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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881AC0 it is the complementary color #77E53F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881AC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881AC0 shade: #8D1ABB, #9E2CCE, #AF3EE1, #C050F4 and #D162FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881AC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881AC0 shade: #881AC0, #7708AD, #66009A, #550087 and #440074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881AC0 shade: #881AC0, #B51AC0, #C01A9F, #C01A72 and #C01A45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881AC0 shade: #881AC0, #5B1AC0, #2E1AC0 and #1A1AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881AC0 shade matches the following richer shades: #881AC0 and #8E08D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881AC0 shade: #881AC0, #822CAF, #7D3D9D, #774F8B and #71617A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881AC0 shade: #2D1AC0, #5A1AC0, #861AC0, #B31AC0 and #C01AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881AC0 shade: #551078, #6F159C, #881AC0, #A123E1 and #B047E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881AC0 shade: #881AC0, #C01A33 and #1AC043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881AC0 shade: #881AC0, #C0861A and #1AC086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881AC0 shade: #881AC0, #C01A33, #54C01A and #1AC0A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881AC0 shade: #881AC0, #C0331A, #54C01A and #1AA7C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

Complementary color

CMYK 48 / 0 / 72 / 10

HEX #77E53F

RGB 119 229 63

HSL 99.76, 0.76%, 0.57%

LAB 82.01, -58.95, 67.04

 

CMYK 25 / 86 / 0 / 27

HEX #8D1ABB

RGB 141 26 187

HSL 282.86, 0.76%, 0.42%

LAB 37.82, 66.99, -59.28

 

CMYK 23 / 79 / 0 / 19

HEX #9E2CCE

RGB 158 44 206

HSL 282.22, 0.65%, 0.49%

LAB 43.55, 68.5, -60.96

 

CMYK 22 / 72 / 0 / 12

HEX #AF3EE1

RGB 175 62 225

HSL 281.6, 0.73%, 0.56%

LAB 49.49, 69.11, -62.11

 

CMYK 21 / 67 / 0 / 4

HEX #C050F4

RGB 192 80 244

HSL 280.98, 0.88%, 0.64%

LAB 55.56, 69.15, -62.89

 

CMYK 18 / 62 / 0 / 0

HEX #D162FF

RGB 209 98 255

HSL 282.42, 1%, 0.69%

LAB 61.23, 67.25, -59.77

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 31 / 95 / 0 / 32

HEX #7708AD

RGB 119 8 173

HSL 280.36, 0.91%, 0.35%

LAB 32.06, 64.45, -60.5

 

CMYK 34 / 100 / 0 / 40

HEX #66009A

RGB 102 0 154

HSL 279.74, 1%, 0.3%

LAB 27.18, 59.83, -57.08

 

CMYK 37 / 100 / 0 / 47

HEX #550087

RGB 85 0 135

HSL 277.78, 1%, 0.26%

LAB 22.59, 53.89, -52.94

 

CMYK 41 / 100 / 0 / 55

HEX #440074

RGB 68 0 116

HSL 275.17, 1%, 0.23%

LAB 17.87, 47.82, -48.68

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 6 / 86 / 0 / 25

HEX #B51AC0

RGB 181 26 192

HSL 296.02, 0.76%, 0.43%

LAB 44.76, 74.49, -50.69

 

CMYK 0 / 86 / 17 / 25

HEX #C01A9F

RGB 192 26 159

HSL 311.93, 0.76%, 0.43%

LAB 44.87, 71.77, -30.87

 

CMYK 0 / 86 / 41 / 25

HEX #C01A72

RGB 192 26 114

HSL 328.19, 0.76%, 0.43%

LAB 43, 66.65, -6.25

 

CMYK 0 / 86 / 64 / 25

HEX #C01A45

RGB 192 26 69

HSL 344.46, 0.76%, 0.43%

LAB 41.81, 63.23, 20.33

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 53 / 86 / 0 / 25

HEX #5B1AC0

RGB 91 26 192

HSL 263.49, 0.76%, 0.43%

LAB 31.27, 61.53, -73.23

 

CMYK 76 / 86 / 0 / 25

HEX #2E1AC0

RGB 46 26 192

HSL 247.23, 0.76%, 0.43%

LAB 27.09, 58.01, -80.29

 

CMYK 86 / 86 / 0 / 25

HEX #1A1AC0

RGB 26 26 192

HSL 240, 0.76%, 0.43%

LAB 26.05, 57.2, -82.05

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 32 / 96 / 0 / 18

HEX #8E08D2

RGB 142 8 210

HSL 279.8, 0.93%, 0.43%

LAB 38.86, 74.55, -71.01

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 26 / 75 / 0 / 31

HEX #822CAF

RGB 130 44 175

HSL 279.39, 0.6%, 0.43%

LAB 37.19, 57.02, -53.27

 

