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Color name
HEX #881F65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881F65 it is the complementary color #77E09A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881F65 shade: #8D1F60, #9E3173, #AF4386, #C05599 and #D167AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881F65 shade: #881F65, #770D52, #66003F, #55002C and #440019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881F65 shade: #891F65, #891F49, #891F2C and #891F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881F65 shade: #891F65, #891F82, #731F89, #561F89 and #3A1F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881F65 shade matches the following richer shades: #891F65, #96116A and #A4036E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881F65 shade: #891F65, #7B2C61, #6D3A5C, #604758 and #525553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881F65 shade: #731F89, #891F82, #891F65, #891F49 and #891F2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881F65 shade: #450F33, #67174C, #891F65, #AA267E and #CC2E97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881F65 shade: #881F65, #89571F and #1F8982

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881F65 shade: #881F65, #65891F and #1F6589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881F65 shade: #881F65, #89571F, #1F8942 and #1F5089

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881F65 shade: #881F65, #89771F, #1F8942 and #1F3089

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 26 / 47

HEX #881F65

RGB 136 31 101

HSL 320, 0.63%, 0.33%

LAB 32.15, 50, -15.48

 

Complementary color

CMYK 47 / 0 / 31 / 12

HEX #77E09A

RGB 119 224 154

HSL 140, 0.63%, 0.67%

LAB 81.6, -45.7, 25.09

 

CMYK 0 / 78 / 32 / 45

HEX #8D1F60

RGB 141 31 96

HSL 324.55, 0.64%, 0.34%

LAB 32.89, 50.69, -11.05

 

CMYK 0 / 69 / 27 / 38

HEX #9E3173

RGB 158 49 115

HSL 323.67, 0.53%, 0.41%

LAB 39.08, 51.28, -13.41

 

CMYK 0 / 62 / 23 / 31

HEX #AF4386

RGB 175 67 134

HSL 322.78, 0.45%, 0.47%

LAB 45.43, 51.21, -15.17

 

CMYK 0 / 56 / 20 / 25

HEX #C05599

RGB 192 85 153

HSL 321.87, 0.46%, 0.54%

LAB 51.84, 50.78, -16.53

 

CMYK 0 / 51 / 18 / 18

HEX #D167AC

RGB 209 103 172

HSL 320.94, 0.54%, 0.61%

LAB 58.26, 50.16, -17.62

 

CMYK 0 / 77 / 26 / 47

HEX #881F65

RGB 136 31 101

HSL 320, 0.63%, 0.33%

LAB 32.15, 50, -15.48

 

CMYK 0 / 89 / 31 / 53

HEX #770D52

RGB 119 13 82

HSL 320.94, 0.8%, 0.26%

LAB 26.21, 48.24, -12.44

 

CMYK 0 / 100 / 38 / 60

HEX #66003F

RGB 102 0 63

HSL 322.94, 1%, 0.2%

LAB 20.76, 44.7, -8.14

 

CMYK 0 / 100 / 48 / 67

HEX #55002C

RGB 85 0 44

HSL 328.94, 1%, 0.17%

LAB 16.07, 38.55, -2.07

 

CMYK 0 / 100 / 63 / 73

HEX #440019

RGB 68 0 25

HSL 337.94, 1%, 0.13%

LAB 11.27, 32.32, 4.64

 

CMYK 0 / 77 / 26 / 46

HEX #891F65

RGB 137 31 101

HSL 320.38, 0.63%, 0.33%

LAB 32.34, 50.27, -15.17

 

CMYK 0 / 77 / 47 / 46

HEX #891F49

RGB 137 31 73

HSL 336.23, 0.63%, 0.33%

LAB 31.3, 47.02, 1.51

 

CMYK 0 / 77 / 68 / 46

HEX #891F2C

RGB 137 31 44

HSL 352.64, 0.63%, 0.33%

LAB 30.59, 44.74, 19.66

 

CMYK 0 / 77 / 77 / 46

HEX #891F1F

RGB 137 31 31

HSL 0, 0.63%, 0.33%

LAB 30.39, 44.09, 27.68

 

CMYK 0 / 77 / 26 / 46

HEX #891F65

RGB 137 31 101

HSL 320.38, 0.63%, 0.33%

LAB 32.34, 50.27, -15.17

 

CMYK 0 / 77 / 5 / 46

HEX #891F82

RGB 137 31 130

HSL 303.96, 0.63%, 0.33%

LAB 33.79, 54.58, -31.26

 

CMYK 16 / 77 / 0 / 46

HEX #731F89

RGB 115 31 137

HSL 287.55, 0.63%, 0.33%

LAB 30.47, 51.04, -41.14

 

CMYK 37 / 77 / 0 / 46

HEX #561F89

RGB 86 31 137

HSL 271.13, 0.63%, 0.33%

LAB 26.05, 45.3, -48.51

 

CMYK 58 / 77 / 0 / 46

HEX #3A1F89

RGB 58 31 137

HSL 255.28, 0.63%, 0.33%

LAB 22.6, 40.67, -54.29

 

CMYK 0 / 77 / 26 / 46

HEX #891F65

RGB 137 31 101

HSL 320.38, 0.63%, 0.33%

LAB 32.34, 50.27, -15.17

 

CMYK 0 / 89 / 29 / 41

HEX #96116A

RGB 150 17 106

HSL 319.85, 0.8%, 0.33%

LAB 33.83, 57.69, -15.88

 

CMYK 0 / 98 / 33 / 36

HEX #A4036E

RGB 164 3 110

HSL 320.12, 0.96%, 0.33%

LAB 36.14, 63.2, -14.63

 

