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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87681B it is the complementary color #7897E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87681B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87681B shade: #8C6816, #9D7A29, #AE8C3C, #BF9E4F and #D0B062

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87681B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87681B shade: #87681B, #765608, #654400, #543200 and #432000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87681B shade: #88681A, #884B1A, #882D1A and #881A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87681B shade: #88681A, #88861A, #6C881A, #4F881A and #31881A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87681B shade matches the following richer shades: #88681A, #956E0D and #A27400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87681B shade: #88681A, #7B6328, #6D5D35, #605842 and #53524F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87681B shade: #882D1A, #884A1A, #88671A, #88841A and #6E881A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87681B shade: #43330D, #654E14, #88681A, #AA8321 and #CD9D28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87681B shade: #87681B, #25881A and #3B1A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87681B shade: #87681B, #1A8867 and #671A88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87681B shade: #87681B, #25881A, #1A3B88 and #7D1A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87681B shade: #87681B, #1A8830, #1A3B88 and #881A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 80 / 47

HEX #87681B

RGB 135 104 27

HSL 42.78, 0.67%, 0.32%

LAB 45.81, 4.6, 45.12

 

Complementary color

CMYK 47 / 34 / 0 / 11

HEX #7897E4

RGB 120 151 228

HSL 222.78, 0.67%, 0.68%

LAB 63.12, 9.74, -42.39

 

CMYK 0 / 26 / 84 / 45

HEX #8C6816

RGB 140 104 22

HSL 41.69, 0.73%, 0.32%

LAB 46.36, 6.78, 47.66

 

CMYK 0 / 22 / 74 / 38

HEX #9D7A29

RGB 157 122 41

HSL 41.9, 0.59%, 0.39%

LAB 53.22, 5.18, 47.35

 

CMYK 0 / 20 / 66 / 32

HEX #AE8C3C

RGB 174 140 60

HSL 42.11, 0.49%, 0.46%

LAB 59.96, 3.88, 46.38

 

CMYK 0 / 17 / 59 / 25

HEX #BF9E4F

RGB 191 158 79

HSL 42.32, 0.47%, 0.53%

LAB 66.59, 2.8, 45.16

 

CMYK 0 / 15 / 53 / 18

HEX #D0B062

RGB 208 176 98

HSL 42.55, 0.54%, 0.6%

LAB 73.12, 1.91, 43.88

 

CMYK 0 / 23 / 80 / 47

HEX #87681B

RGB 135 104 27

HSL 42.78, 0.67%, 0.32%

LAB 45.81, 4.6, 45.12

 

CMYK 0 / 27 / 93 / 54

HEX #765608

RGB 118 86 8

HSL 42.55, 0.87%, 0.25%

LAB 38.77, 6.43, 44.54

 

CMYK 0 / 33 / 100 / 60

HEX #654400

RGB 101 68 0

HSL 40.4, 1%, 0.2%

LAB 31.58, 8.74, 41

 

CMYK 0 / 40 / 100 / 67

HEX #543200

RGB 84 50 0

HSL 35.71, 1%, 0.16%

LAB 24.21, 11.44, 33.86

 

CMYK 0 / 52 / 100 / 74

HEX #432000

RGB 67 32 0

HSL 28.66, 1%, 0.13%

LAB 16.63, 14.34, 24.67

 

CMYK 0 / 24 / 81 / 47

HEX #88681A

RGB 136 104 26

HSL 42.55, 0.68%, 0.32%

LAB 45.92, 5.04, 45.64

 

CMYK 0 / 45 / 81 / 47

HEX #884B1A

RGB 136 75 26

HSL 26.73, 0.68%, 0.32%

LAB 38.45, 21.97, 38.62

 

CMYK 0 / 67 / 81 / 47

HEX #882D1A

RGB 136 45 26

HSL 10.36, 0.68%, 0.32%

LAB 32.23, 37.83, 32.49

 

CMYK 0 / 81 / 81 / 47

HEX #881A1A

RGB 136 26 26

HSL 0, 0.68%, 0.32%

LAB 29.53, 45.24, 29.72

 

CMYK 0 / 24 / 81 / 47

HEX #88681A

RGB 136 104 26

HSL 42.55, 0.68%, 0.32%

LAB 45.92, 5.04, 45.64

 

CMYK 0 / 1 / 81 / 47

HEX #88861A

RGB 136 134 26

HSL 58.91, 0.68%, 0.32%

LAB 54.41, -11.81, 53.29

 

CMYK 21 / 0 / 81 / 47

HEX #6C881A

RGB 108 136 26

HSL 75.27, 0.68%, 0.32%

LAB 52.81, -25.34, 51.03

 

CMYK 42 / 0 / 81 / 47

HEX #4F881A

RGB 79 136 26

HSL 91.09, 0.68%, 0.32%

LAB 51.09, -36.85, 48.81

 

CMYK 64 / 0 / 81 / 47

HEX #31881A

RGB 49 136 26

HSL 107.45, 0.68%, 0.32%

LAB 49.9, -46.01, 47.27

 

CMYK 0 / 24 / 81 / 47

HEX #88681A

RGB 136 104 26

HSL 42.55, 0.68%, 0.32%

LAB 45.92, 5.04, 45.64

 

CMYK 0 / 26 / 91 / 42

HEX #956E0D

RGB 149 110 13

HSL 42.79, 0.84%, 0.32%

LAB 48.97, 7.31, 52.84

 

CMYK 0 / 28 / 100 / 36

HEX #A27400

RGB 162 116 0

HSL 42.96, 1%, 0.32%

LAB 52.03, 9.73, 58.41

 

