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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882796 it is the complementary color #77D869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882796 shade: #8D2791, #9E39A4, #AF4BB7, #C05DCA and #D16FDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882796 shade: #882796, #771583, #660370, #55005D and #44004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882796 shade: #872696, #962686, #962668, #962649 and #96262B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882796 shade: #872696, #692696, #4B2696, #2D2696 and #262696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882796 shade matches the following richer shades: #872696, #9317A5 and #9E08B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882796 shade: #872696, #7C3586, #714577, #655468 and #5A6358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882796 shade: #4B2696, #692696, #872696, #962687 and #962669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882796 shade: #4C1554, #6A1E75, #872696, #A52FB6 and #BC41CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882796 shade: #882796, #962E26 and #26965A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882796 shade: #882796, #968726 and #269687

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882796 shade: #882796, #962E26, #359626 and #268E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882796 shade: #882796, #964F26, #359626 and #266D96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 41

HEX #882796

RGB 136 39 150

HSL 292.43, 0.59%, 0.37%

LAB 35.77, 55.14, -40.46

 

Complementary color

CMYK 45 / 0 / 51 / 15

HEX #77D869

RGB 119 216 105

HSL 112.43, 0.59%, 0.63%

LAB 78.49, -49.9, 45.62

 

CMYK 3 / 73 / 0 / 43

HEX #8D2791

RGB 141 39 145

HSL 297.74, 0.58%, 0.36%

LAB 36.29, 55.35, -36.53

 

CMYK 4 / 65 / 0 / 36

HEX #9E39A4

RGB 158 57 164

HSL 296.64, 0.48%, 0.43%

LAB 42.58, 55.74, -37.86

 

CMYK 4 / 59 / 0 / 28

HEX #AF4BB7

RGB 175 75 183

HSL 295.56, 0.43%, 0.51%

LAB 48.96, 55.59, -38.79

 

CMYK 5 / 54 / 0 / 21

HEX #C05DCA

RGB 192 93 202

HSL 294.5, 0.51%, 0.58%

LAB 55.38, 55.14, -39.49

 

CMYK 5 / 50 / 0 / 13

HEX #D16FDD

RGB 209 111 221

HSL 293.45, 0.62%, 0.65%

LAB 61.78, 54.53, -40.02

 

CMYK 9 / 74 / 0 / 41

HEX #882796

RGB 136 39 150

HSL 292.43, 0.59%, 0.37%

LAB 35.77, 55.14, -40.46

 

CMYK 9 / 84 / 0 / 49

HEX #771583

RGB 119 21 131

HSL 293.45, 0.72%, 0.3%

LAB 29.66, 53.85, -38.68

 

CMYK 9 / 97 / 0 / 56

HEX #660370

RGB 102 3 112

HSL 294.5, 0.95%, 0.23%

LAB 23.87, 51.19, -36.07

 

CMYK 9 / 100 / 0 / 64

HEX #55005D

RGB 85 0 93

HSL 294.84, 1%, 0.18%

LAB 18.89, 45.56, -31.79

 

CMYK 8 / 100 / 0 / 71

HEX #44004A

RGB 68 0 74

HSL 295.14, 1%, 0.15%

LAB 13.96, 39.07, -26.99

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 0 / 75 / 11 / 41

HEX #962686

RGB 150 38 134

HSL 308.57, 0.6%, 0.37%

LAB 37.1, 55.97, -28.38

 

CMYK 0 / 75 / 31 / 41

HEX #962668

RGB 150 38 104

HSL 324.64, 0.6%, 0.37%

LAB 35.73, 51.76, -11.7

 

CMYK 0 / 75 / 51 / 41

HEX #962649

RGB 150 38 73

HSL 341.25, 0.6%, 0.37%

LAB 34.7, 48.45, 6.72

 

CMYK 0 / 75 / 71 / 41

HEX #96262B

RGB 150 38 43

HSL 357.32, 0.6%, 0.37%

LAB 34.08, 46.36, 25.16

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 30 / 75 / 0 / 41

HEX #692696

RGB 105 38 150

HSL 275.89, 0.6%, 0.37%

LAB 30.86, 49.02, -48.61

 

CMYK 50 / 75 / 0 / 41

HEX #4B2696

RGB 75 38 150

HSL 259.82, 0.6%, 0.37%

LAB 26.97, 43.51, -55.11

 

CMYK 70 / 75 / 0 / 41

HEX #2D2696

RGB 45 38 150

HSL 243.75, 0.6%, 0.37%

LAB 24.15, 39.29, -59.86

 

CMYK 75 / 75 / 0 / 41

HEX #262696

RGB 38 38 150

HSL 240, 0.6%, 0.37%

LAB 23.67, 38.56, -60.66

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 11 / 86 / 0 / 35

HEX #9317A5

RGB 147 23 165

HSL 292.39, 0.76%, 0.37%

LAB 36.99, 64.62, -47.48

 

CMYK 12 / 96 / 0 / 29

HEX #9E08B4

RGB 158 8 180

HSL 292.33, 0.91%, 0.37%

LAB 39.14, 71.31, -52.88

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 7 / 60 / 0 / 47

HEX #7C3586

RGB 124 53 134

HSL 292.59, 0.43%, 0.37%

LAB 35.11, 43.06, -31.8

 

