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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #879C1D it is the complementary color #7863E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #879C1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #879C1D shade: #8C9C18, #9DAE2B, #AEC03E, #BFD251 and #D0E464

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #879C1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #879C1D shade: #879C1D, #768A0A, #657800, #546600 and #435400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #879C1D shade: #869B1C, #9B8D1C, #9B6B1C, #9B491C and #9B271C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #879C1D shade: #869B1C, #649B1C, #419B1C, #1F9B1C and #1C9B3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #879C1D shade matches the following richer shades: #869B1C and #90A90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #879C1D shade: #869B1C, #7C8C2B, #727D3A, #686E49 and #5E5F57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #879C1D shade: #9B6A1C, #9B8C1C, #889B1C, #669B1C and #449B1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #879C1D shade: #49550F, #687816, #869B1C, #A4BE22 and #BDD930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #879C1D shade: #879C1D, #1C9B48 and #7B1C9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #879C1D shade: #879C1D, #1C889B and #9B1C88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #879C1D shade: #879C1D, #1C9B48, #2F1C9B and #9B1C6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #879C1D shade: #879C1D, #1C9B6E, #2F1C9B and #9B1C48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 81 / 39

HEX #879C1D

RGB 135 156 29

HSL 69.92, 0.69%, 0.36%

LAB 60.8, -23.55, 58.04

 

Complementary color

CMYK 47 / 56 / 0 / 11

HEX #7863E2

RGB 120 99 226

HSL 249.92, 0.69%, 0.64%

LAB 49.99, 39.88, -62.18

 

CMYK 10 / 0 / 85 / 39

HEX #8C9C18

RGB 140 156 24

HSL 67.27, 0.73%, 0.35%

LAB 61.15, -21.56, 59.82

 

CMYK 10 / 0 / 75 / 32

HEX #9DAE2B

RGB 157 174 43

HSL 67.79, 0.6%, 0.43%

LAB 67.74, -22.49, 60.63

 

CMYK 9 / 0 / 68 / 25

HEX #AEC03E

RGB 174 192 62

HSL 68.31, 0.51%, 0.5%

LAB 74.22, -23.22, 60.52

 

CMYK 9 / 0 / 61 / 18

HEX #BFD251

RGB 191 210 81

HSL 68.84, 0.59%, 0.57%

LAB 80.61, -23.8, 59.92

 

CMYK 9 / 0 / 56 / 11

HEX #D0E464

RGB 208 228 100

HSL 69.38, 0.7%, 0.64%

LAB 86.91, -24.26, 59.05

 

CMYK 13 / 0 / 81 / 39

HEX #879C1D

RGB 135 156 29

HSL 69.92, 0.69%, 0.36%

LAB 60.8, -23.55, 58.04

 

CMYK 14 / 0 / 93 / 46

HEX #768A0A

RGB 118 138 10

HSL 69.38, 0.86%, 0.29%

LAB 54.08, -22.5, 56.24

 

CMYK 16 / 0 / 100 / 53

HEX #657800

RGB 101 120 0

HSL 69.5, 1%, 0.24%

LAB 47.24, -21.15, 52.26

 

CMYK 18 / 0 / 100 / 60

HEX #546600

RGB 84 102 0

HSL 70.59, 1%, 0.2%

LAB 40.23, -19.57, 46.42

 

CMYK 20 / 0 / 100 / 67

HEX #435400

RGB 67 84 0

HSL 72.14, 1%, 0.16%

LAB 32.99, -17.96, 40.4

 

CMYK 14 / 0 / 82 / 39

HEX #869B1C

RGB 134 155 28

HSL 69.92, 0.69%, 0.36%

LAB 60.42, -23.52, 57.96

 

CMYK 0 / 9 / 82 / 39

HEX #9B8D1C

RGB 155 141 28

HSL 53.39, 0.69%, 0.36%

LAB 58.13, -6.83, 56.62

 