CMYK 0 / 24 / 81 / 47

HEX #88681A

RGB 136 104 26

HSL 42.55, 0.68%, 0.32%

LAB 45.92, 5.04, 45.64

 

CMYK 0 / 20 / 67 / 52

HEX #7B6328

RGB 123 99 40

HSL 42.65, 0.51%, 0.32%

LAB 43.19, 2.56, 36.21

 

CMYK 0 / 15 / 51 / 57

HEX #6D5D35

RGB 109 93 53

HSL 42.86, 0.35%, 0.32%

LAB 40.14, 0.66, 25.25

 

CMYK 0 / 8 / 31 / 62

HEX #605842

RGB 96 88 66

HSL 44, 0.19%, 0.32%

LAB 37.59, -0.61, 13.96

 

CMYK 0 / 1 / 5 / 67

HEX #53524F

RGB 83 82 79

HSL 45, 0.02%, 0.32%

LAB 34.88, -0.22, 1.9

 

CMYK 0 / 67 / 81 / 47

HEX #882D1A

RGB 136 45 26

HSL 10.36, 0.68%, 0.32%

LAB 32.23, 37.83, 32.49

 

CMYK 0 / 46 / 81 / 47

HEX #884A1A

RGB 136 74 26

HSL 26.18, 0.68%, 0.32%

LAB 38.21, 22.55, 38.39

 

CMYK 0 / 24 / 81 / 47

HEX #88671A

RGB 136 103 26

HSL 42, 0.68%, 0.32%

LAB 45.65, 5.62, 45.39

 

CMYK 0 / 3 / 81 / 47

HEX #88841A

RGB 136 132 26

HSL 57.82, 0.68%, 0.32%

LAB 53.83, -10.73, 52.77

 

CMYK 19 / 0 / 81 / 47

HEX #6E881A

RGB 110 136 26

HSL 74.18, 0.68%, 0.32%

LAB 52.95, -24.48, 51.2

 

CMYK 0 / 24 / 81 / 74

HEX #43330D

RGB 67 51 13

HSL 42.22, 0.68%, 0.16%

LAB 22.27, 2.52, 25.73

 

CMYK 0 / 23 / 80 / 60

HEX #654E14

RGB 101 78 20

HSL 42.96, 0.67%, 0.24%

LAB 34.53, 3.29, 35.95

 

CMYK 0 / 24 / 81 / 47

HEX #88681A

RGB 136 104 26

HSL 42.55, 0.68%, 0.32%

LAB 45.92, 5.04, 45.64

 

CMYK 0 / 23 / 81 / 33

HEX #AA8321

RGB 170 131 33

HSL 42.92, 0.67%, 0.4%

LAB 56.97, 5.71, 54.54

 

CMYK 0 / 23 / 80 / 20

HEX #CD9D28

RGB 205 157 40

HSL 42.55, 0.67%, 0.48%

LAB 67.46, 7.35, 62.97

 

CMYK 0 / 23 / 80 / 47

HEX #87681B

RGB 135 104 27

HSL 42.78, 0.67%, 0.32%

LAB 45.81, 4.6, 45.12

 

CMYK 73 / 0 / 81 / 47

HEX #25881A

RGB 37 136 26

HSL 114, 0.68%, 0.32%

LAB 49.59, -48.62, 46.86

 

CMYK 57 / 81 / 0 / 47

HEX #3B1A88

RGB 59 26 136

HSL 258, 0.68%, 0.32%

LAB 21.75, 42.98, -55.07

 

CMYK 0 / 23 / 80 / 47

HEX #87681B

RGB 135 104 27

HSL 42.78, 0.67%, 0.32%

LAB 45.81, 4.6, 45.12

 

CMYK 81 / 0 / 24 / 47

HEX #1A8867

RGB 26 136 103

HSL 162, 0.68%, 0.32%

LAB 50.46, -37.9, 9.39

 

CMYK 24 / 81 / 0 / 47

HEX #671A88

RGB 103 26 136

HSL 282, 0.68%, 0.32%

LAB 27.85, 50.21, -44.86

 

CMYK 0 / 23 / 80 / 47

HEX #87681B

RGB 135 104 27

HSL 42.78, 0.67%, 0.32%

LAB 45.81, 4.6, 45.12

 

CMYK 73 / 0 / 81 / 47

HEX #25881A

RGB 37 136 26

HSL 114, 0.68%, 0.32%

LAB 49.59, -48.62, 46.86

 

CMYK 81 / 57 / 0 / 47

HEX #1A3B88

RGB 26 59 136

HSL 222, 0.68%, 0.32%

LAB 27.09, 18.05, -46.43

 

CMYK 8 / 81 / 0 / 47

HEX #7D1A88

RGB 125 26 136

HSL 294, 0.68%, 0.32%

LAB 31.52, 54.55, -38.74

 

CMYK 0 / 23 / 80 / 47

HEX #87681B

RGB 135 104 27

HSL 42.78, 0.67%, 0.32%

LAB 45.81, 4.6, 45.12

 

CMYK 81 / 0 / 65 / 47

HEX #1A8830

RGB 26 136 48

HSL 132, 0.68%, 0.32%

LAB 49.55, -48.36, 37.91

 

CMYK 81 / 57 / 0 / 47

HEX #1A3B88

RGB 26 59 136

HSL 222, 0.68%, 0.32%

LAB 27.09, 18.05, -46.43

 

CMYK 0 / 81 / 16 / 47

HEX #881A72

RGB 136 26 114

HSL 312, 0.68%, 0.32%

LAB 32.23, 53.37, -23.67

 

Description

Color code: HEX #87681B | qconv.com Color code: HEX #87681B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 104 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 104 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 80 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 80% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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