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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8873CA it is the complementary color #778C35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8873CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8873CA shade: #8D73C5, #9E85D8, #AF97EB, #C0A9FE and #D1BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8873CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8873CA shade: #8873CA, #7761B7, #664FA4, #553D91 and #442B7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8873CA shade: #8772C9, #9F72C9, #B672C9, #C972C5 and #C972AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8873CA shade: #8772C9 and #7272C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8873CA shade matches the following richer shades: #8772C9, #7F62D9, #7753E9 and #6F43F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8873CA shade: #8772C9, #8F82BA, #9791AA, #9FA19A and #A7B18A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8873CA shade: #728CC9, #7275C9, #8672C9, #9E72C9 and #B572C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8873CA shade: #5940A9, #6E54BE, #8772C9, #A090D5 and #BAAEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8873CA shade: #8873CA, #C972A3 and #81C972

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8873CA shade: #8873CA, #C98672 and #72C986

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8873CA shade: #8873CA, #C972A3, #B5C972 and #72C998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8873CA shade: #8873CA, #C97289, #B5C972 and #72C9B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 43 / 0 / 21

HEX #8873CA

RGB 136 115 202

HSL 254.48, 0.45%, 0.62%

LAB 53.77, 27.72, -42.44

 

Complementary color

CMYK 15 / 0 / 62 / 45

HEX #778C35

RGB 119 140 53

HSL 74.48, 0.45%, 0.38%

LAB 55.01, -20.92, 42.82

 

CMYK 28 / 42 / 0 / 23

HEX #8D73C5

RGB 141 115 197

HSL 259.02, 0.41%, 0.61%

LAB 53.98, 27.83, -39.23

 

CMYK 27 / 38 / 0 / 15

HEX #9E85D8

RGB 158 133 216

HSL 258.07, 0.52%, 0.68%

LAB 60.78, 27.02, -39.17

 

CMYK 26 / 36 / 0 / 8

HEX #AF97EB

RGB 175 151 235

HSL 257.14, 0.68%, 0.76%

LAB 67.46, 26.29, -39.15

 

CMYK 24 / 33 / 0 / 0

HEX #C0A9FE

RGB 192 169 254

HSL 256.24, 0.98%, 0.83%

LAB 74.02, 25.62, -39.16

 

CMYK 18 / 27 / 0 / 0

HEX #D1BBFF

RGB 209 187 255

HSL 259.41, 1%, 0.87%

LAB 79.79, 21, -30.66

 

CMYK 33 / 43 / 0 / 21

HEX #8873CA

RGB 136 115 202

HSL 254.48, 0.45%, 0.62%

LAB 53.77, 27.72, -42.44

 

CMYK 35 / 47 / 0 / 28

HEX #7761B7

RGB 119 97 183

HSL 255.35, 0.37%, 0.55%

LAB 46.83, 28.69, -42.6

 

CMYK 38 / 52 / 0 / 36

HEX #664FA4

RGB 102 79 164

HSL 256.24, 0.35%, 0.48%

LAB 39.74, 29.79, -42.79

 

CMYK 41 / 58 / 0 / 43

HEX #553D91

RGB 85 61 145

HSL 257.14, 0.41%, 0.4%

LAB 32.51, 31.02, -43.01

 

CMYK 46 / 66 / 0 / 51

HEX #442B7E

RGB 68 43 126

HSL 258.07, 0.49%, 0.33%

LAB 25.15, 32.36, -43.18

 

CMYK 33 / 43 / 0 / 21

HEX #8772C9

RGB 135 114 201

HSL 254.48, 0.45%, 0.62%

LAB 53.39, 27.77, -42.48

 

CMYK 21 / 43 / 0 / 21

HEX #9F72C9

RGB 159 114 201

HSL 271.03, 0.45%, 0.62%

LAB 55.71, 34.56, -38.67

 

CMYK 9 / 43 / 0 / 21

HEX #B672C9

RGB 182 114 201

HSL 286.9, 0.45%, 0.62%

LAB 58.22, 41.34, -34.55

 

CMYK 0 / 43 / 2 / 21

HEX #C972C5

RGB 201 114 197

HSL 302.76, 0.45%, 0.62%

LAB 60.32, 46.29, -28.84

 

CMYK 0 / 43 / 14 / 21

HEX #C972AD

RGB 201 114 173

HSL 319.31, 0.45%, 0.62%

LAB 59.41, 42.17, -16.56

 

CMYK 33 / 43 / 0 / 21

HEX #8772C9

RGB 135 114 201

HSL 254.48, 0.45%, 0.62%

LAB 53.39, 27.77, -42.48

 

CMYK 43 / 43 / 0 / 21

HEX #7272C9

RGB 114 114 201

HSL 240, 0.45%, 0.62%

LAB 51.64, 22.25, -45.36

 

CMYK 33 / 43 / 0 / 21

HEX #8772C9

RGB 135 114 201

HSL 254.48, 0.45%, 0.62%

LAB 53.39, 27.77, -42.48

 

CMYK 41 / 55 / 0 / 15

HEX #7F62D9

RGB 127 98 217

HSL 254.62, 0.61%, 0.62%

LAB 49.81, 39.44, -57.34

 

CMYK 49 / 64 / 0 / 9

HEX #7753E9

RGB 119 83 233

HSL 254.4, 0.77%, 0.62%

LAB 46.96, 50.7, -71.04

 

CMYK 55 / 73 / 0 / 3

HEX #6F43F8

RGB 111 67 248

HSL 254.59, 0.93%, 0.62%

LAB 44.48, 61.83, -83.56

 

CMYK 33 / 43 / 0 / 21

HEX #8772C9

RGB 135 114 201

HSL 254.48, 0.45%, 0.62%

LAB 53.39, 27.77, -42.48

 

