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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8892A5 it is the complementary color #776D5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8892A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8892A5 shade: #8D92A0, #9EA4B3, #AFB6C6, #C0C8D9 and #D1DAEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8892A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8892A5 shade: #8892A5, #778092, #666E7F, #555C6C and #444A59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8892A5 shade: #8791A5, #878AA5, #8D87A5, #9587A5 and #9D87A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8892A5 shade: #8791A5, #878AA5 and #8787A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8892A5 shade matches the following richer shades: #8791A5, #768CB6, #6587C6, #5582D7 and #447CE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8892A5 shade: #8791A5, #989794, #A99C83, #BAA172 and #CBA661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8892A5 shade: #87A1A5, #8799A5, #8792A5, #878AA5 and #8D87A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8892A5 shade: #5D687C, #707C93, #8791A5, #9FA7B6 and #B6BCC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8892A5 shade: #8892A5, #A087A5 and #9DA587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8892A5 shade: #8892A5, #A58792 and #92A587

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8892A5 shade: #8892A5, #A087A5, #A59A87 and #8CA587

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8892A5 shade: #8892A5, #A587A0, #A59A87 and #87A58C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 12 / 0 / 35

HEX #8892A5

RGB 136 146 165

HSL 219.31, 0.14%, 0.59%

LAB 60.35, 0.51, -11.21

 

Complementary color

CMYK 0 / 8 / 24 / 53

HEX #776D5A

RGB 119 109 90

HSL 39.31, 0.14%, 0.41%

LAB 46.44, 0.59, 12.04

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

HEX #8D92A0

CMYK 12 / 8 / 0 / 30

HEX #9EA4B3

RGB 158 164 179

HSL 222.86, 0.12%, 0.66%

LAB 67.33, 0.93, -8.47

HEX #9EA4B3

CMYK 12 / 8 / 0 / 22

HEX #AFB6C6

RGB 175 182 198

HSL 221.74, 0.17%, 0.73%

LAB 73.96, 0.77, -8.93

HEX #AFB6C6

CMYK 12 / 8 / 0 / 15

HEX #C0C8D9

RGB 192 200 217

HSL 220.8, 0.25%, 0.8%

LAB 80.47, 0.61, -9.39

HEX #C0C8D9

CMYK 11 / 8 / 0 / 7

HEX #D1DAEC

RGB 209 218 236

HSL 220, 0.42%, 0.87%

LAB 86.88, 0.46, -9.85

HEX #D1DAEC

CMYK 18 / 12 / 0 / 35

HEX #8892A5

RGB 136 146 165

HSL 219.31, 0.14%, 0.59%

LAB 60.35, 0.51, -11.21

 

CMYK 18 / 12 / 0 / 43

HEX #778092

RGB 119 128 146

HSL 220, 0.11%, 0.52%

LAB 53.42, 0.69, -10.81

 

CMYK 20 / 13 / 0 / 50

HEX #666E7F

RGB 102 110 127

HSL 220.8, 0.11%, 0.45%

LAB 46.32, 0.88, -10.41

 

CMYK 21 / 15 / 0 / 58

HEX #555C6C

RGB 85 92 108

HSL 221.74, 0.12%, 0.38%

LAB 39.02, 1.09, -10.03

 

CMYK 24 / 17 / 0 / 65

HEX #444A59

RGB 68 74 89

HSL 222.86, 0.13%, 0.31%

LAB 31.46, 1.32, -9.67

 

CMYK 18 / 12 / 0 / 35

HEX #8791A5

RGB 135 145 165

HSL 220, 0.14%, 0.59%

LAB 60, 0.75, -11.74

 

CMYK 18 / 16 / 0 / 35

HEX #878AA5

RGB 135 138 165

HSL 234, 0.14%, 0.59%

LAB 58.08, 4.73, -14.63

 

CMYK 15 / 18 / 0 / 35

HEX #8D87A5

RGB 141 135 165

HSL 252, 0.14%, 0.59%

LAB 57.76, 8.47, -15.07

 

CMYK 10 / 18 / 0 / 35

HEX #9587A5

RGB 149 135 165

HSL 268, 0.14%, 0.59%

LAB 58.45, 11.21, -13.96

 

CMYK 5 / 18 / 0 / 35

HEX #9D87A5

RGB 157 135 165

HSL 284, 0.14%, 0.59%

LAB 59.17, 13.98, -12.8

 

CMYK 18 / 12 / 0 / 35

HEX #8791A5

RGB 135 145 165

HSL 220, 0.14%, 0.59%

LAB 60, 0.75, -11.74

 

CMYK 18 / 16 / 0 / 35

HEX #878AA5

RGB 135 138 165

HSL 234, 0.14%, 0.59%

LAB 58.08, 4.73, -14.63

 

CMYK 18 / 18 / 0 / 35

HEX #8787A5

RGB 135 135 165

HSL 240, 0.14%, 0.59%

LAB 57.27, 6.46, -15.86

 

CMYK 18 / 12 / 0 / 35

HEX #8791A5

RGB 135 145 165

HSL 220, 0.14%, 0.59%

LAB 60, 0.75, -11.74

 

CMYK 35 / 23 / 0 / 29

HEX #768CB6

RGB 118 140 182

HSL 219.38, 0.3%, 0.59%

LAB 58.02, 2.54, -24.52

 

CMYK 49 / 32 / 0 / 22

HEX #6587C6

RGB 101 135 198

HSL 218.97, 0.46%, 0.59%

LAB 56.26, 5.55, -36.43

 

CMYK 60 / 40 / 0 / 16

HEX #5582D7

RGB 85 130 215

HSL 219.23, 0.62%, 0.59%

LAB 54.87, 10.54, -48.28

 

