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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #876C44 it is the complementary color #7893BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #876C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #876C44 shade: #8C6C3F, #9D7E52, #AE9065, #BFA278 and #D0B48B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #876C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #876C44 shade: #876C44, #765A31, #65481E, #54360B and #432400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #876C44 shade: #876C44, #875A44, #874844 and #874444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #876C44 shade: #876C44, #877E44, #7E8744, #6C8744 and #5A8744

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #876C44 shade matches the following richer shades: #876C44, #986F33, #A87223, #B97612 and #C97902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #876C44 shade: #876C44, #776954, #666665, #566275 and #455F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #876C44 shade: #874744, #875944, #876B44, #877D44 and #7F8744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #876C44 shade: #504028, #6C5636, #876C44, #A38252 and #B4966A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #876C44 shade: #876C44, #528744 and #504487

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #876C44 shade: #876C44, #44876B and #6B4487

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #876C44 shade: #876C44, #528744, #446087 and #794487

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #876C44 shade: #876C44, #448749, #446087 and #874482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

Complementary color

CMYK 36 / 21 / 0 / 27

HEX #7893BB

RGB 120 147 187

HSL 215.82, 0.33%, 0.6%

LAB 60.29, 0.44, -23.86

 

CMYK 0 / 23 / 55 / 45

HEX #8C6C3F

RGB 140 108 63

HSL 35.06, 0.38%, 0.4%

LAB 47.83, 7.01, 29.86

 

CMYK 0 / 20 / 48 / 38

HEX #9D7E52

RGB 157 126 82

HSL 35.2, 0.31%, 0.47%

LAB 54.76, 6.07, 28.41

 

CMYK 0 / 17 / 42 / 32

HEX #AE9065

RGB 174 144 101

HSL 35.34, 0.31%, 0.54%

LAB 61.55, 5.3, 27.06

 

CMYK 0 / 15 / 37 / 25

HEX #BFA278

RGB 191 162 120

HSL 35.49, 0.36%, 0.61%

LAB 68.22, 4.66, 25.81

 

CMYK 0 / 13 / 33 / 18

HEX #D0B48B

RGB 208 180 139

HSL 35.65, 0.42%, 0.68%

LAB 74.77, 4.11, 24.65

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 24 / 58 / 54

HEX #765A31

RGB 118 90 49

HSL 35.65, 0.41%, 0.33%

LAB 40.22, 6.26, 27.85

 

CMYK 0 / 29 / 70 / 60

HEX #65481E

RGB 101 72 30

HSL 35.49, 0.54%, 0.26%

LAB 32.91, 7.56, 29.38

 

CMYK 0 / 36 / 87 / 67

HEX #54360B

RGB 84 54 11

HSL 35.34, 0.77%, 0.19%

LAB 25.4, 9.33, 30.51

 

CMYK 0 / 46 / 100 / 74

HEX #432400

RGB 67 36 0

HSL 32.24, 1%, 0.13%

LAB 17.71, 11.73, 25.98

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 33 / 50 / 47

HEX #875A44

RGB 135 90 68

HSL 19.7, 0.33%, 0.4%

LAB 42.58, 15.82, 20.2

 

CMYK 0 / 47 / 50 / 47

HEX #874844

RGB 135 72 68

HSL 3.58, 0.33%, 0.4%

LAB 38.2, 26.28, 14.36

 

CMYK 0 / 50 / 50 / 47

HEX #874444

RGB 135 68 68

HSL 0, 0.33%, 0.4%

LAB 37.3, 28.53, 13.14

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 7 / 50 / 47

HEX #877E44

RGB 135 126 68

HSL 51.94, 0.33%, 0.4%

LAB 52.39, -5.03, 32.6

 

CMYK 7 / 0 / 50 / 47

HEX #7E8744

RGB 126 135 68

HSL 68.06, 0.33%, 0.4%

LAB 54.22, -13.89, 34.64

 

CMYK 20 / 0 / 50 / 47

HEX #6C8744

RGB 108 135 68

HSL 84.18, 0.33%, 0.4%

LAB 52.88, -21.43, 32.7

 

CMYK 33 / 0 / 50 / 47

HEX #5A8744

RGB 90 135 68

HSL 100.3, 0.33%, 0.4%

LAB 51.75, -28.43, 31.06

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 27 / 66 / 40

HEX #986F33

RGB 152 111 51

HSL 35.64, 0.5%, 0.4%

LAB 49.84, 9.75, 38.93

 

CMYK 0 / 32 / 79 / 34

HEX #A87223

RGB 168 114 35

HSL 35.64, 0.66%, 0.4%

LAB 52.38, 14.44, 49.47

 

