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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8886A2 it is the complementary color #77795D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8886A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8886A2 shade: #8D869D, #9E98B0, #AFAAC3, #C0BCD6 and #D1CEE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8886A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8886A2 shade: #8886A2, #77748F, #66627C, #555069 and #443E56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8886A2 shade: #8785A1, #8F85A1, #9685A1, #9E85A1 and #A1859D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8886A2 shade: #8785A1 and #8585A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8886A2 shade matches the following richer shades: #8785A1, #7974B3, #6A63C4, #5B51D5 and #4C40E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8886A2 shade: #8785A1, #969790, #A5A87F, #B4B96D and #C3CB5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8886A2 shade: #8592A1, #858BA1, #8785A1, #8F85A1 and #9685A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8886A2 shade: #5E5C78, #716E8F, #8785A1, #9E9DB3 and #B5B4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8886A2 shade: #8886A2, #A1859A and #8FA185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8886A2 shade: #8886A2, #A18785 and #85A187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8886A2 shade: #8886A2, #A1859A, #9FA185 and #85A18D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8886A2 shade: #8886A2, #A18592, #9FA185 and #85A195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 17 / 0 / 36

HEX #8886A2

RGB 136 134 162

HSL 244.29, 0.13%, 0.58%

LAB 56.97, 6.68, -14.58

 

Complementary color

CMYK 2 / 0 / 23 / 53

HEX #77795D

RGB 119 121 93

HSL 64.29, 0.13%, 0.42%

LAB 49.96, -5.84, 15.15

 

CMYK 10 / 15 / 0 / 38

HEX #8D869D

RGB 141 134 157

HSL 258.26, 0.11%, 0.57%

LAB 57.22, 7.29, -11.29

 

CMYK 10 / 14 / 0 / 31

HEX #9E98B0

RGB 158 152 176

HSL 255, 0.13%, 0.64%

LAB 64.05, 6.97, -11.7

 

CMYK 10 / 13 / 0 / 24

HEX #AFAAC3

RGB 175 170 195

HSL 252, 0.17%, 0.72%

LAB 70.74, 6.69, -12.11

 

CMYK 10 / 12 / 0 / 16

HEX #C0BCD6

RGB 192 188 214

HSL 249.23, 0.24%, 0.79%

LAB 77.3, 6.42, -12.52

 

CMYK 10 / 12 / 0 / 9

HEX #D1CEE9

RGB 209 206 233

HSL 246.67, 0.38%, 0.86%

LAB 83.75, 6.18, -12.92

 

CMYK 16 / 17 / 0 / 36

HEX #8886A2

RGB 136 134 162

HSL 244.29, 0.13%, 0.58%

LAB 56.97, 6.68, -14.58

 

CMYK 17 / 19 / 0 / 44

HEX #77748F

RGB 119 116 143

HSL 246.67, 0.11%, 0.51%

LAB 49.97, 7.02, -14.26

 

CMYK 18 / 21 / 0 / 51

HEX #66627C

RGB 102 98 124

HSL 249.23, 0.12%, 0.44%

LAB 42.79, 7.39, -13.96

 

CMYK 19 / 24 / 0 / 59

HEX #555069

RGB 85 80 105

HSL 252, 0.14%, 0.36%

LAB 35.38, 7.82, -13.69

 

CMYK 21 / 28 / 0 / 66

HEX #443E56

RGB 68 62 86

HSL 255, 0.16%, 0.29%

LAB 27.7, 8.34, -13.46

 

CMYK 16 / 17 / 0 / 37

HEX #8785A1

RGB 135 133 161

HSL 244.29, 0.13%, 0.58%

LAB 56.58, 6.69, -14.6

 

CMYK 11 / 17 / 0 / 37

HEX #8F85A1

RGB 143 133 161

HSL 261.43, 0.13%, 0.58%

LAB 57.26, 9.42, -13.51

 

