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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #874D89 it is the complementary color #78B276. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #874D89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #874D89 shade: #8C4D84, #9D5F97, #AE71AA, #BF83BD and #D095D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #874D89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #874D89 shade: #874D89, #763B76, #652963, #541750 and #43053D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #874D89 shade: #874D89, #894D7A, #894D6A, #894D5A and #894D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #874D89 shade: #874D89, #764D89, #664D89, #564D89 and #4D4D89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #874D89 shade matches the following richer shades: #874D89, #973B9A, #A72AAB, #B719BD and #C707CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #874D89 shade: #874D89, #765E77, #666F66, #568155 and #469243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #874D89 shade: #674D89, #774D89, #874D89, #894D7B and #894D6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #874D89 shade: #532F54, #6D3E6E, #874D89, #A05CA3 and #B076B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #874D89 shade: #874D89, #89574D and #4D896F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #874D89 shade: #874D89, #89874D and #4D8987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #874D89 shade: #874D89, #89574D, #4F894D and #4D7F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #874D89 shade: #874D89, #89694D, #4F894D and #4D6D89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

Complementary color

CMYK 33 / 0 / 34 / 30

HEX #78B276

RGB 120 178 118

HSL 118, 0.28%, 0.58%

LAB 67.38, -30.99, 24.85

 

CMYK 0 / 45 / 6 / 45

HEX #8C4D84

RGB 140 77 132

HSL 307.62, 0.29%, 0.43%

LAB 42.08, 34.84, -19.53

 

CMYK 0 / 39 / 4 / 38

HEX #9D5F97

RGB 157 95 151

HSL 305.81, 0.25%, 0.49%

LAB 48.99, 34.05, -20.12

 

CMYK 0 / 35 / 2 / 32

HEX #AE71AA

RGB 174 113 170

HSL 303.93, 0.27%, 0.56%

LAB 55.8, 33.28, -20.63

 

CMYK 0 / 31 / 1 / 25

HEX #BF83BD

RGB 191 131 189

HSL 302, 0.32%, 0.63%

LAB 62.49, 32.54, -21.08

 

CMYK 0 / 28 / 0 / 18

HEX #D095D0

RGB 208 149 208

HSL 300, 0.39%, 0.7%

LAB 69.08, 31.84, -21.5

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 50 / 0 / 54

HEX #763B76

RGB 118 59 118

HSL 300, 0.33%, 0.35%

LAB 34.57, 34.95, -22.75

 

CMYK 0 / 59 / 2 / 60

HEX #652963

RGB 101 41 99

HSL 302, 0.42%, 0.28%

LAB 27.44, 35.56, -21.97

 

CMYK 0 / 73 / 5 / 67

HEX #541750

RGB 84 23 80

HSL 303.93, 0.57%, 0.21%

LAB 20.35, 35.66, -20.74

 

CMYK 0 / 93 / 9 / 74

HEX #43053D

RGB 67 5 61

HSL 305.81, 0.86%, 0.14%

LAB 13.46, 34.64, -18.66

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 44 / 11 / 46

HEX #894D7A

RGB 137 77 122

HSL 315, 0.28%, 0.42%

LAB 41.27, 31.99, -14.7

 

CMYK 0 / 44 / 23 / 46

HEX #894D6A

RGB 137 77 106

HSL 331, 0.28%, 0.42%

LAB 40.68, 29.28, -5.72

 

CMYK 0 / 44 / 34 / 46

HEX #894D5A

RGB 137 77 90

HSL 347, 0.28%, 0.42%

LAB 40.19, 26.9, 3.49

 

CMYK 0 / 44 / 44 / 46

HEX #894D4D

RGB 137 77 77

HSL 0, 0.28%, 0.42%

LAB 39.85, 25.25, 11.08

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 14 / 44 / 0 / 46

HEX #764D89

RGB 118 77 137

HSL 281, 0.28%, 0.42%

LAB 39.52, 28.71, -26.76

 

CMYK 26 / 44 / 0 / 46

HEX #664D89

RGB 102 77 137

HSL 265, 0.28%, 0.42%

LAB 37.73, 23.67, -29.69

 

CMYK 37 / 44 / 0 / 46

HEX #564D89

RGB 86 77 137

HSL 249, 0.28%, 0.42%

LAB 36.16, 18.88, -32.28

 

CMYK 44 / 44 / 0 / 46

HEX #4D4D89

RGB 77 77 137

HSL 240, 0.28%, 0.42%

LAB 35.38, 16.36, -33.56

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 2 / 62 / 0 / 40

HEX #973B9A

RGB 151 59 154

HSL 298.11, 0.45%, 0.42%

LAB 41.28, 51.28, -33.98

 

CMYK 2 / 75 / 0 / 33

HEX #A72AAB

RGB 167 42 171

HSL 298.14, 0.61%, 0.42%

LAB 42.48, 64.47, -42.09

 

