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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #883E2F it is the complementary color #77C1D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #883E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #883E2F shade: #8D3E2A, #9E503D, #AF6250, #C07463 and #D18676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #883E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #883E2F shade: #883E2F, #772C1C, #661A09, #550800 and #440000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #883E2F shade: #883D2E and #882E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #883E2F shade: #883D2E, #88562E, #886E2E, #88862E and #72882E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #883E2F shade matches the following richer shades: #883D2E, #97341F, #A62A11 and #B52002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #883E2F shade: #883D2E, #79473D, #6B514C, #5C5B5B and #4D656A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #883E2F shade: #882E4F, #882E37, #883D2E, #88552E and #886D2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #883E2F shade: #4B2219, #6A3024, #883D2E, #A74B39 and #C05D49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #883E2F shade: #883E2F, #67882E and #2E4388

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #883E2F shade: #883E2F, #2E883D and #3D2E88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #883E2F shade: #883E2F, #67882E, #2E7988 and #4F2E88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #883E2F shade: #883E2F, #4C882E, #2E7988 and #6A2E88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 65 / 47

HEX #883E2F

RGB 136 62 47

HSL 10.11, 0.49%, 0.36%

LAB 35.76, 30.41, 24.17

 

Complementary color

CMYK 43 / 7 / 0 / 18

HEX #77C1D0

RGB 119 193 208

HSL 190.11, 0.49%, 0.64%

LAB 73.94, -19.14, -14.75

 

CMYK 0 / 56 / 70 / 45

HEX #8D3E2A

RGB 141 62 42

HSL 12.12, 0.54%, 0.36%

LAB 36.51, 32.11, 28.25

 

CMYK 0 / 49 / 61 / 38

HEX #9E503D

RGB 158 80 61

HSL 11.75, 0.44%, 0.43%

LAB 43.28, 30.63, 25.88

 

CMYK 0 / 44 / 54 / 31

HEX #AF6250

RGB 175 98 80

HSL 11.37, 0.37%, 0.5%

LAB 50.01, 29.26, 23.86

 

CMYK 0 / 40 / 48 / 25

HEX #C07463

RGB 192 116 99

HSL 10.97, 0.42%, 0.57%

LAB 56.68, 28.04, 22.11

 

CMYK 0 / 36 / 44 / 18

HEX #D18676

RGB 209 134 118

HSL 10.55, 0.5%, 0.64%

LAB 63.27, 26.94, 20.59

 

CMYK 0 / 54 / 65 / 47

HEX #883E2F

RGB 136 62 47

HSL 10.11, 0.49%, 0.36%

LAB 35.76, 30.41, 24.17

 

CMYK 0 / 63 / 76 / 53

HEX #772C1C

RGB 119 44 28

HSL 10.55, 0.62%, 0.29%

LAB 28.92, 31.87, 26.88

 

CMYK 0 / 75 / 91 / 60

HEX #661A09

RGB 102 26 9

HSL 10.97, 0.84%, 0.22%

LAB 22.24, 33.11, 29.21

 

CMYK 0 / 91 / 100 / 67

HEX #550800

RGB 85 8 0

HSL 5.65, 1%, 0.17%

LAB 16.03, 33.41, 24.71

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 55 / 66 / 47

HEX #883D2E

RGB 136 61 46

HSL 10, 0.49%, 0.36%

LAB 35.54, 30.87, 24.5

 

CMYK 0 / 66 / 66 / 47

HEX #882E2E

RGB 136 46 46

HSL 0, 0.49%, 0.36%

LAB 32.67, 38.4, 20.95

 

CMYK 0 / 55 / 66 / 47

HEX #883D2E

RGB 136 61 46

HSL 10, 0.49%, 0.36%

LAB 35.54, 30.87, 24.5

 

CMYK 0 / 37 / 66 / 47

HEX #88562E

RGB 136 86 46

HSL 26.67, 0.49%, 0.36%

LAB 41.35, 16.68, 31.41

 

CMYK 0 / 19 / 66 / 47

HEX #886E2E

RGB 136 110 46

HSL 42.67, 0.49%, 0.36%

LAB 47.73, 2.65, 38.59

 

CMYK 0 / 1 / 66 / 47

HEX #88862E

RGB 136 134 46

HSL 58.67, 0.49%, 0.36%

LAB 54.53, -10.8, 45.87

 

CMYK 16 / 0 / 66 / 47

HEX #72882E

RGB 114 136 46

HSL 74.67, 0.49%, 0.36%

LAB 53.37, -21.56, 44.1

 

CMYK 0 / 55 / 66 / 47

HEX #883D2E

RGB 136 61 46

HSL 10, 0.49%, 0.36%

LAB 35.54, 30.87, 24.5

 

CMYK 0 / 66 / 79 / 41

HEX #97341F

RGB 151 52 31

HSL 10.5, 0.66%, 0.36%

LAB 36.24, 40.37, 34.71

 

CMYK 0 / 75 / 90 / 35

HEX #A62A11

RGB 166 42 17

HSL 10.07, 0.81%, 0.36%

LAB 37.49, 49.25, 43.8

 

CMYK 0 / 82 / 99 / 29

HEX #B52002

RGB 181 32 2

HSL 10.06, 0.98%, 0.36%

LAB 39.35, 56.76, 51.91

 

CMYK 0 / 55 / 66 / 47

HEX #883D2E

RGB 136 61 46

HSL 10, 0.49%, 0.36%

LAB 35.54, 30.87, 24.5

 