CMYK 23 / 30 / 0 / 27

HEX #8F82BA

RGB 143 130 186

HSL 253.93, 0.29%, 0.62%

LAB 57.41, 16.93, -27.58

 

CMYK 11 / 15 / 0 / 33

HEX #9791AA

RGB 151 145 170

HSL 254.4, 0.13%, 0.62%

LAB 61.42, 7.26, -12.31

 

CMYK 1 / 0 / 4 / 37

HEX #9FA19A

RGB 159 161 154

HSL 77.14, 0.04%, 0.62%

LAB 65.9, -2.03, 3.38

 

CMYK 6 / 0 / 22 / 31

HEX #A7B18A

RGB 167 177 138

HSL 75.38, 0.2%, 0.62%

LAB 70.52, -10.35, 18.83

 

CMYK 43 / 30 / 0 / 21

HEX #728CC9

RGB 114 140 201

HSL 222.07, 0.45%, 0.62%

LAB 58.56, 6.75, -34.48

 

CMYK 43 / 42 / 0 / 21

HEX #7275C9

RGB 114 117 201

HSL 237.93, 0.45%, 0.62%

LAB 52.42, 20.44, -44.13

 

CMYK 33 / 43 / 0 / 21

HEX #8672C9

RGB 134 114 201

HSL 253.79, 0.45%, 0.62%

LAB 53.3, 27.5, -42.63

 

CMYK 21 / 43 / 0 / 21

HEX #9E72C9

RGB 158 114 201

HSL 270.34, 0.45%, 0.62%

LAB 55.6, 34.27, -38.84

 

CMYK 10 / 43 / 0 / 21

HEX #B572C9

RGB 181 114 201

HSL 286.21, 0.45%, 0.62%

LAB 58.11, 41.04, -34.74

 

CMYK 47 / 62 / 0 / 34

HEX #5940A9

RGB 89 64 169

HSL 254.29, 0.45%, 0.46%

LAB 35.31, 37.2, -52.98

 

CMYK 42 / 56 / 0 / 25

HEX #6E54BE

RGB 110 84 190

HSL 254.72, 0.45%, 0.54%

LAB 43.32, 36.12, -52.33

 

CMYK 33 / 43 / 0 / 21

HEX #8772C9

RGB 135 114 201

HSL 254.48, 0.45%, 0.62%

LAB 53.39, 27.77, -42.48

 

CMYK 25 / 32 / 0 / 16

HEX #A090D5

RGB 160 144 213

HSL 253.91, 0.45%, 0.7%

LAB 63.53, 20.57, -33.2

 

CMYK 17 / 22 / 0 / 12

HEX #BAAEE0

RGB 186 174 224

HSL 254.4, 0.45%, 0.78%

LAB 73.61, 14.25, -23.57

 

CMYK 33 / 43 / 0 / 21

HEX #8873CA

RGB 136 115 202

HSL 254.48, 0.45%, 0.62%

LAB 53.77, 27.72, -42.44

 

CMYK 0 / 43 / 19 / 21

HEX #C972A3

RGB 201 114 163

HSL 326.21, 0.45%, 0.62%

LAB 59.06, 40.59, -11.32

 

CMYK 36 / 0 / 43 / 21

HEX #81C972

RGB 129 201 114

HSL 109.66, 0.45%, 0.62%

LAB 74.61, -39.21, 36.46

 

CMYK 33 / 43 / 0 / 21

HEX #8873CA

RGB 136 115 202

HSL 254.48, 0.45%, 0.62%

LAB 53.77, 27.72, -42.44

 

CMYK 0 / 33 / 43 / 21

HEX #C98672

RGB 201 134 114

HSL 13.79, 0.45%, 0.62%

LAB 62.24, 23.35, 21.28

 

CMYK 43 / 0 / 33 / 21

HEX #72C986

RGB 114 201 134

HSL 133.79, 0.45%, 0.62%

LAB 74.24, -40.64, 25.51

 

CMYK 33 / 43 / 0 / 21

HEX #8873CA

RGB 136 115 202

HSL 254.48, 0.45%, 0.62%

LAB 53.77, 27.72, -42.44

 

CMYK 0 / 43 / 19 / 21

HEX #C972A3

RGB 201 114 163

HSL 326.21, 0.45%, 0.62%

LAB 59.06, 40.59, -11.32

 

CMYK 10 / 0 / 43 / 21

HEX #B5C972

RGB 181 201 114

HSL 73.79, 0.45%, 0.62%

LAB 77.76, -20.38, 41.1

 

CMYK 43 / 0 / 24 / 21

HEX #72C998

RGB 114 201 152

HSL 146.21, 0.45%, 0.62%

LAB 74.58, -37.28, 16.45

 

CMYK 33 / 43 / 0 / 21

HEX #8873CA

RGB 136 115 202

HSL 254.48, 0.45%, 0.62%

LAB 53.77, 27.72, -42.44

 

CMYK 0 / 43 / 32 / 21

HEX #C97289

RGB 201 114 137

HSL 344.14, 0.45%, 0.62%

LAB 58.28, 36.9, 2.56

 

CMYK 10 / 0 / 43 / 21

HEX #B5C972

RGB 181 201 114

HSL 73.79, 0.45%, 0.62%

LAB 77.76, -20.38, 41.1

 

CMYK 43 / 0 / 11 / 21

HEX #72C9B2

RGB 114 201 178

HSL 164.14, 0.45%, 0.62%

LAB 75.18, -31.72, 3.32

 

Description

Color code: HEX #8873CA | qconv.com Color code: HEX #8873CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 115 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 115 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 43 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 43% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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