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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882A5E it is the complementary color #77D5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882A5E shade: #8D2A59, #9E3C6C, #AF4E7F, #C06092 and #D172A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882A5E shade: #882A5E, #77184B, #660638, #550025 and #440012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882A5E shade: #88295E, #882944, #88292B and #882929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882A5E shade: #88295E, #882977, #7F2988, #662988 and #4C2988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882A5E shade matches the following richer shades: #88295E, #961B5F and #A50D61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882A5E shade: #88295E, #7A385C, #6B465B, #5D5559 and #4E6358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882A5E shade: #7F2988, #882978, #88295F, #882946 and #88292D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882A5E shade: #491632, #682048, #88295E, #A83374 and #C44089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882A5E shade: #882A5E, #886529 and #298588

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882A5E shade: #882A5E, #5F8829 and #295F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882A5E shade: #882A5E, #886529, #298852 and #294C88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882A5E shade: #882A5E, #888229, #298852 and #293088

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 31 / 47

HEX #882A5E

RGB 136 42 94

HSL 326.81, 0.53%, 0.35%

LAB 33.35, 44.93, -9.16

 

Complementary color

CMYK 44 / 0 / 24 / 16

HEX #77D5A1

RGB 119 213 161

HSL 146.81, 0.53%, 0.65%

LAB 78.51, -39.56, 17.17

 

CMYK 0 / 70 / 37 / 45

HEX #8D2A59

RGB 141 42 89

HSL 331.52, 0.54%, 0.36%

LAB 34.07, 45.82, -4.77

 

CMYK 0 / 62 / 32 / 38

HEX #9E3C6C

RGB 158 60 108

HSL 330.61, 0.45%, 0.43%

LAB 40.55, 45.63, -6.83

 

CMYK 0 / 55 / 27 / 31

HEX #AF4E7F

RGB 175 78 127

HSL 329.69, 0.38%, 0.5%

LAB 47.1, 45.08, -8.4

 

CMYK 0 / 50 / 24 / 25

HEX #C06092

RGB 192 96 146

HSL 328.75, 0.43%, 0.56%

LAB 53.65, 44.36, -9.67

 

CMYK 0 / 45 / 21 / 18

HEX #D172A5

RGB 209 114 165

HSL 327.79, 0.51%, 0.63%

LAB 60.16, 43.58, -10.72

 

CMYK 0 / 69 / 31 / 47

HEX #882A5E

RGB 136 42 94

HSL 326.81, 0.53%, 0.35%

LAB 33.35, 44.93, -9.16

 

CMYK 0 / 80 / 37 / 53

HEX #77184B

RGB 119 24 75

HSL 327.79, 0.66%, 0.28%

LAB 26.97, 44.39, -6.61

 

CMYK 0 / 94 / 45 / 60

HEX #660638

RGB 102 6 56

HSL 328.75, 0.89%, 0.21%

LAB 20.98, 42.5, -2.93

 

CMYK 0 / 100 / 56 / 67

HEX #550025

RGB 85 0 37

HSL 333.88, 1%, 0.17%

LAB 15.82, 37.9, 2.69

 

CMYK 0 / 100 / 74 / 73

HEX #440012

RGB 68 0 18

HSL 344.12, 1%, 0.13%

LAB 11.08, 31.82, 9.29

 

CMYK 0 / 70 / 31 / 47

HEX #88295E

RGB 136 41 94

HSL 326.53, 0.54%, 0.35%

LAB 33.2, 45.34, -9.38

 

CMYK 0 / 70 / 50 / 47

HEX #882944

RGB 136 41 68

HSL 342.95, 0.54%, 0.35%

LAB 32.34, 42.39, 6.26

 

CMYK 0 / 70 / 68 / 47

HEX #88292B

RGB 136 41 43

HSL 358.74, 0.54%, 0.35%

LAB 31.79, 40.44, 21.76

 

CMYK 0 / 70 / 70 / 47

HEX #882929

RGB 136 41 41

HSL 0, 0.54%, 0.35%

LAB 31.76, 40.32, 22.99

 

CMYK 0 / 70 / 31 / 47

HEX #88295E

RGB 136 41 94

HSL 326.53, 0.54%, 0.35%

LAB 33.2, 45.34, -9.38

 

CMYK 0 / 70 / 13 / 47

HEX #882977

RGB 136 41 119

HSL 310.74, 0.54%, 0.35%

LAB 34.3, 48.98, -23.6

 

CMYK 7 / 70 / 0 / 47

HEX #7F2988

RGB 127 41 136

HSL 294.32, 0.54%, 0.35%

LAB 33.72, 49.67, -35.21

 

CMYK 25 / 70 / 0 / 47

HEX #662988

RGB 102 41 136

HSL 278.53, 0.54%, 0.35%

LAB 29.88, 43.78, -41.57

 

CMYK 44 / 70 / 0 / 47

HEX #4C2988

RGB 76 41 136

HSL 262.11, 0.54%, 0.35%

LAB 26.45, 38.12, -47.3

 

CMYK 0 / 70 / 31 / 47

HEX #88295E

RGB 136 41 94

HSL 326.53, 0.54%, 0.35%

LAB 33.2, 45.34, -9.38

 

CMYK 0 / 82 / 37 / 41

HEX #961B5F

RGB 150 27 95

HSL 326.83, 0.69%, 0.35%

LAB 34.18, 54.13, -8.29

 

CMYK 0 / 92 / 41 / 35

HEX #A50D61

RGB 165 13 97

HSL 326.84, 0.85%, 0.35%

LAB 36.27, 60.85, -6.13

 

