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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88258D it is the complementary color #77DA72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88258D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88258D shade: #8D2588, #9E379B, #AF49AE, #C05BC1 and #D16DD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88258D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88258D shade: #88258D, #77137A, #660167, #550054 and #440041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88258D shade: #88258D, #8D2576, #8D255A, #8D253E and #8D2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88258D shade: #88258D, #6C258D, #50258D, #34258D and #25258D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88258D shade matches the following richer shades: #88258D, #95179B and #A208A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88258D shade: #88258D, #7A337E, #6D4270, #605061 and #535F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88258D shade: #50258D, #6C258D, #87258D, #8D2576 and #8D255A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88258D shade: #49144B, #681C6C, #88258D, #A72EAD and #C33ACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88258D shade: #88258D, #8D3525 and #258D5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88258D shade: #88258D, #8D8725 and #258D87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88258D shade: #88258D, #8D3525, #2A8D25 and #257D8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88258D shade: #88258D, #8D5425, #2A8D25 and #255E8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

Complementary color

CMYK 45 / 0 / 48 / 15

HEX #77DA72

RGB 119 218 114

HSL 117.12, 0.58%, 0.65%

LAB 79.2, -49.54, 42.15

 

CMYK 0 / 74 / 4 / 45

HEX #8D2588

RGB 141 37 136

HSL 302.88, 0.58%, 0.35%

LAB 35.52, 54.5, -32.21

 

CMYK 0 / 65 / 2 / 38

HEX #9E379B

RGB 158 55 155

HSL 301.75, 0.48%, 0.42%

LAB 41.8, 54.98, -33.7

 

CMYK 0 / 58 / 1 / 31

HEX #AF49AE

RGB 175 73 174

HSL 300.59, 0.41%, 0.49%

LAB 48.18, 54.88, -34.77

 

CMYK 1 / 53 / 0 / 24

HEX #C05BC1

RGB 192 91 193

HSL 299.41, 0.45%, 0.56%

LAB 54.59, 54.45, -35.57

 

CMYK 1 / 49 / 0 / 17

HEX #D16DD4

RGB 209 109 212

HSL 298.25, 0.54%, 0.63%

LAB 61, 53.86, -36.19

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 2 / 84 / 0 / 52

HEX #77137A

RGB 119 19 122

HSL 298.25, 0.73%, 0.28%

LAB 28.88, 52.78, -34.24

 

CMYK 1 / 99 / 0 / 60

HEX #660167

RGB 102 1 103

HSL 299.41, 0.98%, 0.2%

LAB 23.09, 50.08, -31.47

 

CMYK 0 / 100 / 1 / 67

HEX #550054

RGB 85 0 84

HSL 300.71, 1%, 0.17%

LAB 18.24, 44, -26.79

 

CMYK 0 / 100 / 4 / 73

HEX #440041

RGB 68 0 65

HSL 302.65, 1%, 0.13%

LAB 13.29, 37.47, -21.76

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 0 / 74 / 16 / 45

HEX #8D2576

RGB 141 37 118

HSL 313.27, 0.58%, 0.35%

LAB 34.59, 51.65, -22.45

 

CMYK 0 / 74 / 36 / 45

HEX #8D255A

RGB 141 37 90

HSL 329.42, 0.58%, 0.35%

LAB 33.4, 47.88, -6.4

 

CMYK 0 / 74 / 56 / 45

HEX #8D253E

RGB 141 37 62

HSL 345.58, 0.58%, 0.35%

LAB 32.55, 45.09, 10.63

 

CMYK 0 / 74 / 74 / 45

HEX #8D2525

RGB 141 37 37

HSL 0, 0.58%, 0.35%

LAB 32.08, 43.46, 26.1

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 23 / 74 / 0 / 45

HEX #6C258D

RGB 108 37 141

HSL 280.96, 0.58%, 0.35%

LAB 30.48, 48.04, -43.66

 

CMYK 43 / 74 / 0 / 45

HEX #50258D

RGB 80 37 141

HSL 264.81, 0.58%, 0.35%

LAB 26.6, 42.4, -50.15

 

CMYK 63 / 74 / 0 / 45

HEX #34258D

RGB 52 37 141

HSL 248.65, 0.58%, 0.35%

LAB 23.59, 37.77, -55.18

 

CMYK 74 / 74 / 0 / 45

HEX #25258D

RGB 37 37 141

HSL 240, 0.58%, 0.35%

LAB 22.44, 35.92, -57.12

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 4 / 85 / 0 / 39

HEX #95179B

RGB 149 23 155

HSL 297.27, 0.74%, 0.35%

LAB 36.69, 63.29, -41.91

 

