 0.78%, 0.34%

LAB 33.46, 54.59, 8.36

 

Description

Color code: HEX #889C13 | qconv.com Color code: HEX #889C13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 156 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 156 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 88 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 88% 39% C M Y K

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Provide designers and agencies with accurate color values.

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