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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88622F it is the complementary color #779DD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88622F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88622F shade: #8D622A, #9E743D, #AF8650, #C09863 and #D1AA76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88622F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88622F shade: #88622F, #77501C, #663E09, #552C00 and #441A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88622F shade: #88622E, #884A2E, #88312E and #882E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88622F shade: #88622E, #887A2E, #7E882E, #66882E and #4E882E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88622F shade matches the following richer shades: #88622E, #97641F, #A66611 and #B56802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88622F shade: #88622E, #79603D, #6B5E4C, #5C5B5B and #4D596A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88622F shade: #88312E, #88492E, #88612E, #88792E and #7F882E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88622F shade: #4B3619, #6A4C24, #88622E, #A77839 and #C08D49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88622F shade: #88622F, #43882E and #3D2E88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88622F shade: #88622F, #2E8861 and #612E88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88622F shade: #88622F, #43882E, #2E5588 and #732E88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88622F shade: #88622F, #2E8834, #2E5588 and #882E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 65 / 47

HEX #88622F

RGB 136 98 47

HSL 34.38, 0.49%, 0.36%

LAB 44.48, 9.71, 34.46

 

Complementary color

CMYK 43 / 25 / 0 / 18

HEX #779DD0

RGB 119 157 208

HSL 214.38, 0.49%, 0.64%

LAB 63.83, 0.27, -30.19

 

CMYK 0 / 30 / 70 / 45

HEX #8D622A

RGB 141 98 42

HSL 33.94, 0.54%, 0.36%

LAB 45.03, 11.68, 37.81

 

CMYK 0 / 27 / 61 / 38

HEX #9E743D

RGB 158 116 61

HSL 34.02, 0.44%, 0.43%

LAB 51.95, 10.3, 36.36

 

CMYK 0 / 23 / 54 / 31

HEX #AF8650

RGB 175 134 80

HSL 34.11, 0.37%, 0.5%

LAB 58.74, 9.17, 34.88

 

CMYK 0 / 21 / 48 / 25

HEX #C09863

RGB 192 152 99

HSL 34.19, 0.42%, 0.57%

LAB 65.41, 8.23, 33.47

 

CMYK 0 / 19 / 44 / 18

HEX #D1AA76

RGB 209 170 118

HSL 34.29, 0.5%, 0.64%

LAB 71.97, 7.44, 32.14

 

CMYK 0 / 28 / 65 / 47

HEX #88622F

RGB 136 98 47

HSL 34.38, 0.49%, 0.36%

LAB 44.48, 9.71, 34.46

 

CMYK 0 / 33 / 76 / 53

HEX #77501C

RGB 119 80 28

HSL 34.29, 0.62%, 0.29%

LAB 37.38, 11.25, 35.83

 

CMYK 0 / 39 / 91 / 60

HEX #663E09

RGB 102 62 9

HSL 34.19, 0.84%, 0.22%

LAB 30.13, 13.22, 36.43

 

CMYK 0 / 48 / 100 / 67

HEX #552C00

RGB 85 44 0

HSL 31.06, 1%, 0.17%

LAB 22.77, 15.73, 32.45

 

CMYK 0 / 62 / 100 / 73

HEX #441A00

RGB 68 26 0

HSL 22.94, 1%, 0.13%

LAB 15.32, 18.57, 23.05

 

CMYK 0 / 28 / 66 / 47

HEX #88622E

RGB 136 98 46

HSL 34.67, 0.49%, 0.36%

LAB 44.47, 9.63, 34.97

 

CMYK 0 / 46 / 66 / 47

HEX #884A2E

RGB 136 74 46

HSL 18.67, 0.49%, 0.36%

LAB 38.43, 23.65, 27.98

 

CMYK 0 / 64 / 66 / 47

HEX #88312E

RGB 136 49 46

HSL 2, 0.49%, 0.36%

LAB 33.2, 36.99, 21.61

 

CMYK 0 / 66 / 66 / 47

HEX #882E2E

RGB 136 46 46

HSL 0, 0.49%, 0.36%

LAB 32.67, 38.4, 20.95

 

CMYK 0 / 28 / 66 / 47

HEX #88622E

RGB 136 98 46

HSL 34.67, 0.49%, 0.36%

LAB 44.47, 9.63, 34.97

 

CMYK 0 / 10 / 66 / 47

HEX #887A2E

RGB 136 122 46

HSL 50.67, 0.49%, 0.36%

LAB 51.09, -4.18, 42.24

 

CMYK 7 / 0 / 66 / 47

HEX #7E882E

RGB 126 136 46

HSL 66.67, 0.49%, 0.36%

LAB 54.28, -16.33, 45.35

 

CMYK 25 / 0 / 66 / 47

HEX #66882E

RGB 102 136 46

HSL 82.67, 0.49%, 0.36%

LAB 52.54, -26.59, 42.98

 

CMYK 43 / 0 / 66 / 47

HEX #4E882E

RGB 78 136 46

HSL 98.67, 0.49%, 0.36%

LAB 51.18, -35.72, 41.11

 

CMYK 0 / 28 / 66 / 47

HEX #88622E

RGB 136 98 46

HSL 34.67, 0.49%, 0.36%

LAB 44.47, 9.63, 34.97

 

CMYK 0 / 34 / 79 / 41

HEX #97641F

RGB 151 100 31

HSL 34.5, 0.66%, 0.36%

LAB 46.7, 14.55, 45.01

 

CMYK 0 / 39 / 90 / 35

HEX #A66611

RGB 166 102 17

HSL 34.23, 0.81%, 0.36%

LAB 49.07, 19.76, 52.79

 