CMYK 4 / 95 / 0 / 34

HEX #A208A9

RGB 162 8 169

HSL 297.39, 0.91%, 0.35%

LAB 39.1, 70.17, -46.34

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 3 / 60 / 0 / 51

HEX #7A337E

RGB 122 51 126

HSL 296.8, 0.42%, 0.35%

LAB 34.01, 41.91, -28.6

 

CMYK 3 / 41 / 0 / 56

HEX #6D4270

RGB 109 66 112

HSL 296.09, 0.26%, 0.35%

LAB 34.64, 26.72, -18.99

 

CMYK 1 / 18 / 0 / 62

HEX #605061

RGB 96 80 97

HSL 296.47, 0.1%, 0.35%

LAB 36.15, 10.07, -7.4

 

CMYK 13 / 0 / 13 / 63

HEX #535F53

RGB 83 95 83

HSL 120, 0.07%, 0.35%

LAB 38.98, -7.24, 5.31

 

CMYK 43 / 74 / 0 / 45

HEX #50258D

RGB 80 37 141

HSL 264.81, 0.58%, 0.35%

LAB 26.6, 42.4, -50.15

 

CMYK 23 / 74 / 0 / 45

HEX #6C258D

RGB 108 37 141

HSL 280.96, 0.58%, 0.35%

LAB 30.48, 48.04, -43.66

 

CMYK 4 / 74 / 0 / 45

HEX #87258D

RGB 135 37 141

HSL 296.54, 0.58%, 0.35%

LAB 34.8, 53.99, -36.51

 

CMYK 0 / 74 / 16 / 45

HEX #8D2576

RGB 141 37 118

HSL 313.27, 0.58%, 0.35%

LAB 34.59, 51.65, -22.45

 

CMYK 0 / 74 / 36 / 45

HEX #8D255A

RGB 141 37 90

HSL 329.42, 0.58%, 0.35%

LAB 33.4, 47.88, -6.4

 

CMYK 3 / 73 / 0 / 71

HEX #49144B

RGB 73 20 75

HSL 297.82, 0.58%, 0.19%

LAB 17.57, 33, -21.85

 

CMYK 4 / 74 / 0 / 58

HEX #681C6C

RGB 104 28 108

HSL 297, 0.59%, 0.27%

LAB 26.32, 44.04, -29.54

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 3 / 73 / 0 / 32

HEX #A72EAD

RGB 167 46 173

HSL 297.17, 0.58%, 0.43%

LAB 43.04, 63.52, -42.38

 

CMYK 3 / 71 / 0 / 21

HEX #C33ACA

RGB 195 58 202

HSL 297.08, 0.58%, 0.51%

LAB 50.56, 70.38, -47.08

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 0 / 62 / 74 / 45

HEX #8D3525

RGB 141 53 37

HSL 9.23, 0.58%, 0.35%

LAB 34.69, 36.41, 29.09

 

CMYK 74 / 0 / 33 / 45

HEX #258D5E

RGB 37 141 94

HSL 152.88, 0.58%, 0.35%

LAB 52.12, -40.66, 16.87

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 0 / 4 / 74 / 45

HEX #8D8725

RGB 141 135 37

HSL 56.54, 0.58%, 0.35%

LAB 55.2, -9.59, 50.38

 

CMYK 74 / 0 / 4 / 45

HEX #258D87

RGB 37 141 135

HSL 176.54, 0.58%, 0.35%

LAB 53.16, -29.95, -5.22

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 0 / 62 / 74 / 45

HEX #8D3525

RGB 141 53 37

HSL 9.23, 0.58%, 0.35%

LAB 34.69, 36.41, 29.09

 

CMYK 70 / 0 / 74 / 45

HEX #2A8D25

RGB 42 141 37

HSL 117.12, 0.58%, 0.35%

LAB 51.47, -48.53, 44.81

 

CMYK 74 / 11 / 0 / 45

HEX #257D8D

RGB 37 125 141

HSL 189.23, 0.58%, 0.35%

LAB 48.24, -19.91, -16.12

 

CMYK 4 / 74 / 0 / 45

HEX #88258D

RGB 136 37 141

HSL 297.12, 0.58%, 0.35%

LAB 34.96, 54.22, -36.23

 

CMYK 0 / 40 / 74 / 45

HEX #8D5425

RGB 141 84 37

HSL 27.12, 0.58%, 0.35%

LAB 41.43, 19.54, 36.48

 

CMYK 70 / 0 / 74 / 45

HEX #2A8D25

RGB 42 141 37

HSL 117.12, 0.58%, 0.35%

LAB 51.47, -48.53, 44.81

 

CMYK 74 / 33 / 0 / 45

HEX #255E8D

RGB 37 94 141

HSL 207.12, 0.58%, 0.35%

LAB 38.41, -1.91, -31.35

 

Description

Color code: HEX #88258D | qconv.com Color code: HEX #88258D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 37 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 37 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 74 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 74% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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