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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8834D1 it is the complementary color #77CB2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8834D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8834D1 shade: #8D34CC, #9E46DF, #AF58F2, #C06AFF and #D17CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8834D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8834D1 shade: #8834D1, #7722BE, #6610AB, #550098 and #440085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8834D1 shade: #8733D0, #B233D0, #D033C5, #D0339A and #D03370

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8834D1 shade: #8733D0, #5D33D0 and #3333D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8834D1 shade matches the following richer shades: #8733D0, #881FE4 and #8A0AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8834D1 shade: #8733D0, #8647BC, #845BA8, #836F94 and #81847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8834D1 shade: #3333D0, #5D33D0, #8733D0, #B133D0 and #D033C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8834D1 shade: #5C2090, #7228B2, #8733D0, #9B54D8 and #AE76E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8834D1 shade: #8834D1, #D0335D and #33D048

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8834D1 shade: #8834D1, #D08733 and #33D087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8834D1 shade: #8834D1, #D0335D, #7CD033 and #33D0A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8834D1 shade: #8834D1, #D03833, #7CD033 and #33CBD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 75 / 0 / 18

HEX #8834D1

RGB 136 52 209

HSL 272.1, 0.63%, 0.51%

LAB 41.68, 62.46, -65.87

 

Complementary color

CMYK 41 / 0 / 77 / 20

HEX #77CB2E

RGB 119 203 46

HSL 92.1, 0.63%, 0.49%

LAB 74.08, -49.92, 64.86

 

CMYK 31 / 75 / 0 / 20

HEX #8D34CC

RGB 141 52 204

HSL 275.13, 0.6%, 0.5%

LAB 41.97, 62.23, -62.48

 

CMYK 29 / 69 / 0 / 13

HEX #9E46DF

RGB 158 70 223

HSL 274.51, 0.71%, 0.57%

LAB 48.23, 62.09, -63.12

 

CMYK 28 / 64 / 0 / 5

HEX #AF58F2

RGB 175 88 242

HSL 273.9, 0.86%, 0.65%

LAB 54.56, 61.6, -63.5

 

CMYK 25 / 58 / 0 / 0

HEX #C06AFF

RGB 192 106 255

HSL 274.63, 1%, 0.71%

LAB 60.55, 59.59, -60.98

 

CMYK 18 / 51 / 0 / 0

HEX #D17CFF

RGB 209 124 255

HSL 278.93, 1%, 0.74%

LAB 65.9, 54.76, -52.35

 

CMYK 35 / 75 / 0 / 18

HEX #8834D1

RGB 136 52 209

HSL 272.1, 0.63%, 0.51%

LAB 41.68, 62.46, -65.87

 

CMYK 37 / 82 / 0 / 25

HEX #7722BE

RGB 119 34 190

HSL 272.69, 0.7%, 0.44%

LAB 35.56, 62.05, -64.87

 

CMYK 40 / 91 / 0 / 33

HEX #6610AB

RGB 102 16 171

HSL 273.29, 0.83%, 0.37%

LAB 29.75, 60.51, -63.18

 

CMYK 44 / 100 / 0 / 40

HEX #550098

RGB 85 0 152

HSL 273.55, 1%, 0.3%

LAB 24.32, 57.56, -60.66

 

CMYK 49 / 100 / 0 / 48

HEX #440085

RGB 68 0 133

HSL 270.68, 1%, 0.26%

LAB 19.73, 51.68, -56.47

 

CMYK 35 / 75 / 0 / 18

HEX #8733D0

RGB 135 51 208

HSL 272.1, 0.63%, 0.51%

LAB 41.33, 62.46, -65.86

 

CMYK 14 / 75 / 0 / 18

HEX #B233D0

RGB 178 51 208

HSL 288.54, 0.63%, 0.51%

LAB 47.48, 70.3, -55.62

 

CMYK 0 / 75 / 5 / 18

HEX #D033C5

RGB 208 51 197

HSL 304.2, 0.63%, 0.51%

LAB 51.62, 74.52, -42.39

 

CMYK 0 / 75 / 26 / 18

HEX #D0339A

RGB 208 51 154

HSL 320.64, 0.63%, 0.51%

LAB 49.63, 68.64, -20.27

 

CMYK 0 / 75 / 46 / 18

HEX #D03370

RGB 208 51 112

HSL 336.69, 0.63%, 0.51%

LAB 48.19, 64.19, 2.96

 

CMYK 35 / 75 / 0 / 18

HEX #8733D0

RGB 135 51 208

HSL 272.1, 0.63%, 0.51%

LAB 41.33, 62.46, -65.86

 

CMYK 55 / 75 / 0 / 18

HEX #5D33D0

RGB 93 51 208

HSL 256.05, 0.63%, 0.51%

LAB 36.46, 56.05, -74.03

 

CMYK 75 / 75 / 0 / 18

HEX #3333D0

RGB 51 51 208

HSL 240, 0.63%, 0.51%

LAB 33.19, 51.62, -79.53

 

CMYK 35 / 75 / 0 / 18

HEX #8733D0

RGB 135 51 208

HSL 272.1, 0.63%, 0.51%

LAB 41.33, 62.46, -65.86

 

CMYK 40 / 86 / 0 / 11

HEX #881FE4

RGB 136 31 228

HSL 271.98, 0.78%, 0.51%

LAB 40.92, 73.49, -78

 

CMYK 45 / 96 / 0 / 2

HEX #8A0AF9

RGB 138 10 249

HSL 272.13, 0.95%, 0.51%

LAB 41.94, 81.72, -88.2

 

CMYK 35 / 75 / 0 / 18

HEX #8733D0

RGB 135 51 208

HSL 272.1, 0.63%, 0.51%

LAB 41.33, 62.46, -65.86

 

