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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882952 it is the complementary color #77D6AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882952 shade: #8D294D, #9E3B60, #AF4D73, #C05F86 and #D17199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882952 shade: #882952, #77173F, #66052C, #550019 and #440006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882952 shade: #892952, #892938 and #892929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882952 shade: #892952, #89296C, #892986, #722989 and #582989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882952 shade matches the following richer shades: #892952, #971A50 and #A60C4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882952 shade: #892952, #7B3754, #6C4556, #5E5458 and #4F625A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882952 shade: #892986, #89296C, #892952, #892939 and #893229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882952 shade: #49162C, #691F3F, #892952, #A93265 and #C53F79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882952 shade: #882952, #897229 and #297989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882952 shade: #882952, #528929 and #295289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882952 shade: #882952, #897229, #29895F and #293F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882952 shade: #882952, #838929, #29895F and #2F2989

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 40 / 47

HEX #882952

RGB 136 41 82

HSL 334.11, 0.54%, 0.35%

LAB 32.76, 43.87, -2.26

 

Complementary color

CMYK 44 / 0 / 19 / 16

HEX #77D6AD

RGB 119 214 173

HSL 154.11, 0.54%, 0.65%

LAB 79.06, -37.57, 11.58

 

CMYK 0 / 71 / 45 / 45

HEX #8D294D

RGB 141 41 77

HSL 338.4, 0.55%, 0.36%

LAB 33.53, 44.9, 2.22

 

CMYK 0 / 63 / 39 / 38

HEX #9E3B60

RGB 158 59 96

HSL 337.58, 0.46%, 0.43%

LAB 39.98, 44.62, -0.16

 

CMYK 0 / 56 / 34 / 31

HEX #AF4D73

RGB 175 77 115

HSL 336.73, 0.39%, 0.49%

LAB 46.52, 43.99, -1.98

 

CMYK 0 / 51 / 30 / 25

HEX #C05F86

RGB 192 95 134

HSL 335.88, 0.43%, 0.56%

LAB 53.07, 43.21, -3.45

 

CMYK 0 / 46 / 27 / 18

HEX #D17199

RGB 209 113 153

HSL 335, 0.51%, 0.63%

LAB 59.59, 42.38, -4.67

 

CMYK 0 / 70 / 40 / 47

HEX #882952

RGB 136 41 82

HSL 334.11, 0.54%, 0.35%

LAB 32.76, 43.87, -2.26

 

CMYK 0 / 81 / 47 / 53

HEX #77173F

RGB 119 23 63

HSL 335, 0.68%, 0.28%

LAB 26.43, 43.41, 0.67

 

CMYK 0 / 95 / 57 / 60

HEX #66052C

RGB 102 5 44

HSL 335.88, 0.91%, 0.21%

LAB 20.5, 41.63, 4.84

 

CMYK 0 / 100 / 71 / 67

HEX #550019

RGB 85 0 25

HSL 342.35, 1%, 0.17%

LAB 15.5, 37.02, 11.08

 

CMYK 0 / 100 / 91 / 73

HEX #440006

RGB 68 0 6

HSL 354.71, 1%, 0.13%

LAB 10.86, 31.23, 14.66

 

CMYK 0 / 70 / 40 / 46

HEX #892952

RGB 137 41 82

HSL 334.38, 0.54%, 0.35%

LAB 32.95, 44.18, -1.97

 

CMYK 0 / 70 / 59 / 46

HEX #892938

RGB 137 41 56

HSL 350.63, 0.54%, 0.35%

LAB 32.24, 41.69, 13.99

 

CMYK 0 / 70 / 70 / 46

HEX #892929

RGB 137 41 41

HSL 0, 0.54%, 0.35%

LAB 31.95, 40.68, 23.26

 

CMYK 0 / 70 / 40 / 46

HEX #892952

RGB 137 41 82

HSL 334.38, 0.54%, 0.35%

LAB 32.95, 44.18, -1.97

 

CMYK 0 / 70 / 21 / 46

HEX #89296C

RGB 137 41 108

HSL 318.13, 0.54%, 0.35%

LAB 33.96, 47.57, -17.16

 

CMYK 0 / 70 / 2 / 46

HEX #892986

RGB 137 41 134

HSL 301.88, 0.54%, 0.35%

LAB 35.25, 51.74, -31.44

 

CMYK 17 / 70 / 0 / 46

HEX #722989

RGB 114 41 137

HSL 285.63, 0.54%, 0.35%

LAB 31.74, 46.78, -39.12

 

CMYK 36 / 70 / 0 / 46

HEX #582989

RGB 88 41 137

HSL 269.38, 0.54%, 0.35%

LAB 28.03, 40.91, -45.29

 

CMYK 0 / 70 / 40 / 46

HEX #892952

RGB 137 41 82

HSL 334.38, 0.54%, 0.35%

LAB 32.95, 44.18, -1.97

 

CMYK 0 / 83 / 47 / 41

HEX #971A50

RGB 151 26 80

HSL 334.08, 0.71%, 0.35%

LAB 33.77, 53.14, 0.85

 

CMYK 0 / 93 / 53 / 35

HEX #A60C4E

RGB 166 12 78

HSL 334.29, 0.87%, 0.35%

LAB 35.83, 59.59, 5.52

 

CMYK 0 / 70 / 40 / 46

HEX #892952

RGB 137 41 82

HSL 334.38, 0.54%, 0.35%

LAB 32.95, 44.18, -1.97

 

