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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881944 it is the complementary color #77E6BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881944. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881944 shade: #8D193F, #9E2B52, #AF3D65, #C04F78 and #D1618B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881944. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881944 shade: #881944, #770731, #66001E, #55000B and #440000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881944 shade: #891944, #891926 and #891919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881944 shade: #891944, #891963, #891981, #731989 and #551989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881944 shade matches the following richer shades: #891944 and #970C41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881944 shade: #891944, #7C2647, #6F334A, #62404D and #554E50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881944 shade: #891982, #891964, #891946, #891928 and #892819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881944 shade: #440C22, #671233, #891944, #AC1F56 and #CF2667

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881944 shade: #881944, #897319 and #197389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881944 shade: #881944, #468919 and #194689

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881944 shade: #881944, #897319, #19895C and #192F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881944 shade: #881944, #7E8919, #19895C and #241989

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 50 / 47

HEX #881944

RGB 136 25 68

HSL 336.76, 0.69%, 0.32%

LAB 30.27, 48.17, 3.31

 

Complementary color

CMYK 48 / 0 / 19 / 10

HEX #77E6BB

RGB 119 230 187

HSL 156.76, 0.69%, 0.68%

LAB 84.02, -41.78, 11.24

 

CMYK 0 / 82 / 55 / 45

HEX #8D193F

RGB 141 25 63

HSL 340.34, 0.7%, 0.33%

LAB 31.15, 49.17, 8.02

 

CMYK 0 / 73 / 48 / 38

HEX #9E2B52

RGB 158 43 82

HSL 339.65, 0.57%, 0.39%

LAB 37.13, 49.86, 4.58

 

CMYK 0 / 65 / 42 / 31

HEX #AF3D65

RGB 175 61 101

HSL 338.95, 0.48%, 0.46%

LAB 43.35, 49.77, 1.97

 

CMYK 0 / 59 / 38 / 25

HEX #C04F78

RGB 192 79 120

HSL 338.23, 0.47%, 0.53%

LAB 49.68, 49.28, -0.07

 

CMYK 0 / 54 / 33 / 18

HEX #D1618B

RGB 209 97 139

HSL 337.5, 0.55%, 0.6%

LAB 56.06, 48.58, -1.72

 

CMYK 0 / 82 / 50 / 47

HEX #881944

RGB 136 25 68

HSL 336.76, 0.69%, 0.32%

LAB 30.27, 48.17, 3.31

 

CMYK 0 / 94 / 59 / 53

HEX #770731

RGB 119 7 49

HSL 337.5, 0.89%, 0.25%

LAB 24.63, 46.16, 7.68

 

CMYK 0 / 100 / 71 / 60

HEX #66001E

RGB 102 0 30

HSL 342.35, 1%, 0.2%

LAB 19.71, 41.93, 13.73

 

CMYK 0 / 100 / 87 / 67

HEX #55000B

RGB 85 0 11

HSL 352.24, 1%, 0.17%

LAB 15.25, 36.36, 19.24

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 82 / 50 / 46

HEX #891944

RGB 137 25 68

HSL 336.96, 0.69%, 0.32%

LAB 30.47, 48.46, 3.63

 

CMYK 0 / 82 / 72 / 46

HEX #891926

RGB 137 25 38

HSL 353.04, 0.69%, 0.32%

LAB 29.8, 46.37, 22.57

 

CMYK 0 / 82 / 82 / 46

HEX #891919

RGB 137 25 25

HSL 0, 0.69%, 0.32%

LAB 29.62, 45.82, 30.48

 

CMYK 0 / 82 / 50 / 46

HEX #891944

RGB 137 25 68

HSL 336.96, 0.69%, 0.32%

LAB 30.47, 48.46, 3.63

 

CMYK 0 / 82 / 28 / 46

HEX #891963

RGB 137 25 99

HSL 320.36, 0.69%, 0.32%

LAB 31.61, 51.84, -15.01

 

CMYK 0 / 82 / 6 / 46

HEX #891981

RGB 137 25 129

HSL 304.29, 0.69%, 0.32%

LAB 33.13, 56.16, -31.69

 

CMYK 16 / 82 / 0 / 46

HEX #731989

RGB 115 25 137

HSL 288.21, 0.69%, 0.32%

LAB 29.78, 53.05, -42.26

 

CMYK 38 / 82 / 0 / 46

HEX #551989

RGB 85 25 137

HSL 272.14, 0.69%, 0.32%

LAB 25.05, 47.6, -50.15

 

CMYK 0 / 82 / 50 / 46

HEX #891944

RGB 137 25 68

HSL 336.96, 0.69%, 0.32%

LAB 30.47, 48.46, 3.63

 

CMYK 0 / 92 / 57 / 41

HEX #970C41

RGB 151 12 65

HSL 337.12, 0.85%, 0.32%

LAB 32.31, 54.86, 8.63

 

CMYK 0 / 82 / 50 / 46

HEX #891944

RGB 137 25 68

HSL 336.96, 0.69%, 0.32%

LAB 30.47, 48.46, 3.63

 

CMYK 0 / 69 / 43 / 51

HEX #7C2647

RGB 124 38 71

HSL 336.98, 0.53%, 0.32%

LAB 29.73, 40.05, 0.24

 

