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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8825BD it is the complementary color #77DA42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8825BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8825BD shade: #8D25B8, #9E37CB, #AF49DE, #C05BF1 and #D16DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8825BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8825BD shade: #8825BD, #7713AA, #660197, #550084 and #440071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8825BD shade: #8625BB, #AF25BB, #BB259E, #BB2576 and #BB254D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8825BD shade: #8625BB, #5E25BB, #3525BB and #2525BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8825BD shade matches the following richer shades: #8625BB, #8C12CD and #9100DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8825BD shade: #8625BB, #8137A9, #7B4997, #765B84 and #706D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8825BD shade: #3625BB, #5E25BB, #8625BB, #AE25BB and #BB259F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8825BD shade: #551776, #6E1E98, #8625BB, #9D32D6 and #AE55DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8825BD shade: #8825BD, #BB253B and #25BB4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8825BD shade: #8825BD, #BB8625 and #25BB86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8825BD shade: #8825BD, #BB253B, #59BB25 and #25BBA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8825BD shade: #8825BD, #BB3B25, #59BB25 and #25A4BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 80 / 0 / 26

HEX #8825BD

RGB 136 37 189

HSL 279.08, 0.67%, 0.44%

LAB 38.25, 63.54, -59.79

 

Complementary color

CMYK 45 / 0 / 70 / 15

HEX #77DA42

RGB 119 218 66

HSL 99.08, 0.67%, 0.56%

LAB 78.73, -54.55, 62.64

 

CMYK 23 / 80 / 0 / 28

HEX #8D25B8

RGB 141 37 184

HSL 282.45, 0.67%, 0.43%

LAB 38.63, 63.38, -56.2

 

CMYK 22 / 73 / 0 / 20

HEX #9E37CB

RGB 158 55 203

HSL 281.76, 0.59%, 0.51%

LAB 44.68, 64.05, -57.39

 

CMYK 21 / 67 / 0 / 13

HEX #AF49DE

RGB 175 73 222

HSL 281.07, 0.69%, 0.58%

LAB 50.87, 64.08, -58.19

 

CMYK 20 / 62 / 0 / 5

HEX #C05BF1

RGB 192 91 241

HSL 280.4, 0.84%, 0.65%

LAB 57.11, 63.74, -58.72

 

CMYK 18 / 57 / 0 / 0

HEX #D16DFF

RGB 209 109 255

HSL 281.1, 1%, 0.71%

LAB 63.1, 62.16, -56.78

 

CMYK 28 / 80 / 0 / 26

HEX #8825BD

RGB 136 37 189

HSL 279.08, 0.67%, 0.44%

LAB 38.25, 63.54, -59.79

 

CMYK 30 / 89 / 0 / 33

HEX #7713AA

RGB 119 19 170

HSL 279.74, 0.8%, 0.37%

LAB 32.46, 61.91, -58.05

 

CMYK 32 / 99 / 0 / 41

HEX #660197

RGB 102 1 151

HSL 280.4, 0.99%, 0.3%

LAB 26.96, 59.03, -55.59

 

CMYK 36 / 100 / 0 / 48

HEX #550084

RGB 85 0 132

HSL 278.64, 1%, 0.26%

LAB 22.29, 53.25, -51.53

 

CMYK 40 / 100 / 0 / 56

HEX #440071

RGB 68 0 113

HSL 276.11, 1%, 0.22%

LAB 17.56, 47.15, -47.26

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 6 / 80 / 0 / 27

HEX #AF25BB

RGB 175 37 187

HSL 295.2, 0.67%, 0.44%

LAB 44.27, 70.16, -48.6

 

CMYK 0 / 80 / 16 / 27

HEX #BB259E

RGB 187 37 158

HSL 311.6, 0.67%, 0.44%

LAB 44.74, 68.19, -30.53

 

CMYK 0 / 80 / 37 / 27

HEX #BB2576

RGB 187 37 118

HSL 327.6, 0.67%, 0.44%

LAB 43.06, 63.33, -8.75

 

CMYK 0 / 80 / 59 / 27

HEX #BB254D

RGB 187 37 77

HSL 344, 0.67%, 0.44%

LAB 41.88, 59.79, 15.22

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 50 / 80 / 0 / 27

HEX #5E25BB

RGB 94 37 187

HSL 262.8, 0.67%, 0.44%

LAB 32.46, 56.73, -68.31

 

CMYK 72 / 80 / 0 / 27

HEX #3525BB

RGB 53 37 187

HSL 246.4, 0.67%, 0.44%

LAB 28.56, 52.33, -74.88

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 32 / 91 / 0 / 20

HEX #8C12CD

RGB 140 18 205

HSL 279.14, 0.84%, 0.44%

LAB 38.58, 71.98, -68.59

 

CMYK 35 / 100 / 0 / 13

HEX #9100DF

RGB 145 0 223

HSL 279.01, 1%, 0.44%

LAB 40.16, 78.28, -76.35

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 24 / 67 / 0 / 34

HEX #8137A9

RGB 129 55 169

HSL 278.95, 0.51%, 0.44%

LAB 38.31, 50.78, -47.9

 