CMYK 0 / 70 / 31 / 47

HEX #88295E

RGB 136 41 94

HSL 326.53, 0.54%, 0.35%

LAB 33.2, 45.34, -9.38

 

CMYK 0 / 54 / 25 / 52

HEX #7A385C

RGB 122 56 92

HSL 327.27, 0.37%, 0.35%

LAB 33.43, 33.31, -7.97

 

CMYK 0 / 35 / 15 / 58

HEX #6B465B

RGB 107 70 91

HSL 325.95, 0.21%, 0.35%

LAB 34.52, 19.39, -5.92

 

CMYK 0 / 9 / 4 / 64

HEX #5D5559

RGB 93 85 89

HSL 330, 0.04%, 0.35%

LAB 37.01, 4.07, -1.15

 

CMYK 21 / 0 / 11 / 61

HEX #4E6358

RGB 78 99 88

HSL 148.57, 0.12%, 0.35%

LAB 40, -10.42, 3.65

 

CMYK 7 / 70 / 0 / 47

HEX #7F2988

RGB 127 41 136

HSL 294.32, 0.54%, 0.35%

LAB 33.72, 49.67, -35.21

 

CMYK 0 / 70 / 12 / 47

HEX #882978

RGB 136 41 120

HSL 310.11, 0.54%, 0.35%

LAB 34.35, 49.14, -24.15

 

CMYK 0 / 70 / 30 / 47

HEX #88295F

RGB 136 41 95

HSL 325.89, 0.54%, 0.35%

LAB 33.24, 45.47, -9.97

 

CMYK 0 / 70 / 49 / 47

HEX #882946

RGB 136 41 70

HSL 341.68, 0.54%, 0.35%

LAB 32.4, 42.59, 5.03

 

CMYK 0 / 70 / 67 / 47

HEX #88292D

RGB 136 41 45

HSL 357.47, 0.54%, 0.35%

LAB 31.83, 40.57, 20.53

 

CMYK 0 / 70 / 32 / 71

HEX #491632

RGB 73 22 50

HSL 327.06, 0.54%, 0.19%

LAB 16.6, 27.54, -5.86

 

CMYK 0 / 69 / 31 / 59

HEX #682048

RGB 104 32 72

HSL 326.67, 0.53%, 0.27%

LAB 25.09, 36.35, -7.72

 

CMYK 0 / 70 / 31 / 47

HEX #88295E

RGB 136 41 94

HSL 326.53, 0.54%, 0.35%

LAB 33.2, 45.34, -9.38

 

CMYK 0 / 70 / 31 / 34

HEX #A83374

RGB 168 51 116

HSL 326.67, 0.53%, 0.43%

LAB 41.14, 53.48, -10.74

 

CMYK 0 / 67 / 30 / 23

HEX #C44089

RGB 196 64 137

HSL 326.82, 0.53%, 0.51%

LAB 48.52, 58.93, -11.96

 

CMYK 0 / 69 / 31 / 47

HEX #882A5E

RGB 136 42 94

HSL 326.81, 0.53%, 0.35%

LAB 33.35, 44.93, -9.16

 

CMYK 0 / 26 / 70 / 47

HEX #886529

RGB 136 101 41

HSL 37.89, 0.54%, 0.35%

LAB 45.22, 7.55, 38.34

 

CMYK 70 / 2 / 0 / 47

HEX #298588

RGB 41 133 136

HSL 181.89, 0.54%, 0.35%

LAB 50.72, -25.11, -9.43

 

CMYK 0 / 69 / 31 / 47

HEX #882A5E

RGB 136 42 94

HSL 326.81, 0.53%, 0.35%

LAB 33.35, 44.93, -9.16

 

CMYK 30 / 0 / 70 / 47

HEX #5F8829

RGB 95 136 41

HSL 85.89, 0.54%, 0.35%

LAB 52.06, -29.8, 44.5

 

CMYK 70 / 30 / 0 / 47

HEX #295F88

RGB 41 95 136

HSL 205.89, 0.54%, 0.35%

LAB 38.61, -3.75, -28

 

CMYK 0 / 69 / 31 / 47

HEX #882A5E

RGB 136 42 94

HSL 326.81, 0.53%, 0.35%

LAB 33.35, 44.93, -9.16

 

CMYK 0 / 26 / 70 / 47

HEX #886529

RGB 136 101 41

HSL 37.89, 0.54%, 0.35%

LAB 45.22, 7.55, 38.34

 

CMYK 70 / 0 / 40 / 47

HEX #298852

RGB 41 136 82

HSL 145.89, 0.54%, 0.35%

LAB 50.32, -40.43, 21.21

 

CMYK 70 / 44 / 0 / 47

HEX #294C88

RGB 41 76 136

HSL 217.89, 0.54%, 0.35%

LAB 32.74, 8.51, -37.29

 

CMYK 0 / 69 / 31 / 47

HEX #882A5E

RGB 136 42 94

HSL 326.81, 0.53%, 0.35%

LAB 33.35, 44.93, -9.16

 

CMYK 0 / 4 / 70 / 47

HEX #888229

RGB 136 130 41

HSL 56.21, 0.54%, 0.35%

LAB 53.34, -8.93, 46.79

 

CMYK 70 / 0 / 40 / 47

HEX #298852

RGB 41 136 82

HSL 145.89, 0.54%, 0.35%

LAB 50.32, -40.43, 21.21

 

CMYK 70 / 65 / 0 / 47

HEX #293088

RGB 41 48 136

HSL 235.58, 0.54%, 0.35%

LAB 24.84, 27.56, -50.06

 

Description

Color code: HEX #882A5E | qconv.com Color code: HEX #882A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 42 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 42 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 31 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 31% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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