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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882BAF it is the complementary color #77D450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882BAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882BAF shade: #8D2BAA, #9E3DBD, #AF4FD0, #C061E3 and #D173F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882BAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882BAF shade: #882BAF, #77199C, #660789, #550076 and #440063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882BAF shade: #892AB0, #AD2AB0, #B02A8F, #B02A6B and #B02A47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882BAF shade: #892AB0, #642AB0, #402AB0 and #2A2AB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882BAF shade matches the following richer shades: #892AB0, #9019C2 and #9707D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882BAF shade: #892AB0, #813C9E, #7A4E8D, #735F7B and #6B7169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882BAF shade: #412AB0, #642AB0, #882AB0, #AC2AB0 and #B02A91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882BAF shade: #551A6E, #6F228F, #892AB0, #A136CE and #B057D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882BAF shade: #882BAF, #B02A38 and #2AB052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882BAF shade: #882BAF, #B0882A and #2AB088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882BAF shade: #882BAF, #B02A38, #52B02A and #2AB0A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882BAF shade: #882BAF, #B0452A, #52B02A and #2A95B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 75 / 0 / 31

HEX #882BAF

RGB 136 43 175

HSL 282.27, 0.61%, 0.43%

LAB 37.94, 58.57, -52.01

 

Complementary color

CMYK 44 / 0 / 62 / 17

HEX #77D450

RGB 119 212 80

HSL 102.27, 0.61%, 0.57%

LAB 77.03, -51.01, 55.24

 

CMYK 17 / 75 / 0 / 33

HEX #8D2BAA

RGB 141 43 170

HSL 286.3, 0.6%, 0.42%

LAB 38.36, 58.56, -48.32

 

CMYK 16 / 68 / 0 / 26

HEX #9E3DBD

RGB 158 61 189

HSL 285.47, 0.51%, 0.49%

LAB 44.63, 58.82, -49.33

 

CMYK 16 / 62 / 0 / 18

HEX #AF4FD0

RGB 175 79 208

HSL 284.65, 0.58%, 0.56%

LAB 50.99, 58.58, -50.01

 

CMYK 15 / 57 / 0 / 11

HEX #C061E3

RGB 192 97 227

HSL 283.85, 0.7%, 0.64%

LAB 57.37, 58.07, -50.49

 

CMYK 15 / 53 / 0 / 4

HEX #D173F6

RGB 209 115 246

HSL 283.05, 0.88%, 0.71%

LAB 63.73, 57.42, -50.83

 

CMYK 22 / 75 / 0 / 31

HEX #882BAF

RGB 136 43 175

HSL 282.27, 0.61%, 0.43%

LAB 37.94, 58.57, -52.01

 

CMYK 24 / 84 / 0 / 39

HEX #77199C

RGB 119 25 156

HSL 283.05, 0.72%, 0.35%

LAB 31.85, 57.55, -50.58

 

CMYK 26 / 95 / 0 / 46

HEX #660789

RGB 102 7 137

HSL 283.85, 0.9%, 0.28%

LAB 26.11, 55.1, -48.31

 

CMYK 28 / 100 / 0 / 54

HEX #550076

RGB 85 0 118

HSL 283.22, 1%, 0.23%

LAB 20.98, 50.36, -44.77

 

CMYK 31 / 100 / 0 / 61

HEX #440063

RGB 68 0 99

HSL 281.21, 1%, 0.19%

LAB 16.15, 44.09, -40.37

 

CMYK 22 / 76 / 0 / 31

HEX #892AB0

RGB 137 42 176

HSL 282.54, 0.61%, 0.43%

LAB 38.04, 59.34, -52.45

 

CMYK 2 / 76 / 0 / 31

HEX #AD2AB0

RGB 173 42 176

HSL 298.66, 0.61%, 0.43%

LAB 43.76, 66.55, -42.95

 