CMYK 20 / 61 / 0 / 38

HEX #7D3D9D

RGB 125 61 157

HSL 280, 0.44%, 0.43%

LAB 38.08, 44.2, -41.1

 

CMYK 14 / 43 / 0 / 45

HEX #774F8B

RGB 119 79 139

HSL 280, 0.28%, 0.43%

LAB 40.21, 28.3, -26.89

 

CMYK 7 / 20 / 0 / 52

HEX #71617A

RGB 113 97 122

HSL 278.4, 0.11%, 0.43%

LAB 43.46, 11.49, -11.64

 

CMYK 77 / 86 / 0 / 25

HEX #2D1AC0

RGB 45 26 192

HSL 246.87, 0.76%, 0.43%

LAB 27.02, 57.96, -80.4

 

CMYK 53 / 86 / 0 / 25

HEX #5A1AC0

RGB 90 26 192

HSL 263.13, 0.76%, 0.43%

LAB 31.16, 61.43, -73.43

 

CMYK 30 / 86 / 0 / 25

HEX #861AC0

RGB 134 26 192

HSL 279.04, 0.76%, 0.43%

LAB 37.14, 66.93, -63.38

 

CMYK 7 / 86 / 0 / 25

HEX #B31AC0

RGB 179 26 192

HSL 295.3, 0.76%, 0.43%

LAB 44.42, 74.15, -51.25

 

CMYK 0 / 86 / 16 / 25

HEX #C01AA2

RGB 192 26 162

HSL 310.84, 0.76%, 0.43%

LAB 45.02, 72.16, -32.43

 

CMYK 29 / 87 / 0 / 53

HEX #551078

RGB 85 16 120

HSL 279.81, 0.76%, 0.27%

LAB 22.51, 46.77, -43.56

 

CMYK 29 / 87 / 0 / 39

HEX #6F159C

RGB 111 21 156

HSL 280, 0.76%, 0.35%

LAB 30.2, 57.33, -53.32

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 28 / 84 / 0 / 12

HEX #A123E1

RGB 161 35 225

HSL 279.79, 0.76%, 0.51%

LAB 44.54, 75.23, -70.23

 

CMYK 23 / 69 / 0 / 10

HEX #B047E6

RGB 176 71 230

HSL 279.62, 0.76%, 0.59%

LAB 51.21, 66.77, -62.15

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 0 / 86 / 73 / 25

HEX #C01A33

RGB 192 26 51

HSL 350.96, 0.76%, 0.43%

LAB 41.51, 62.36, 31.11

 

CMYK 86 / 0 / 65 / 25

HEX #1AC043

RGB 26 192 67

HSL 134.82, 0.76%, 0.43%

LAB 68.26, -64.37, 50.36

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 0 / 30 / 86 / 25

HEX #C0861A

RGB 192 134 26

HSL 39.04, 0.76%, 0.43%

LAB 60.19, 13.73, 60.5

 

CMYK 86 / 0 / 30 / 25

HEX #1AC086

RGB 26 192 134

HSL 159.04, 0.76%, 0.43%

LAB 69.21, -53.13, 18.29

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 0 / 86 / 73 / 25

HEX #C01A33

RGB 192 26 51

HSL 350.96, 0.76%, 0.43%

LAB 41.51, 62.36, 31.11

 

CMYK 56 / 0 / 86 / 25

HEX #54C01A

RGB 84 192 26

HSL 99.04, 0.76%, 0.43%

LAB 69.23, -57.17, 65.19

 

CMYK 86 / 0 / 13 / 25

HEX #1AC0A7

RGB 26 192 167

HSL 170.96, 0.76%, 0.43%

LAB 69.97, -44.95, 1.45

 

CMYK 29 / 86 / 0 / 25

HEX #881AC0

RGB 136 26 192

HSL 279.76, 0.76%, 0.43%

LAB 37.44, 67.22, -62.88

 

CMYK 0 / 73 / 86 / 25

HEX #C0331A

RGB 192 51 26

HSL 9.04, 0.76%, 0.43%

LAB 43.72, 54.63, 46.95

 

CMYK 56 / 0 / 86 / 25

HEX #54C01A

RGB 84 192 26

HSL 99.04, 0.76%, 0.43%

LAB 69.23, -57.17, 65.19

 

CMYK 86 / 13 / 0 / 25

HEX #1AA7C0

RGB 26 167 192

HSL 189.04, 0.76%, 0.43%

LAB 63.06, -25.82, -22.7

 

Description

Color code: HEX #881AC0 | qconv.com Color code: HEX #881AC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 26 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 26 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 86 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 86% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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