CMYK 5 / 42 / 0 / 53

HEX #714577

RGB 113 69 119

HSL 292.8, 0.27%, 0.37%

LAB 36.17, 27.8, -20.94

 

CMYK 3 / 19 / 0 / 59

HEX #655468

RGB 101 84 104

HSL 291, 0.11%, 0.37%

LAB 38.03, 11.02, -8.89

 

CMYK 9 / 0 / 11 / 61

HEX #5A6358

RGB 90 99 88

HSL 109.09, 0.06%, 0.37%

LAB 40.9, -5.8, 5.07

 

CMYK 50 / 75 / 0 / 41

HEX #4B2696

RGB 75 38 150

HSL 259.82, 0.6%, 0.37%

LAB 26.97, 43.51, -55.11

 

CMYK 30 / 75 / 0 / 41

HEX #692696

RGB 105 38 150

HSL 275.89, 0.6%, 0.37%

LAB 30.86, 49.02, -48.61

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 0 / 75 / 10 / 41

HEX #962687

RGB 150 38 135

HSL 308.04, 0.6%, 0.37%

LAB 37.15, 56.13, -28.92

 

CMYK 0 / 75 / 30 / 41

HEX #962669

RGB 150 38 105

HSL 324.11, 0.6%, 0.37%

LAB 35.77, 51.89, -12.27

 

CMYK 10 / 75 / 0 / 67

HEX #4C1554

RGB 76 21 84

HSL 292.38, 0.6%, 0.21%

LAB 18.86, 35.2, -25.9

 

CMYK 9 / 74 / 0 / 54

HEX #6A1E75

RGB 106 30 117

HSL 292.41, 0.59%, 0.29%

LAB 27.51, 45.46, -33.39

 

CMYK 10 / 75 / 0 / 41

HEX #872696

RGB 135 38 150

HSL 291.96, 0.6%, 0.37%

LAB 35.48, 55.28, -40.94

 

CMYK 9 / 74 / 0 / 29

HEX #A52FB6

RGB 165 47 182

HSL 292.44, 0.59%, 0.45%

LAB 43.37, 64.34, -47.19

 

CMYK 9 / 68 / 0 / 19

HEX #BC41CE

RGB 188 65 206

HSL 292.34, 0.59%, 0.53%

LAB 50.6, 67.05, -49.38

 

CMYK 9 / 74 / 0 / 41

HEX #882796

RGB 136 39 150

HSL 292.43, 0.59%, 0.37%

LAB 35.77, 55.14, -40.46

 

CMYK 0 / 69 / 75 / 41

HEX #962E26

RGB 150 46 38

HSL 4.29, 0.6%, 0.37%

LAB 35.16, 42.95, 29.48

 

CMYK 75 / 0 / 40 / 41

HEX #26965A

RGB 38 150 90

HSL 147.86, 0.6%, 0.37%

LAB 55.03, -44.98, 23.01

 

CMYK 9 / 74 / 0 / 41

HEX #882796

RGB 136 39 150

HSL 292.43, 0.59%, 0.37%

LAB 35.77, 55.14, -40.46

 

CMYK 0 / 10 / 75 / 41

HEX #968726

RGB 150 135 38

HSL 51.96, 0.6%, 0.37%

LAB 56.04, -5.43, 51.09

 

CMYK 75 / 0 / 10 / 41

HEX #269687

RGB 38 150 135

HSL 171.96, 0.6%, 0.37%

LAB 56.06, -34.08, -0.94

 

CMYK 9 / 74 / 0 / 41

HEX #882796

RGB 136 39 150

HSL 292.43, 0.59%, 0.37%

LAB 35.77, 55.14, -40.46

 

CMYK 0 / 69 / 75 / 41

HEX #962E26

RGB 150 46 38

HSL 4.29, 0.6%, 0.37%

LAB 35.16, 42.95, 29.48

 

CMYK 65 / 0 / 75 / 41

HEX #359626

RGB 53 150 38

HSL 111.96, 0.6%, 0.37%

LAB 54.77, -49.27, 47.88

 

CMYK 75 / 5 / 0 / 41

HEX #268E96

RGB 38 142 150

HSL 184.29, 0.6%, 0.37%

LAB 53.98, -25.71, -12.66

 

CMYK 9 / 74 / 0 / 41

HEX #882796

RGB 136 39 150

HSL 292.43, 0.59%, 0.37%

LAB 35.77, 55.14, -40.46

 

CMYK 0 / 47 / 75 / 41

HEX #964F26

RGB 150 79 38

HSL 21.96, 0.6%, 0.37%

LAB 41.56, 26.39, 36.49

 

CMYK 65 / 0 / 75 / 41

HEX #359626

RGB 53 150 38

HSL 111.96, 0.6%, 0.37%

LAB 54.77, -49.27, 47.88

 

CMYK 75 / 27 / 0 / 41

HEX #266D96

RGB 38 109 150

HSL 201.96, 0.6%, 0.37%

LAB 43.58, -7.58, -28.63

 

Description

Color code: HEX #882796 | qconv.com Color code: HEX #882796 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 39 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 39 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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