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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #872F63 it is the complementary color #78D09C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #872F63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #872F63 shade: #8C2F5E, #9D4171, #AE5384, #BF6597 and #D077AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #872F63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #872F63 shade: #872F63, #761D50, #650B3D, #54002A and #430017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #872F63 shade: #872F63, #872F4C, #872F34 and #872F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #872F63 shade: #872F63, #872F7B, #7C2F87, #642F87 and #4C2F87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #872F63 shade matches the following richer shades: #872F63, #962066, #A51269 and #B4036B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #872F63 shade: #872F63, #793E61, #6A4D5E, #5B5C5B and #4C6B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #872F63 shade: #7C2F87, #872F7C, #872F64, #872F4D and #872F35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #872F63 shade: #4A1A36, #69254D, #872F63, #A63A7A and #BF4A8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #872F63 shade: #872F63, #87642F and #2F8787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #872F63 shade: #872F63, #64872F and #2F6487

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #872F63 shade: #872F63, #87642F, #2F8752 and #2F5287

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #872F63 shade: #872F63, #877F2F, #2F8752 and #2F3887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

Complementary color

CMYK 42 / 0 / 25 / 18

HEX #78D09C

RGB 120 208 156

HSL 144.55, 0.48%, 0.64%

LAB 76.98, -38.02, 17.7

 

CMYK 0 / 66 / 33 / 45

HEX #8C2F5E

RGB 140 47 94

HSL 329.68, 0.5%, 0.37%

LAB 34.84, 44, -6.85

 

CMYK 0 / 59 / 28 / 38

HEX #9D4171

RGB 157 65 113

HSL 328.7, 0.41%, 0.44%

LAB 41.44, 43.61, -8.61

 

CMYK 0 / 52 / 24 / 32

HEX #AE5384

RGB 174 83 132

HSL 327.69, 0.36%, 0.5%

LAB 48.07, 42.96, -9.97

 

CMYK 0 / 47 / 21 / 25

HEX #BF6597

RGB 191 101 151

HSL 326.67, 0.41%, 0.57%

LAB 54.68, 42.2, -11.08

 

CMYK 0 / 43 / 18 / 18

HEX #D077AA

RGB 208 119 170

HSL 325.62, 0.49%, 0.64%

LAB 61.23, 41.4, -12.01

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 75 / 32 / 54

HEX #761D50

RGB 118 29 80

HSL 325.62, 0.61%, 0.29%

LAB 27.6, 42.96, -9.02

 

CMYK 0 / 89 / 40 / 60

HEX #650B3D

RGB 101 11 61

HSL 326.67, 0.8%, 0.22%

LAB 21.37, 41.59, -5.86

 

CMYK 0 / 100 / 50 / 67

HEX #54002A

RGB 84 0 42

HSL 330, 1%, 0.16%

LAB 15.76, 38.1, -1.1

 

CMYK 0 / 100 / 66 / 74

HEX #430017

RGB 67 0 23

HSL 339.4, 1%, 0.13%

LAB 10.96, 31.89, 5.7

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 65 / 44 / 47

HEX #872F4C

RGB 135 47 76

HSL 340.23, 0.48%, 0.36%

LAB 33.36, 40.22, 2.49

 

CMYK 0 / 65 / 61 / 47

HEX #872F34

RGB 135 47 52

HSL 356.59, 0.48%, 0.36%

LAB 32.77, 38, 17.21

 

CMYK 0 / 65 / 65 / 47

HEX #872F2F

RGB 135 47 47

HSL 0, 0.48%, 0.36%

LAB 32.68, 37.64, 20.28

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 65 / 9 / 47

HEX #872F7B

RGB 135 47 123

HSL 308.18, 0.48%, 0.36%

LAB 35.23, 46.86, -24.66

 

CMYK 8 / 65 / 0 / 47

HEX #7C2F87

RGB 124 47 135

HSL 292.5, 0.48%, 0.36%

LAB 34.12, 46.12, -33.98

 

CMYK 26 / 65 / 0 / 47

HEX #642F87

RGB 100 47 135

HSL 276.14, 0.48%, 0.36%

LAB 30.62, 40.06, -39.78

 

CMYK 44 / 65 / 0 / 47

HEX #4C2F87

RGB 76 47 135

HSL 259.77, 0.48%, 0.36%

LAB 27.62, 34.42, -44.77

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 79 / 32 / 41

HEX #962066

RGB 150 32 102

HSL 324.41, 0.65%, 0.36%

LAB 34.96, 53.49, -11.6

 

CMYK 0 / 89 / 36 / 35

HEX #A51269

RGB 165 18 105

HSL 324.49, 0.8%, 0.36%

LAB 36.84, 60.87, -10.38

 