CMYK 7 / 17 / 0 / 37

HEX #9685A1

RGB 150 133 161

HSL 276.43, 0.13%, 0.58%

LAB 57.88, 11.85, -12.52

 

CMYK 2 / 17 / 0 / 37

HEX #9E85A1

RGB 158 133 161

HSL 293.57, 0.13%, 0.58%

LAB 58.62, 14.67, -11.33

 

CMYK 0 / 17 / 2 / 37

HEX #A1859D

RGB 161 133 157

HSL 308.57, 0.13%, 0.58%

LAB 58.78, 14.96, -8.77

 

CMYK 16 / 17 / 0 / 37

HEX #8785A1

RGB 135 133 161

HSL 244.29, 0.13%, 0.58%

LAB 56.58, 6.69, -14.6

 

CMYK 17 / 17 / 0 / 37

HEX #8585A1

RGB 133 133 161

HSL 240, 0.13%, 0.58%

LAB 56.42, 6.02, -14.86

 

CMYK 16 / 17 / 0 / 37

HEX #8785A1

RGB 135 133 161

HSL 244.29, 0.13%, 0.58%

LAB 56.58, 6.69, -14.6

 

CMYK 32 / 35 / 0 / 30

HEX #7974B3

RGB 121 116 179

HSL 244.76, 0.29%, 0.58%

LAB 51.62, 16.76, -32.71

 

CMYK 46 / 49 / 0 / 23

HEX #6A63C4

RGB 106 99 196

HSL 244.33, 0.45%, 0.58%

LAB 46.94, 27.92, -50.02

 

CMYK 57 / 62 / 0 / 16

HEX #5B51D5

RGB 91 81 213

HSL 244.55, 0.61%, 0.58%

LAB 42.63, 40.99, -66.82

 

CMYK 67 / 72 / 0 / 9

HEX #4C40E7

RGB 76 64 231

HSL 244.31, 0.78%, 0.58%

LAB 39.53, 54.19, -82.21

 

CMYK 16 / 17 / 0 / 37

HEX #8785A1

RGB 135 133 161

HSL 244.29, 0.13%, 0.58%

LAB 56.58, 6.69, -14.6

 

CMYK 1 / 0 / 5 / 41

HEX #969790

RGB 150 151 144

HSL 68.57, 0.03%, 0.58%

LAB 62.19, -1.69, 3.55

 

CMYK 2 / 0 / 24 / 34

HEX #A5A87F

RGB 165 168 127

HSL 64.39, 0.19%, 0.58%

LAB 67.68, -8.02, 20.89

 

CMYK 3 / 0 / 41 / 27

HEX #B4B96D

RGB 180 185 109

HSL 63.95, 0.35%, 0.58%

LAB 73.22, -13.26, 37.92

 

CMYK 4 / 0 / 55 / 20

HEX #C3CB5C

RGB 195 203 92

HSL 64.32, 0.52%, 0.58%

LAB 79.09, -17.9, 53.49

 

CMYK 17 / 9 / 0 / 37

HEX #8592A1

RGB 133 146 161

HSL 212.14, 0.13%, 0.58%

LAB 59.99, -1.4, -9.48

 

CMYK 17 / 14 / 0 / 37

HEX #858BA1

RGB 133 139 161

HSL 227.14, 0.13%, 0.58%

LAB 58.06, 2.57, -12.38

 

CMYK 16 / 17 / 0 / 37

HEX #8785A1

RGB 135 133 161

HSL 244.29, 0.13%, 0.58%

LAB 56.58, 6.69, -14.6

 

CMYK 11 / 17 / 0 / 37

HEX #8F85A1

RGB 143 133 161

HSL 261.43, 0.13%, 0.58%

LAB 57.26, 9.42, -13.51

 

CMYK 7 / 17 / 0 / 37

HEX #9685A1

RGB 150 133 161

HSL 276.43, 0.13%, 0.58%

LAB 57.88, 11.85, -12.52

 