CMYK 0 / 43 / 99 / 29

HEX #B56802

RGB 181 104 2

HSL 34.19, 0.98%, 0.36%

LAB 51.53, 25.03, 58.84

 

CMYK 0 / 28 / 66 / 47

HEX #88622E

RGB 136 98 46

HSL 34.67, 0.49%, 0.36%

LAB 44.47, 9.63, 34.97

 

CMYK 0 / 21 / 50 / 53

HEX #79603D

RGB 121 96 61

HSL 35, 0.33%, 0.36%

LAB 42.41, 5.25, 23.77

 

CMYK 0 / 12 / 29 / 58

HEX #6B5E4C

RGB 107 94 76

HSL 34.84, 0.17%, 0.36%

LAB 40.66, 2.15, 12.25

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 27 / 16 / 0 / 58

HEX #4D596A

RGB 77 89 106

HSL 215.17, 0.16%, 0.36%

LAB 37.41, -0.37, -11.28

 

CMYK 0 / 64 / 66 / 47

HEX #88312E

RGB 136 49 46

HSL 2, 0.49%, 0.36%

LAB 33.2, 36.99, 21.61

 

CMYK 0 / 46 / 66 / 47

HEX #88492E

RGB 136 73 46

HSL 18, 0.49%, 0.36%

LAB 38.19, 24.22, 27.7

 

CMYK 0 / 29 / 66 / 47

HEX #88612E

RGB 136 97 46

HSL 34, 0.49%, 0.36%

LAB 44.21, 10.22, 34.67

 

CMYK 0 / 11 / 66 / 47

HEX #88792E

RGB 136 121 46

HSL 50, 0.49%, 0.36%

LAB 50.81, -3.62, 41.93

 

CMYK 7 / 0 / 66 / 47

HEX #7F882E

RGB 127 136 46

HSL 66, 0.49%, 0.36%

LAB 54.36, -15.89, 45.46

 

CMYK 0 / 28 / 67 / 71

HEX #4B3619

RGB 75 54 25

HSL 34.8, 0.5%, 0.2%

LAB 24.34, 5.62, 21.61

 

CMYK 0 / 28 / 66 / 58

HEX #6A4C24

RGB 106 76 36

HSL 34.29, 0.49%, 0.28%

LAB 34.72, 7.96, 28.3

 

CMYK 0 / 28 / 66 / 47

HEX #88622E

RGB 136 98 46

HSL 34.67, 0.49%, 0.36%

LAB 44.47, 9.63, 34.97

 

CMYK 0 / 28 / 66 / 35

HEX #A77839

RGB 167 120 57

HSL 34.36, 0.49%, 0.44%

LAB 53.97, 11.75, 41

 

CMYK 0 / 27 / 62 / 25

HEX #C08D49

RGB 192 141 73

HSL 34.29, 0.49%, 0.52%

LAB 62.29, 12.08, 43.19

 

CMYK 0 / 28 / 65 / 47

HEX #88622F

RGB 136 98 47

HSL 34.38, 0.49%, 0.36%

LAB 44.48, 9.71, 34.46

 

CMYK 51 / 0 / 66 / 47

HEX #43882E

RGB 67 136 46

HSL 106, 0.49%, 0.36%

LAB 50.69, -39.34, 40.42

 

CMYK 55 / 66 / 0 / 47

HEX #3D2E88

RGB 61 46 136

HSL 250, 0.49%, 0.36%

LAB 25.93, 32.23, -48.21

 

CMYK 0 / 28 / 65 / 47

HEX #88622F

RGB 136 98 47

HSL 34.38, 0.49%, 0.36%

LAB 44.48, 9.71, 34.46

 

CMYK 66 / 0 / 29 / 47

HEX #2E8861

RGB 46 136 97

HSL 154, 0.49%, 0.36%

LAB 50.75, -36.26, 13.3

 

CMYK 29 / 66 / 0 / 47

HEX #612E88

RGB 97 46 136

HSL 274, 0.49%, 0.36%

LAB 30.09, 40.1, -41.28

 

CMYK 0 / 28 / 65 / 47

HEX #88622F

RGB 136 98 47

HSL 34.38, 0.49%, 0.36%

LAB 44.48, 9.71, 34.46

 

CMYK 51 / 0 / 66 / 47

HEX #43882E

RGB 67 136 46

HSL 106, 0.49%, 0.36%

LAB 50.69, -39.34, 40.42

 

CMYK 66 / 38 / 0 / 47

HEX #2E5588

RGB 46 85 136

HSL 214, 0.49%, 0.36%

LAB 35.7, 3.5, -32.56

 

CMYK 15 / 66 / 0 / 47

HEX #732E88

RGB 115 46 136

HSL 286, 0.49%, 0.36%

LAB 32.65, 44.52, -37.03

 

CMYK 0 / 28 / 65 / 47

HEX #88622F

RGB 136 98 47

HSL 34.38, 0.49%, 0.36%

LAB 44.48, 9.71, 34.46

 

CMYK 66 / 0 / 62 / 47

HEX #2E8834

RGB 46 136 52

HSL 124, 0.49%, 0.36%

LAB 50.02, -44.28, 36.67

 

CMYK 66 / 38 / 0 / 47

HEX #2E5588

RGB 46 85 136

HSL 214, 0.49%, 0.36%

LAB 35.7, 3.5, -32.56

 

CMYK 0 / 66 / 4 / 47

HEX #882E82

RGB 136 46 130

HSL 304, 0.49%, 0.36%

LAB 35.6, 48.76, -28.43

 

Description

Color code: HEX #88622F | qconv.com Color code: HEX #88622F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 98 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 98 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 65 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 65% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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