CMYK 0 / 31 / 82 / 39

HEX #9B6B1C

RGB 155 107 28

HSL 37.32, 0.69%, 0.36%

LAB 48.97, 12.24, 48.49

 

CMYK 0 / 53 / 82 / 39

HEX #9B491C

RGB 155 73 28

HSL 21.26, 0.69%, 0.36%

LAB 40.92, 31.34, 41.07

 

CMYK 0 / 75 / 82 / 39

HEX #9B271C

RGB 155 39 28

HSL 5.2, 0.69%, 0.36%

LAB 35.01, 47, 35.37

 

CMYK 14 / 0 / 82 / 39

HEX #869B1C

RGB 134 155 28

HSL 69.92, 0.69%, 0.36%

LAB 60.42, -23.52, 57.96

 

CMYK 35 / 0 / 82 / 39

HEX #649B1C

RGB 100 155 28

HSL 85.98, 0.69%, 0.36%

LAB 58.26, -37.35, 55.21

 

CMYK 58 / 0 / 82 / 39

HEX #419B1C

RGB 65 155 28

HSL 102.52, 0.69%, 0.36%

LAB 56.73, -48.75, 53.25

 

CMYK 80 / 0 / 82 / 39

HEX #1F9B1C

RGB 31 155 28

HSL 118.58, 0.69%, 0.36%

LAB 55.9, -55.69, 52.18

 

CMYK 82 / 0 / 62 / 39

HEX #1C9B3B

RGB 28 155 59

HSL 134.65, 0.69%, 0.36%

LAB 56.09, -53.2, 40.23

 

CMYK 14 / 0 / 82 / 39

HEX #869B1C

RGB 134 155 28

HSL 69.92, 0.69%, 0.36%

LAB 60.42, -23.52, 57.96

 

CMYK 15 / 0 / 92 / 34

HEX #90A90D

RGB 144 169 13

HSL 69.62, 0.86%, 0.36%

LAB 65.23, -26.53, 65.45

 

CMYK 14 / 0 / 82 / 39

HEX #869B1C

RGB 134 155 28

HSL 69.92, 0.69%, 0.36%

LAB 60.42, -23.52, 57.96

 

CMYK 11 / 0 / 69 / 45

HEX #7C8C2B

RGB 124 140 43

HSL 69.9, 0.53%, 0.36%

LAB 55.29, -19.5, 47.62

 

CMYK 9 / 0 / 54 / 51

HEX #727D3A

RGB 114 125 58

HSL 69.85, 0.37%, 0.36%

LAB 50.16, -14.74, 34.75

 

CMYK 5 / 0 / 34 / 57

HEX #686E49

RGB 104 110 73

HSL 69.73, 0.2%, 0.36%

LAB 45.05, -8.95, 19.92

 

CMYK 1 / 0 / 8 / 63

HEX #5E5F57

RGB 94 95 87

HSL 67.5, 0.04%, 0.36%

LAB 40, -2.02, 4.44

 

CMYK 0 / 32 / 82 / 39

HEX #9B6A1C

RGB 155 106 28

HSL 36.85, 0.69%, 0.36%

LAB 48.71, 12.82, 48.26

 

CMYK 0 / 10 / 82 / 39

HEX #9B8C1C

RGB 155 140 28

HSL 52.91, 0.69%, 0.36%

LAB 57.85, -6.29, 56.38

 

CMYK 12 / 0 / 82 / 39

HEX #889B1C

RGB 136 155 28

HSL 68.98, 0.69%, 0.36%

LAB 60.57, -22.66, 58.15

 

CMYK 34 / 0 / 82 / 39

HEX #669B1C

RGB 102 155 28

HSL 85.04, 0.69%, 0.36%

LAB 58.37, -36.59, 55.35

 

CMYK 56 / 0 / 82 / 39

HEX #449B1C

RGB 68 155 28

HSL 101.1, 0.69%, 0.36%

LAB 56.84, -47.93, 53.38

 