CMYK 0 / 36 / 90 / 27

HEX #B97612

RGB 185 118 18

HSL 35.93, 0.82%, 0.4%

LAB 55.4, 19.3, 58.49

 

CMYK 0 / 40 / 99 / 21

HEX #C97902

RGB 201 121 2

HSL 35.88, 0.98%, 0.4%

LAB 58.13, 24.42, 64.43

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 12 / 29 / 53

HEX #776954

RGB 119 105 84

HSL 36, 0.17%, 0.4%

LAB 45.17, 2.01, 13.85

 

CMYK 0 / 0 / 1 / 60

HEX #666665

RGB 102 102 101

HSL 60, 0%, 0.4%

LAB 43.16, -0.2, 0.56

 

CMYK 26 / 16 / 0 / 54

HEX #566275

RGB 86 98 117

HSL 216.77, 0.15%, 0.4%

LAB 41.21, 0.09, -12.22

 

CMYK 49 / 29 / 0 / 47

HEX #455F86

RGB 69 95 134

HSL 216, 0.32%, 0.4%

LAB 39.87, 1.74, -24.72

 

CMYK 0 / 47 / 50 / 47

HEX #874744

RGB 135 71 68

HSL 2.69, 0.33%, 0.4%

LAB 37.98, 26.85, 14.05

 

CMYK 0 / 34 / 50 / 47

HEX #875944

RGB 135 89 68

HSL 18.81, 0.33%, 0.4%

LAB 42.33, 16.41, 19.87

 

CMYK 0 / 21 / 50 / 47

HEX #876B44

RGB 135 107 68

HSL 34.93, 0.33%, 0.4%

LAB 47.08, 5.84, 26.01

 

CMYK 0 / 7 / 50 / 47

HEX #877D44

RGB 135 125 68

HSL 51.04, 0.33%, 0.4%

LAB 52.1, -4.47, 32.26

 

CMYK 6 / 0 / 50 / 47

HEX #7F8744

RGB 127 135 68

HSL 67.16, 0.33%, 0.4%

LAB 54.3, -13.46, 34.76

 

CMYK 0 / 20 / 50 / 69

HEX #504028

RGB 80 64 40

HSL 36, 0.33%, 0.24%

LAB 28.18, 3.24, 17.26

 

CMYK 0 / 20 / 50 / 58

HEX #6C5636

RGB 108 86 54

HSL 35.56, 0.33%, 0.32%

LAB 38.04, 4.51, 22.01

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 20 / 50 / 36

HEX #A38252

RGB 163 130 82

HSL 35.56, 0.33%, 0.48%

LAB 56.45, 6.41, 30.68

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 39 / 0 / 50 / 47

HEX #528744

RGB 82 135 68

HSL 107.46, 0.33%, 0.4%

LAB 51.31, -31.29, 30.43

 

CMYK 41 / 50 / 0 / 47

HEX #504487

RGB 80 68 135

HSL 250.75, 0.33%, 0.4%

LAB 33.11, 22.36, -35.92

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 50 / 0 / 21 / 47

HEX #44876B

RGB 68 135 107

HSL 154.93, 0.33%, 0.4%

LAB 51.4, -28.36, 8.57

 

CMYK 21 / 50 / 0 / 47

HEX #6B4487

RGB 107 68 135

HSL 274.93, 0.33%, 0.4%

LAB 36, 30.15, -31.16

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 39 / 0 / 50 / 47

HEX #528744

RGB 82 135 68

HSL 107.46, 0.33%, 0.4%

LAB 51.31, -31.29, 30.43

 

CMYK 50 / 29 / 0 / 47

HEX #446087

RGB 68 96 135

HSL 214.93, 0.33%, 0.4%

LAB 40.15, 1.18, -24.89

 

CMYK 10 / 50 / 0 / 47

HEX #794487

RGB 121 68 135

HSL 287.46, 0.33%, 0.4%

LAB 37.75, 34.41, -28.29

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 50 / 0 / 46 / 47

HEX #448749

RGB 68 135 73

HSL 124.48, 0.33%, 0.4%

LAB 50.73, -35.07, 26.87

 

CMYK 50 / 29 / 0 / 47

HEX #446087

RGB 68 96 135

HSL 214.93, 0.33%, 0.4%

LAB 40.15, 1.18, -24.89

 

CMYK 0 / 50 / 4 / 47

HEX #874482

RGB 135 68 130

HSL 304.48, 0.33%, 0.4%

LAB 39.41, 37.76, -22.49

 

Description

Color code: HEX #876C44 | qconv.com Color code: HEX #876C44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 108 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 108 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 50 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 50% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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