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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8864C4 it is the complementary color #779B3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8864C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8864C4 shade: #8D64BF, #9E76D2, #AF88E5, #C09AF8 and #D1ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8864C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8864C4 shade: #8864C4, #7752B1, #66409E, #552E8B and #441C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8864C4 shade: #8763C4, #A163C4, #BB63C4, #C463B2 and #C46398

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8864C4 shade: #8763C4, #6D63C4 and #6363C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8864C4 shade matches the following richer shades: #8763C4, #8352D5, #7F41E6 and #7A2FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8864C4 shade: #8763C4, #8C75B2, #9086A1, #949790 and #99A97E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8864C4 shade: #6373C4, #6D63C4, #8763C4, #A063C4 and #BA63C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8864C4 shade: #5E3A9A, #7045B8, #8763C4, #9E81CF and #B59FDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8864C4 shade: #8864C4, #C4638D and #66C463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8864C4 shade: #8864C4, #C48763 and #63C487

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8864C4 shade: #8864C4, #C4638D, #A0C463 and #63C49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8864C4 shade: #8864C4, #C46370, #A0C463 and #63C4B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 49 / 0 / 23

HEX #8864C4

RGB 136 100 196

HSL 262.5, 0.45%, 0.58%

LAB 49.9, 34.92, -45.14

 

Complementary color

CMYK 23 / 0 / 62 / 39

HEX #779B3B

RGB 119 155 59

HSL 82.5, 0.45%, 0.42%

LAB 59.6, -27.88, 45.13

 

CMYK 26 / 48 / 0 / 25

HEX #8D64BF

RGB 141 100 191

HSL 267.03, 0.42%, 0.57%

LAB 50.14, 35.03, -41.84

 

CMYK 25 / 44 / 0 / 18

HEX #9E76D2

RGB 158 118 210

HSL 266.09, 0.51%, 0.64%

LAB 56.96, 34.13, -41.81

 

CMYK 24 / 41 / 0 / 10

HEX #AF88E5

RGB 175 136 229

HSL 265.16, 0.64%, 0.72%

LAB 63.66, 33.3, -41.8

 

CMYK 23 / 38 / 0 / 3

HEX #C09AF8

RGB 192 154 248

HSL 264.26, 0.87%, 0.79%

LAB 70.24, 32.53, -41.81

 

CMYK 18 / 33 / 0 / 0

HEX #D1ACFF

RGB 209 172 255

HSL 266.75, 1%, 0.84%

LAB 76.24, 29.16, -36.14

 

CMYK 31 / 49 / 0 / 23

HEX #8864C4

RGB 136 100 196

HSL 262.5, 0.45%, 0.58%

LAB 49.9, 34.92, -45.14

 

CMYK 33 / 54 / 0 / 31

HEX #7752B1

RGB 119 82 177

HSL 263.37, 0.38%, 0.51%

LAB 42.96, 35.95, -45.25

 

CMYK 35 / 59 / 0 / 38

HEX #66409E

RGB 102 64 158

HSL 264.26, 0.42%, 0.44%

LAB 35.91, 37.04, -45.34

 

CMYK 39 / 67 / 0 / 45

HEX #552E8B

RGB 85 46 139

HSL 265.16, 0.5%, 0.36%

LAB 28.77, 38.11, -45.34

 

CMYK 43 / 77 / 0 / 53

HEX #441C78

RGB 68 28 120

HSL 266.09, 0.62%, 0.29%

LAB 21.64, 38.93, -45.08

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 18 / 49 / 0 / 23

HEX #A163C4

RGB 161 99 196

HSL 278.35, 0.45%, 0.58%

LAB 52.38, 42.33, -41.04

 

CMYK 5 / 49 / 0 / 23

HEX #BB63C4

RGB 187 99 196

HSL 294.43, 0.45%, 0.58%

LAB 55.56, 49.67, -35.82

 

CMYK 0 / 49 / 9 / 23

HEX #C463B2

RGB 196 99 178

HSL 311.13, 0.45%, 0.58%

LAB 55.96, 49.1, -24.76

 

CMYK 0 / 49 / 22 / 23

HEX #C46398

RGB 196 99 152

HSL 327.22, 0.45%, 0.58%

LAB 55, 45.03, -11.11

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 44 / 49 / 0 / 23

HEX #6D63C4

RGB 109 99 196

HSL 246.19, 0.45%, 0.58%

LAB 47.18, 28.64, -49.62

 

CMYK 49 / 49 / 0 / 23

HEX #6363C4

RGB 99 99 196

HSL 240, 0.45%, 0.58%

LAB 46.39, 26.31, -50.93

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 38 / 62 / 0 / 16

HEX #8352D5

RGB 131 82 213

HSL 262.44, 0.61%, 0.58%

LAB 46.53, 48.19, -60.32

 

CMYK 45 / 72 / 0 / 10

HEX #7F41E6

RGB 127 65 230

HSL 262.55, 0.77%, 0.58%

LAB 44.24, 60.38, -73.74

 

CMYK 51 / 81 / 0 / 3

HEX #7A2FF8

RGB 122 47 248

HSL 262.39, 0.93%, 0.58%

LAB 42.68, 71.56, -86.47

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 21 / 34 / 0 / 30

HEX #8C75B2

RGB 140 117 178

HSL 262.62, 0.28%, 0.58%

LAB 53.51, 21.67, -29.07

 