CMYK 19 / 52 / 0 / 41

HEX #7B4997

RGB 123 73 151

HSL 278.46, 0.35%, 0.44%

LAB 39.93, 35.77, -34.56

 

CMYK 11 / 31 / 0 / 48

HEX #765B84

RGB 118 91 132

HSL 279.51, 0.18%, 0.44%

LAB 42.76, 19.16, -18.7

 

CMYK 2 / 4 / 0 / 55

HEX #706D72

RGB 112 109 114

HSL 276, 0.02%, 0.44%

LAB 46.44, 2.18, -2.37

 

CMYK 71 / 80 / 0 / 27

HEX #3625BB

RGB 54 37 187

HSL 246.8, 0.67%, 0.44%

LAB 28.63, 52.41, -74.76

 

CMYK 50 / 80 / 0 / 27

HEX #5E25BB

RGB 94 37 187

HSL 262.8, 0.67%, 0.44%

LAB 32.46, 56.73, -68.31

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 7 / 80 / 0 / 27

HEX #AE25BB

RGB 174 37 187

HSL 294.8, 0.67%, 0.44%

LAB 44.1, 69.97, -48.87

 

CMYK 0 / 80 / 15 / 27

HEX #BB259F

RGB 187 37 159

HSL 311.2, 0.67%, 0.44%

LAB 44.79, 68.33, -31.06

 

CMYK 28 / 81 / 0 / 54

HEX #551776

RGB 85 23 118

HSL 279.16, 0.67%, 0.28%

LAB 23.18, 43.89, -41.19

 

CMYK 28 / 80 / 0 / 40

HEX #6E1E98

RGB 110 30 152

HSL 279.34, 0.67%, 0.36%

LAB 30.67, 53.55, -50.12

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 27 / 77 / 0 / 16

HEX #9D32D6

RGB 157 50 214

HSL 279.15, 0.67%, 0.52%

LAB 44.67, 67.93, -63.76

 

CMYK 21 / 62 / 0 / 13

HEX #AE55DD

RGB 174 85 221

HSL 279.26, 0.67%, 0.6%

LAB 52.64, 58.23, -54.79

 

CMYK 28 / 80 / 0 / 26

HEX #8825BD

RGB 136 37 189

HSL 279.08, 0.67%, 0.44%

LAB 38.25, 63.54, -59.79

 

CMYK 0 / 80 / 68 / 27

HEX #BB253B

RGB 187 37 59

HSL 351.2, 0.67%, 0.44%

LAB 41.54, 58.73, 26.01

 

CMYK 80 / 0 / 60 / 27

HEX #25BB4A

RGB 37 187 74

HSL 134.8, 0.67%, 0.44%

LAB 66.85, -60.85, 45.72

 

CMYK 28 / 80 / 0 / 26

HEX #8825BD

RGB 136 37 189

HSL 279.08, 0.67%, 0.44%

LAB 38.25, 63.54, -59.79

 

CMYK 0 / 28 / 80 / 27

HEX #BB8625

RGB 187 134 37

HSL 38.8, 0.67%, 0.44%

LAB 59.66, 11.84, 56.25

 

CMYK 80 / 0 / 28 / 27

HEX #25BB86

RGB 37 187 134

HSL 158.8, 0.67%, 0.44%

LAB 67.77, -50.22, 16.31

 

CMYK 28 / 80 / 0 / 26

HEX #8825BD

RGB 136 37 189

HSL 279.08, 0.67%, 0.44%

LAB 38.25, 63.54, -59.79

 

CMYK 0 / 80 / 68 / 27

HEX #BB253B

RGB 187 37 59

HSL 351.2, 0.67%, 0.44%

LAB 41.54, 58.73, 26.01

 

CMYK 52 / 0 / 80 / 27

HEX #59BB25

RGB 89 187 37

HSL 99.2, 0.67%, 0.44%

LAB 67.87, -53.48, 61.28

 

CMYK 80 / 0 / 12 / 27

HEX #25BBA4

RGB 37 187 164

HSL 170.8, 0.67%, 0.44%

LAB 68.47, -42.74, 0.93

 

CMYK 28 / 80 / 0 / 26

HEX #8825BD

RGB 136 37 189

HSL 279.08, 0.67%, 0.44%

LAB 38.25, 63.54, -59.79

 

CMYK 0 / 68 / 80 / 27

HEX #BB3B25

RGB 187 59 37

HSL 8.8, 0.67%, 0.44%

LAB 43.98, 50.26, 41.45

 

CMYK 52 / 0 / 80 / 27

HEX #59BB25

RGB 89 187 37

HSL 99.2, 0.67%, 0.44%

LAB 67.87, -53.48, 61.28

 

CMYK 80 / 12 / 0 / 27

HEX #25A4BB

RGB 37 164 187

HSL 189.2, 0.67%, 0.44%

LAB 62.11, -25.07, -21.35

 

Description

Color code: HEX #8825BD | qconv.com Color code: HEX #8825BD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 37 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 37 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 80 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 80% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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