CMYK 71 / 47 / 0 / 9

HEX #447CE8

RGB 68 124 232

HSL 219.51, 0.78%, 0.59%

LAB 53.46, 17.32, -60.12

 

CMYK 18 / 12 / 0 / 35

HEX #8791A5

RGB 135 145 165

HSL 220, 0.14%, 0.59%

LAB 60, 0.75, -11.74

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 0 / 8 / 22 / 34

HEX #A99C83

RGB 169 156 131

HSL 39.47, 0.18%, 0.59%

LAB 64.84, 0.62, 14.83

 

CMYK 0 / 13 / 39 / 27

HEX #BAA172

RGB 186 161 114

HSL 39.17, 0.34%, 0.59%

LAB 67.38, 2.45, 27.87

 

CMYK 0 / 18 / 52 / 20

HEX #CBA661

RGB 203 166 97

HSL 39.06, 0.5%, 0.59%

LAB 70.06, 5.07, 40.55

 

CMYK 18 / 2 / 0 / 35

HEX #87A1A5

RGB 135 161 165

HSL 188, 0.14%, 0.59%

LAB 64.45, -8.13, -5.1

 

CMYK 18 / 7 / 0 / 35

HEX #8799A5

RGB 135 153 165

HSL 204, 0.14%, 0.59%

LAB 62.21, -3.73, -8.43

 

CMYK 18 / 12 / 0 / 35

HEX #8792A5

RGB 135 146 165

HSL 218, 0.14%, 0.59%

LAB 60.27, 0.18, -11.33

 

CMYK 18 / 16 / 0 / 35

HEX #878AA5

RGB 135 138 165

HSL 234, 0.14%, 0.59%

LAB 58.08, 4.73, -14.63

 

CMYK 15 / 18 / 0 / 35

HEX #8D87A5

RGB 141 135 165

HSL 252, 0.14%, 0.59%

LAB 57.76, 8.47, -15.07

 

CMYK 25 / 16 / 0 / 51

HEX #5D687C

RGB 93 104 124

HSL 218.71, 0.14%, 0.43%

LAB 43.77, 0.64, -12.53

 

CMYK 24 / 16 / 0 / 42

HEX #707C93

RGB 112 124 147

HSL 219.43, 0.14%, 0.51%

LAB 51.8, 0.91, -13.89

 

CMYK 18 / 12 / 0 / 35

HEX #8791A5

RGB 135 145 165

HSL 220, 0.14%, 0.59%

LAB 60, 0.75, -11.74

 

CMYK 13 / 8 / 0 / 29

HEX #9FA7B6

RGB 159 167 182

HSL 219.13, 0.14%, 0.67%

LAB 68.3, 0.25, -8.68

 

CMYK 9 / 6 / 0 / 22

HEX #B6BCC8

RGB 182 188 200

HSL 220, 0.14%, 0.75%

LAB 76.12, 0.27, -6.76

 

CMYK 18 / 12 / 0 / 35

HEX #8892A5

RGB 136 146 165

HSL 219.31, 0.14%, 0.59%

LAB 60.35, 0.51, -11.21

 

CMYK 3 / 18 / 0 / 35

HEX #A087A5

RGB 160 135 165

HSL 290, 0.14%, 0.59%

LAB 59.45, 15.03, -12.35

 

CMYK 5 / 0 / 18 / 35

HEX #9DA587

RGB 157 165 135

HSL 76, 0.14%, 0.59%

LAB 66.39, -8.26, 14.62

 

CMYK 18 / 12 / 0 / 35

HEX #8892A5

RGB 136 146 165

HSL 219.31, 0.14%, 0.59%

LAB 60.35, 0.51, -11.21

 

CMYK 0 / 18 / 12 / 35

HEX #A58792

RGB 165 135 146

HSL 338, 0.14%, 0.59%

LAB 59.35, 13.27, -1.58

 

CMYK 12 / 0 / 18 / 35

HEX #92A587

RGB 146 165 135

HSL 98, 0.14%, 0.59%

LAB 65.57, -12.37, 13.35

 

CMYK 18 / 12 / 0 / 35

HEX #8892A5

RGB 136 146 165

HSL 219.31, 0.14%, 0.59%

LAB 60.35, 0.51, -11.21

 

CMYK 3 / 18 / 0 / 35

HEX #A087A5

RGB 160 135 165

HSL 290, 0.14%, 0.59%

LAB 59.45, 15.03, -12.35

 

CMYK 0 / 7 / 18 / 35

HEX #A59A87

RGB 165 154 135

HSL 38, 0.14%, 0.59%

LAB 64.05, 0.78, 11.43

 

CMYK 15 / 0 / 18 / 35

HEX #8CA587

RGB 140 165 135

HSL 110, 0.14%, 0.59%

LAB 65.15, -14.56, 12.7

 

CMYK 18 / 12 / 0 / 35

HEX #8892A5

RGB 136 146 165

HSL 219.31, 0.14%, 0.59%

LAB 60.35, 0.51, -11.21

 

CMYK 0 / 18 / 3 / 35

HEX #A587A0

RGB 165 135 160

HSL 310, 0.14%, 0.59%

LAB 59.77, 15.83, -8.97

 

CMYK 0 / 7 / 18 / 35

HEX #A59A87

RGB 165 154 135

HSL 38, 0.14%, 0.59%

LAB 64.05, 0.78, 11.43

 

CMYK 18 / 0 / 15 / 35

HEX #87A58C

RGB 135 165 140

HSL 130, 0.14%, 0.59%

LAB 64.93, -15.42, 9.56

 

Description

Color code: HEX #8892A5 | qconv.com Color code: HEX #8892A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 146 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 146 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 12 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 12% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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