CMYK 14 / 0 / 82 / 67

HEX #49550F

RGB 73 85 15

HSL 70.29, 0.7%, 0.2%

LAB 33.87, -14.98, 36.34

 

CMYK 13 / 0 / 82 / 53

HEX #687816

RGB 104 120 22

HSL 69.8, 0.69%, 0.28%

LAB 47.54, -19.13, 47.39

 

CMYK 14 / 0 / 82 / 39

HEX #869B1C

RGB 134 155 28

HSL 69.92, 0.69%, 0.36%

LAB 60.42, -23.52, 57.96

 

CMYK 14 / 0 / 82 / 25

HEX #A4BE22

RGB 164 190 34

HSL 70, 0.7%, 0.44%

LAB 72.78, -27.71, 68.02

 

CMYK 13 / 0 / 78 / 15

HEX #BDD930

RGB 189 217 48

HSL 69.94, 0.69%, 0.52%

LAB 82.19, -29.74, 73.25

 

CMYK 13 / 0 / 81 / 39

HEX #879C1D

RGB 135 156 29

HSL 69.92, 0.69%, 0.36%

LAB 60.8, -23.55, 58.04

 

CMYK 82 / 0 / 54 / 39

HEX #1C9B48

RGB 28 155 72

HSL 140.79, 0.69%, 0.36%

LAB 56.25, -51.37, 34.06

 

CMYK 21 / 82 / 0 / 39

HEX #7B1C9B

RGB 123 28 155

HSL 284.88, 0.69%, 0.36%

LAB 32.72, 57.17, -48.52

 

CMYK 13 / 0 / 81 / 39

HEX #879C1D

RGB 135 156 29

HSL 69.92, 0.69%, 0.36%

LAB 60.8, -23.55, 58.04

 

CMYK 82 / 12 / 0 / 39

HEX #1C889B

RGB 28 136 155

HSL 188.98, 0.69%, 0.36%

LAB 52.09, -22.08, -18.44

 

CMYK 0 / 82 / 12 / 39

HEX #9B1C88

RGB 155 28 136

HSL 308.98, 0.69%, 0.36%

LAB 37.07, 60.36, -29.6

 

CMYK 13 / 0 / 81 / 39

HEX #879C1D

RGB 135 156 29

HSL 69.92, 0.69%, 0.36%

LAB 60.8, -23.55, 58.04

 

CMYK 82 / 0 / 54 / 39

HEX #1C9B48

RGB 28 155 72

HSL 140.79, 0.69%, 0.36%

LAB 56.25, -51.37, 34.06

 

CMYK 70 / 82 / 0 / 39

HEX #2F1C9B

RGB 47 28 155

HSL 248.98, 0.69%, 0.36%

LAB 23, 46.38, -64.82

 

CMYK 0 / 82 / 29 / 39

HEX #9B1C6E

RGB 155 28 110

HSL 321.26, 0.69%, 0.36%

LAB 35.84, 56.87, -15.26

 

CMYK 13 / 0 / 81 / 39

HEX #879C1D

RGB 135 156 29

HSL 69.92, 0.69%, 0.36%

LAB 60.8, -23.55, 58.04

 

CMYK 82 / 0 / 29 / 39

HEX #1C9B6E

RGB 28 155 110

HSL 158.74, 0.69%, 0.36%

LAB 56.9, -43.91, 14.41

 

CMYK 70 / 82 / 0 / 39

HEX #2F1C9B

RGB 47 28 155

HSL 248.98, 0.69%, 0.36%

LAB 23, 46.38, -64.82

 

CMYK 0 / 82 / 54 / 39

HEX #9B1C48

RGB 155 28 72

HSL 339.21, 0.69%, 0.36%

LAB 34.53, 53, 7.27

 

Description

Color code: HEX #879C1D | qconv.com Color code: HEX #879C1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 156 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 156 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 81 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 81% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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