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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #872A1C it is the complementary color #78D5E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #872A1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #872A1C shade: #8C2A17, #9D3C2A, #AE4E3D, #BF6050 and #D07263

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #872A1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #872A1C shade: #872A1C, #761809, #650600, #540000 and #430000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #872A1C shade: #87291B and #871B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #872A1C shade: #87291B, #87461B, #87631B, #87801B and #70871B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #872A1C shade matches the following richer shades: #87291B, #94200E and #A11601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #872A1C shade: #87291B, #7A3328, #6D3D36, #5F4743 and #525050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #872A1C shade: #871B48, #871B2B, #87281B, #87451B and #87611B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #872A1C shade: #42140D, #651F14, #87291B, #A93422 and #CB3E29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #872A1C shade: #872A1C, #65871B and #1B3A87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #872A1C shade: #872A1C, #1B8728 and #281B87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #872A1C shade: #872A1C, #65871B, #1B7A87 and #3D1B87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #872A1C shade: #872A1C, #45871B, #1B7A87 and #5E1B87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

Complementary color

CMYK 47 / 6 / 0 / 11

HEX #78D5E3

RGB 120 213 227

HSL 187.85, 0.66%, 0.68%

LAB 80.25, -24.01, -15.5

 

CMYK 0 / 70 / 84 / 45

HEX #8C2A17

RGB 140 42 23

HSL 9.74, 0.72%, 0.32%

LAB 32.47, 40.51, 34.61

 

CMYK 0 / 62 / 73 / 38

HEX #9D3C2A

RGB 157 60 42

HSL 9.39, 0.58%, 0.39%

LAB 38.84, 39.34, 31.64

 

CMYK 0 / 55 / 65 / 32

HEX #AE4E3D

RGB 174 78 61

HSL 9.03, 0.48%, 0.46%

LAB 45.34, 37.99, 28.97

 

CMYK 0 / 50 / 58 / 25

HEX #BF6050

RGB 191 96 80

HSL 8.65, 0.46%, 0.53%

LAB 51.86, 36.65, 26.69

 

CMYK 0 / 45 / 52 / 18

HEX #D07263

RGB 208 114 99

HSL 8.26, 0.54%, 0.6%

LAB 58.36, 35.38, 24.73

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 0 / 80 / 92 / 54

HEX #761809

RGB 118 24 9

HSL 8.26, 0.86%, 0.25%

LAB 25.33, 39.55, 33.41

 

CMYK 0 / 94 / 100 / 60

HEX #650600

RGB 101 6 0

HSL 3.56, 1%, 0.2%

LAB 19.63, 39.03, 29.94

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 100 / 100 / 74

HEX #430000

RGB 67 0 0

HSL 0, 1%, 0.13%

LAB 10.51, 30.67, 16.57

 

CMYK 0 / 70 / 80 / 47

HEX #87291B

RGB 135 41 27

HSL 7.78, 0.67%, 0.32%

LAB 31.38, 39.29, 31

 

CMYK 0 / 80 / 80 / 47

HEX #871B1B

RGB 135 27 27

HSL 0, 0.67%, 0.32%

LAB 29.45, 44.64, 28.97

 

CMYK 0 / 70 / 80 / 47

HEX #87291B

RGB 135 41 27

HSL 7.78, 0.67%, 0.32%

LAB 31.38, 39.29, 31

 

CMYK 0 / 48 / 80 / 47

HEX #87461B

RGB 135 70 27

HSL 23.89, 0.67%, 0.32%

LAB 37.13, 24.43, 36.81

 

CMYK 0 / 27 / 80 / 47

HEX #87631B

RGB 135 99 27

HSL 40, 0.67%, 0.32%

LAB 44.45, 7.52, 43.84

 

CMYK 0 / 5 / 80 / 47

HEX #87801B

RGB 135 128 27

HSL 56.11, 0.67%, 0.32%

LAB 52.58, -8.98, 51.31

 

CMYK 17 / 0 / 80 / 47

HEX #70871B

RGB 112 135 27

HSL 72.78, 0.67%, 0.32%

LAB 52.79, -23.07, 50.8

 

CMYK 0 / 70 / 80 / 47

HEX #87291B

RGB 135 41 27

HSL 7.78, 0.67%, 0.32%

LAB 31.38, 39.29, 31

 

CMYK 0 / 78 / 91 / 42

HEX #94200E

RGB 148 32 14

HSL 8.06, 0.83%, 0.32%

LAB 32.61, 46.8, 39.8

 

CMYK 0 / 86 / 99 / 37

HEX #A11601

RGB 161 22 1

HSL 7.88, 0.99%, 0.32%

LAB 34.3, 53.33, 47.52

 

CMYK 0 / 70 / 80 / 47

HEX #87291B

RGB 135 41 27

HSL 7.78, 0.67%, 0.32%

LAB 31.38, 39.29, 31

 