CMYK 0 / 76 / 19 / 31

HEX #B02A8F

RGB 176 42 143

HSL 314.78, 0.61%, 0.43%

LAB 42.57, 62.23, -25.02

 

CMYK 0 / 76 / 39 / 31

HEX #B02A6B

RGB 176 42 107

HSL 330.9, 0.61%, 0.43%

LAB 41.13, 57.85, -4.99

 

CMYK 0 / 76 / 60 / 31

HEX #B02A47

RGB 176 42 71

HSL 347.01, 0.61%, 0.43%

LAB 40.15, 54.73, 16.3

 

CMYK 22 / 76 / 0 / 31

HEX #892AB0

RGB 137 42 176

HSL 282.54, 0.61%, 0.43%

LAB 38.04, 59.34, -52.45

 

CMYK 43 / 76 / 0 / 31

HEX #642AB0

RGB 100 42 176

HSL 265.97, 0.61%, 0.43%

LAB 32.92, 52.7, -61

 

CMYK 64 / 76 / 0 / 31

HEX #402AB0

RGB 64 42 176

HSL 249.85, 0.61%, 0.43%

LAB 29.11, 47.58, -67.4

 

CMYK 76 / 76 / 0 / 31

HEX #2A2AB0

RGB 42 42 176

HSL 240, 0.61%, 0.43%

LAB 27.53, 45.4, -70.07

 

CMYK 22 / 76 / 0 / 31

HEX #892AB0

RGB 137 42 176

HSL 282.54, 0.61%, 0.43%

LAB 38.04, 59.34, -52.45

 

CMYK 26 / 87 / 0 / 24

HEX #9019C2

RGB 144 25 194

HSL 282.25, 0.77%, 0.43%

LAB 38.76, 69.03, -61.85

 

CMYK 29 / 97 / 0 / 17

HEX #9707D4

RGB 151 7 212

HSL 282.15, 0.94%, 0.43%

LAB 40.39, 76.13, -69.62

 

CMYK 22 / 76 / 0 / 31

HEX #892AB0

RGB 137 42 176

HSL 282.54, 0.61%, 0.43%

LAB 38.04, 59.34, -52.45

 

CMYK 18 / 62 / 0 / 38

HEX #813C9E

RGB 129 60 158

HSL 282.24, 0.45%, 0.43%

LAB 38.49, 45.94, -41.01

 

CMYK 13 / 45 / 0 / 45

HEX #7A4E8D

RGB 122 78 141

HSL 281.9, 0.29%, 0.43%

LAB 40.43, 30.3, -27.74

 

CMYK 7 / 23 / 0 / 52

HEX #735F7B

RGB 115 95 123

HSL 282.86, 0.13%, 0.43%

LAB 43.15, 13.65, -12.68

 

CMYK 5 / 0 / 7 / 56

HEX #6B7169

RGB 107 113 105

HSL 105, 0.04%, 0.43%

LAB 46.92, -3.91, 3.65

 

CMYK 63 / 76 / 0 / 31

HEX #412AB0

RGB 65 42 176

HSL 250.3, 0.61%, 0.43%

LAB 29.2, 47.7, -67.25

 

CMYK 43 / 76 / 0 / 31

HEX #642AB0

RGB 100 42 176

HSL 265.97, 0.61%, 0.43%

LAB 32.92, 52.7, -61

 

CMYK 23 / 76 / 0 / 31

HEX #882AB0

RGB 136 42 176

HSL 282.09, 0.61%, 0.43%

LAB 37.89, 59.15, -52.7

 

CMYK 2 / 76 / 0 / 31

HEX #AC2AB0

RGB 172 42 176

HSL 298.21, 0.61%, 0.43%

LAB 43.6, 66.34, -43.23

 

CMYK 0 / 76 / 18 / 31

HEX #B02A91

RGB 176 42 145

HSL 313.88, 0.61%, 0.43%

LAB 42.66, 62.5, -26.09

 

