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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #878307 it is the complementary color #787CF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #878307. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #878307 shade: #8C8302, #9D9515, #AEA728, #BFB93B and #D0CB4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #878307. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #878307 shade: #878307, #767100, #655F00, #544D00 and #433B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #878307 shade: #878307, #876007, #873E07, #871B07 and #870707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #878307 shade: #878307, #698707, #468707, #238707 and #07870D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #878307 shade matches the following richer shades: #878307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #878307 shade: #878307, #7C7812, #706D1E, #656329 and #595835

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #878307 shade: #873E07, #876107, #878307, #698707 and #478707

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #878307 shade: #393703, #605D05, #878307, #AEA909 and #D6CF0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #878307 shade: #878307, #07871C and #4F0787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #878307 shade: #878307, #078783 and #830787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #878307 shade: #878307, #07871C, #070B87 and #870772

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #878307 shade: #878307, #078743, #070B87 and #87074B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

Complementary color

CMYK 52 / 50 / 0 / 3

HEX #787CF8

RGB 120 124 248

HSL 238.13, 0.9%, 0.72%

LAB 57.26, 31.7, -62.77

 

CMYK 0 / 6 / 99 / 45

HEX #8C8302

RGB 140 131 2

HSL 56.09, 0.97%, 0.28%

LAB 53.83, -8.92, 58.23

 

CMYK 0 / 5 / 87 / 38

HEX #9D9515

RGB 157 149 21

HSL 56.47, 0.76%, 0.35%

LAB 60.53, -10.43, 60.59

 

CMYK 0 / 4 / 77 / 32

HEX #AEA728

RGB 174 167 40

HSL 56.87, 0.63%, 0.42%

LAB 67.12, -11.68, 61.54

 

CMYK 0 / 3 / 69 / 25

HEX #BFB93B

RGB 191 185 59

HSL 57.27, 0.53%, 0.49%

LAB 73.6, -12.71, 61.5

 

CMYK 0 / 2 / 63 / 18

HEX #D0CB4E

RGB 208 203 78

HSL 57.69, 0.58%, 0.56%

LAB 79.99, -13.55, 60.91

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 0 / 4 / 100 / 54

HEX #767100

RGB 118 113 0

HSL 57.46, 1%, 0.23%

LAB 46.53, -9.44, 52.38

 

CMYK 0 / 6 / 100 / 60

HEX #655F00

RGB 101 95 0

HSL 56.44, 1%, 0.2%

LAB 39.5, -7.51, 46.54

 

CMYK 0 / 8 / 100 / 67

HEX #544D00

RGB 84 77 0

HSL 55, 1%, 0.16%

LAB 32.24, -5.48, 40.53

 

CMYK 0 / 12 / 100 / 74

HEX #433B00

RGB 67 59 0

HSL 52.84, 1%, 0.13%

LAB 24.71, -3.32, 33.59

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 0 / 29 / 95 / 47

HEX #876007

RGB 135 96 7

HSL 41.72, 0.9%, 0.28%

LAB 43.55, 8.69, 49.35

 

CMYK 0 / 54 / 95 / 47

HEX #873E07

RGB 135 62 7

HSL 25.78, 0.9%, 0.28%

LAB 35.23, 28.3, 43.28

 

CMYK 0 / 80 / 95 / 47

HEX #871B07

RGB 135 27 7

HSL 9.38, 0.9%, 0.28%

LAB 29.29, 44.12, 39.05

 

CMYK 0 / 95 / 95 / 47

HEX #870707

RGB 135 7 7

HSL 0, 0.9%, 0.28%

LAB 27.62, 48.84, 37.69

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 22 / 0 / 95 / 47

HEX #698707

RGB 105 135 7

HSL 74.06, 0.9%, 0.28%

LAB 52.23, -26.74, 54.88

 

CMYK 48 / 0 / 95 / 47

HEX #468707

RGB 70 135 7

HSL 90.47, 0.9%, 0.28%

LAB 50.27, -40.31, 52.49

 

CMYK 74 / 0 / 95 / 47

HEX #238707

RGB 35 135 7

HSL 106.88, 0.9%, 0.28%

LAB 49.13, -49.55, 51.08

 

CMYK 95 / 0 / 90 / 47

HEX #07870D

RGB 7 135 13

HSL 122.81, 0.9%, 0.28%

LAB 48.76, -52.75, 49.46

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 0 / 3 / 85 / 51

HEX #7C7812

RGB 124 120 18

HSL 57.74, 0.75%, 0.28%

LAB 49.21, -10.03, 50.69

 

