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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8886D3 it is the complementary color #77792C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8886D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8886D3 shade: #8D86CE, #9E98E1, #AFAAF4, #C0BCFF and #D1CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8886D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8886D3 shade: #8886D3, #7774C0, #6662AD, #55509A and #443E87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8886D3 shade: #8987D3, #9D87D3, #B287D3, #C787D3 and #D387CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8886D3 shade: #8987D3 and #8787D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8886D3 shade matches the following richer shades: #8987D3, #7C79E0, #706CEE and #635FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8886D3 shade: #8987D3, #9594C6, #A2A1B9, #AEAEAC and #BBBB9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8886D3 shade: #87AED3, #879AD3, #8887D3, #9C87D3 and #B187D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8886D3 shade: #4D4ABD, #6B68C8, #8987D3, #A6A5DE and #C4C3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8886D3 shade: #8886D3, #D387C3 and #A4D387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8886D3 shade: #8886D3, #D38887 and #87D388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8886D3 shade: #8886D3, #D387C3, #D2D387 and #87D397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8886D3 shade: #8886D3, #D387AC, #D2D387 and #87D3AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 36 / 0 / 17

HEX #8886D3

RGB 136 134 211

HSL 241.56, 0.47%, 0.68%

LAB 58.96, 18.96, -39.36

 

Complementary color

CMYK 2 / 0 / 64 / 53

HEX #77792C

RGB 119 121 44

HSL 61.56, 0.47%, 0.32%

LAB 49.23, -11.55, 40.7

 

CMYK 32 / 35 / 0 / 19

HEX #8D86CE

RGB 141 134 206

HSL 245.83, 0.42%, 0.67%

LAB 59.13, 19.04, -36.25

 

CMYK 30 / 32 / 0 / 12

HEX #9E98E1

RGB 158 152 225

HSL 244.93, 0.55%, 0.74%

LAB 65.87, 18.38, -36.22

 

CMYK 28 / 30 / 0 / 4

HEX #AFAAF4

RGB 175 170 244

HSL 244.05, 0.77%, 0.81%

LAB 72.49, 17.8, -36.24

 

CMYK 25 / 26 / 0 / 0

HEX #C0BCFF

RGB 192 188 255

HSL 243.58, 1%, 0.87%

LAB 78.69, 15.39, -32.47

 

CMYK 18 / 19 / 0 / 0

HEX #D1CEFF

RGB 209 206 255

HSL 243.67, 1%, 0.9%

LAB 84.44, 10.75, -23.56

 

CMYK 36 / 36 / 0 / 17

HEX #8886D3

RGB 136 134 211

HSL 241.56, 0.47%, 0.68%

LAB 58.96, 18.96, -39.36

 

CMYK 38 / 40 / 0 / 25

HEX #7774C0

RGB 119 116 192

HSL 242.37, 0.38%, 0.6%

LAB 52.08, 19.77, -39.49

 

CMYK 41 / 43 / 0 / 32

HEX #6662AD

RGB 102 98 173

HSL 243.2, 0.31%, 0.53%

LAB 45.05, 20.71, -39.67

 

CMYK 45 / 48 / 0 / 40

HEX #55509A

RGB 85 80 154

HSL 244.05, 0.32%, 0.46%

LAB 37.85, 21.82, -39.92

 

CMYK 50 / 54 / 0 / 47

HEX #443E87

RGB 68 62 135

HSL 244.93, 0.37%, 0.39%

LAB 30.46, 23.17, -40.23

 

CMYK 35 / 36 / 0 / 17

HEX #8987D3

RGB 137 135 211

HSL 241.58, 0.46%, 0.68%

LAB 59.3, 18.65, -38.83

 

CMYK 26 / 36 / 0 / 17

HEX #9D87D3

RGB 157 135 211

HSL 257.37, 0.46%, 0.68%

LAB 60.96, 24.36, -36.11

 

CMYK 16 / 36 / 0 / 17

HEX #B287D3

RGB 178 135 211

HSL 273.95, 0.46%, 0.68%

LAB 62.92, 30.66, -32.9

 

CMYK 6 / 36 / 0 / 17

HEX #C787D3

RGB 199 135 211

HSL 290.53, 0.46%, 0.68%

LAB 65.1, 37.15, -29.35

 

CMYK 0 / 36 / 4 / 17

HEX #D387CB

RGB 211 135 203

HSL 306.32, 0.46%, 0.68%

LAB 66.13, 39.44, -23.19

 

CMYK 35 / 36 / 0 / 17

HEX #8987D3

RGB 137 135 211

HSL 241.58, 0.46%, 0.68%

LAB 59.3, 18.65, -38.83

 

CMYK 36 / 36 / 0 / 17

HEX #8787D3

RGB 135 135 211

HSL 240, 0.46%, 0.68%

LAB 59.14, 18.1, -39.08

 

CMYK 35 / 36 / 0 / 17

HEX #8987D3

RGB 137 135 211

HSL 241.58, 0.46%, 0.68%

LAB 59.3, 18.65, -38.83

 

CMYK 45 / 46 / 0 / 12

HEX #7C79E0

RGB 124 121 224

HSL 241.75, 0.62%, 0.68%

LAB 55.42, 27.21, -52.32

 

CMYK 53 / 55 / 0 / 7

HEX #706CEE

RGB 112 108 238

HSL 241.85, 0.79%, 0.68%

LAB 52.22, 36.55, -65.34

 

CMYK 61 / 62 / 0 / 2

HEX #635FFB

RGB 99 95 251

HSL 241.54, 0.95%, 0.68%

LAB 49.26, 45.99, -77.45

 

