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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #888C27 it is the complementary color #7773D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #888C27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #888C27 shade: #8D8C22, #9E9E35, #AFB048, #C0C25B and #D1D46E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #888C27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #888C27 shade: #888C27, #777A14, #666801, #555600 and #444400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #888C27 shade: #878B27, #8B7427, #8B5927, #8B3E27 and #8B2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #888C27 shade: #878B27, #6C8B27, #518B27, #368B27 and #278B33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #888C27 shade matches the following richer shades: #878B27, #949918 and #A1A80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #888C27 shade: #878B27, #797C35, #6C6E44, #5F5F52 and #525161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #888C27 shade: #8B5927, #8B7327, #878B27, #6D8B27 and #528B27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #888C27 shade: #484A15, #676B1E, #878B27, #A6AB30 and #C2C83C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #888C27 shade: #888C27, #278B3E and #66278B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #888C27 shade: #888C27, #27878B and #8B2787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #888C27 shade: #888C27, #278B3E, #2A278B and #8B2773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #888C27 shade: #888C27, #278B5C, #2A278B and #8B2755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

Complementary color

CMYK 45 / 47 / 0 / 15

HEX #7773D8

RGB 119 115 216

HSL 242.38, 0.56%, 0.65%

LAB 53.1, 27.27, -51.53

 

CMYK 0 / 1 / 76 / 45

HEX #8D8C22

RGB 141 140 34

HSL 59.44, 0.61%, 0.34%

LAB 56.62, -12.42, 52.83

 

CMYK 0 / 0 / 66 / 38

HEX #9E9E35

RGB 158 158 53

HSL 60, 0.5%, 0.41%

LAB 63.33, -13.36, 52.59

 

CMYK 1 / 0 / 59 / 31

HEX #AFB048

RGB 175 176 72

HSL 60.58, 0.42%, 0.49%

LAB 69.92, -14.1, 51.81

 

CMYK 1 / 0 / 53 / 24

HEX #C0C25B

RGB 192 194 91

HSL 61.17, 0.46%, 0.56%

LAB 76.4, -14.69, 50.8

 

CMYK 1 / 0 / 48 / 17

HEX #D1D46E

RGB 209 212 110

HSL 61.76, 0.54%, 0.63%

LAB 82.79, -15.18, 49.68

 

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

CMYK 2 / 0 / 84 / 52

HEX #777A14

RGB 119 122 20

HSL 61.76, 0.72%, 0.28%

LAB 49.36, -13.39, 50.08

 

CMYK 2 / 0 / 99 / 59

HEX #666801

RGB 102 104 1

HSL 61.17, 0.98%, 0.21%

LAB 42.35, -12.09, 48.41

 

CMYK 1 / 0 / 100 / 66

HEX #555600

RGB 85 86 0

HSL 60.7, 1%, 0.17%

LAB 35.18, -10.27, 42.71

 

CMYK 0 / 0 / 100 / 73

HEX #444400

RGB 68 68 0

HSL 60, 1%, 0.13%

LAB 27.75, -8.33, 36.39

 

CMYK 3 / 0 / 72 / 45

HEX #878B27

RGB 135 139 39

HSL 62.4, 0.56%, 0.35%

LAB 55.85, -14.34, 50.07

 

CMYK 0 / 17 / 72 / 45

HEX #8B7427

RGB 139 116 39

HSL 46.2, 0.56%, 0.35%

LAB 49.65, 0.17, 44

 

CMYK 0 / 36 / 72 / 45

HEX #8B5927

RGB 139 89 39

HSL 30, 0.56%, 0.35%

LAB 42.43, 15.84, 36.45

 

CMYK 0 / 55 / 72 / 45

HEX #8B3E27

RGB 139 62 39

HSL 13.8, 0.56%, 0.35%

LAB 36.14, 31.12, 29.48

 

CMYK 0 / 72 / 72 / 45

HEX #8B2727

RGB 139 39 39

HSL 0, 0.56%, 0.35%

LAB 32, 42.09, 24.67

 

CMYK 3 / 0 / 72 / 45

HEX #878B27

RGB 135 139 39

HSL 62.4, 0.56%, 0.35%

LAB 55.85, -14.34, 50.07

 

CMYK 22 / 0 / 72 / 45

HEX #6C8B27

RGB 108 139 39

HSL 78.6, 0.56%, 0.35%

LAB 53.81, -26.1, 47.37

 

CMYK 42 / 0 / 72 / 45

HEX #518B27

RGB 81 139 39

HSL 94.8, 0.56%, 0.35%

LAB 52.24, -36.59, 45.26

 

CMYK 61 / 0 / 72 / 45

HEX #368B27

RGB 54 139 39

HSL 111, 0.56%, 0.35%

LAB 51.15, -44.88, 43.78

 

CMYK 72 / 0 / 63 / 45

HEX #278B33

RGB 39 139 51

HSL 127.2, 0.56%, 0.35%

LAB 50.85, -46.95, 38.05

 

CMYK 3 / 0 / 72 / 45

HEX #878B27

RGB 135 139 39

HSL 62.4, 0.56%, 0.35%

LAB 55.85, -14.34, 50.07

 

CMYK 3 / 0 / 84 / 40

HEX #949918

RGB 148 153 24

HSL 62.33, 0.73%, 0.35%

LAB 60.91, -16.49, 59.87

 