CMYK 0 / 77 / 26 / 46

HEX #891F65

RGB 137 31 101

HSL 320.38, 0.63%, 0.33%

LAB 32.34, 50.27, -15.17

 

CMYK 0 / 64 / 21 / 52

HEX #7B2C61

RGB 123 44 97

HSL 319.75, 0.47%, 0.33%

LAB 31.52, 40.49, -14.07

 

CMYK 0 / 47 / 16 / 57

HEX #6D3A5C

RGB 109 58 92

HSL 320, 0.31%, 0.33%

LAB 31.92, 27.52, -10.45

 

CMYK 0 / 26 / 8 / 62

HEX #604758

RGB 96 71 88

HSL 319.2, 0.15%, 0.33%

LAB 33.35, 13.83, -5.91

 

CMYK 4 / 0 / 2 / 67

HEX #525553

RGB 82 85 83

HSL 140, 0.02%, 0.33%

LAB 35.82, -1.63, 0.74

 

CMYK 16 / 77 / 0 / 46

HEX #731F89

RGB 115 31 137

HSL 287.55, 0.63%, 0.33%

LAB 30.47, 51.04, -41.14

 

CMYK 0 / 77 / 5 / 46

HEX #891F82

RGB 137 31 130

HSL 303.96, 0.63%, 0.33%

LAB 33.79, 54.58, -31.26

 

CMYK 0 / 77 / 26 / 46

HEX #891F65

RGB 137 31 101

HSL 320.38, 0.63%, 0.33%

LAB 32.34, 50.27, -15.17

 

CMYK 0 / 77 / 47 / 46

HEX #891F49

RGB 137 31 73

HSL 336.23, 0.63%, 0.33%

LAB 31.3, 47.02, 1.51

 

CMYK 0 / 77 / 67 / 46

HEX #891F2D

RGB 137 31 45

HSL 352.08, 0.63%, 0.33%

LAB 30.61, 44.8, 19.03

 

CMYK 0 / 78 / 26 / 73

HEX #450F33

RGB 69 15 51

HSL 320, 0.64%, 0.16%

LAB 14.66, 29.69, -9.62

 

CMYK 0 / 78 / 26 / 60

HEX #67174C

RGB 103 23 76

HSL 320.25, 0.63%, 0.25%

LAB 23.73, 40.35, -12.5

 

CMYK 0 / 77 / 26 / 46

HEX #891F65

RGB 137 31 101

HSL 320.38, 0.63%, 0.33%

LAB 32.34, 50.27, -15.17

 

CMYK 0 / 78 / 26 / 33

HEX #AA267E

RGB 170 38 126

HSL 320, 0.63%, 0.41%

LAB 40.31, 59.73, -18.17

 

CMYK 0 / 77 / 26 / 20

HEX #CC2E97

RGB 204 46 151

HSL 320.13, 0.63%, 0.49%

LAB 48.29, 68.76, -20.59

 

CMYK 0 / 77 / 26 / 47

HEX #881F65

RGB 136 31 101

HSL 320, 0.63%, 0.33%

LAB 32.15, 50, -15.48

 

CMYK 0 / 36 / 77 / 46

HEX #89571F

RGB 137 87 31

HSL 31.7, 0.63%, 0.33%

LAB 41.59, 15.67, 39.41

 

CMYK 77 / 0 / 5 / 46

HEX #1F8982

RGB 31 137 130

HSL 176.04, 0.63%, 0.33%

LAB 51.6, -30.26, -4.63

 

CMYK 0 / 77 / 26 / 47

HEX #881F65

RGB 136 31 101

HSL 320, 0.63%, 0.33%

LAB 32.15, 50, -15.48

 

CMYK 26 / 0 / 77 / 46

HEX #65891F

RGB 101 137 31

HSL 80.38, 0.63%, 0.33%

LAB 52.68, -28.51, 49.09

 

CMYK 77 / 26 / 0 / 46

HEX #1F6589

RGB 31 101 137

HSL 200.38, 0.63%, 0.33%

LAB 40.25, -8.54, -26.06

 

CMYK 0 / 77 / 26 / 47

HEX #881F65

RGB 136 31 101

HSL 320, 0.63%, 0.33%

LAB 32.15, 50, -15.48

 

CMYK 0 / 36 / 77 / 46

HEX #89571F

RGB 137 87 31

HSL 31.7, 0.63%, 0.33%

LAB 41.59, 15.67, 39.41

 

CMYK 77 / 0 / 52 / 46

HEX #1F8942

RGB 31 137 66

HSL 139.81, 0.63%, 0.33%

LAB 50.19, -45.42, 29.7

 

CMYK 77 / 42 / 0 / 46

HEX #1F5089

RGB 31 80 137

HSL 212.26, 0.63%, 0.33%

LAB 33.64, 4.71, -36.5

 

CMYK 0 / 77 / 26 / 47

HEX #881F65

RGB 136 31 101

HSL 320, 0.63%, 0.33%

LAB 32.15, 50, -15.48

 

CMYK 0 / 13 / 77 / 46

HEX #89771F

RGB 137 119 31

HSL 49.81, 0.63%, 0.33%

LAB 50.23, -2.87, 47.79

 

CMYK 77 / 0 / 52 / 46

HEX #1F8942

RGB 31 137 66

HSL 139.81, 0.63%, 0.33%

LAB 50.19, -45.42, 29.7

 

CMYK 77 / 65 / 0 / 46

HEX #1F3089

RGB 31 48 137

HSL 230.38, 0.63%, 0.33%

LAB 24.36, 26.64, -51.49

 

Description

Color code: HEX #881F65 | qconv.com Color code: HEX #881F65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 31 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 31 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 26 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 26% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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