CMYK 35 / 36 / 0 / 17

HEX #8987D3

RGB 137 135 211

HSL 241.58, 0.46%, 0.68%

LAB 59.3, 18.65, -38.83

 

CMYK 25 / 25 / 0 / 22

HEX #9594C6

RGB 149 148 198

HSL 241.2, 0.3%, 0.68%

LAB 63.05, 11.32, -25.63

 

CMYK 12 / 13 / 0 / 27

HEX #A2A1B9

RGB 162 161 185

HSL 242.5, 0.15%, 0.68%

LAB 67.03, 5.21, -12.22

 

CMYK 0 / 0 / 1 / 32

HEX #AEAEAC

RGB 174 174 172

HSL 60, 0.01%, 0.68%

LAB 71.04, -0.37, 1.02

 

CMYK 0 / 0 / 16 / 27

HEX #BBBB9E

RGB 187 187 158

HSL 60, 0.18%, 0.68%

LAB 75.19, -4.98, 14.72

 

CMYK 36 / 18 / 0 / 17

HEX #87AED3

RGB 135 174 211

HSL 209.21, 0.46%, 0.68%

LAB 69.56, -4.08, -22.96

 

CMYK 36 / 27 / 0 / 17

HEX #879AD3

RGB 135 154 211

HSL 225, 0.46%, 0.68%

LAB 64.13, 7.1, -31.3

 

CMYK 36 / 36 / 0 / 17

HEX #8887D3

RGB 136 135 211

HSL 240.79, 0.46%, 0.68%

LAB 59.22, 18.37, -38.95

 

CMYK 26 / 36 / 0 / 17

HEX #9C87D3

RGB 156 135 211

HSL 256.58, 0.46%, 0.68%

LAB 60.87, 24.06, -36.25

 

CMYK 16 / 36 / 0 / 17

HEX #B187D3

RGB 177 135 211

HSL 273.16, 0.46%, 0.68%

LAB 62.83, 30.36, -33.06

 

CMYK 59 / 61 / 0 / 26

HEX #4D4ABD

RGB 77 74 189

HSL 241.57, 0.47%, 0.52%

LAB 38.11, 35.13, -60.31

 

CMYK 47 / 48 / 0 / 22

HEX #6B68C8

RGB 107 104 200

HSL 241.88, 0.47%, 0.6%

LAB 48.51, 26.32, -49.81

 

CMYK 35 / 36 / 0 / 17

HEX #8987D3

RGB 137 135 211

HSL 241.58, 0.46%, 0.68%

LAB 59.3, 18.65, -38.83

 

CMYK 25 / 26 / 0 / 13

HEX #A6A5DE

RGB 166 165 222

HSL 241.05, 0.46%, 0.76%

LAB 69.68, 12.65, -28.64

 

CMYK 16 / 16 / 0 / 9

HEX #C4C3E9

RGB 196 195 233

HSL 241.58, 0.46%, 0.84%

LAB 79.98, 7.9, -18.68

 

CMYK 36 / 36 / 0 / 17

HEX #8886D3

RGB 136 134 211

HSL 241.56, 0.47%, 0.68%

LAB 58.96, 18.96, -39.36

 

CMYK 0 / 36 / 8 / 17

HEX #D387C3

RGB 211 135 195

HSL 312.63, 0.46%, 0.68%

LAB 65.84, 38.03, -19.15

 

CMYK 22 / 0 / 36 / 17

HEX #A4D387

RGB 164 211 135

HSL 97.11, 0.46%, 0.68%

LAB 79.74, -28.92, 32.79

 

CMYK 36 / 36 / 0 / 17

HEX #8886D3

RGB 136 134 211

HSL 241.56, 0.47%, 0.68%

LAB 58.96, 18.96, -39.36

 

CMYK 0 / 36 / 36 / 17

HEX #D38887

RGB 211 136 135

HSL 0.79, 0.46%, 0.68%

LAB 64.33, 28.58, 12.5

 

CMYK 36 / 0 / 36 / 17

HEX #87D388

RGB 135 211 136

HSL 120.79, 0.46%, 0.68%

LAB 78.18, -38.48, 29.92

 

CMYK 36 / 36 / 0 / 17

HEX #8886D3

RGB 136 134 211

HSL 241.56, 0.47%, 0.68%

LAB 58.96, 18.96, -39.36

 

CMYK 0 / 36 / 8 / 17

HEX #D387C3

RGB 211 135 195

HSL 312.63, 0.46%, 0.68%

LAB 65.84, 38.03, -19.15

 

CMYK 0 / 0 / 36 / 17

HEX #D2D387

RGB 210 211 135

HSL 60.79, 0.46%, 0.68%

LAB 82.93, -11.7, 37.55

 

CMYK 36 / 0 / 28 / 17

HEX #87D397

RGB 135 211 151

HSL 132.63, 0.46%, 0.68%

LAB 78.45, -35.96, 22.46

 

CMYK 36 / 36 / 0 / 17

HEX #8886D3

RGB 136 134 211

HSL 241.56, 0.47%, 0.68%

LAB 58.96, 18.96, -39.36

 

CMYK 0 / 36 / 18 / 17

HEX #D387AC

RGB 211 135 172

HSL 330.79, 0.46%, 0.68%

LAB 65.09, 34.25, -7.34

 

CMYK 0 / 0 / 36 / 17

HEX #D2D387

RGB 210 211 135

HSL 60.79, 0.46%, 0.68%

LAB 82.93, -11.7, 37.55

 

CMYK 36 / 0 / 18 / 17

HEX #87D3AE

RGB 135 211 174

HSL 150.79, 0.46%, 0.68%

LAB 78.92, -31.59, 10.96

 

Description

Color code: HEX #8886D3 | qconv.com Color code: HEX #8886D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 134 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 134 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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