CMYK 0 / 3 / 73 / 56

HEX #706D1E

RGB 112 109 30

HSL 57.8, 0.58%, 0.28%

LAB 44.91, -9.05, 42.22

 

CMYK 0 / 2 / 59 / 60

HEX #656329

RGB 101 99 41

HSL 58, 0.42%, 0.28%

LAB 40.98, -7.76, 32.62

 

CMYK 0 / 1 / 40 / 65

HEX #595835

RGB 89 88 53

HSL 58.33, 0.25%, 0.28%

LAB 36.67, -5.62, 20.45

 

CMYK 0 / 54 / 95 / 47

HEX #873E07

RGB 135 62 7

HSL 25.78, 0.9%, 0.28%

LAB 35.23, 28.3, 43.28

 

CMYK 0 / 28 / 95 / 47

HEX #876107

RGB 135 97 7

HSL 42.19, 0.9%, 0.28%

LAB 43.82, 8.11, 49.55

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 22 / 0 / 95 / 47

HEX #698707

RGB 105 135 7

HSL 74.06, 0.9%, 0.28%

LAB 52.23, -26.74, 54.88

 

CMYK 47 / 0 / 95 / 47

HEX #478707

RGB 71 135 7

HSL 90, 0.9%, 0.28%

LAB 50.31, -39.97, 52.54

 

CMYK 0 / 4 / 95 / 78

HEX #393703

RGB 57 55 3

HSL 57.78, 0.9%, 0.12%

LAB 22.33, -6, 29.62

 

CMYK 0 / 3 / 95 / 62

HEX #605D05

RGB 96 93 5

HSL 58.02, 0.9%, 0.2%

LAB 38.42, -8.68, 44.09

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 0 / 3 / 95 / 32

HEX #AEA909

RGB 174 169 9

HSL 58.18, 0.9%, 0.36%

LAB 67.57, -13.5, 68.81

 

CMYK 0 / 3 / 95 / 16

HEX #D6CF0B

RGB 214 207 11

HSL 57.93, 0.9%, 0.44%

LAB 81.26, -15.32, 80.4

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 95 / 0 / 79 / 47

HEX #07871C

RGB 7 135 28

HSL 129.84, 0.9%, 0.28%

LAB 48.83, -51.87, 45.31

 

CMYK 41 / 95 / 0 / 47

HEX #4F0787

RGB 79 7 135

HSL 273.75, 0.9%, 0.28%

LAB 22.17, 51.56, -53.65

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 95 / 0 / 3 / 47

HEX #078783

RGB 7 135 131

HSL 178.13, 0.9%, 0.28%

LAB 50.7, -30.89, -6.59

 

CMYK 3 / 95 / 0 / 47

HEX #830787

RGB 131 7 135

HSL 298.13, 0.9%, 0.28%

LAB 31.18, 59.51, -38.62

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 95 / 0 / 79 / 47

HEX #07871C

RGB 7 135 28

HSL 129.84, 0.9%, 0.28%

LAB 48.83, -51.87, 45.31

 

CMYK 95 / 92 / 0 / 47

HEX #070B87

RGB 7 11 135

HSL 238.13, 0.9%, 0.28%

LAB 15.66, 45.47, -64.64

 

CMYK 0 / 95 / 16 / 47

HEX #870772

RGB 135 7 114

HSL 309.84, 0.9%, 0.28%

LAB 30.68, 57.09, -26.11

 

CMYK 0 / 3 / 95 / 47

HEX #878307

RGB 135 131 7

HSL 58.13, 0.9%, 0.28%

LAB 53.38, -11.16, 56.8

 

CMYK 95 / 0 / 50 / 47

HEX #078743

RGB 7 135 67

HSL 148.13, 0.9%, 0.28%

LAB 49.23, -46.97, 27.91

 

CMYK 95 / 92 / 0 / 47

HEX #070B87

RGB 7 11 135

HSL 238.13, 0.9%, 0.28%

LAB 15.66, 45.47, -64.64

 

CMYK 0 / 95 / 44 / 47

HEX #87074B

RGB 135 7 75

HSL 328.13, 0.9%, 0.28%

LAB 28.93, 52.47, -3.34

 

Description

Color code: HEX #878307 | qconv.com Color code: HEX #878307 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 131 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 131 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 95 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 95% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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