CMYK 4 / 0 / 94 / 34

HEX #A1A80A

RGB 161 168 10

HSL 62.66, 0.89%, 0.35%

LAB 66.22, -18.72, 67.18

 

CMYK 3 / 0 / 72 / 45

HEX #878B27

RGB 135 139 39

HSL 62.4, 0.56%, 0.35%

LAB 55.85, -14.34, 50.07

 

CMYK 2 / 0 / 57 / 51

HEX #797C35

RGB 121 124 53

HSL 62.54, 0.4%, 0.35%

LAB 50.38, -11.57, 37.69

 

CMYK 2 / 0 / 38 / 57

HEX #6C6E44

RGB 108 110 68

HSL 62.86, 0.24%, 0.35%

LAB 45.3, -7.91, 23.19

 

CMYK 0 / 0 / 14 / 63

HEX #5F5F52

RGB 95 95 82

HSL 60, 0.07%, 0.35%

LAB 39.96, -2.56, 7.45

 

CMYK 15 / 16 / 0 / 62

HEX #525161

RGB 82 81 97

HSL 243.75, 0.09%, 0.35%

LAB 35.09, 4.09, -9.14

 

CMYK 0 / 36 / 72 / 45

HEX #8B5927

RGB 139 89 39

HSL 30, 0.56%, 0.35%

LAB 42.43, 15.84, 36.45

 

CMYK 0 / 17 / 72 / 45

HEX #8B7327

RGB 139 115 39

HSL 45.6, 0.56%, 0.35%

LAB 49.37, 0.74, 43.71

 

CMYK 3 / 0 / 72 / 45

HEX #878B27

RGB 135 139 39

HSL 62.4, 0.56%, 0.35%

LAB 55.85, -14.34, 50.07

 

CMYK 22 / 0 / 72 / 45

HEX #6D8B27

RGB 109 139 39

HSL 78, 0.56%, 0.35%

LAB 53.88, -25.68, 47.46

 

CMYK 41 / 0 / 72 / 45

HEX #528B27

RGB 82 139 39

HSL 94.2, 0.56%, 0.35%

LAB 52.29, -36.23, 45.33

 

CMYK 3 / 0 / 72 / 71

HEX #484A15

RGB 72 74 21

HSL 62.26, 0.56%, 0.19%

LAB 30.23, -8.76, 30.17

 

CMYK 4 / 0 / 72 / 58

HEX #676B1E

RGB 103 107 30

HSL 63.12, 0.56%, 0.27%

LAB 43.5, -12.16, 40.55

 

CMYK 3 / 0 / 72 / 45

HEX #878B27

RGB 135 139 39

HSL 62.4, 0.56%, 0.35%

LAB 55.85, -14.34, 50.07

 

CMYK 3 / 0 / 72 / 33

HEX #A6AB30

RGB 166 171 48

HSL 62.44, 0.56%, 0.43%

LAB 67.61, -16.88, 59.02

 

CMYK 3 / 0 / 70 / 22

HEX #C2C83C

RGB 194 200 60

HSL 62.57, 0.56%, 0.51%

LAB 77.94, -18.94, 65.49

 

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

CMYK 72 / 0 / 55 / 45

HEX #278B3E

RGB 39 139 62

HSL 133.8, 0.56%, 0.35%

LAB 50.97, -45.46, 32.78

 

CMYK 27 / 72 / 0 / 45

HEX #66278B

RGB 102 39 139

HSL 277.8, 0.56%, 0.35%

LAB 29.76, 45.41, -43.63

 

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

CMYK 72 / 3 / 0 / 45

HEX #27878B

RGB 39 135 139

HSL 182.4, 0.56%, 0.35%

LAB 51.41, -25.49, -10.15

 

CMYK 0 / 72 / 3 / 45

HEX #8B2787

RGB 139 39 135

HSL 302.4, 0.56%, 0.35%

LAB 35.38, 53.15, -31.84

 

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

CMYK 72 / 0 / 55 / 45

HEX #278B3E

RGB 39 139 62

HSL 133.8, 0.56%, 0.35%

LAB 50.97, -45.46, 32.78

 

CMYK 70 / 72 / 0 / 45

HEX #2A278B

RGB 42 39 139

HSL 241.8, 0.56%, 0.35%

LAB 23.02, 34.58, -54.9

 

CMYK 0 / 72 / 17 / 45

HEX #8B2773

RGB 139 39 115

HSL 314.4, 0.56%, 0.35%

LAB 34.35, 49.94, -20.96

 

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

CMYK 72 / 0 / 34 / 45

HEX #278B5C

RGB 39 139 92

HSL 151.8, 0.56%, 0.35%

LAB 51.46, -39.94, 17.11

 

CMYK 70 / 72 / 0 / 45

HEX #2A278B

RGB 42 39 139

HSL 241.8, 0.56%, 0.35%

LAB 23.02, 34.58, -54.9

 

CMYK 0 / 72 / 39 / 45

HEX #8B2755

RGB 139 39 85

HSL 332.4, 0.56%, 0.35%

LAB 33.13, 45.95, -3.61

 

Description

Color code: HEX #888C27 | qconv.com Color code: HEX #888C27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 140 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 140 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 72 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 72% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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