CMYK 0 / 41 / 50 / 53

HEX #79473D

RGB 121 71 61

HSL 10, 0.33%, 0.36%

LAB 35.81, 20.21, 15.14

 

CMYK 0 / 24 / 29 / 58

HEX #6B514C

RGB 107 81 76

HSL 9.68, 0.17%, 0.36%

LAB 36.99, 10.05, 7.13

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 27 / 5 / 0 / 58

HEX #4D656A

RGB 77 101 106

HSL 190.34, 0.16%, 0.36%

LAB 41.1, -7.61, -5.75

 

CMYK 0 / 66 / 42 / 47

HEX #882E4F

RGB 136 46 79

HSL 338, 0.49%, 0.36%

LAB 33.46, 41.35, 0.71

 

CMYK 0 / 66 / 60 / 47

HEX #882E37

RGB 136 46 55

HSL 354, 0.49%, 0.36%

LAB 32.84, 39.05, 15.41

 

CMYK 0 / 55 / 66 / 47

HEX #883D2E

RGB 136 61 46

HSL 10, 0.49%, 0.36%

LAB 35.54, 30.87, 24.5

 

CMYK 0 / 38 / 66 / 47

HEX #88552E

RGB 136 85 46

HSL 26, 0.49%, 0.36%

LAB 41.1, 17.27, 31.12

 

CMYK 0 / 20 / 66 / 47

HEX #886D2E

RGB 136 109 46

HSL 42, 0.49%, 0.36%

LAB 47.45, 3.23, 38.29

 

CMYK 0 / 55 / 67 / 71

HEX #4B2219

RGB 75 34 25

HSL 10.8, 0.5%, 0.2%

LAB 18.84, 18.49, 14.95

 

CMYK 0 / 55 / 66 / 58

HEX #6A3024

RGB 106 48 36

HSL 10.29, 0.49%, 0.28%

LAB 27.59, 24.84, 19.81

 

CMYK 0 / 55 / 66 / 47

HEX #883D2E

RGB 136 61 46

HSL 10, 0.49%, 0.36%

LAB 35.54, 30.87, 24.5

 

CMYK 0 / 55 / 66 / 35

HEX #A74B39

RGB 167 75 57

HSL 9.82, 0.49%, 0.44%

LAB 43.57, 36.56, 28.89

 

CMYK 0 / 52 / 62 / 25

HEX #C05D49

RGB 192 93 73

HSL 10.08, 0.49%, 0.52%

LAB 51.29, 38.07, 30.02

 

CMYK 0 / 54 / 65 / 47

HEX #883E2F

RGB 136 62 47

HSL 10.11, 0.49%, 0.36%

LAB 35.76, 30.41, 24.17

 

CMYK 24 / 0 / 66 / 47

HEX #67882E

RGB 103 136 46

HSL 82, 0.49%, 0.36%

LAB 52.61, -26.18, 43.07

 

CMYK 66 / 51 / 0 / 47

HEX #2E4388

RGB 46 67 136

HSL 226, 0.49%, 0.36%

LAB 30.33, 15.48, -41.13

 

CMYK 0 / 54 / 65 / 47

HEX #883E2F

RGB 136 62 47

HSL 10.11, 0.49%, 0.36%

LAB 35.76, 30.41, 24.17

 

CMYK 66 / 0 / 55 / 47

HEX #2E883D

RGB 46 136 61

HSL 130, 0.49%, 0.36%

LAB 50.13, -43.06, 32.31

 

CMYK 55 / 66 / 0 / 47

HEX #3D2E88

RGB 61 46 136

HSL 250, 0.49%, 0.36%

LAB 25.93, 32.23, -48.21

 

CMYK 0 / 54 / 65 / 47

HEX #883E2F

RGB 136 62 47

HSL 10.11, 0.49%, 0.36%

LAB 35.76, 30.41, 24.17

 

CMYK 24 / 0 / 66 / 47

HEX #67882E

RGB 103 136 46

HSL 82, 0.49%, 0.36%

LAB 52.61, -26.18, 43.07

 

CMYK 66 / 11 / 0 / 47

HEX #2E7988

RGB 46 121 136

HSL 190, 0.49%, 0.36%

LAB 47.02, -17.99, -15

 

CMYK 42 / 66 / 0 / 47

HEX #4F2E88

RGB 79 46 136

HSL 262, 0.49%, 0.36%

LAB 27.83, 35.95, -45.04

 

CMYK 0 / 54 / 65 / 47

HEX #883E2F

RGB 136 62 47

HSL 10.11, 0.49%, 0.36%

LAB 35.76, 30.41, 24.17

 

CMYK 44 / 0 / 66 / 47

HEX #4C882E

RGB 76 136 46

HSL 100, 0.49%, 0.36%

LAB 51.09, -36.41, 40.97

 

CMYK 66 / 11 / 0 / 47

HEX #2E7988

RGB 46 121 136

HSL 190, 0.49%, 0.36%

LAB 47.02, -17.99, -15

 

CMYK 22 / 66 / 0 / 47

HEX #6A2E88

RGB 106 46 136

HSL 280, 0.49%, 0.36%

LAB 31.34, 42.29, -39.21

 

Description

Color code: HEX #883E2F | qconv.com Color code: HEX #883E2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 62 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 62 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 65 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 65% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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