CMYK 0 / 54 / 33 / 56

HEX #6F334A

RGB 111 51 74

HSL 337, 0.37%, 0.32%

LAB 30.01, 29.35, -1.58

 

CMYK 0 / 35 / 21 / 62

HEX #62404D

RGB 98 64 77

HSL 337.06, 0.21%, 0.32%

LAB 31.35, 16.95, -1.79

 

CMYK 0 / 8 / 6 / 67

HEX #554E50

RGB 85 78 80

HSL 342.86, 0.04%, 0.32%

LAB 33.9, 3.3, -0.14

 

CMYK 0 / 82 / 5 / 46

HEX #891982

RGB 137 25 130

HSL 303.75, 0.69%, 0.32%

LAB 33.19, 56.32, -32.22

 

CMYK 0 / 82 / 27 / 46

HEX #891964

RGB 137 25 100

HSL 319.82, 0.69%, 0.32%

LAB 31.66, 51.97, -15.58

 

CMYK 0 / 82 / 49 / 46

HEX #891946

RGB 137 25 70

HSL 335.89, 0.69%, 0.32%

LAB 30.53, 48.64, 2.39

 

CMYK 0 / 82 / 71 / 46

HEX #891928

RGB 137 25 40

HSL 351.96, 0.69%, 0.32%

LAB 29.83, 46.47, 21.31

 

CMYK 0 / 71 / 82 / 46

HEX #892819

RGB 137 40 25

HSL 8.04, 0.69%, 0.32%

LAB 31.59, 40.36, 32.47

 

CMYK 0 / 82 / 50 / 73

HEX #440C22

RGB 68 12 34

HSL 336.43, 0.7%, 0.16%

LAB 13.28, 28.31, 0.72

 

CMYK 0 / 83 / 50 / 60

HEX #671233

RGB 103 18 51

HSL 336.71, 0.7%, 0.24%

LAB 22.14, 39.08, 2.29

 

CMYK 0 / 82 / 50 / 46

HEX #891944

RGB 137 25 68

HSL 336.96, 0.69%, 0.32%

LAB 30.47, 48.46, 3.63

 

CMYK 0 / 82 / 50 / 33

HEX #AC1F56

RGB 172 31 86

HSL 336.6, 0.69%, 0.4%

LAB 38.59, 57.99, 4.48

 

CMYK 0 / 82 / 50 / 19

HEX #CF2667

RGB 207 38 103

HSL 336.92, 0.69%, 0.48%

LAB 46.49, 66.78, 6.01

 

CMYK 0 / 82 / 50 / 47

HEX #881944

RGB 136 25 68

HSL 336.76, 0.69%, 0.32%

LAB 30.27, 48.17, 3.31

 

CMYK 0 / 16 / 82 / 46

HEX #897319

RGB 137 115 25

HSL 48.21, 0.69%, 0.32%

LAB 49.07, -0.86, 48.9

 

CMYK 82 / 16 / 0 / 46

HEX #197389

RGB 25 115 137

HSL 191.79, 0.69%, 0.32%

LAB 44.62, -17.3, -19.3

 

CMYK 0 / 82 / 50 / 47

HEX #881944

RGB 136 25 68

HSL 336.76, 0.69%, 0.32%

LAB 30.27, 48.17, 3.31

 

CMYK 49 / 0 / 82 / 46

HEX #468919

RGB 70 137 25

HSL 95.89, 0.69%, 0.32%

LAB 50.99, -40.42, 48.89

 

CMYK 82 / 49 / 0 / 46

HEX #194689

RGB 25 70 137

HSL 215.89, 0.69%, 0.32%

LAB 30.38, 10.71, -41.72

 

CMYK 0 / 82 / 50 / 47

HEX #881944

RGB 136 25 68

HSL 336.76, 0.69%, 0.32%

LAB 30.27, 48.17, 3.31

 

CMYK 0 / 16 / 82 / 46

HEX #897319

RGB 137 115 25

HSL 48.21, 0.69%, 0.32%

LAB 49.07, -0.86, 48.9

 

CMYK 82 / 0 / 33 / 46

HEX #19895C

RGB 25 137 92

HSL 155.89, 0.69%, 0.32%

LAB 50.54, -41.09, 15.8

 

CMYK 82 / 66 / 0 / 46

HEX #192F89

RGB 25 47 137

HSL 228.21, 0.69%, 0.32%

LAB 23.82, 26.69, -52.38

 

CMYK 0 / 82 / 50 / 47

HEX #881944

RGB 136 25 68

HSL 336.76, 0.69%, 0.32%

LAB 30.27, 48.17, 3.31

 

CMYK 8 / 0 / 82 / 46

HEX #7E8919

RGB 126 137 25

HSL 65.89, 0.69%, 0.32%

LAB 54.45, -17.98, 53.31

 

CMYK 82 / 0 / 33 / 46

HEX #19895C

RGB 25 137 92

HSL 155.89, 0.69%, 0.32%

LAB 50.54, -41.09, 15.8

 

CMYK 74 / 82 / 0 / 46

HEX #241989

RGB 36 25 137

HSL 245.89, 0.69%, 0.32%

LAB 19.54, 41.25, -59.41

 

Description

Color code: HEX #881944 | qconv.com Color code: HEX #881944 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 25 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 25 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 50 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 50% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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