CMYK 0 / 55 / 32 / 52

HEX #7B3754

RGB 123 55 84

HSL 334.41, 0.38%, 0.35%

LAB 33.1, 33.02, -3.31

 

CMYK 0 / 36 / 20 / 58

HEX #6C4556

RGB 108 69 86

HSL 333.85, 0.22%, 0.35%

LAB 34.22, 19.5, -3.17

 

CMYK 0 / 11 / 6 / 63

HEX #5E5458

RGB 94 84 88

HSL 336, 0.06%, 0.35%

LAB 36.79, 4.89, -0.84

 

CMYK 19 / 0 / 8 / 62

HEX #4F625A

RGB 79 98 90

HSL 154.74, 0.11%, 0.35%

LAB 39.81, -9.02, 2.16

 

CMYK 0 / 70 / 2 / 46

HEX #892986

RGB 137 41 134

HSL 301.88, 0.54%, 0.35%

LAB 35.25, 51.74, -31.44

 

CMYK 0 / 70 / 21 / 46

HEX #89296C

RGB 137 41 108

HSL 318.13, 0.54%, 0.35%

LAB 33.96, 47.57, -17.16

 

CMYK 0 / 70 / 40 / 46

HEX #892952

RGB 137 41 82

HSL 334.38, 0.54%, 0.35%

LAB 32.95, 44.18, -1.97

 

CMYK 0 / 70 / 58 / 46

HEX #892939

RGB 137 41 57

HSL 350, 0.54%, 0.35%

LAB 32.26, 41.76, 13.36

 

CMYK 0 / 64 / 70 / 46

HEX #893229

RGB 137 50 41

HSL 5.63, 0.54%, 0.35%

LAB 33.48, 36.57, 25.1

 

CMYK 0 / 70 / 40 / 71

HEX #49162C

RGB 73 22 44

HSL 334.12, 0.54%, 0.19%

LAB 16.37, 26.67, -1.92

 

CMYK 0 / 70 / 40 / 59

HEX #691F3F

RGB 105 31 63

HSL 334.05, 0.54%, 0.27%

LAB 24.77, 35.95, -2.08

 

CMYK 0 / 70 / 40 / 46

HEX #892952

RGB 137 41 82

HSL 334.38, 0.54%, 0.35%

LAB 32.95, 44.18, -1.97

 

CMYK 0 / 70 / 40 / 34

HEX #A93265

RGB 169 50 101

HSL 334.29, 0.54%, 0.43%

LAB 40.66, 52.42, -2.07

 

CMYK 0 / 68 / 39 / 23

HEX #C53F79

RGB 197 63 121

HSL 334.03, 0.54%, 0.51%

LAB 48.01, 57.77, -3.02

 

CMYK 0 / 70 / 40 / 47

HEX #882952

RGB 136 41 82

HSL 334.11, 0.54%, 0.35%

LAB 32.76, 43.87, -2.26

 

CMYK 0 / 17 / 70 / 46

HEX #897229

RGB 137 114 41

HSL 45.63, 0.54%, 0.35%

LAB 48.9, 0.49, 42.26

 

CMYK 70 / 12 / 0 / 46

HEX #297989

RGB 41 121 137

HSL 190, 0.54%, 0.35%

LAB 46.91, -18.49, -15.77

 

CMYK 0 / 70 / 40 / 47

HEX #882952

RGB 136 41 82

HSL 334.11, 0.54%, 0.35%

LAB 32.76, 43.87, -2.26

 

CMYK 40 / 0 / 70 / 46

HEX #528929

RGB 82 137 41

HSL 94.38, 0.54%, 0.35%

LAB 51.66, -35.19, 43.85

 

CMYK 70 / 40 / 0 / 46

HEX #295289

RGB 41 82 137

HSL 214.38, 0.54%, 0.35%

LAB 34.62, 4.92, -34.9

 

CMYK 0 / 70 / 40 / 47

HEX #882952

RGB 136 41 82

HSL 334.11, 0.54%, 0.35%

LAB 32.76, 43.87, -2.26

 

CMYK 0 / 17 / 70 / 46

HEX #897229

RGB 137 114 41

HSL 45.63, 0.54%, 0.35%

LAB 48.9, 0.49, 42.26

 

CMYK 70 / 0 / 31 / 46

HEX #29895F

RGB 41 137 95

HSL 153.75, 0.54%, 0.35%

LAB 50.91, -38.08, 14.65

 

CMYK 70 / 54 / 0 / 46

HEX #293F89

RGB 41 63 137

HSL 226.25, 0.54%, 0.35%

LAB 28.99, 17.73, -43.94

 

CMYK 0 / 70 / 40 / 47

HEX #882952

RGB 136 41 82

HSL 334.11, 0.54%, 0.35%

LAB 32.76, 43.87, -2.26

 

CMYK 4 / 0 / 70 / 46

HEX #838929

RGB 131 137 41

HSL 63.75, 0.54%, 0.35%

LAB 54.95, -14.96, 48.26

 

CMYK 70 / 0 / 31 / 46

HEX #29895F

RGB 41 137 95

HSL 153.75, 0.54%, 0.35%

LAB 50.91, -38.08, 14.65

 

CMYK 66 / 70 / 0 / 46

HEX #2F2989

RGB 47 41 137

HSL 243.75, 0.54%, 0.35%

LAB 23.66, 33.32, -52.6

 

Description

Color code: HEX #882952 | qconv.com Color code: HEX #882952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 41 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 41 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 40 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 40% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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