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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8848AC it is the complementary color #77B753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8848AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8848AC shade: #8D48A7, #9E5ABA, #AF6CCD, #C07EE0 and #D190F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8848AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8848AC shade: #8848AC, #773699, #662486, #551273 and #440060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8848AC shade: #8848AC, #A348AC, #AC489A, #AC487F and #AC4864

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8848AC shade: #8848AC, #6D48AC, #5248AC and #4848AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8848AC shade matches the following richer shades: #8848AC, #8D34C0, #9320D4 and #990CE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8848AC shade: #8848AC, #825C98, #7D6F84, #778371 and #72975D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8848AC shade: #5248AC, #6D48AC, #8748AC, #A248AC and #AC489B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8848AC shade: #5A2F72, #713C8F, #8848AC, #9B61BC and #AE7EC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8848AC shade: #8848AC, #AC4858 and #48AC5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8848AC shade: #8848AC, #AC8748 and #48AC87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8848AC shade: #8848AC, #AC4858, #6DAC48 and #48AC9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8848AC shade: #8848AC, #AC5548, #6DAC48 and #489FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

Complementary color

CMYK 35 / 0 / 55 / 28

HEX #77B753

RGB 119 183 83

HSL 98.4, 0.41%, 0.52%

LAB 68.32, -38.47, 43.91

 

CMYK 16 / 57 / 0 / 35

HEX #8D48A7

RGB 141 72 167

HSL 283.58, 0.4%, 0.47%

LAB 42.89, 44.9, -39.29

 

CMYK 15 / 52 / 0 / 27

HEX #9E5ABA

RGB 158 90 186

HSL 282.5, 0.41%, 0.54%

LAB 49.65, 44.16, -39.61

 

CMYK 15 / 47 / 0 / 20

HEX #AF6CCD

RGB 175 108 205

HSL 281.44, 0.49%, 0.61%

LAB 56.33, 43.36, -39.84

 

CMYK 14 / 44 / 0 / 12

HEX #C07EE0

RGB 192 126 224

HSL 280.41, 0.61%, 0.69%

LAB 62.94, 42.56, -40.03

 

CMYK 14 / 41 / 0 / 5

HEX #D190F3

RGB 209 144 243

HSL 279.39, 0.8%, 0.76%

LAB 69.45, 41.78, -40.19

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 22 / 65 / 0 / 40

HEX #773699

RGB 119 54 153

HSL 279.39, 0.48%, 0.41%

LAB 35.71, 45.34, -42.51

 

CMYK 24 / 73 / 0 / 47

HEX #662486

RGB 102 36 134

HSL 280.41, 0.58%, 0.33%

LAB 28.92, 45.62, -41.88

 

CMYK 26 / 84 / 0 / 55

HEX #551273

RGB 85 18 115

HSL 281.44, 0.73%, 0.26%

LAB 22.31, 45.03, -40.67

 

CMYK 29 / 100 / 0 / 62

HEX #440060

RGB 68 0 96

HSL 282.5, 1%, 0.19%

LAB 15.87, 43.45, -38.85

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 5 / 58 / 0 / 33

HEX #A348AC

RGB 163 72 172

HSL 294.6, 0.41%, 0.48%

LAB 46.18, 51.79, -36.86

 

CMYK 0 / 58 / 10 / 33

HEX #AC489A

RGB 172 72 154

HSL 310.8, 0.41%, 0.48%

LAB 46.63, 51.1, -25.38

 

CMYK 0 / 58 / 26 / 33

HEX #AC487F

RGB 172 72 127

HSL 327, 0.41%, 0.48%

LAB 45.55, 47.01, -10.78

 

CMYK 0 / 58 / 42 / 33

HEX #AC4864

RGB 172 72 100

HSL 343.2, 0.41%, 0.48%

LAB 44.7, 43.65, 4.47

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 37 / 58 / 0 / 33

HEX #6D48AC

RGB 109 72 172

HSL 262.2, 0.41%, 0.48%

LAB 39.35, 37.9, -48.14

 

CMYK 52 / 58 / 0 / 33

HEX #5248AC

RGB 82 72 172

HSL 246, 0.41%, 0.48%

LAB 36.76, 31.81, -52.46

 

CMYK 58 / 58 / 0 / 33

HEX #4848AC

RGB 72 72 172

HSL 240, 0.41%, 0.48%

LAB 35.97, 29.84, -53.77

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 27 / 73 / 0 / 25

HEX #8D34C0

RGB 141 52 192

HSL 278.14, 0.57%, 0.48%

LAB 41.1, 59.62, -56.91

 

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

CMYK 34 / 95 / 0 / 9

HEX #990CE7

RGB 153 12 231

HSL 278.63, 0.9%, 0.48%

LAB 42.47, 79.45, -77.08

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 14 / 39 / 0 / 40

HEX #825C98

RGB 130 92 152

HSL 278, 0.25%, 0.48%

LAB 45.17, 27.12, -26.87

 