CMYK 11 / 17 / 0 / 37

HEX #9086A1

RGB 144 134 161

HSL 262.22, 0.13%, 0.58%

LAB 57.61, 9.19, -12.97

 

CMYK 2 / 0 / 5 / 41

HEX #949790

RGB 148 151 144

HSL 85.71, 0.03%, 0.58%

LAB 62.03, -2.43, 3.3

 

CMYK 9 / 0 / 25 / 34

HEX #99A97E

RGB 153 169 126

HSL 82.33, 0.2%, 0.58%

LAB 67.02, -13.32, 20.38

 

CMYK 49 / 41 / 0 / 23

HEX #6373C4

RGB 99 115 196

HSL 230.1, 0.45%, 0.58%

LAB 50.57, 16.48, -44.27

 

CMYK 44 / 49 / 0 / 23

HEX #6D63C4

RGB 109 99 196

HSL 246.19, 0.45%, 0.58%

LAB 47.18, 28.64, -49.62

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 18 / 49 / 0 / 23

HEX #A063C4

RGB 160 99 196

HSL 277.73, 0.45%, 0.58%

LAB 52.27, 42.05, -41.23

 

CMYK 5 / 49 / 0 / 23

HEX #BA63C4

RGB 186 99 196

HSL 293.81, 0.45%, 0.58%

LAB 55.43, 49.39, -36.03

 

CMYK 39 / 62 / 0 / 40

HEX #5E3A9A

RGB 94 58 154

HSL 262.5, 0.45%, 0.42%

LAB 33.43, 37.49, -46.96

 

CMYK 39 / 63 / 0 / 28

HEX #7045B8

RGB 112 69 184

HSL 262.43, 0.45%, 0.5%

LAB 39.85, 43.5, -54.4

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 24 / 38 / 0 / 19

HEX #9E81CF

RGB 158 129 207

HSL 262.31, 0.45%, 0.66%

LAB 59.41, 27.13, -36.27

 

CMYK 17 / 27 / 0 / 15

HEX #B59FDA

RGB 181 159 218

HSL 262.37, 0.44%, 0.74%

LAB 69.24, 19.68, -27

 

CMYK 31 / 49 / 0 / 23

HEX #8864C4

RGB 136 100 196

HSL 262.5, 0.45%, 0.58%

LAB 49.9, 34.92, -45.14

 

CMYK 0 / 49 / 28 / 23

HEX #C4638D

RGB 196 99 141

HSL 334.02, 0.45%, 0.58%

LAB 54.64, 43.48, -5.19

 

CMYK 48 / 0 / 49 / 23

HEX #66C463

RGB 102 196 99

HSL 118.14, 0.45%, 0.58%

LAB 71.69, -47.41, 40.03

 

CMYK 31 / 49 / 0 / 23

HEX #8864C4

RGB 136 100 196

HSL 262.5, 0.45%, 0.58%

LAB 49.9, 34.92, -45.14

 

CMYK 0 / 31 / 49 / 23

HEX #C48763

RGB 196 135 99

HSL 22.27, 0.45%, 0.58%

LAB 61.62, 19.24, 28.71

 

CMYK 49 / 0 / 31 / 23

HEX #63C487

RGB 99 196 135

HSL 142.27, 0.45%, 0.58%

LAB 72.15, -42.35, 22.06

 

CMYK 31 / 49 / 0 / 23

HEX #8864C4

RGB 136 100 196

HSL 262.5, 0.45%, 0.58%

LAB 49.9, 34.92, -45.14

 

CMYK 0 / 49 / 28 / 23

HEX #C4638D

RGB 196 99 141

HSL 334.02, 0.45%, 0.58%

LAB 54.64, 43.48, -5.19

 

CMYK 18 / 0 / 49 / 23

HEX #A0C463

RGB 160 196 99

HSL 82.27, 0.45%, 0.58%

LAB 74.73, -27.7, 44.44

 

CMYK 49 / 0 / 21 / 23

HEX #63C49A

RGB 99 196 154

HSL 154.02, 0.45%, 0.58%

LAB 72.54, -38.5, 12.42

 

CMYK 31 / 49 / 0 / 23

HEX #8864C4

RGB 136 100 196

HSL 262.5, 0.45%, 0.58%

LAB 49.9, 34.92, -45.14

 

CMYK 0 / 49 / 43 / 23

HEX #C46370

RGB 196 99 112

HSL 351.96, 0.45%, 0.58%

LAB 53.85, 39.95, 10.75

 

CMYK 18 / 0 / 49 / 23

HEX #A0C463

RGB 160 196 99

HSL 82.27, 0.45%, 0.58%

LAB 74.73, -27.7, 44.44

 

CMYK 49 / 0 / 7 / 23

HEX #63C4B7

RGB 99 196 183

HSL 171.96, 0.45%, 0.58%

LAB 73.25, -31.76, -2.27

 

Description

Color code: HEX #8864C4 | qconv.com Color code: HEX #8864C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 100 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 100 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 49 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 49% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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