CMYK 3 / 87 / 0 / 26

HEX #B719BD

RGB 183 25 189

HSL 297.8, 0.77%, 0.42%

LAB 44.85, 74.55, -48.76

 

CMYK 3 / 97 / 0 / 19

HEX #C707CE

RGB 199 7 206

HSL 297.89, 0.93%, 0.42%

LAB 47.94, 81.97, -53.53

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 1 / 21 / 0 / 53

HEX #765E77

RGB 118 94 119

HSL 297.6, 0.12%, 0.42%

LAB 43.05, 14.51, -10.38

 

CMYK 8 / 0 / 8 / 56

HEX #666F66

RGB 102 111 102

HSL 120, 0.04%, 0.42%

LAB 45.84, -5.29, 3.84

 

CMYK 33 / 0 / 34 / 49

HEX #568155

RGB 86 129 85

HSL 118.64, 0.21%, 0.42%

LAB 49.9, -24.29, 19.27

 

CMYK 52 / 0 / 54 / 43

HEX #469243

RGB 70 146 67

HSL 117.72, 0.37%, 0.42%

LAB 54.31, -40.14, 34.49

 

CMYK 25 / 44 / 0 / 46

HEX #674D89

RGB 103 77 137

HSL 266, 0.28%, 0.42%

LAB 37.84, 23.98, -29.52

 

CMYK 13 / 44 / 0 / 46

HEX #774D89

RGB 119 77 137

HSL 282, 0.28%, 0.42%

LAB 39.64, 29.02, -26.57

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 44 / 10 / 46

HEX #894D7B

RGB 137 77 123

HSL 314, 0.28%, 0.42%

LAB 41.31, 32.17, -15.25

 

CMYK 0 / 44 / 22 / 46

HEX #894D6B

RGB 137 77 107

HSL 330, 0.28%, 0.42%

LAB 40.72, 29.44, -6.29

 

CMYK 1 / 44 / 0 / 67

HEX #532F54

RGB 83 47 84

HSL 298.38, 0.28%, 0.26%

LAB 25.3, 23.1, -15.7

 

CMYK 1 / 44 / 0 / 57

HEX #6D3E6E

RGB 109 62 110

HSL 298.75, 0.28%, 0.34%

LAB 33.61, 28.67, -19.32

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 2 / 44 / 0 / 36

HEX #A05CA3

RGB 160 92 163

HSL 297.46, 0.28%, 0.5%

LAB 49.22, 38.97, -26.83

 

CMYK 1 / 34 / 0 / 30

HEX #B076B2

RGB 176 118 178

HSL 298, 0.28%, 0.58%

LAB 57.46, 32.69, -22.66

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 36 / 44 / 46

HEX #89574D

RGB 137 87 77

HSL 10, 0.28%, 0.42%

LAB 42.26, 19.45, 14.4

 

CMYK 44 / 0 / 19 / 46

HEX #4D896F

RGB 77 137 111

HSL 154, 0.28%, 0.42%

LAB 52.53, -25.93, 7.91

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 1 / 44 / 46

HEX #89874D

RGB 137 135 77

HSL 58, 0.28%, 0.42%

LAB 55.26, -8.18, 31.37

 

CMYK 44 / 0 / 1 / 46

HEX #4D8987

RGB 77 137 135

HSL 178, 0.28%, 0.42%

LAB 53.19, -19.98, -5.04

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 36 / 44 / 46

HEX #89574D

RGB 137 87 77

HSL 10, 0.28%, 0.42%

LAB 42.26, 19.45, 14.4

 

CMYK 42 / 0 / 44 / 46

HEX #4F894D

RGB 79 137 77

HSL 118, 0.28%, 0.42%

LAB 51.94, -31.9, 26.34

 

CMYK 44 / 7 / 0 / 46

HEX #4D7F89

RGB 77 127 137

HSL 190, 0.28%, 0.42%

LAB 50.17, -14.03, -10.7

 

CMYK 1 / 44 / 0 / 46

HEX #874D89

RGB 135 77 137

HSL 298, 0.28%, 0.42%

LAB 41.63, 34.18, -23.31

 

CMYK 0 / 23 / 44 / 46

HEX #89694D

RGB 137 105 77

HSL 28, 0.28%, 0.42%

LAB 46.92, 8.89, 20.65

 

CMYK 42 / 0 / 44 / 46

HEX #4F894D

RGB 79 137 77

HSL 118, 0.28%, 0.42%

LAB 51.94, -31.9, 26.34

 

CMYK 44 / 20 / 0 / 46

HEX #4D6D89

RGB 77 109 137

HSL 208, 0.28%, 0.42%

LAB 44.69, -3.69, -19.03

 

Description

Color code: HEX #874D89 | qconv.com Color code: HEX #874D89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 77 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 77 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 44 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 44% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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