CMYK 22 / 23 / 0 / 53

HEX #5E5C78

RGB 94 92 120

HSL 244.29, 0.13%, 0.42%

LAB 40.23, 7.3, -15.48

 

CMYK 21 / 23 / 0 / 44

HEX #716E8F

RGB 113 110 143

HSL 245.45, 0.13%, 0.5%

LAB 47.81, 8.55, -17.6

 

CMYK 16 / 17 / 0 / 37

HEX #8785A1

RGB 135 133 161

HSL 244.29, 0.13%, 0.58%

LAB 56.58, 6.69, -14.6

 

CMYK 12 / 12 / 0 / 30

HEX #9E9DB3

RGB 158 157 179

HSL 242.73, 0.13%, 0.66%

LAB 65.47, 4.81, -11.25

 

CMYK 8 / 9 / 0 / 23

HEX #B5B4C5

RGB 181 180 197

HSL 243.53, 0.13%, 0.74%

LAB 73.87, 3.65, -8.48

 

CMYK 16 / 17 / 0 / 36

HEX #8886A2

RGB 136 134 162

HSL 244.29, 0.13%, 0.58%

LAB 56.97, 6.68, -14.58

 

CMYK 0 / 17 / 4 / 37

HEX #A1859A

RGB 161 133 154

HSL 315, 0.13%, 0.58%

LAB 58.68, 14.39, -7.19

 

CMYK 11 / 0 / 17 / 37

HEX #8FA185

RGB 143 161 133

HSL 98.57, 0.13%, 0.58%

LAB 64.18, -11.7, 12.48

 

CMYK 16 / 17 / 0 / 36

HEX #8886A2

RGB 136 134 162

HSL 244.29, 0.13%, 0.58%

LAB 56.97, 6.68, -14.58

 

CMYK 0 / 16 / 17 / 37

HEX #A18785

RGB 161 135 133

HSL 4.29, 0.13%, 0.58%

LAB 58.6, 9.53, 4.75

 

CMYK 17 / 0 / 16 / 37

HEX #85A187

RGB 133 161 135

HSL 124.29, 0.13%, 0.58%

LAB 63.53, -14.96, 10.35

 

CMYK 16 / 17 / 0 / 36

HEX #8886A2

RGB 136 134 162

HSL 244.29, 0.13%, 0.58%

LAB 56.97, 6.68, -14.58

 

CMYK 0 / 17 / 4 / 37

HEX #A1859A

RGB 161 133 154

HSL 315, 0.13%, 0.58%

LAB 58.68, 14.39, -7.19

 

CMYK 1 / 0 / 17 / 37

HEX #9FA185

RGB 159 161 133

HSL 64.29, 0.13%, 0.58%

LAB 65.4, -5.67, 14.37

 

CMYK 17 / 0 / 12 / 37

HEX #85A18D

RGB 133 161 141

HSL 137.14, 0.13%, 0.58%

LAB 63.67, -13.82, 7.2

 

CMYK 16 / 17 / 0 / 36

HEX #8886A2

RGB 136 134 162

HSL 244.29, 0.13%, 0.58%

LAB 56.97, 6.68, -14.58

 

CMYK 0 / 17 / 9 / 37

HEX #A18592

RGB 161 133 146

HSL 332.14, 0.13%, 0.58%

LAB 58.44, 12.91, -2.95

 

CMYK 1 / 0 / 17 / 37

HEX #9FA185

RGB 159 161 133

HSL 64.29, 0.13%, 0.58%

LAB 65.4, -5.67, 14.37

 

CMYK 17 / 0 / 7 / 37

HEX #85A195

RGB 133 161 149

HSL 154.29, 0.13%, 0.58%

LAB 63.87, -12.21, 3.01

 

Description

Color code: HEX #8886A2 | qconv.com Color code: HEX #8886A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 134 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 134 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 17 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 17% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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