CMYK 0 / 58 / 67 / 52

HEX #7A3328

RGB 122 51 40

HSL 8.05, 0.51%, 0.32%

LAB 31.02, 30.14, 22.12

 

CMYK 0 / 44 / 50 / 57

HEX #6D3D36

RGB 109 61 54

HSL 7.64, 0.34%, 0.32%

LAB 31.47, 20.2, 13.44

 

CMYK 0 / 25 / 29 / 63

HEX #5F4743

RGB 95 71 67

HSL 8.57, 0.17%, 0.32%

LAB 32.58, 9.6, 6.37

 

CMYK 0 / 2 / 2 / 68

HEX #525050

RGB 82 80 80

HSL 0, 0.01%, 0.32%

LAB 34.21, 0.82, 0.28

 

CMYK 0 / 80 / 47 / 47

HEX #871B48

RGB 135 27 72

HSL 335, 0.67%, 0.32%

LAB 30.41, 47.65, 0.83

 

CMYK 0 / 80 / 68 / 47

HEX #871B2B

RGB 135 27 43

HSL 351.11, 0.67%, 0.32%

LAB 29.69, 45.4, 19.08

 

CMYK 0 / 70 / 80 / 47

HEX #87281B

RGB 135 40 27

HSL 7.22, 0.67%, 0.32%

LAB 31.23, 39.72, 30.83

 

CMYK 0 / 49 / 80 / 47

HEX #87451B

RGB 135 69 27

HSL 23.33, 0.67%, 0.32%

LAB 36.9, 24.99, 36.59

 

CMYK 0 / 28 / 80 / 47

HEX #87611B

RGB 135 97 27

HSL 38.89, 0.67%, 0.32%

LAB 43.91, 8.69, 43.34

 

CMYK 0 / 70 / 80 / 74

HEX #42140D

RGB 66 20 13

HSL 7.92, 0.67%, 0.15%

LAB 13.75, 21.81, 15.55

 

CMYK 0 / 69 / 80 / 60

HEX #651F14

RGB 101 31 20

HSL 8.15, 0.67%, 0.24%

LAB 22.99, 30.84, 24.26

 

CMYK 0 / 70 / 80 / 47

HEX #87291B

RGB 135 41 27

HSL 7.78, 0.67%, 0.32%

LAB 31.38, 39.29, 31

 

CMYK 0 / 69 / 80 / 34

HEX #A93422

RGB 169 52 34

HSL 8, 0.67%, 0.4%

LAB 39.59, 46.87, 37.56

 

CMYK 0 / 69 / 80 / 20

HEX #CB3E29

RGB 203 62 41

HSL 7.78, 0.66%, 0.48%

LAB 47.37, 54.53, 43.7

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 25 / 0 / 80 / 47

HEX #65871B

RGB 101 135 27

HSL 78.89, 0.67%, 0.32%

LAB 52.03, -27.76, 49.82

 

CMYK 80 / 57 / 0 / 47

HEX #1B3A87

RGB 27 58 135

HSL 222.78, 0.67%, 0.32%

LAB 26.76, 18.45, -46.34

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 80 / 0 / 70 / 47

HEX #1B8728

RGB 27 135 40

HSL 127.22, 0.67%, 0.32%

LAB 49.15, -48.78, 41.06

 

CMYK 70 / 80 / 0 / 47

HEX #281B87

RGB 40 27 135

HSL 247.22, 0.67%, 0.32%

LAB 19.98, 39.93, -57.42

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 25 / 0 / 80 / 47

HEX #65871B

RGB 101 135 27

HSL 78.89, 0.67%, 0.32%

LAB 52.03, -27.76, 49.82

 

CMYK 80 / 10 / 0 / 47

HEX #1B7A87

RGB 27 122 135

HSL 187.22, 0.67%, 0.32%

LAB 46.84, -21.56, -14.72

 

CMYK 55 / 80 / 0 / 47

HEX #3D1B87

RGB 61 27 135

HSL 258.89, 0.67%, 0.32%

LAB 22.04, 42.49, -53.96

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 49 / 0 / 80 / 47

HEX #45871B

RGB 69 135 27

HSL 96.67, 0.67%, 0.32%

LAB 50.3, -39.81, 47.58

 

CMYK 80 / 10 / 0 / 47

HEX #1B7A87

RGB 27 122 135

HSL 187.22, 0.67%, 0.32%

LAB 46.84, -21.56, -14.72

 

CMYK 30 / 80 / 0 / 47

HEX #5E1B87

RGB 94 27 135

HSL 277.22, 0.67%, 0.32%

LAB 26.48, 47.95, -46.51

 

Description

Color code: HEX #872A1C | qconv.com Color code: HEX #872A1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 42 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 42 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 79 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 79% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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