CMYK 29 / 62 / 0 / 26

HEX #8647BC

RGB 134 71 188

HSL 272.31, 0.47%, 0.51%

LAB 43.07, 48.43, -51.43

 

CMYK 21 / 46 / 0 / 34

HEX #845BA8

RGB 132 91 168

HSL 271.95, 0.31%, 0.51%

LAB 45.93, 32.07, -35.16

 

CMYK 11 / 25 / 0 / 42

HEX #836F94

RGB 131 111 148

HSL 272.43, 0.15%, 0.51%

LAB 49.9, 15.28, -17.22

 

CMYK 2 / 0 / 4 / 48

HEX #81847F

RGB 129 132 127

HSL 96, 0.02%, 0.51%

LAB 54.76, -2.1, 2.3

 

CMYK 75 / 75 / 0 / 18

HEX #3333D0

RGB 51 51 208

HSL 240, 0.63%, 0.51%

LAB 33.19, 51.62, -79.53

 

CMYK 55 / 75 / 0 / 18

HEX #5D33D0

RGB 93 51 208

HSL 256.05, 0.63%, 0.51%

LAB 36.46, 56.05, -74.03

 

CMYK 35 / 75 / 0 / 18

HEX #8733D0

RGB 135 51 208

HSL 272.1, 0.63%, 0.51%

LAB 41.33, 62.46, -65.86

 

CMYK 15 / 75 / 0 / 18

HEX #B133D0

RGB 177 51 208

HSL 288.15, 0.63%, 0.51%

LAB 47.33, 70.11, -55.87

 

CMYK 0 / 75 / 5 / 18

HEX #D033C6

RGB 208 51 198

HSL 303.82, 0.63%, 0.51%

LAB 51.67, 74.67, -42.88

 

CMYK 36 / 78 / 0 / 44

HEX #5C2090

RGB 92 32 144

HSL 272.14, 0.64%, 0.35%

LAB 27.63, 47.69, -50.25

 

CMYK 36 / 78 / 0 / 30

HEX #7228B2

RGB 114 40 178

HSL 272.17, 0.63%, 0.43%

LAB 34.62, 56.35, -59.34

 

CMYK 35 / 75 / 0 / 18

HEX #8733D0

RGB 135 51 208

HSL 272.1, 0.63%, 0.51%

LAB 41.33, 62.46, -65.86

 

CMYK 28 / 61 / 0 / 15

HEX #9B54D8

RGB 155 84 216

HSL 272.27, 0.63%, 0.59%

LAB 49.82, 53.23, -56.6

 

CMYK 22 / 47 / 0 / 12

HEX #AE76E0

RGB 174 118 224

HSL 271.7, 0.63%, 0.67%

LAB 59.29, 41.85, -45.9

 

CMYK 35 / 75 / 0 / 18

HEX #8834D1

RGB 136 52 209

HSL 272.1, 0.63%, 0.51%

LAB 41.68, 62.46, -65.87

 

CMYK 0 / 75 / 55 / 18

HEX #D0335D

RGB 208 51 93

HSL 343.95, 0.63%, 0.51%

LAB 47.71, 62.66, 13.91

 

CMYK 75 / 0 / 65 / 18

HEX #33D048

RGB 51 208 72

HSL 128.03, 0.63%, 0.51%

LAB 73.73, -66.02, 54.38

 

CMYK 35 / 75 / 0 / 18

HEX #8834D1

RGB 136 52 209

HSL 272.1, 0.63%, 0.51%

LAB 41.68, 62.46, -65.87

 

CMYK 0 / 35 / 75 / 18

HEX #D08733

RGB 208 135 51

HSL 32.1, 0.63%, 0.51%

LAB 62.49, 21, 54.25

 

CMYK 75 / 0 / 35 / 18

HEX #33D087

RGB 51 208 135

HSL 152.1, 0.63%, 0.51%

LAB 74.55, -56.45, 25.1

 

CMYK 35 / 75 / 0 / 18

HEX #8834D1

RGB 136 52 209

HSL 272.1, 0.63%, 0.51%

LAB 41.68, 62.46, -65.87

 

CMYK 0 / 75 / 55 / 18

HEX #D0335D

RGB 208 51 93

HSL 343.95, 0.63%, 0.51%

LAB 47.71, 62.66, 13.91

 

CMYK 40 / 0 / 75 / 18

HEX #7CD033

RGB 124 208 51

HSL 92.1, 0.63%, 0.51%

LAB 75.85, -50, 65.05

 

CMYK 75 / 0 / 20 / 18

HEX #33D0A6

RGB 51 208 166

HSL 163.95, 0.63%, 0.51%

LAB 75.18, -49.58, 9.54

 

CMYK 35 / 75 / 0 / 18

HEX #8834D1

RGB 136 52 209

HSL 272.1, 0.63%, 0.51%

LAB 41.68, 62.46, -65.87

 

CMYK 0 / 73 / 75 / 18

HEX #D03833

RGB 208 56 51

HSL 1.91, 0.63%, 0.51%

LAB 47.59, 58.67, 38.82

 

CMYK 40 / 0 / 75 / 18

HEX #7CD033

RGB 124 208 51

HSL 92.1, 0.63%, 0.51%

LAB 75.85, -50, 65.05

 

CMYK 75 / 2 / 0 / 18

HEX #33CBD0

RGB 51 203 208

HSL 181.91, 0.63%, 0.51%

LAB 74.81, -36.1, -13.67

 

Description

Color code: HEX #8834D1 | qconv.com Color code: HEX #8834D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 52 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 52 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 75 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 75% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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