CMYK 0 / 98 / 41 / 29

HEX #B4036B

RGB 180 3 107

HSL 324.75, 0.97%, 0.36%

LAB 39.29, 66.36, -7.65

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 49 / 20 / 53

HEX #793E61

RGB 121 62 97

HSL 324.41, 0.32%, 0.36%

LAB 34.75, 30.44, -9.2

 

CMYK 0 / 27 / 11 / 58

HEX #6A4D5E

RGB 106 77 94

HSL 324.83, 0.16%, 0.36%

LAB 36.33, 15.25, -5.14

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 29 / 0 / 17 / 58

HEX #4C6B59

RGB 76 107 89

HSL 145.16, 0.17%, 0.36%

LAB 42.42, -15.44, 6.49

 

CMYK 8 / 65 / 0 / 47

HEX #7C2F87

RGB 124 47 135

HSL 292.5, 0.48%, 0.36%

LAB 34.12, 46.12, -33.98

 

CMYK 0 / 65 / 8 / 47

HEX #872F7C

RGB 135 47 124

HSL 307.5, 0.48%, 0.36%

LAB 35.28, 47.03, -25.21

 

CMYK 0 / 65 / 26 / 47

HEX #872F64

RGB 135 47 100

HSL 323.86, 0.48%, 0.36%

LAB 34.2, 43.26, -11.73

 

CMYK 0 / 65 / 43 / 47

HEX #872F4D

RGB 135 47 77

HSL 339.55, 0.48%, 0.36%

LAB 33.39, 40.33, 1.88

 

CMYK 0 / 65 / 61 / 47

HEX #872F35

RGB 135 47 53

HSL 355.91, 0.48%, 0.36%

LAB 32.79, 38.07, 16.6

 

CMYK 0 / 65 / 27 / 71

HEX #4A1A36

RGB 74 26 54

HSL 325, 0.48%, 0.2%

LAB 17.74, 26.42, -6.96

 

CMYK 0 / 65 / 27 / 59

HEX #69254D

RGB 105 37 77

HSL 324.71, 0.48%, 0.28%

LAB 26.34, 35.04, -9.16

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 65 / 27 / 35

HEX #A63A7A

RGB 166 58 122

HSL 324.44, 0.48%, 0.44%

LAB 42.06, 50.82, -13.09

 

CMYK 0 / 61 / 25 / 25

HEX #BF4A8F

RGB 191 74 143

HSL 324.62, 0.48%, 0.52%

LAB 49.44, 54.1, -14.24

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 26 / 65 / 47

HEX #87642F

RGB 135 100 47

HSL 36.14, 0.48%, 0.36%

LAB 44.9, 8.07, 34.9

 

CMYK 65 / 0 / 0 / 47

HEX #2F8787

RGB 47 135 135

HSL 180, 0.48%, 0.36%

LAB 51.48, -25.47, -7.7

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 26 / 0 / 65 / 47

HEX #64872F

RGB 100 135 47

HSL 83.86, 0.48%, 0.36%

LAB 52.11, -26.83, 42.02

 

CMYK 65 / 26 / 0 / 47

HEX #2F6487

RGB 47 100 135

HSL 203.86, 0.48%, 0.36%

LAB 40.36, -6.07, -24.65

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 26 / 65 / 47

HEX #87642F

RGB 135 100 47

HSL 36.14, 0.48%, 0.36%

LAB 44.9, 8.07, 34.9

 

CMYK 65 / 0 / 39 / 47

HEX #2F8752

RGB 47 135 82

HSL 143.86, 0.48%, 0.36%

LAB 50.15, -38.83, 21

 

CMYK 65 / 39 / 0 / 47

HEX #2F5287

RGB 47 82 135

HSL 216.14, 0.48%, 0.36%

LAB 34.78, 5.27, -33.41

 

CMYK 0 / 65 / 27 / 47

HEX #872F63

RGB 135 47 99

HSL 324.55, 0.48%, 0.36%

LAB 34.16, 43.12, -11.15

 

CMYK 0 / 6 / 65 / 47

HEX #877F2F

RGB 135 127 47

HSL 54.55, 0.48%, 0.36%

LAB 52.44, -7.35, 43.18

 

CMYK 65 / 0 / 39 / 47

HEX #2F8752

RGB 47 135 82

HSL 143.86, 0.48%, 0.36%

LAB 50.15, -38.83, 21

 

CMYK 65 / 59 / 0 / 47

HEX #2F3887

RGB 47 56 135

HSL 233.86, 0.48%, 0.36%

LAB 27.25, 22.77, -45.5

 

Description

Color code: HEX #872F63 | qconv.com Color code: HEX #872F63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 47 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 47 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 27 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 27% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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