CMYK 5 / 16 / 0 / 48

HEX #7D6F84

RGB 125 111 132

HSL 280, 0.09%, 0.48%

LAB 48.75, 9.64, -9.54

 

CMYK 9 / 0 / 14 / 49

HEX #778371

RGB 119 131 113

HSL 100, 0.07%, 0.48%

LAB 53.33, -7.99, 8.25

 

CMYK 25 / 0 / 38 / 41

HEX #72975D

RGB 114 151 93

HSL 98.28, 0.24%, 0.48%

LAB 58.51, -23.86, 26.52

 

CMYK 52 / 58 / 0 / 33

HEX #5248AC

RGB 82 72 172

HSL 246, 0.41%, 0.48%

LAB 36.76, 31.81, -52.46

 

CMYK 37 / 58 / 0 / 33

HEX #6D48AC

RGB 109 72 172

HSL 262.2, 0.41%, 0.48%

LAB 39.35, 37.9, -48.14

 

CMYK 22 / 58 / 0 / 33

HEX #8748AC

RGB 135 72 172

HSL 277.8, 0.41%, 0.48%

LAB 42.41, 44.43, -43.08

 

CMYK 6 / 58 / 0 / 33

HEX #A248AC

RGB 162 72 172

HSL 294, 0.41%, 0.48%

LAB 46.04, 51.52, -37.09

 

CMYK 0 / 58 / 10 / 33

HEX #AC489B

RGB 172 72 155

HSL 310.2, 0.41%, 0.48%

LAB 46.67, 51.26, -25.91

 

CMYK 21 / 59 / 0 / 55

HEX #5A2F72

RGB 90 47 114

HSL 278.51, 0.42%, 0.32%

LAB 27.9, 32.32, -31

 

CMYK 21 / 58 / 0 / 44

HEX #713C8F

RGB 113 60 143

HSL 278.31, 0.41%, 0.4%

LAB 35.45, 38.36, -36.89

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 18 / 48 / 0 / 26

HEX #9B61BC

RGB 155 97 188

HSL 278.24, 0.4%, 0.56%

LAB 50.86, 39.96, -38.88

 

CMYK 13 / 37 / 0 / 21

HEX #AE7EC9

RGB 174 126 201

HSL 278.4, 0.41%, 0.64%

LAB 60.01, 32.3, -31.83

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 0 / 58 / 49 / 33

HEX #AC4858

RGB 172 72 88

HSL 350.4, 0.41%, 0.48%

LAB 44.39, 42.41, 11.41

 

CMYK 58 / 0 / 45 / 33

HEX #48AC5F

RGB 72 172 95

HSL 133.8, 0.41%, 0.48%

LAB 63.1, -46.11, 31.02

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 0 / 22 / 58 / 33

HEX #AC8748

RGB 172 135 72

HSL 37.8, 0.41%, 0.48%

LAB 58.57, 6.64, 38.81

 

CMYK 58 / 0 / 22 / 33

HEX #48AC87

RGB 72 172 135

HSL 157.8, 0.41%, 0.48%

LAB 63.86, -38.18, 10.4

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 0 / 58 / 49 / 33

HEX #AC4858

RGB 172 72 88

HSL 350.4, 0.41%, 0.48%

LAB 44.39, 42.41, 11.41

 

CMYK 37 / 0 / 58 / 33

HEX #6DAC48

RGB 109 172 72

HSL 97.8, 0.41%, 0.48%

LAB 64.34, -38.25, 44.33

 

CMYK 58 / 0 / 10 / 33

HEX #48AC9B

RGB 72 172 155

HSL 169.8, 0.41%, 0.48%

LAB 64.36, -33.28, 0.01

 

CMYK 21 / 58 / 0 / 33

HEX #8848AC

RGB 136 72 172

HSL 278.4, 0.41%, 0.48%

LAB 42.53, 44.69, -42.87

 

CMYK 0 / 51 / 58 / 33

HEX #AC5548

RGB 172 85 72

HSL 7.8, 0.41%, 0.48%

LAB 46.63, 34.39, 24.07

 

CMYK 37 / 0 / 58 / 33

HEX #6DAC48

RGB 109 172 72

HSL 97.8, 0.41%, 0.48%

LAB 64.34, -38.25, 44.33

 

CMYK 58 / 8 / 0 / 33

HEX #489FAC

RGB 72 159 172

HSL 187.8, 0.41%, 0.48%

LAB 60.92, -22.15, -14.65

 

Description

Color code: HEX #8848AC | qconv.com Color code: HEX #8848AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 72 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 72 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 58 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 58% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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