CMYK 23 / 76 / 0 / 57

HEX #551A6E

RGB 85 26 110

HSL 282.14, 0.62%, 0.27%

LAB 22.98, 40.85, -36.35

 

CMYK 22 / 76 / 0 / 44

HEX #6F228F

RGB 111 34 143

HSL 282.39, 0.62%, 0.35%

LAB 30.66, 50.32, -44.59

 

CMYK 22 / 76 / 0 / 31

HEX #892AB0

RGB 137 42 176

HSL 282.54, 0.61%, 0.43%

LAB 38.04, 59.34, -52.45

 

CMYK 22 / 74 / 0 / 19

HEX #A136CE

RGB 161 54 206

HSL 282.24, 0.61%, 0.51%

LAB 45.18, 65.61, -58.3

 

CMYK 18 / 59 / 0 / 16

HEX #B057D6

RGB 176 87 214

HSL 282.05, 0.61%, 0.59%

LAB 52.84, 56.28, -50.47

 

CMYK 22 / 75 / 0 / 31

HEX #882BAF

RGB 136 43 175

HSL 282.27, 0.61%, 0.43%

LAB 37.94, 58.57, -52.01

 

CMYK 0 / 76 / 68 / 31

HEX #B02A38

RGB 176 42 56

HSL 353.73, 0.61%, 0.43%

LAB 39.87, 53.81, 25.32

 

CMYK 76 / 0 / 53 / 31

HEX #2AB052

RGB 42 176 82

HSL 137.91, 0.61%, 0.43%

LAB 63.47, -55.39, 37.93

 

CMYK 22 / 75 / 0 / 31

HEX #882BAF

RGB 136 43 175

HSL 282.27, 0.61%, 0.43%

LAB 37.94, 58.57, -52.01

 

CMYK 0 / 23 / 76 / 31

HEX #B0882A

RGB 176 136 42

HSL 42.09, 0.61%, 0.43%

LAB 58.98, 6.01, 53.28

 

CMYK 76 / 0 / 23 / 31

HEX #2AB088

RGB 42 176 136

HSL 162.09, 0.61%, 0.43%

LAB 64.42, -44.73, 10.54

 

CMYK 22 / 75 / 0 / 31

HEX #882BAF

RGB 136 43 175

HSL 282.27, 0.61%, 0.43%

LAB 37.94, 58.57, -52.01

 

CMYK 0 / 76 / 68 / 31

HEX #B02A38

RGB 176 42 56

HSL 353.73, 0.61%, 0.43%

LAB 39.87, 53.81, 25.32

 

CMYK 53 / 0 / 76 / 31

HEX #52B02A

RGB 82 176 42

HSL 102.09, 0.61%, 0.43%

LAB 64.17, -51.06, 56.1

 

CMYK 76 / 0 / 7 / 31

HEX #2AB0A3

RGB 42 176 163

HSL 174.18, 0.61%, 0.43%

LAB 65.11, -37.63, -3.43

 

CMYK 22 / 75 / 0 / 31

HEX #882BAF

RGB 136 43 175

HSL 282.27, 0.61%, 0.43%

LAB 37.94, 58.57, -52.01

 

CMYK 0 / 61 / 76 / 31

HEX #B0452A

RGB 176 69 42

HSL 12.09, 0.61%, 0.43%

LAB 43.73, 42.15, 37.93

 

CMYK 53 / 0 / 76 / 31

HEX #52B02A

RGB 82 176 42

HSL 102.09, 0.61%, 0.43%

LAB 64.17, -51.06, 56.1

 

CMYK 76 / 15 / 0 / 31

HEX #2A95B0

RGB 42 149 176

HSL 192.09, 0.61%, 0.43%

LAB 57.19, -20.4, -22.66

 

Description

Color code: HEX #882BAF | qconv.com Color code: HEX #882BAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 43 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 43 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 75 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 75% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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